An Author with the Heart of an Inkling

C.S. Lewis and Frederick Buechner never met, yet they are “friends” because they share so many similarities as authors writing from a Christian perspective. In terms of Buechner’s themes and range of his writings, this award winning American author and ordained Presbyterian minister may have as much in common with C.S. Lewis as his own British Inklings. So let me introduce Frederick Buechner and his writings.

Do you read primarily to relax and allow your imagination to soar? Or, do you normally select “useful” books, with the potential to be applicable to meeting the challenges of real life?

During my college years, I enjoyed scifi and fantasy. I still have a weak spot for alternative histories. But my seminary years had a subtle effect on my reading. With time always at a premium as a young pastor with a family, I had so many practical, pastoral books and journals to study, that I seldom had time for something so frivolous as “fiction.” Fortunately, semi-retirement has released me from that restrictive literary diet.

I’ve finally found some time to unpack a few of the boxes of books sitting in my garage. (The fact we moved them into the garage around 2010 would be embarrassing if it got out, so I ought not to mention it here.)

As one would expect, I’ve encountered many pleasant surprises. A number of books I had been missing have turned up, I’ve found some that are even more timely today than when they were stored, and—best of all in the minds of my adult children—I’ve been able to part with about two-thirds of the titles, and recently donated about 150 volumes to a local charity.

One of the titles I am currently reading is Frederick Buechner’s Telling Secrets. I had picked up a copy when it was highly recommended to me, only to discover it was a memoir. Being a “practical pastor” who always had too many utilitarian books to read, I set it aside . . . only to pick it up twenty years later.

And what a joyous surprise it has been. Buechner is in his nineties, and is widely respected. He has been a prolific writer, and has received numerous awards for his fictional works. Readers, particularly from the Reformed branch of Christianity have been especially fervent fans of the Presbyterian pastor and theologian. My friend, Brenton Dickieson is quite fond of Buechner and has written about him in A Pilgrim in Narnia on several occasions. He notes that Buechner quotes a number of the Inklings, including Tolkien, Williams and Lewis.

I vaguely recall the Lewis connection being one reason my fellow Air Force chaplain recommended Telling Secrets to me. But I had forgotten that the first section is entitled “The Dwarves in the Stable.” This is, of course, an allusion to an extremely momentous scene in The Final Battle, the final volume of the Chronicles of Narnia. It was originally published as an independent essay, as this entertaining post points out.

Buechner shares a dark family secret, the consequences of his father’s suicide in 1936. Listen to how movingly he describes the secret’s power:

His suicide was a secret we nonetheless tried to keep as best we could, and after a while my father himself became such a secret. There were times when he almost seemed a secret we were trying to keep from each other.

Buechner moves on to relate the suffering the family experienced during his daughter’s battle with anorexia. He shares few details, since “it is not mine to tell but hers.” Nevertheless, he describes setbacks in the struggle causing him to feel as though he “was in hell.”

I choose the term hell with some care. Hell is where there is no light but only darkness, and I was so caught up in my fear for her life, which had become in a way my life too, that none of the usual sources of light worked any more, and light was what I was starving for. . . .

I remained so locked inside myself that I was not really present with them at all. Toward the end of C.S. Lewis’s The Last Battle there is a scene where a group of dwarves sit huddled together in a tight little knot thinking that they are in a pitch black, malodorous stable when the truth of it is that they are out in the midst of an endless grassy countryside as green as Vermont with the sun shining and blue sky overhead.

The huge golden lion, Aslan himself, stands nearby with all the other dwarves “kneeling in a circle around his forepaws” as Lewis writes, “and burying their hands and faces in his mane as he stooped his great head to touch them with his tongue.” When Aslan offers the dwarves food, they think it is offal.

When he offers them wine, they take it for ditch water. “Perfect love casteth out fear,” John writes (1 John 4:18), and the other side of that is that fear like mine casteth out love, even God’s love. The love I had for my daughter was lost in the anxiety I had for my daughter.

This is just a single example of the sensitive wisdom Buechner shares throughout this grace-filled work.

After I finish Telling Secrets, I look forward to reading two of Buechner’s novels already on my shelf, Godric and Brendan. They are both historical fiction, telling the stories of two sainted monks from the twelfth and sixth centuries respectively.

I encourage any of you unfamiliar with his writings to explore his work. If an autobiography can be this good, I’m eager to take a journey through what I have no doubt will be quite an adventure in his fiction.

Buechner possesses an additional connection to C.S. Lewis, which has the potential to last centuries. He describes his decision to offer his personal papers to Wheaton College, where they are available in the archives. The theologian describes his decision in this humble manner.

Wheaton College [has] a great collection there of the manuscripts and papers of people like C.S. Lewis, G.K. Chesterton, George MacDonald, J.R.R. Tolkien, Dorothy Sayers, and the like, and because I could think of no more distinguished company than theirs among whom to have my own literary remains molder, a year earlier I had offered them everything I had stowed away over the years in cardboard boxes and scrapbooks and manila folders; and to my delight they said that they would be delighted to have it.

If you would enjoy learning more about the relationship between Buechner and the Inklings, check out this fine article; “C.S. Lewis and Frederick Buechner: Literary Expression of Faith” is available for download. It’s quite enlightening.


Bonus Insight

The second chapter of Telling Secrets is entitled “The White Tower.” Many Inkling fans will jump to the conclusion (especially after reading this post) that it is a reference to the citadel of Minas Tirith, the capital of Gondor. Like me, they would be incorrect.

Buechner is not alluding here to Tolkien’s masterpiece. On the contrary, he is referring to the central tower which was the old keep of the Tower of London. Ironically, that very keep, the White Tower, was built by a Norman monk who became the Bishop of Rochester. His name . . . Gundulf.

Buechner chose this metaphor for the human condition for the following reason.

I think here of the Tower of London. More particularly I think of that oldest part of it, known as the White Tower, which was built by William the Conqueror in the eleventh century. On the second floor of it there is a small Norman chapel called the Chapel of Saint John. It is very bare and very simple. It is built all of stone with twelve stone pillars and a vaulted ceiling.

There is a cool, silvery light that comes in through the arched windows. . . . The chapel is very silent, very still. It is almost a thousand years old. You cannot enter it without being struck by the feeling of purity and peace it gives. If there is any such thing in the world, it is a holy place.

But that is not all there is in the White Tower. Directly below the chapel is the most terrible of all the tower’s dungeons. It has a heavy oak door that locks out all light and ventilation. It measures only four feet square by four feet high so that a prisoner has no way either to stand upright in it or to lie down at full length. There is almost no air to breathe in it, almost no room to move. It is known as the Little Ease.

I am the White Tower of course. To one degree or another all of us are.

Looking Toward the New Year with the Inklings

If we were to ask C.S. Lewis, J.R.R. Tolkien and the rest of the Inklings for insights about a New Year, what wisdom might they share?

Read on. Mere Inkling answers that question with a few select quotations from their writings. We also include comments from several other writers associated, in spirit, with the Oxford Inklings.

While some of the pithiest of the quotations below are well represented at quotation websites, your humble host has secured the less familiar quotations through the diligent search of obscure manuscripts.

J.R.R. Tolkien:

From a holiday letter to a friend.

“There is small chance of this reaching you tomorrow Jan. 1 to wish you a Happy New Year. I hope you have plenty of food in store! It is my birthday on Jan. 3rd, and I look like spending it in the isolation of a house turned igloo; but the companionship of several bottles of what has turned out a most excellent burgundy (since I helped to select it in its infancy) will no doubt mitigate that: Clos de Tart 1949, just at its top. With that hobbit-like note I will close, wishing you and your wife and children all blessings in 1962.”

As the world conflict raged on, Tolkien wrote to his son Christopher who was serving in the Royal Air Force. “This empty year is fading into a dull grey mournful darkness: so slow-footed and yet so swift and evanescent. What of the new year and the spring? I wonder.”

Christopher Tolkien:

A scholar in his own right, Christopher devoted much of his life to editing his father’s published and unpublished works. In The End of the Third Age, he reminds us that sometimes the jobs on which we embark end up being far more involved than we anticipated. “With this book, my account of the writing of The Lord of the Rings is completed. I regret that I did not manage to keep it even within the compass of three fat volumes.

C.S. Lewis:

“What wonderful adventures we shall have, now that we are all in it together.”

“You are never too old to set another goal or dream a new dream.”

“Isn’t it funny how day by day nothing changes, but when you look back, everything is different.”

“I must keep alive in myself the desire for my true country, which I shall not find till after death; I must never let it get snowed under or turned aside; I must make it the main object of life to press on to that other country and help others to do the same.”

“If you live for the next world, you get this one in the deal; but if you live only for this world, you lose them both.”

“There are far, far better things ahead than any we leave behind.”

“I think that if God forgives us we must forgive ourselves. Otherwise, it is almost like setting up ourselves as a higher tribunal than Him.”

Charles Williams:

“I think in order to move forward into the future, you need to know where you’ve been.”

“Play and pray; but on the whole do not pray when you are playing and do not play when you are praying.”

Owen Barfield:

“. . . the poet, while creating anew, is likely to be in a sense restoring something old.”

In a short story entitled “The Devastated Area,” Barfield, a veteran of WWI, described the way a soldier can view an uncertain future. “Armistice day; the last shot; and the hushed, doubtful little group in the dug-out at 11 o’clock. He is sitting there in uniform, willing for the first time in three years to let his thoughts run on into the future. But they will go back to the past instead . . .”

Adam Fox:

In his history of English hymnody, Fox praises his nation’s people and offers timely advice regarding musical accompaniment. “It takes no long argument to prove that Hymn Singing is a national institution in Great Britain. It is so rather in the same way as cricket. . . . The singing is usually accompanied on an organ, or if there is no organ, then on a piano. The harmonium, though sometimes used for the purpose, cannot be recommended, and is falling into disuse.”

Jack A.W. Bennett:

In The Humane Medievalist, Bennett praises his friend and fellow Inkling, C.S. Lewis. Coincidentally, this essay was his own inaugural lecture as he assumed the Cambridge chair which had been created for Lewis himself. “C.S. Lewis died a year ago today, and the year has deepened not diminished our sense of loss. Those of us who had the good fortune to call him master must feel as the prentice Hoccleve felt about Chaucer: ‘Fain he would me have taught, But I was dull, and learned little or naught.’”

Lord David Cecil:

He begins his biography of Lord Melbourne with a curious sentence suggesting that even we who have lived the most average of lives, may still have great things ahead of us. “William Lamb, second son of the first Viscount Melbourne, had arrived at the age of forty-seven without achieving anything of significance in the world.”

Hugo Dyson:

Discussing the Tragedies written by Shakespeare, Dyson reminds us to recognize potential blessings in the coming year’s challenges. “Our awareness both of ourselves and of the world at large is intensified by confrontation with an unexpected or serious or painful situation. Our wits and imaginations alike grow more acute under difficulties.”

Nevill Coghill:

Referring to Chaucer’s portrayal of the Knight, Coghill describes an ongoing goal for those who will to live nobly. “There is a fundamental answer to those who want to think the Knight’s moral nature . . . was too good to be true, and so can be no better than a romantic illusion. People who think thus can never have thought about Christianity at all; that we can live up to the moral demands that it makes on us, and that at any moment we may fall into the pit that opens beneath us, does not lessen the love we are taught . . . to have, and to attempt. Christianity plainly tells us to be perfect, impossible as it seems, impossible as it proves; but this does not make that demand less real, or even less realistic . . . Coming to the aid of human imperfection, there is grace.”

A Special Bonus for Mere Inkling Readers as the Year Ends

And a few additional thoughts from writers with connections to our favorite Inklings.

George MacDonald:

“A man’s real belief is that which he lives by. What a man believes is the thing he does, not the thing he thinks.”

A reminder to trust God for his daily provision. “It is not the cares of today, but the cares of tomorrow, that weigh a man down. For the needs of today we have corresponding strength given. For the morrow we are told to trust. It is not ours yet. It is when tomorrow’s burden is added to the burden of today that the weight is more than a man can bear.”

“Past tears are present strength.”

Dorothy Sayers:

“Paradoxical as it may seem, to believe in youth is to look backward; to look forward we must believe in age.”

G.K. Chesterton:

“When it comes to life, the critical thing is whether you take things for granted or take them with gratitude.”

Joy Davidman:

“Being a fool for God was not merely alright but liberating.”

“We do not need a world in which there is nothing to be afraid of . . . Nor can we have such a world, for all our strivings; no matter pleasant and safe we make the journey, the end of it is death. What we do need is to remember that we have been redeemed from death and the fear of death, and at a rather high price too.”

Douglas Gresham:

“I am beginning to realize that every point in one’s life at which one loses everything is far more a beginning than an end, for one has lost merely the past, and one has yet to gain the future, and eternity itself.”

And, encouragement for those among us who are writers: “Don’t forget, the rejection by a publisher of a book that you’ve written is not a failure.”

One Final Bit of Wisdom for the New Year

The internet offers lots of valuable information, accessible with the click of a key. Unfortunately, a significant amount of it is unsubstantiated, and downright false. This includes the quotations attributed to various people.

Some largescale quotation “aggregators” consider attribution on other unvalidated sites sufficient justification for loading the questionable citations to their own pages. For example, check out the quotations attributed online to Lord David Cecil. Or, better yet, don’t.

During my research for this post I discovered many of them – or, at least those most beneficial to reflective minds – actually come from the pen of Richard Cecil (1748-1810), an Anglican priest. Here is a grand example of misattribution, particularly appealing to a pastor such as myself: “It requires as much reflection and wisdom to know what is not to be put into a sermon, as what is.”

We’ll close now with an apocryphal C.S. Lewis quote. Despite scores of sites attributing the following thought to Lewis, no one can find it anywhere in his work. It is, however, consistent with his wisdom, and leaves us with an optimistic truth as 2021 draws to a close.

“You can’t go back and change the beginning, but you can start where you are and change the ending.”

Amen. Lord, grant all those who read these words of wisdom, both now and during years to come, a blessed New Year.

An Allied War Crime

During the Second World War, Germany and Japan (leaders of the Axis) committed many loathsome acts. But at least one Allied country was also guilty of an unnecessary atrocity. Genocide and the mass murder of civilians were only part of the Axis’ evil agenda. Germany and Japan also performed horrific medical “experiments” on their innocent captives. No one defends these acts.

The Second World War ended rather abruptly. At the war’s conclusion, a new weapon persuaded the Empire of Japan to surrender unconditionally. The Potsdam Declaration which called on the Emperor to yield offered a grim alternative.

We call upon the government of Japan to proclaim now the unconditional surrender of all Japanese armed forces, and to provide proper and adequate assurances of their good faith in such action. The alternative for Japan is prompt and utter destruction.

Before the use of the two atomic bombs, plans were well underway for Operation Downfall, the invasion of Japan. Massive Allied casualties were anticipated—but due to the nature of warfare, these were dwarfed by the number of Japanese who would have perished.

While few ever praised the total destruction of Hiroshima and Nagasaki, nearly all objective minds recognized that the swift conclusion which followed saved far more lives. This opinion is not only the “military” consensus. It is also shared by those Japanese who were being trained, with bamboo poles, to resist the impending invasion of their islands. (I have had personal conversations with several Japanese citizens who were part of this civilian army.)

Operation Ketsugō (決号作戦), called for the nation’s entire population to resist the invasion. The Japanese Cabinet “essentially called the entire population to military service, while propagandists began ‘The Glorious Death of One Hundred Million’ program to whip up enthusiasm for dying for the Emperor” (A War to Be Won).

While the need for the bombing of Nagasaki is debatable, the use of the atomic bomb in ending the war, saved countless lives. Some have called its use a war crime. They are wrong.

That does not mean, however, that the Allied hands were innocent. In the European theater of the war, the British responded to Germany’s bombing of their civilian populations with terror bombing of their own. Air Chief Marshal Arthur Harris embodied this vile strategy and, as head of the Royal Air Force Bomber Command, he could wage a war of retribution. And, as a leader of the winning army, his criminal behavior would be overlooked.

“Bomber Harris” justified raining fire on civilians because it would abbreviate the war. He said, in my opinion to his lasting shame, “I do not personally regard the whole of the remaining cities of Germany [i.e. all of the citizens abiding in them] as worth the bones of one British Grenadier.”

Air Force Magazine has an informative article available online which addresses Harris’ strategy. It cites Churchill’s acknowledgement that “we hoped to shatter almost every dwelling in almost every German city.” Only with the utter destruction of the city of Dresden, did Churchill admit that “the moment has come when the question of bombing of German cities simply for the sake of increasing the terror, though under other pretexts, should be reviewed” (“The Allied Rift on Strategic Bombing”).

War is a Terrible Thing

Ernest Hemingway was a talented, but deeply troubled, writer. A Boston University article describes his religious outlook in this way: “While raised by devout Christian parents, Hemingway converted to Catholicism at the age of twenty-eight for marriage and proved religiously indifferent throughout his lifetime, despite a preoccupation with biblical themes in many of his works.”⁑

Hemingway addressed the subject of this post in a sober, profound and honest manner. “Never think that war, no matter how necessary, nor how justified, is not a crime.” Even people such as myself, advocates of Just War Theory, can agree with this.

War is a crime against humanity itself, an activity that was never part of our Creator’s original design. War represents a battle in which even the victor is often left scarred, as one of my fellow chaplains describes in his newly released book, Nailed! Moral Injury: A Response from the Cross of Christ for the Combat Veteran.*

Yet, as horrible as war is, it is sometimes necessary. G.K. Chesterton astutely noted the proper motive for soldiers. They don’t seek personal conquest. Nor is the pursuit of personal glory a proper justification. According to Chesterton, “The true soldier fights not because he hates what is in front of him, but because he loves what is behind him.” In the same light, he wisely described war in the following manner in his Autobiography.

The only defensible war is a war of defence. And a war of defence, by its very definition and nature, is one from which a man comes back battered and bleeding and only boasting that he is not dead.

C.S. Lewis was just such a man. Deeply acquainted with the bloody toll of war, he did not glorify combat. In 1939 he wrote in a letter, “My memories of the last war haunted my dreams for years.” Yet, that very same year, Lewis described moments when war was truly unavoidable, saying “if war is ever lawful, then peace is sometimes sinful” (“The Conditions for a Just War”).

Chivalry is the Imperfect Response to War

Chivalry may sound like an archaic word and an obsolete concept. It may be the former, but is definitely not the latter. For C.S. Lewis, it was the principle that could reduce the anguish caused by war.

C.S. Lewis recognized the profound cost of war and acknowledged short of Christ’s return, it will remain unavoidable. The only way its violence can be tempered is through a principle like chivalry, which naturally arises from the belief that though some wars cannot be avoided, all wars can be restrained by humane guidelines. This notion even inspires the Geneva Conventions.

Mere Inkling has discussed the Inkling concept of chivalry in the past, so I will not repeat that discussion here. Instead, allow me to refer you to an excellent article I recently read on this vital subject, “C.S. Lewis, War, and the Christian Character.”

Addressing the familiar canard that C.S. Lewis glorifies war, particularly in the Chronicles of Narnia, Marc LiVecche declares.

For Lewis, the Narnian stories are all about love—not about love despite the battles and wars, but about love that, because it is love, reveals itself in the rescue of the innocent, the defense of justice, and the punishment of evil even, in the last resort, by war and, most crucially, in the character of the warriors who wage those wars.

In a candid manner that could possibly cause the prudish to blush, LiVecche describes how Botticelli’s Venus and Mars illustrates the view that in a fallen world, war can be harnessed to serve positive ends. This painting is significant, in that “a facsimile of the Botticelli masterwork hung in Lewis’ Oxford rooms in Magdalen College.”

In any case, whether through the influence of Venus or the two-aspects of his internal character, Lewis’ Mars—and the martial character he influences in others—is about much more than war and violence. For Lewis, the fullness of the martial character is best communicated by the chivalric idea of “the knight—the Christian in arms for the defence of a good cause,” which Lewis called “one of the great Christian ideas.” This chivalric ideal, in turn, is best understood through those words addressed to the dead Launcelot, the greatest of all the knights, in Malory’s Morte D’Arthur: “Thou wert the meekest man that ever ate in hall among ladies; and thou wert the sternest knight to thy mortal foe.”

Lewis expounds: “The important thing about this ideal is…the double-demand it makes on human nature. The knight is a man of blood and iron, a man familiar with the sight of smashed faces and the ragged stumps of lopped-off limbs; he is also a demure, almost a maidenlike guest in hall, a gentle, modest, unobtrusive man. He is not a compromise or happy mean between ferocity and meekness; he is fierce to the nth and meek to the nth.”

LiVecche discusses how Lewis’ thought reflects the Christian just war tradition. It is a crucial damper to unbridled war, since “human beings are motivated both by love and kindness as well as selfishness and cruelty [requiring that] the use of force must be viewed with skepticism and deployed within carefully prescribed constraints.”

War crimes are criminal precisely because they fall outside the boundaries of what is just and necessary. These offenses should never be ignored or minimized, no matter who commits them . . . be they Nazi bureaucrats, genocidal Japanese commanders, or sophisticated British baronets who serve as military marshals.


* Chaplain Mark Schreiber’s book is available from Amazon and its kindle version will be available soon.

Elegies, Eulogies & C.S. Lewis

For a long time I was puzzled by the difference between the two words, elegy and eulogy. My confusion was not simply due to their obvious visual and aural similarities. My puzzlement was increased by their use in similar contexts (e.g. death). Even worse, they are sometimes (mis)used interchangeably.

If you are confused, let me clarify the matter—the words have significantly different definitions. The fact they are both three syllables and share four letters, is simply coincidence. Both are frequently written, but only eulogies are intended to be delivered as an oration.

A eulogy (ˈyü-lə-jē) is a message of commendation and praise, typically offered in honor of someone who has died. (It originates from the Greek word eulogia which means praise.)

An elegy (ˈe-lə-jē) is a poem, or possibly a song, with a melancholy tone. It can, but does not have to, be about someone who is deceased. (It finds its origin in elegos, the Greek word for a song of mourning.)

Thus, even when both eulogies and elegies are offered in response to the same person’s passing, they remain quite distinct from one another. The eulogy focuses on praise, and is positive in tone. The elegy focuses on sorrow and is like a lamentation.

As a young man, C.S. Lewis wrote to his father about the nature of exaggeration often found in eulogies.

I was sorry to see the other day news of our friend Heineman’s sudden death. The papers have been so covering him with eulogy since he went that I begin to feel glad I met him, if only for once—Vergilium vidi tantum! [“I have seen the great Virgil!” (Ovid, Tristia)]

In this case however I think the virtues are not wholly of the tombstone nature: a great publisher is really something more than a mere machine for making money: he has opportunities for doing things for the best of motives, and if one looks round most of our English houses, I think he avails himself of them as well as anyone can expect. I always put up a fight for the tribe of publishers here where so many young men with manuscripts have nothing too bad to say of them.

The close companionship of the Inklings meant that they took one another’s death quite hard. C.S. Lewis’ brother Warren wrote a moving eulogy when Charles Williams passed. In it he said, “the blackout has fallen, and the Inklings can never be the same again.”

The talented Christian writer, Dorothy Sayers, shared a dynamic friendship with C.S. Lewis. Lewis wrote a heartfelt eulogy for her when she died in 1957. Her son wrote back thanking him for the warm and uplifting gift.

Lewis was unable to present it in person at the funeral, so his eulogy was read to the congregation by the Lord Bishop of Chichester. It is quite substantial and because Sayers’ son preserved a copy, it is now preserved in the essay collection On Stories. It is entitled “A Panegyric for Dorothy L. Sayers,” panegyric being another word for publicly rendered praise. At the conclusion of the sensitive tribute, Lewis praises her translation of Dante’s Divine Comedy. Unfortunately, Sayers died before completing the final section of the work. After complimenting her work on the initial section, the Inferno, he concludes:

. . . when I came to the Purgatorio, a little miracle seemed to be happening. She had risen, just as Dante himself rose in his second part: growing richer, more liquid, more elevated. Then first I began to have great hopes of her Paradiso. Would she go on rising? Was it possible? Dared we hope?

Well. She died instead; went, as one may in all humility hope, to learn more of Heaven than even the Paradiso could tell her. For all she did and was, for delight and instruction, for her militant loyalty as a friend, for courage and honesty, for the richly feminine qualities which showed through a port and manner superficially masculine and even gleefully ogreish—let us thank the Author who invented her.

As a literary historian, C.S. Lewis was extremely familiar with elegies. In an essay, “Donne and Love Poetry in the Seventeenth Century,” he critically analyzes that author’s elegies. (You can download the complete collection of Donne’s poems in two volumes here: 12.)

In another essay, “Shelley, Dryden, and Mr. Eliot,” Lewis praises Shelley’s “Witch of Atlas,” and moves on to an interesting critique of Adonais: An Elegy on the Death of John Keats.

If Shelley had written only such poems he would have shown his genius: his artistry, the discipline and power of obedience which makes genius universal, are better shown elsewhere. Adonais naturally occurs to the mind, for here we see Shelley fruitfully submitting to the conventions of a well-established form.

It has all the traditional features of the elegy—the opening dirge, the processional allegory, and the concluding consolation. There is one bad error of taste. The Muse, lamenting Adonais, is made to lament her own immortality,

     I would give All that I am to be as thou now art!
     But I am chained to Time, and cannot thence depart! (xxvi)

This is to make a goddess speak like a new-made human widow, and to dash the public solemnity of elegy with the violent passions of a personal lyric. How much more fitting are the words of the Roman poet:

Immortales mortales si foret fas flere
Flerent divae Camenae Naevium poetam.

[Gnaeus Naevius (c. 270-199 BC) was a Roman poet who composed this modest epitaph for his tomb:
If it would be lawful for immortals to weep for mortals,
the divine Muses would weep for the poet Naevius.]

A Special Bonus

For readers who have continued to this point, I have a special treat. It is a satirical elegy written by G.K. Chesterton (1874-1936), who was a popular English writer, and staunch defender of Christianity (particularly of the Roman Catholic flavor).

This excellent column describes the influence Chesterton had on the Inklings, especially Lewis and J.R.R. Tolkien. Chesterton often launched his work from current events or twists on common knowledge, creatively manipulating it to provide new insights. He did this very thing with the following, famous elegy.

In 1751, English poet Thomas Gray wrote “Elegy Written in a Country Churchyard.”  It grew in fame, and was memorized by many English schoolchildren. It consists of more than thirty stanzas. The link offers the entire poem, but eight lines will suffice to illustrate for our purpose here.

Elegy Written in a Country Churchyard
by Thomas Gray

Far from the madding crowd’s ignoble strife,
     Their sober wishes never learn’d to stray;
Along the cool sequester’d vale of life
     They kept the noiseless tenor of their way.

Yet ev’n these bones from insult to protect,
     Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture deck’d,
     Implores the passing tribute of a sigh.

Their name, their years, spelt by th’ unletter’d muse,
     The place of fame and elegy supply:
And many a holy text around she strews,
     That teach the rustic moralist to die.

And here we close with Chesterton’s brief version, intentionally bearing the same title. It is both somber (in the first two sincere stanzas) and scathing (in the last verse). I am certain citizens of many nations would nod in agreement if this elegy was applied to their own countries.

Elegy in a Country Churchyard
by G.K. Chesterton

The men that worked for England
They have their graves at home:
And birds and bees of England
About the cross can roam.

But they that fought for England,
Following a falling star,
Alas, alas for England
They have their graves afar.

And they that rule in England,
In stately conclave met,
Alas, alas for England
They have no graves as yet.

C.S. Lewis and Punditry

chesterton-sanity

Odds are that you, kind reader of Mere Inkling, are a pundit. While the overpaid professionals who overpopulate the media would like for us to think being a pundit requires possessing special knowledge or expertise, that’s simply not true.

Any of us who make comments or pass judgments in an authoritative manner can rightly be deemed a pundit. If you are simply a commonplace critic, you probably qualify for the title. All the more so if you publish your thoughts.

If the recent elections proved anything, they revealed there may well be more pundits per cubic acre in the modern world, than there are bees.

Recently I came across a peculiar essay, written by a writer with whom I’m totally unfamiliar. David Harsanyi is a senior editor of The Federalist, although this article appeared in National Review. Presumably he is a conservative, but of the atheist variety. (No wonder I haven’t read any of his work.)

At any rate, he’s a journalist who describes his “line of work” as “punditry.” Punditry as we have noted, has become all the rage in our modern era. I’m debating though whether adding it to one’s resume would be beneficial. It appears that receiving the validation of a punditry paycheck is the best gauge for making that determination.

As soon as people had the leisure time to develop their senses of humor, the seeds of punditry were planted, and many a silver tongued cynic has reaped the harvest. The past has known people who offered social criticism with a dash of wit (typically of the sarcastic variety).

An admirable example of such was G.K. Chesterton (1874-1936). Chesterton differed from Harsanyi in that he was also a philosopher and poet, not merely a journalist. Most notably, Chesterton was also a Christian.

C.S. Lewis held Chesterton in very high regard, and included his book The Everlasting Man among the top ten titles which had influenced his professional and philosophical thought. You can download an audio copy of that text here.

There is a great essay here that explores the influence of Chesterton’s essay “Ethics of Elfland” on the Inklings.

Jerk Logic

Returning to the article with which I began, “Jerk Logic” is the title of Bersanyi’s essay. He began with a question that more people should probably ask themselves.

Am I a jerk? You may find this an odd question for a person to ask himself. But when you’re in my line of work—which, broadly speaking, is called punditry—complete strangers on social media have little compunction about pointing out all your disagreeable character traits.

I found his article interesting for several reasons. He’s candid about some of the booby traps that endanger those who dare to write about controversial subjects. He offers a confession about just how soul-scarring the past election has been for some who have followed its permutations closely.

The 2016 election, I’m afraid, has convinced me that the joke is definitely on me. But after taking meticulous inventory of my actions over the past year or so, I am forced to acknowledge that perhaps, on occasion, some of my behavior might be construed as wantonly unpleasant. Long story short, I am a jerk . . . with an explanation.

Another thing I enjoyed in the brief piece is how he turned to a personality inventory (similar to the Myers Briggs Type Indicator) to assess his potential jerk quotient.

As I learned more about my personality type, I began feeling sorry for everyone in my almost certainly beleaguered family. While we pride ourselves on “inventiveness and creativity” and “unique perspective and vigorous intellect,” Logicians can also be “insensitive,” “absent-minded,” and “condescending.”

The essay concludes with a justification for a modest amount of jerkiness when living the life of a journalist, and especially a pundit.

As a writer, it’s incumbent on me to be clinically unpleasant and prickly when focusing on self-aggrandizing do-gooders or abusers of power or those who pollute our culture with garbage. One can make arguments in good faith while still being downright disagreeable. So I make no apologies for being disliked. There’s nothing wrong with being hated by the right people.

There are, in fact, far too many journalists overly concerned about being shunned. As a young critic writing his first reviews for a wire agency, I sometimes wrestled with an existential question: “Who am I to say these horrible things about people who are far more successful and powerful than I am?” Nowadays I ask myself: “How exactly can I say more horrible things about these people who shouldn’t be more successful or powerful than any of us?”

A skeptical and contrarian disposition is not only useful if you want to be a decent pundit, but indispensable if you want to be a good journalist on any beat.

I wonder whether Chesterton would think of this as an indispensable journalistic trait. He did, after all, have an honest view of the overall profession. “Journalism largely consists in saying ‘Lord Jones is dead’ to people who never knew Lord Jones was alive.” (The Wisdom of Father Brown)

I did find a fascinating description of the press provided by Chesterton in “The Boy.” It was published in 1909 in All Things Considered . . . and echoes true a century later.

But the whole modern world, or at any rate the whole modern Press, has a perpetual and consuming terror of plain morals. Men always attempt to avoid condemning a thing upon merely moral grounds.

If I beat my grandmother to death to-morrow in the middle of Battersea Park, you may be perfectly certain that people will say everything about it except the simple and fairly obvious fact that it is wrong.

Some will call it insane; that is, will accuse it of a deficiency of intelligence. This is not necessarily true at all. You could not tell whether the act was unintelligent or not unless you knew my grandmother. Some will call it vulgar, disgusting, and the rest of it; that is, they will accuse it of a lack of manners. Perhaps it does show a lack of manners; but this is scarcely its most serious disadvantage.

Others will talk about the loathsome spectacle and the revolting scene; that is, they will accuse it of a deficiency of art, or æsthetic beauty. This again depends on the circumstances: in order to be quite certain that the appearance of the old lady has definitely deteriorated under the process of being beaten to death, it is necessary for the philosophical critic to be quite certain how ugly she was before.

Another school of thinkers will say that the action is lacking in efficiency: that it is an uneconomic waste of a good grandmother. But that could only depend on the value, which is again an individual matter.

The only real point that is worth mentioning is that the action is wicked, because your grandmother has a right not to be beaten to death. But of this simple moral explanation modern journalism has, as I say, a standing fear. It will call the action anything else—mad, bestial, vulgar, idiotic, rather than call it sinful.

Amen. Evil acts today are nearly always attributed to some shortcoming or flaw such as insanity (e.g. individual acts) or delusional indoctrination (e.g. jihadism). While these are sometimes contributing factors, Chesterton rightly assessed the base cause.

Sadly, by affirming that fact, I expect that I too will be going on some people’s “jerk” list. They may consider me contrarian, but I’m simply striving to be honest.

 

A Pair of Brilliant Writers

csl & chesterton

Sadly, politics are by definition nearly always polarizing. In the linguistic battleground of political warfare, we seem to more and more frequently encounter a “take no prisoners” attitude. It’s ominous.

I recently read the following words which describe, quite well I think, the positions of the two main rivals in virtually all political campaigns. (And, in this sentence, I’m referring to the military definition of “campaign.”)

“The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected.”

Some things never change. This cutting critique appeared nearly a century ago (in the 19 April 1924 issue of the Illustrated London News). It was penned by G.K. Chesterton, a British writer who was admired by many of his contemporaries, from a number of different perspectives. George Bernard Shaw, a Socialist, considered the conservative journalist a “man of colossal genius.”

Chesterton was one of the Christian writers whose faith made a significant impression on the unbelieving C.S. Lewis. Before encountering Jesus, the atheist Lewis resented the “intrusions” of Christian references into the writings of authors he otherwise enjoyed. He describes this conundrum delightfully in Surprised by Joy.

All the books were beginning to turn against me. Indeed, I must have been as blind as a bat not to have seen, long before, the ludicrous contradiction between my theory of life and my actual experiences as a reader. George MacDonald had done more to me than any other writer; of course it was a pity he had that bee in his bonnet about Christianity. He was good in spite of it.

Chesterton had more sense than all the other moderns put together; bating, of course, his Christianity. Johnson was one of the few authors whom I felt I could trust utterly; curiously enough, he had the same kink. Spenser and Milton by a strange coincidence had it too.

Even among ancient authors the same paradox was to be found. The most religious (Plato, Aeschylus, Virgil) were clearly those on whom I could really feed.

On the other hand, those writers who did not suffer from religion and with whom in theory my sympathy ought to have been complete—Shaw and Wells and Mill and Gibbon and Voltaire—all seemed a little thin; what as boys we called “tinny.” It wasn’t that I didn’t like them. They were all (especially Gibbon) entertaining; but hardly more. There seemed to be no depth in them. They were too simple. The roughness and density of life did not appear in their books. . . .

The upshot of it all could nearly be expressed in a perversion of Roland’s great line in the Chanson—Christians are wrong, but all the rest are bores. The natural step would have been to inquire a little more closely whether the Christians were, after all, wrong.

And C.S. Lewis, to his eternal joy, did just that. He inquired more deeply into the faith held by the writers he so respected. This included, of course, Chesterton. Echoes of Chesterton’s masterful expressions of Christian faith recur in the work of Lewis. For example, in his essay “Membership,” Lewis writes:

Equality is a quantitative term and therefore love often knows nothing of it. . . . Even in the life of the affections, much more in the body of Christ, we step outside that world which says “I am as good as you.” . . . We become, as Chesterton said, taller when we bow; we become lowlier when we instruct.

Similarly, in A Preface to Paradise Lost, Lewis describes how best to savor the historical work of writers from different eras. Although the reference to Chesterton here is given in passing, I will reproduce the larger passage in light of its insight into how best to benefit from what we read.

The things which separate one age from another are superficial. Just as, if we stripped the armour off a medieval knight or the lace off a Caroline courtier, we should find beneath them an anatomy identical with our own, so, it is held, if we strip off from Virgil his Roman imperialism, from Sidney his code of honour, from Lucretius his Epicurean philosophy, and from all who have it their religion, we shall find the Unchanging Human Heart, and on this we are to concentrate.

I held this theory myself for many years, but I have now abandoned it. I continue, of course, to admit that if you remove from people the things that make them different, what is left must be the same, and that the Human Heart will certainly appear as Unchanging if you ignore its changes. . . .

Instead of stripping the knight of his armour you can try to put his armour on yourself; instead of seeing how the courtier would look without his lace, you can try to see how you would feel with his lace; that is, with his honour, his wit, his royalism, and his gallantries out of the Grand Cyrus. I had much rather know what I should feel like if I adopted the beliefs of Lucretius than how Lucretius would have felt if he had never entertained them. The possible Lucretius in myself interests me more than the possible C.S. Lewis in Lucretius.

There is in G.K. Chesterton’s Avowals and Denials a wholly admirable essay called “On Man: Heir of All the Ages.” An heir is one who inherits and “any man who is cut off from the past . . . is a man most unjustly disinherited.” . . .

You must, so far as in you lies, become an Achaean chief while reading Homer, a medieval knight while reading Malory, and an eighteenth century Londoner while reading Johnson. Only thus will you be able to judge the work “in the same spirit that its author writ” and to avoid chimerical criticism.

G.K. Chesterton is well worth reading, and most fans of Lewis will appreciate his prodigious work. The best thing about Chesterton, is that since he entered the presence of his Lord in 1936, nearly everything he wrote is in the public domain. His essays, poetry, apologetic works—and even the tales of his fictional detective Father Brown—are readily accessible online.

For a friendly introduction to the relationship between Lewis and Chesterton, I recommend “Chesterton and Lewis, Side by Side.” In an issue devoted entirely to comparing the two pillars of Twentieth Century Christian apologetics, the St. Austin Review, we read:

In 1946, ten years after Chesterton died, Lewis wrote a short article defending Chesterton against the two charges with which he is still attacked—or dismissed—by most academicians: one, that he was popular, and two, that he was dated. Of course, Lewis is attacked for the same two reasons.

The entire article is available here. Those interested in one of the areas where Chesterton’s writing overlapped with that of Lewis and his good friend, J.R.R. Tolkien, will also enjoy “G.K. Chesterton: Fairy Tale Philosopher,” which is available here.

Shut Up He Explained

LardnerMy wife and I love that phrase, and we often recall it when we encounter particularly over-strained (or “broken”) grammar. When I encountered it as the title of a book, I was unaware of its original source.

This is where I reveal that I wasn’t an American Lit major in college. (Well, regular readers probably figured that out long ago.)

I had never heard of Ring Lardner until today. (If you don’t recognize his name either, you needn’t feel embarrassed . . . he died eighty years ago.)

Lardner was a well regarded humorist who considered himself a sports writer. One of his satires was entitled The Young Immigrunts. It was a parody of a popular English book, The Young Visitors, which was allegedly written by a young girl.

The Young Immigrunts is fictitiously ascribed to Lardner’s son, Ringgold Wilmer Lardner, Jr. His son was only four, at the time. Later he would become a successful screenwriter, winning an Academy Award for the film M*A*S*H. He also wrote prolifically for the television series.

Perhaps Lardner Junior is best remembered as one of the Communist writers blacklisted in Hollywood. But we need not go into that, since his father was merely using his young son as a surrogate author for the work.

The book takes the form of the ramblings of a child, and its quaintness will appeal to many readers. You can download a copy of it here.

It’s not my own preferred genre, so I won’t be reading it in its entirety, but in small doses, I find it rather entertaining.

A little later who should come out on the porch and set themselfs ner us but the bride and glum [pictured above].

Oh I said to myself I hope they will talk so as I can hear them as I have always wandered what newlyweds talk about on their way to Niagara Falls and soon my wishs was realized.

Some night said the young glum are you warm enough.

I am perfectly comfertible replid the fare bride tho her looks belid her words what time do we arrive in Buffalo.

9 oclock said the lordly glum are you warm enough.

I am perfectly comfertible replid the fare bride what time do we arive in Buffalo.

9 oclock said the lordly glum I am afrade it is too cold for you out here.

Well maybe it is replid the fare bride and without farther adieu they went in the spacius parlers.

I wander will he be arsking her 8 years from now is she warm enough said my mother with a faint grimace.

The weather may change before then replid my father.

Are you warm enough said my father after a slite pause.

No was my mothers catchy reply.

And now the phrase that always makes me smile.

The lease said about my and my fathers trip from the Bureau of Manhattan to our new home the soonest mended. In some way ether I or he got balled up on the grand concorpse and next thing you know we was thretning to swoop down on Pittsfield.

Are you lost daddy I arsked tenderly.

Shut up he explained.

I am curious as to whether or not C.S. Lewis was acquainted with Lardner’s work. It doesn’t quite conform to his literary tastes, but Lewis was so widely read that I think it’s possible he was at least acquainted with who he was.

My research on the matter did produce an interesting juxtaposition between the two authors. I discovered it in a book by Sherwood Wirt, perhaps the last reporter to interview C.S. Lewis (for Decision magazine, of which he was editor). I was privileged to know “Woody,” so I enjoyed finding that he mentioned both men in his book I Don’t Know what Old is, But Old is Older than Me.

With twentieth century fiction we have to be quite selective. In limiting my comments to the American scene, I will pass by many of the great names of fiction — Henry James, Stephen Crane, Edith Wharton, Jack London, Theodore Dreiser, Ring Lardner, William Faulkner, Sherwood Anderson, Sinclair Lewis, Scott Fitzgerald, Ernest Hemingway, James Baldwin, John Steinbeck, Vladimir Nabokov, Norman Mailer, and Truman Capote.

While most of these are excellent writers, I doubt whether they have much to say to today’s older readers that would make life more pleasant, more interesting, or more fruitful in the closing stretches of life’s journey. Nor do I think that these authors have anything worthwhile to say about what lies beyond death. We might better spend our reading hours riding off into the sunset with Louis L’Amour or Zane Grey, rather than punish ourselves with a ghastly tale like In Cold Blood.

We old boys and girls have been around a long time. We know what the world is like. We know sleaze when we see it, and we don’t need contemporary authors to embellish it or explain it to us.

The reading tastes of the American public have been corrupted almost beyond redemption by blasphemy, vulgarity, and scatology, all for the sake of increased book sales to prurient minds. There are, however, many twentieth-century American novels worth reading, such as Margaret Mitchell’s Gone With the Wind, Thornton Wilder’s The Bridge of San Luis Rey, Harper Lee’s To Kill a Mockingbird, Tom Clancy’s The Hunt for Red October, the Savannah quartet of Eugenia Price, and the Sebastian series of James L. Johnson, to name only a few.

Earlier in the century the Christian novels of Lloyd C. Douglas—The Magnificent Obsession, The Robe, and The Big Fisherman—inspired thousands of readers young and old, but no American has since matched his popular appeal.

The demand for detective fiction continues unabated, and no one needs my advice to read Agatha Christie. I would, therefore, limit my remarks to a reference to two British creations, G.K. Chesterton’s Father Brown and Dorothy Sayers’ Lord Peter Wimsey, since both are written from Christian backgrounds. My two favorite Wimsey stories are Busman’s Honeymoon and The Nine Tailors.

In contrast there is a wealth of devotional literature that makes wonderful reading for older people. One can start with the sermons of D.L. Moody, Charles Spurgeon, Samuel P. Jones, Joseph Parker, and T. DeWitt Talmage of the nineteenth century. The early twentieth century gave us Andrew Murray, Ole Hallesby, P.T. Forsyth, and Oswald Chambers, whose writings are hard to surpass. Amy Carmichael’s poetry and prose written in India, have blessed millions of readers. More contemporary are the writings of C.S. Lewis and A.W. Tozer, which carry seeds of greatness.

The passage above comes from the book’s chapter on “Reading.” If you would like to see more, the entire book (although published as recently as 1992) is legally available for your review online.

“Shut up he explained” may not be proper English, but literature doesn’t need to be proper to be entertaining. And even though Lardner is no longer a familiar name, perhaps his writings are worth visiting.

For the moment, knowing the context of this delightful phrase makes the words all the more entertaining to me. After all, like many others, my dad often “explained” the same thing to me!

Why War?

bulletsI recently read a profound statement penned by G.K. Chesterton. Although he was not a military veteran himself, he was absolutely on target when he wrote: “The true soldier fights not because he hates what is in front of him, but because he loves what is behind him.”

Terrible things are happening today in Syria. Yesterday, over lunch, I “debated” one of my sons regarding the merits (and drawbacks) of American intervention in that Levantine cauldron.

He believes we can’t “stand by” while the world watches as a civil war rages around another of the world’s mad dictators. I argued the United States isn’t morally responsible to serve as the world’s guardian of peace. And, even if we as a single, fallible, divided people were accountable . . . what about the violence and injustice in so very many other places. Sudan, Myanmar (Burma), the Congo, and scores of other lands cry out for intervention on behalf of the oppressed.

There is an almost unlimited amount of injustice around the globe today. And, looking in the mirror, it’s evident we have problems to resolve right here.

Sending American troops to intervene in foreign civil wars is ugly business. Taking sides against dictators does not always provide a safer and more just world—we need look no further than the so-called Arab Spring to reveal that.

I was proud to serve my nation—and causes I believed in—during the liberation of Kuwait and the retaliation for the September 11 attacks on the United States a decade later.

I am now retired from active duty, and I’ve lived long enough to witness how little positive fruit seems to follow war.

Like C.S. Lewis, I remain persuaded that some evils are so malevolent (Hitler, for example, comes to mind) . . . that they must be confronted. As he wrote in “The Conditions for a Just War,”

If war is ever lawful, then peace is sometimes sinful.

At the same time, however, war is something into which we should never rush. It demands our conscious consideration of the cost and an accurate determination that the blood spilled—include that of noncombatants inevitably caught up in the horror—is a price worth paying.

It is that question which moral men and women must debate and ponder.

“Learning in War-Time” is a brilliant essay included in the collection which goes by the name of Lewis’ speech, “The Weight of Glory.” In the essay, Lewis discusses the seriousness of war. As a combat casualty during the First World War, he vividly understood its nature.

However, as a Christian, Lewis recognized that warfare is not the worst thing that can befall a human being.

What does war do to death? It certainly does not make it more frequent: 100 percent of us die, and the percentage cannot be increased. It puts several deaths earlier, but I hardly suppose that that is what we fear. Certainly when the moment comes, it will make little difference how many years we have behind us.

Does it increase our chances of painful death? I doubt it. As far as I can find out, what we call natural death is usually preceded by suffering, and a battlefield is one of the very few places where one has a reasonable prospect of dying with no pain at all.

Does it decrease our chances of dying at peace with God? I cannot believe it. If active service does not persuade a man to prepare for death, what conceivable concatenation of circumstances would? Yet war does do something to death. It forces us to remember it.

True. To die at enmity with God is a fearful thing. Still, even better than coming to faith during war (Lewis would surely agree), is recognizing God’s love and living a life of peace.