George MacDonald’s Poetry

George MacDonald (1824-1905) was a prolific Scot writer. His legacy was amplified due to his influence on G.K. Chesterton and C.S. Lewis. (He was also a friend of Mark Twain.) An essay, originally presented as a speech by G.K. Chesterton, is available online.

Chesterton goes so far as to say, “if to be a great man is to hold the universe in one’s head or heart, Dr. MacDonald is great. No man has carried about with him so naturally heroic an atmosphere.” Listen to his description of that special type of literature that inspired many Inklings, chiefly C.S. Lewis and J.R.R. Tolkien.

Many religious writers have written allegories and fairy tales, which have gone to creating the universal conviction that there is nothing that shows so little spirituality as an allegory, and nothing that contains so little imagination as a fairy tale. But from all these Dr. MacDonald is separated by an abyss of profound originality of intention.

The difference is that the ordinary moral fairy tale is an allegory of real life. Dr. MacDonald’s tales of real life are allegories, or disguised versions, of his fairy tales.

It is not that he dresses up men and movements as knights and dragons, but that he thinks that knights and dragons, really existing in the eternal world, are dressed up here as men and movements.

C.S. Lewis, for his part, praised MacDonald as instrumental in tilling the soil for his eventual conversion to Christianity. He was on the defensive, since the writers which most inspired him shared a common flaw – they were Christians.

All the books were beginning to turn against me. Indeed, I must have been as blind as a bat not to have seen, long before, the ludicrous contradiction between my theory of life and my actual experiences as a reader.

George MacDonald had done more to me than any other writer; of course it was a pity he had that bee in his bonnet about Christianity. He was good in spite of it.

Chesterton had more sense than all the other moderns put together; bating, of course, his Christianity. Johnson was one of the few authors whom I felt I could trust utterly; curiously enough, he had the same kink. Spenser and Milton by a strange coincidence had it too (Surprised by Joy).

Lewis would actually come to edit a selection of MacDonald’s passages for an edifying anthologyThis post includes a link for downloading a copy of George MacDonald: An Anthology.

This week I was reading one of MacDonald’s excellent essays, which appears in The Imagination and Other Essays. I intend to discuss some of his thoughts on age and writing soon. Although I am not an aficionado of poetry – despite having composed poetry from time to time, including quintains, I turned to another of MacDonald’s books.

On to His Poetry

I decided to follow up MacDonald’s brilliant essay with a dip into his poetry. Fortunately, Internet Archive allows you to freely download a complete copy of MacDonald’s Scotch Songs and Ballads, published in 1893. My conscience forces me, however, to provide a single caveat. Be forewarned that the tome is not suited for those intimidated by pronounced dialects.

Before looking at one of his poems in its entirety, allow me to share with you a passage from “The Waesome Carl” which I particularly enjoyed (due to its portrait of a preacher). 

The minister wasna fit to pray
And lat alane to preach;
He nowther had the gift o’ grace
Nor yet the gift o’ speech!
He mind’t him o’ Balaäm’s ass,
Wi’ a differ we micht ken:
The Lord he opened the ass’s mou,
The minister opened’s ain!
He was a’ wrang, and a’ wrang,
And a’thegither a’ wrang;
There wasna a man aboot the toon
But was a’thegither a’ wrang!
The puir precentor couldna sing,
He gruntit like a swine . . .

Not that I claim able to decipher it all, but my impression is that it’s not especially flattering. It is definitely entertaining. And I humbly think I interpret it significantly more accurately than Google’s online translator, which provided the following version.

The minister was not fit to pray
And lat alane to preach;
He nowther had the gift o’ grace
Nor yet the gift o’ speech!
He mind’t him o’ Balaam’s ass,
Wi’ a differ we micht ken:
The Lord he opened the ass’s mou,
The minister opened his eyes!
He was a’ wrang, and a’ wrang,
And a’thegither a’wrang;
There was a man aboot the toon
But thegither was wrong!
The puir precentor couldna sing,
He grunted like a swine. . .

Using the Dictionars o the Scots Leid, you can make perfect sense of the words about which you may be uncertain. (Thank you, Scotland.)

Dialects are interesting things indeed. I will close with another of MacDonald’s poems. I submit it for (1) those who comprehend the dialect, (2) those who deem precious their Scottish ancestry, (3) those with an affinity for Connor MacLeod, and (4) those who simply enjoy a challenge.

Nannie Braw

I like ye weel upo Sundays, Nannie,
I’ yer goon and yer ribbons and a’;
But I like ye better on Mondays, Nannie,
Whan ye’re no sae buskit and braw.

For whan we’re sittin sae douce, Nannie,
Wi’ the lave o’ the worshippin fowk,
That aneth the haly hoose, Nannie,
Ye micht hear a moudiwarp howk,

It will come into my heid, Nannie,
O’ yer braws ye are thinkin a wee;
No alane o’ the Bible-seed, Nannie,
Nor the minister nor me!

Syne hame athort the green, Nannie,
Ye gang wi’ a toss o’ yer chin;
And there walks a shadow atween ‘s, Nannie,
A dark ane though it be thin!

But noo, whan I see ye gang, Nannie,
Eident at what’s to be dune,
Liltin a haiveless sang, Nannie,
I wud kiss yer verra shune!

Wi’ yer silken net on yer hair, Nannie,
I’ yer bonnie blue petticoat,
Wi’ yer kin’ly arms a’ bare, Nannie,
On yer ilka motion I doat.

For, oh, but ye’re canty and free, Nannie,
Airy o’ hert and o’ fit!
A star-beam glents frae yer ee, Nannie–
O’ yersel ye’re no thinkin a bit!

Fillin the cogue frae the coo, Nannie,
Skimmin the yallow ream,
Pourin awa the het broo, Nannie,
Lichtin the lampie’s leme,

Turnin or steppin alang, Nannie,
Liftin and layin doon,
Settin richt what’s aye gaein wrang, Nannie,
Yer motion’s baith dance and tune!

I’ the hoose ye’re a licht and a law, Nannie,
A servan like him ‘at’s abune:
Oh, a woman’s bonniest o’ a’, Nannie,
Doin what maun be dune!

Cled i’ yer Sunday claes, Nannie,
Fair kythe ye to mony an ee;
But cled i’ yer ilka-day’s, Nannie,
Ye draw the hert frae me!

Addendum:

For those interested in pursuing this linguistic subject, I just came across a delightful 1896 collection of works you can download for free. Legends of the Saints: in the Scottish Dialect of the Fourteenth Century is “edited from the unique manuscript in the University Library, Cambridge.”


The cartoon above comes from Mr. Punch in the Highlands which was published “with 140 illustrations” more than a century ago. You can download your personal copy of humorous work at Internet Archive.

Inkling Linguistics

Last week I wrote about “Learning Languages,” and I promised to follow up with a related theme – the creation of new words and languages. Let’s consider the simple matter first.

Adding New Words

Anyone can make up a new word. The problem is whether we have enough influence to have it adopted and used by another human being. (I add this qualifier to eliminate those who might attempt to skirt the question by simply training parrots to mimic the new word.) As Scientific American relates, 

When parrots are kept as pets, they learn their calls from their adoptive human social partners. Part of their appeal as pets is their ability to sing lower notes than smaller birds and so better reproduce human voices.

So, while you may be able to trick one of your parrots into repeating a novel “word,” that doesn’t count for our purposes here.

Likewise, any other birds who mimic speech, including musk ducks and corvids (ravens, crows and their ilk). In fact, let’s exclude all nonhuman “speakers” from consideration. After all, AZ Animals introduces readers to seven specific animals of different species (only one of which is avian) whose “forebrain is . . . responsible for some animals’ ability to mimic speech.” 

So, animals aside, who embraces and disseminates newly invented new words? Some words, of course, find a partially prepared or receptive audience because they are imported from other tongues. The global influence of English makes other languages especially vulnerable to its influence, which can be deeply resented. The “corruption” of mother tongues sometimes elicits reactionary responses – such as Italy’s current effort to purge English from the Italian Republic.

And some Italians are extremely serious about the task, proposing fines up to €100000. (That is not a typo; at today’s exchange rate it would be $109,857.50.) Their animus toward English follows the path established by the French, who frequently default to Napoléon’s order to refer to Britain as “perfidious Albion.” The Académie Française goes so far as to repudiate specific words, including business, cash, digital, vintage, label, and deadline.

Vocabulary adopted from other nation’s may be “new” to their most recent users, but such importation is certainly not the same as fabricating novel words from the proverbial “whole cloth.”

True Neologisms

I wrote a moment ago that creating words is easy, but persuading others to use them is quite another thing. I’ve discussed this subject in the past, in “Create a Word Today” and “Creative Definitions.” Sadly – and fittingly – none of my personal neologisms have caught on.

Popular creative writers may, however, find their fancies adopted by larger audiences. Shakespeare’s “bedazzled” was birthed in The Taming of the Shrew. The “chortle” was first heard in Lewis Carol’s “Jabberwocky.” “Pandemonium” was revealed as the capital of Hell in Milton’s Paradise Lost. And the first “Nerd” was encountered in Dr. Seuss’ If I Ran the Zoo.

Some neologists were particularly prolific. How about these few additional examples from the Bard: 

Bandit ~ Henry VI
Dauntless ~ Henry VI
Lackluster ~ As You Like It
Dwindle ~ Henry IV

Oh, and Grammarly adds, “Shakespeare must have loved the prefix un- because he created or gave new meaning to more than 300 words that begin with it.” Can you imagine a world without:

Unaware ~ Venus & Adonis
Uncomfortable ~ Romeo & Juliet
Undress ~ Taming of the Shrew
Unearthly ~ The Winter’s Tale
Unreal ~ Macbeth

Before moving on, it would be fair to note that some voices consider this achievement by Shakespeare to be “a common myth.”

It turns out that Shakespeare’s genius was not in coining new words – it was in hearing new words and writing them down before they became widespread, and in wringing new meaning out of old, worn-out words: turning “elbow” into a verb and “where” into a noun. He didn’t invent the words, but he knew how to use them better than anyone.

C.S. Lewis was not a philologist, but he did create a few novel words. The Inkling scholar who pens A Pilgrim in Narnia has written on this subject here and here.

J.R.R. Tolkien was no slouch at inventing English words himself. Some which now reside in our common vocabulary include hobbit and orc. The latter he derived from an Old English word, orcþyrs, a devouring monster associated with Hell. More surprisingly, Tolkien created the modern word “tween,” albeit in the context of hobbits, who lived longer lives than we.

At that time Frodo was still in his tweens, as the hobbits called the irresponsible twenties between childhood and coming of age at thirty-three.

Envisioning novel words is relatively simple, but inventing an entire language, is an infinitely more complex challenge. The universally acknowledged master is J.R.R. Tolkien, whose Elvish tongue has become a “living” language.* But he was not alone in building internally consistent linguistic systems. Albeit, no philologist came near to Tolkien’s expertise, which included elaborate etymologies.

Before considering Tolkien himself, we will note several other efforts of a similar kind. And, following a discussion of Tolkien, we will conclude with a note about his good friend, C.S. Lewis. For, despite the fact that Lewis was not a philologist himself, it is interesting to note that he too dabbled in creatio linguarum.

Inventing New Languages

Some “constructed languages” are formed with practical purposes. Esperanto, birthed in 1887, incorporated elements from existing languages and was envisioned as a common “international auxiliary language.” It boasts its own flag, and claims to be the native language of approximately a thousand people.

One curious use of Esperanto came in its adoption by the United States Army as the “Aggressor Language” used in twentieth century wargames. The curious can download a copy of the now-rescinded Field Manual 30-101-1, which provided guidance for its usage “which will enhance intelligence play and add realism to field exercises.”

Another genuine constructed language is Interlingua. Developed between 1937 and 1951, it is based primarily on the shared (and simplified) grammar and vocabulary of Western European languages. 

In addition to languages constructed for international use, there are a variety of tongues created for fictional applications. “To learn Klingon or Esperanto” describes how linguistic anthropologist Christine Schreyer “invented several languages for the movie industry: the Kryptonian language for ‘Man of Steel,’ Eltarian for ‘Power Rangers,’ Beama (Cro-Magnon) for “Alpha” and Atlantean for ‘Zack Snyder’s Justice League.’” While none of these could ever rival the languages of Middle Earth, her bona fide linguistic credentials place her in a context similar to J.R.R. Tolkien. The interview reveals how Schreyer balances her creative impulses with her anthropological concerns.

I teach a course on linguistic anthropology, in which I give my students the task of creating new languages as they learn about the parts of languages. Around the time I started doing that, “Avatar” came out. The Na’vi language from that movie was very popular at the time and had made its way into many news stories about people learning the language – and doing it quickly.

My other academic research is on language revitalization, with indigenous or minority communities. One of the challenges we have is it takes people a long time to learn a language. I was interested to know what endangered-language communities could learn from these created-language fan communities, to learn languages faster.

Other fictional languages that exist include R’lyehian (from Lovecraft’s nightmare cosmos), Lapine (from Watership Down), Fremen, the Arabic/alien blending (from Dune), Parseltongue (ala Harry Potter), Dothraki (from Game of Thrones), Ewokese, etc. (from Star Wars), Goa’uld and others (from Stargate), Minbari and more (from Babylon 5), and the gutturally combative Klingon and others (from Star Trek). This brief list is far from exhaustive.

Tolkien, Lewis & New Languages

The languages forged by J.R.R. Tolkien are unrivaled by any conceivable measure one might employ. They are no mere stage dressing, like some of the aforementioned examples. Even those with developed vocabularies and consistent grammar fall far short of Tolkien’s creation. In terms of the histories of his languages, his diligent etymologies beggar all other such efforts. Of course, for Tolkien this was no competition. He was driven to make his languages as flawless – not “perfect,” but realistic – as humanly possible. It was a linchpin in his subcreative labor.

As a skilled calligrapher, Tolkien devised unique alphabets to complement his languages. The letters in his alphabets were not devised as mere adornments. Tolkien left that to lesser imaginations. Nor were his scripts restricted to Tolkien’s fiction. The Tolkien Estate offers an insightful essay on “Writing Systems.”

Tolkien also used invented scripts that were not associated with any of his fictional worlds. An early example is the Privata Kodo Skauta (Private Scout Code), which appears in a still unpublished notebook from 1909 called the Book of the Foxrook. This makes use of a phonetic code-alphabet, as well as a number of ideographic symbols representing full words. . . .

Toward the end of his life, Tolkien made use of the New English Alphabet, a phonetic script that combined the logical structural principles of the Angerthas and the Tengwar with letters that looked more like Greek or Latin. The alphabet has not yet been published in full, but examples can be seen in . . . J.R.R. Tolkien: Artist & Illustrator.

The footnote below links to some resources for those who would like to learn how to speak the languages of the elves. By way of help with pronunciations, remember the following advice:

Use an Italian accent to pull off Quenya speech patterns. In general, you can kind of sound Elvish – even without following the rules of the language – by applying an Italian accent when pronouncing Quenyan words. Native Italian speakers tend to use speech patterns from their native tongues to interpret English words, which can make your Elvish sound practiced even when it isn’t.

Speak with an Irish or Scottish accent to pull off a natural Sindarin accent. Irish and Scottish speakers tend to speak English by emphasizing sounds in the front of a word regardless of the standard pronunciation. This is a pretty good method for pronouncing Sindarin words, since the vast majority of them stress the first syllable.

For those who want to quickly capture some Elvish script without the effort of studying, consider the English to Elvish online translator, which is offered by the company that fashioned The One Ring for Peter Jackson’s cinematic epics. I decided to test the translation tool and posed the question: “Does AI translation of English to Quenya actually work?” The software swiftly complied.

It looks elegantly correct, but unfortunately, I’m unable to personally verify its accuracy. And I must confess to modest trepidation since the site advises:

USE CAUTION BEFORE COMMITTING TO ANY TATTOOS, INSCRIPTIONS AND ENGRAVINGS” [triple emphasis in original].

The Jens Hansen site sells jewelry, as befits the fasioners of The One Ring. In addition to hosting the translator, they offer a free pdf document called Elvish 101 in 5 Minutes. It’s an interesting document, but it reveals a limitation I assume is shared by the online generator. It is a resource for transliterating, not translating, words. Not quite the same thing . . . but the script still looks elegant. 

Tolkien was the master of creating languages for his subcreation, but C.S. Lewis also used the same technique in the writing of his Space Trilogy. Each work focuses on an individual planet in our solar system, which is referred to in the books as the Field of Arbol.

While a number of languages have developed over time, the original language, known as Old Solar, is retained by some, and learned by the series’ protagonist Dr. Elwin Ransom. Ransom is a philologist at Cambridge, and as he is modeled after Tolkien, it’s no surprise his first name means “elf friend.”

In Perelandra, Ransom describes how a language he learned on Mars was once shared by all.

“It appears we were quite mistaken in thinking Hressa-Hlab the peculiar speech of Mars. It is really what may be called Old Solar, Hlab-Eribol-ef-Cordi. . . . there was originally a common speech for all rational creatures inhabiting the planets of our system: those that were ever inhabited, I mean – what the eldila (angels) call the Low Worlds. . . .

That original speech was lost on Thulcandra, our own world, when our whole tragedy [the Fall] took place. No human language now known in the world is descended from it.”

Lewis’ use of Old Solar is sparing, but a partial lexicon can be found at FrathWiki. There, for example, you will learn that “honodraskrud” is Old Solar for a “Groundweed; an edible pinkish-white kind of weed, found all over the handramit” of Malacandra (Mars).

The accomplishments of Tolkien and Lewis are difficult to compare. These two brilliant scholars shared a great many interests, but wrote with far different goals. We rightfully expect genius to vary between such individuals. This is well illustrated by their differing treatments of constructed languages, as Martha Sammons describes so well in War of the Fantasy Worlds.

Tolkien began with invented languages and then developed an elaborate mythology to create a world where his languages could exist. Lewis’s works began with mental pictures; he would then find the appropriate ‘‘form’’ to tie together the images. . . .

[Tolkien’s] penchant for historical and linguistic detail is unparalleled. In contrast . . . Lewis uses just enough language, geography, and science to make his novels believable.

While either approach may inspire those among us who aspire to writing, we best avoid attempting to emulate either author. Best, I believe, to compose our epics with the language that most naturally flows from our pen.


* While some fans of Klingon and Na’vi may learn to speak in those tongues, the students of the languages of Arda, typically possess greater ardor for the languages of Middle Earth. For example, an online guide to learning Elven languages begins by answering the question, “why study Elvish?” And a free online course for learning Quenya is offered here. Among the Quenya dictionaries, the finest free example is available at Quenya-English Dictionary English-Quenya Dictionary.

Learning Languages

C.S. Lewis possessed a gift for languages. Although he was not a philologist like his friend J.R.R. Tolkien, Lewis was well educated and read and spoke a variety of languages.

In fact, when he and his wife played Scrabble, they allowed for the use of words from any language! For the record, though, he does confess to a German professor that his grasp of that tongue is “wretched.”

The only bona fide genius I’ve known was a classmate at the University of Washington. While I was struggling with classical Greek, in preparation for seminary, at the age of 23 Bruce already possessed four master’s degrees and was closing in on his PhD in Linguistics. He spoke fifteen languages, but could read nineteen.

Of course, that is still a small portion of the 7,168 languages Ethnologue tells us are in use today.

This enormous number – which doesn’t include unknown languages spoken among untouched people groups – accounts for the fact that thousands of Christians are laboring now in groups such as Lutheran Bible Translators to make the Scriptures available to all people.

Sometimes this involves creating a written language itself, where only an oral version exists. The largest such organization, Wycliffe Global Alliance, reports that “Bible translation is currently happening in 2,846 languages in 157 countries.”

While the Bible’s translation is certainly of utmost importance, it is wonderful to know that other valuable literature is also made available to readers who could not decipher the language in which it was originally composed. 

Lewis, in fact, was a translator in his own right. Beyond the literal translation of works from one tongue to another, Lewis also functioned as a “translator” of complex concepts and eternal truths. I once described this as C.S. Lewis’ bilingualism.

How many extremely intelligent and well educated people do you know . . . who can actually communicate with those of us possessing normal human intelligence? That talent is a rarity.

And it is precisely what makes C.S. Lewis such an unusual man. He was brilliant. Yet he could communicate with the common person – even the child – just as easily as he conversed with his fellow university dons.

C.S. Lewis mastered a number of modern languages, but it was his study of historic languages that especially inspired him. Icelandic, with its similarity to Old Norse, is one example about which I have written. 

. . . J.R.R. Tolkien and his friend C.S. Lewis established a group called Kolbitár which was devoted to reading Icelandic and Norse sagas. The word itself means “coal biter” and refers to those in a harsh environment drawing so close to the fire’s warmth they can almost bite the coals.

Another example is Old English. Along with Middle English, birthed by the Norman Conquest, these were essential elements of his training as one of the preeminent English scholars of Oxford and Cambridge. And these languages were not merely dusty relics. I encourage the curious to read “C.S. Lewis’s Unpublished Letter in Old English,” which appeared in the journal VII.

In 1926 C.S. Lewis wrote his friend Nevill Coghill a letter in Old English, a language also known as Anglo-Saxon. Unreadable for most current readers of Lewis, it understandably does not appear in his three-volume Collected Letters.

In the essay, George Musacchio provides an illuminating outline of Lewis’ diverse expertise with languages, both “foreign and domestic.” Lewis began the letter to his friend with the following salutation.

“Leowis ceorl hateð gretan Coghill eoorl luflice ond freondlice.”
Which translates as: “Lewis the churl bids to greet Coghill the earl.”

Is English Really that Difficult to Learn?

English is reputed to be one of the most challenging languages to learn. (More on this in a moment.) For example, the simple sentence which follows consists of a mere seven words, but holds seven different meanings, dependent upon which word is emphasized.

“I never said she stole my money.”

This example comes from an article entitled “English is Hard, But Can Be Understood Through Tough Thorough Thought Though.”

Rosetta Stone answers the question of how hard it is to learn English by saying “it depends on your first language.” 

In addition to the fact that “spelling is a poor indicator of pronunciation,” English possesses numerous “specific rules,” and complements this burden with the fact that “some rules have lots of exceptions.” The complexity is due to the language’s history, which also gave rise to its mammoth vocabulary.

English has a lot of words—Webster’s English Dictionary includes approximately 470,000 entries, and it’s estimated that the broader English vocabulary may include around a million words. . . .

English has such a broad vocabulary because it’s a blend of several different root languages. While English is a West Germanic language in its sounds and grammar, much of the vocabulary also stems from Romance languages, such as Latin, Italian, Spanish, and Portuguese.

One result of combining these various root languages is that the English vocabulary includes a ton of synonyms . . . And unfortunately, most of these synonyms aren’t fully interchangeable, so the exact word you choose does have an impact on the overall meaning.

It turns out English doesn’t even rank in the top three most difficult languages for the speakers of the five largest language groups. The ranked listings do include, however, Arabic, Japanese, Russian, and Mandarin.

So, let’s reverse the question for a moment. Which languages are the most difficult for a native English speaker to learn? Unbabel lists ten. Fortunately, only one of them is on my wish list.

Babbel Magazine has an article approaching that question from the opposite end. Which language is easiest for English speakers to learn.

This may come as a surprise, but we have ranked Norwegian as the easiest language to learn for English speakers. Norwegian is a member of the Germanic family of languages — just like English! This means the languages share quite a bit of vocabulary, such as the seasons vinter and sommer (we’ll let you figure out those translations).

Another selling point for Norwegian: the grammar is pretty straightforward, with only one form of each verb per tense. And the word order closely mimics English. For example, “Can you help me?” translates to Kan du hjelpe meg? — the words are in the same order in both languages, so mastering sentence structure is a breeze!

Finally, you’ll have a lot more leeway with pronunciation when learning Norwegian. That’s because there are a vast array of different accents in Norway and, therefore, more than one “correct way” to pronounce words.

An article I wrote seven years ago hints at that same conclusion. I made this informative, and mildly threatening, illustration for “Norse Linguistic Invasion.”

Oxford Royale Academy lists several reasons why English is especially challenging to new students. The following issue of “irregularities” also plagues countless native speakers.

One of the hardest things about English is that although there are rules, there are lots of exceptions to those rules – so just when you think you’ve got to [come to] grips with a rule, something comes along to shatter what you thought you knew by contradicting it.

A good example is the rule for remembering whether a word is spelt “ie” or “ei:” “I before E except after C.” Thus “believe” and “receipt.”

But this is English – it’s not as simple as that. What about “science?” Or “weird?” Or “seize?”

There are loads of irregular verbs, too, such as “fought”, which is the past tense of “fight”, while the past tense of “light” is “lit.” So learning English isn’t just a question of learning the rules – it’s about learning the many exceptions to the rules.

The numerous exceptions make it difficult to apply existing knowledge and use the same principle with a new word, so it’s harder to make quick progress.

And even some of the normative “rules” are difficult to grasp. One example is that there’s a very specific order that adjectives must be listed ahead of a noun. According to Rosetta Stone,

The adjective order is: quantity, opinion, size, age, shape, color, origin/material, qualifier, and then noun. For example, “I love my big old yellow dog.” Saying these adjectives in any other order, like “I love my yellow old big dog,” will sound wrong, even when otherwise the sentences are exactly the same and communicate the same thing. Keeping rules like this in mind can be tricky, and it takes a lot of practice to get it right.

Adjective order is seldom considered, in part because it’s not considered good writing to string too many such words together. But apparently there are right and wrong ways to organize any such list.

Royal Order of Adjectives

Most students aren’t taught about adjective order in school and instead learn it through listening and reading. In English, the rules regarding adjective order are more specific than they are in other languages; that is why saying adjectives in a specific order sounds “right,” and deviating from that order makes a statement sound “wrong,” even if it’s otherwise grammatically perfect.

And, since we’re talking about English, even this Royal Order of Adjectives rule has exceptions

The hierarchy is not absolute, and there is some wiggle room among the “fact” categories – size, age, and so on – in the middle.

Native speakers are often delighted when they learn about this law and discover how flawlessly they apply it. It even went viral in 2016 . . . The tweet attached a paragraph by etymologist Mark Forsyth . . . giving an example that uses all the categories according to the OSASCOMP hierarchy: “a lovely little old rectangular green French silver whittling knife.”

I do not ever recall being taught (or reading on my own) about the “Royal Order of Adjectives.” Nevertheless, I don’t feel too embarrassed at acknowledging my previous ignorance, since even Lewis himself was comfortable in expressing gratitude for being introduced to new words. For example, when he thanked Dorothy Sayers for enlarging his vocabulary with her work on Dante.

So, is English all that challenging? Well, C.S. Lewis did his part to make it less daunting, joining a public debate in Britain, with an unexpected argument. Discussing English’s previously noted problem with inconsistencies and confusion in spelling, the don offered a simple solution.

In a column on Lewis and the history of words, I included an extended passage from a letter Lewis wrote challenging a contemporary British effort to “reform” spelling. Surprisingly, he argued against the necessity for uniformity in spelling. After explaining why our language functions as it does, he advocates:

As things are, surely Liberty is the simple and inexpensive ‘Reform’ we need? This would save children and teachers thousands of hours’ work.

Surely all but the most diehard grammarians would be sympathetic to his argument.

Next week I plan to write about another linguistic matter closely associated with the Inklings – the creation of new words and languages.

Intentional Mispronunciations

Don’t you find it slightly irritating when people intentionally mispronounce words? Sometimes it isn’t merely a silly affectation. What bothers me are cases where people consciously reject the accurate version and flaunt their personal (inaccurate) alternative. It comes across to me like they are magnifying their ignorance with a sizeable dose of obnoxious stubbornness.

Anyone, of course, can accidentally mispronounce a word. Well, anyone aside from C.S. Lewis and J.R.R. Tolkien, that is.

I don’t enjoy (but don’t object to) simple silliness. In a 1932 American Speech article entitled “Intentional Mispronunciations,” the author says, “the custom is an old one, and in our age of light-hearted youth it is unusually widespread.” She immediately notes one danger.

The use of mispronunciations sometimes becomes habit, and it is often difficult to speak correctly when one is in sophisticated company.

The humble person, when advised on the proper enunciation of a particular word, thanks their friend (only friends should dare to sensitively point out such a slip). After expressing that appreciation, they go forward with the commitment to being a bastion of proper usage of the word in question.

However, there are those obstinate ignoramuses (OIs) who defiantly insist on perpetuating their sins.  

Let us consider a common error. One that is quite easily corrected, unless the OI insists on actively rejecting knowledge. The word is “nuclear,” and you already know what the all too common mistake is. How can anyone, much less a graduate of Yale, entrusted with the Gold Codes, accompanied at all times by a military aide ready to hand them the “nuclear football,” continue to use the non-word nu-cu-lar? I have no idea how common this atrocity is outside the United States, but here in the States, it is far from rare.

A good friend of mine, who does public speaking, insists on pronouncing “recognize” without its “g.” I understand he must have learned it that way, but I will never get used to a person with advanced degrees saying “rec-a-nize.” My father was a curmudgeon, and this conscious affront reinforced his chosen image. He loved to push my buttons by adding an “r” to the state I call home. Warshington doesn’t exist on any map, but it certainly did in his mind.

Why Pronunciations Err

People are prone to mispronunciation when they’ve only read a word, and never heard it pronounced before. This was especially perilous before the existence of online dictionaries.

There is another hazard which can mislead someone in pronouncing a word incorrectly—and it was to this that I succumbed my first year at seminary. This is the case where a word is spelled in a manner that makes the errant pronunciation possible, and you have only heard it pronounced in the wrong way. This is the story of my shame.

I was taking a consortium course on ministry and media, which was taught by professors from four or five different seminaries. In my first “radio” presentation, I cited a passage from one of the Psalms. Everyone said it was well done—until the Roman Catholic professor (with nary a hint of affirmation) declared, ex cathedra: “it’s ‘sahm;’ you don’t pronounce the ‘l.’”

I was so embarrassed that I remained silent and soon as I got home I pulled out my dictionary, and darned if he wasn’t right. I have pronounced it correctly ever since, even in the face of a world that now considers me to be wrong.

My aversion to the intentional-mispronunciators does not extend to people who say “salm.” After all, that’s how the word should be pronounced.* But those people who insist on saying “re-la-ter” when the profession is clearly spelled “re-al-tor,” are begging for some sort of aversion therapy.

There is one additional case I wish to note here. That is when there are two (or more?) legitimate ways to pronounce a word. I’m not referring to homographs, like wind (wĭnd) and wind (wīnd).

C.S. Lewis also discusses pronunciation at great length in his essay “The Alliterative Metre,” where he notes,

In modern English many words, chiefly monosyllables, which end in a single consonant are pronounced differently according to their position in the sentence. If they come at the end of a sentence or other speech-group—that is, if there is a pause after them—the final consonant is so dwelled upon that the syllable becomes long.

If the reader listens carefully he will find that the syllable man is short in ‘Manifold and great mercies’ or ‘The man of property,’ but long in ‘The Invisible Man’ or ‘The Descent of Man.’

Words with multiple formally accepted pronunciations are fair game—as long as a person’s choice is from the list. Here’s one where pronouncing the “l” is optional: almond. Apricot can begin with either the sound “app” or “ape.”

A Playful Game Using Homographs

The following example uses a name, but the principle would be the same for any word with more than one authentic pronunciation. It comes from a book I read many years ago, which has retained a fond place in my memory. Robert McAfee Brown (1920-2001) was a Presbyterian theologian. The title of the volume suggests its satirical bent: The Collect’d Writings of St. Hereticus.

One of the appendices in the book is called “Theological Gamesmanship.” One of the games he features is “How to Win a Theological Discussion Without Knowing Anything.” The following gambit is called “Help from St. Augustine.”

A quiet yet forceful way of demonstrating superiority when Augustine is under discussion is to pronounce his name in contrary fashion to the pronunciation of the Opponent.⁑ Make a point of emphasizing the contrast, so that it will be apparent that you know you are right, and not even for politeness’ sake will you pronounce the name incorrectly as Opponent is doing. Either,

Opponent: . . . leading ideas in Augustine (Ogg-us-teen).
Self: Augustine (uh-Gust’n)may have said that on one or two occasions, but . . .
Or,
Opponent (usually an Anglican in this case): . . . leading ideas in Augustine.
Self: Augustine may have said that on one or two occasions, but the whole Augustinian tradition, following, as I believe, the essential Augustine himself . . .

In this second gambit, it is advisable to maneuver the conversation into a discussion of “the Augustinian tradition” as indicated, so that when Opponent refers to it, as he must, without pronouncing it “the Augustinian tradition,” you can smile deprecatingly, to indicate that your point has been made.

[Brown adds a footnote that reads:] With sensitive Anglicans, it will often be enough simply to raise, ever so slightly, (a) both eyebrows, and (b) the second, third, and fourth fingers of the left hand.

Naturally, I’m not seriously suggesting that one-upmanship is something in which one should engage. On the contrary, Brown (and I) are holding up this sort of petty behavior as beneath the dignity of good people.

I’m sure that some would argue that correcting someone’s pronunciation in even the most glaring examples of verbal atrocities, constitutes bad manners. I, however, appreciate being privately corrected, so that I might not continue making the same mistake. Thus, I consider it the act of a friend.

C.S. Lewis was a patient and gracious man. He was quite tolerant of variation in pronunciation, even when it came to his own creations. In 1952 he responded to a correspondent inquiring how to properly pronounce the name of Aslan. I would guess the most common American version would be “æzˌlæn” opting to pronounce the “s” as a “z.” Here is Lewis’ response:

It is a pleasure to answer your question. I found the name in the notes to Lane’s Arabian Nights: it is the Turkish for Lion. I pronounce it Ass-lan [æsˌlæn] myself. And of course I meant the Lion of Judah. I am so glad you liked the book.

I loved the book, and I affirm its readers, whichever way they pronounce the name of the Great Lion. Well, as long as they don’t intentionally mispronounce it, including an invisible “r.” After all, there is most certainly no beloved image of Christ named Arslan!


* This waiver does not extend, however, to what may be the most common biblical mistake. The Book of Revelation does not have an “s.” Yet, how often do you hear it cited as Revelations?

⁑ This brazen technique is equally effective, no matter which pronunciation the person you seek to upstage has used.

The cartoon at the top of this post is used with the permission of xkcd.

On the Nature of Mascots

Brits and Americans share many things. That includes English as a primary language. Well, sort of.

Aside from some people’s inclination to misspell words—such as adding a superfluous letter “u” to words like colour and humour—we agree on most things. Well, add quotation marks to the arena of dissimilarities. Nevertheless, we’re normally able to decipher one another’s literature.

There is another striking difference between the two cultures. Academic institutions in the United States invariably choose an emblematic mascot to represent the school. Meanwhile, in the United Kingdom, such a practice seems a tad juvenile. (But what would a reasonable person expect from a country a mere 254 years old?)

Alas, because of this absence, C.S. Lewis missed out on the questionable pleasure of having a mascot of which to sing its praises. However, his wife Joy was a graduate of two American colleges and could boast of two mascots, accordingly. More about that in a moment.

There does appear to be a single renegade exception to the lack of mascots at Oxford. Regent’s Park College, Oxford, apparently claims Emmanuelle the Tortoise as their own.

Dangerous Mascots

The majority of mascots are animals. The largest group consists of felines, particularly predators like lions, cougars, pumas and tigers. Some are rather less intimidating. My alma mater, the University of Washington, uses “Huskies,” and has a real live pup (pictured above) as its embodiment. I chuckle whenever I think about our rival universities in Oregon, whose schools are represented by the Ducks and the Beavers.

Finn Mirva Lempiäinen cautions Europeans headed to the States for studies to be forewarned about mascots. Her description of this one is particularly disgusting:

In a sea of mascots representing strength and resilience–such as hawks, dogs and panthers–the slow Banana Slug of the University of California Santa Cruz really stands out. This slimy, shell-less yellow mollusc [mollusk] is relevant to Santa Cruz as it lives in the nearby redwood forests.

It also showcases the softer values of the university: that athletics should be for everyone and participating matters more than winning. The Banana Slug has been the school’s official mascot since 1986. 

Okay. Years ago a pastor friend told me about a Texas high school in Kerrville that had an animal “part” as their mascot. They were (and still are) the “Antlers.” Not the Deer, Elk, Moose, or Bighorn Sheep. The antlers. And, pièce de résistance comes in the adaptation of the mascot for female students (since in most species only males bear antlers). They are elegantly referred to as the “Lady Antlers.” Lest you consider this a unique aberration, consider the fact there are other schools that look to antlers for inspiration. And at least one, in appropriately named Elkhorn, Nebraska, that uses the term “Antler Girls.”

Surprisingly, mascots can be quite controversial. In the U.S. a number of historical mascots have recently been ushered into oblivion because of their potential to make people uncomfortable. This has been especially true with mascots identified with Native American peoples. The angriest current debate relates to the National Football (not soccer) team in our nation’s capital: the Washington Redskins. Some Europeans are aware of this development, as reported in The Guardian.

A Menagerie of Mascots

Moving biennially in my military family, I had too many mascots to remember. Being an avid dog lover, I enjoyed the UW choice of huskies. Imagine when I learned our initial mascot was a play on the fact that Seattle is known for its rain and long, overcast winters. The university’s first football game (akin to modern rugby) was played in 1889. Before 1922, the nickname for the team was the Sundodgers.

That’s not a typo. And the name has been resurrected for Seattle’s collegiate USA Ultimate (aka Ultimate Frisbee) team. The University of Washington Sundodgers go the extra mile. Their motto is “We hate the sun.”

Mascots and C.S. Lewis

The fact that Lewis’ life was personally devoid of mascots hasn’t deterred (American) schools inspired by him from adopting their own. Oregon’s C.S. Lewis Academy athletes are called the Watchmen.

A Christian school in Georgia chose Lions, in homage to the Lion of Judah and Narnia’s Aslan. Southwestern Baptist Seminary has its own college and they not only chose a Lion, but “named” that mascot “Lewis.”

“The lion was chosen [as our mascot] because of some factors that make [Scarborough College] unique: our Great Books classical education and our emphases on apologetics and biblical studies,” says Michael Wilkinson, dean of Scarborough College. “These three things combined make C.S. Lewis the quintessential representative for our program. Thus, Aslan, his most well-known character, proved to be the model for the mascot.”

Mascots in the Life of Joy Davidman Lewis

Joy attended two colleges, Hunter College CUNY with the Hunter Hawks and Columbia University with its Lions. I doubt she took much notice.

There was, though, a fascinating point where Joy’s life intersected with an internationally recognized cinematic mascot—the MGM Lion! The following story comes from Joy: Poet, Seeker, and the Woman Who Captivated C. S. Lewis. This excellent biography included an extended section on the six months Joy spent in Hollywood, hoping to insinuate some Communist perspectives into a medium for which she had little regard.

She regarded the other script writers with disdain, and won no friends before she was released in December of 1939.

Joy made sure the other junior writers knew she was too accomplished to be accounted an equal. She had solid grounds for bragging, too. On July 5 the esteemed New Republic published her poem “Jews of No Man’s Land.” Joy didn’t hesitate to spread the word . . . At the same time, she was being condescended to by MGM’s hack staff writers. She resented being treated as anything less than a recognized talent.

“I gloated over my writer-colleagues,” she told Jim Still after her novel sold, “none of whom were capable of producing more than a ten-page screen story.” This attitude did not endear Joy to the other junior writers. Walter Doniger, a twenty-one-year-old from Duke who would go on to become a successful director and producer, remembered her as loud, unattractive, unlikable, and “bossy bossy bossy,” he said.

Her stint at MGM was not all bad.

One of the saving graces of her stint at MGM was Leo Jr., a cuddly lion cub cast as the mascot for the short subjects department. At a studio party, for the amusement of all, their leading writer, Robert Benchley, fed Leo from a bottle. The little show wasn’t entirely successful. The bottle’s nipple slid off, spilling milk on Benchley’s pants, and the chin strap on Leo’s crown slipped into his mouth. There was much squealing from the spectators, but Joy took the cub into a corner and soothed it to sleep. They developed a friendship.

Joy liked hiking in the California hills, which she considered beautiful despite being “disfigured with film stars’ Tudor mansions and French chateaux.” Still, returning to New York, she carried fond memories of her relationship with a real, live, mascot and star in his own right.

“A lion is like a steel spring when you feel him,” she said, “but he acts like a dog. When Leo became affectionate, I’d bat him down, and then look for damage. Invariably there would be another run in my stockings.”

As pets do, Leo became a blank slate for Joy’s projections. He didn’t like the starlets, she determined. They wore too much perfume and smelled awful. He was playful, almost like a neglected child starved for attention. “The nicest person I met [in Hollywood] was Leo the Lion,” Joy later said.

Reading Into an Author’s Work

shakespeareSometimes authors are not quite so brilliant as we think them to be.

It is possible to read into someone’s work ideas, and even profundity, that was not present when they were originally composed.

That’s an odd thought, I will admit. But the truth is that each of us as readers carry with us our own knowledge and personalities.

Imposing those upon a text is a subconscious reality, and it may even be unavoidable. Minimizing our presuppositions is one of the key elements of honest literary criticism.

This is one of the reasons that it is insanity to impose contemporary “political correctness” on writers who lived before such constraints were imposed. Intelligent people recognize that we must read Twain as an iconoclastic nineteenth century author, and Bunyan as a Baptist preacher of the seventeenth.

I just read a letter in which C.S. Lewis describes how this works. He wrote to a Roman Catholic correspondent, a priest, on Christmas Day 1959. In the letter he responds to his friend’s reference to something he had not consciously included in a particular book.

It is a fascinating letter, and even though it is the final portion that pertains to the subject I’ve been discussing, I will share it in whole.

The Kilns, Headington Quarry, Oxford   Christmas Day 1959

I hope my last letter to you did not sound chilling: still less (heaven help us!) as if I were offended by criticism. I think the chief reason why I am less disposed than you for large-scale discussion by letter is the difference of our ages. In youth we conduct (at least I did) long and deep disputations through the post. It is indeed a most valuable part of our education. We put into it quite as much thought and labour as would go to writing a book. But later, when one has become a writer of books, it is hard to keep it up. One can’t fill one’s leisure with the v. same activity which is one’s main work. And in my case not only the mind but the hand needs rest. Penmanship is increasingly laborious, and the results (as you see) increasingly illegible!

If you sometimes read into my books what I did not know I had put there, neither of us need be surprised, for greater readers have doubtless done the same to far greater authors. Shakespeare would, I suspect, read with astonishment what Goethe, Coleridge, Bradley and Wilson Knight have found in him! Perhaps a book ought to have more meanings than the writer intends? But then the writer will not necessarily be the best person with whom to discuss them.

You are in my daily prayers. Will you pray much for me at present? The cancer from which my wife was (as I believe, miraculously) delivered 2½ years ago, when death in a few weeks was predicted, is returning. Can one without presumption ever ask for a second miracle? The prophet turned back the shadow for Hezekiah once: not twice. Lazarus, raised from the dead, presently died again.

Yours

C.S. Lewis

P.S. I never thought of it before, but how Lazarus was sacrificed. To have it all to do over again–bis Stygios innare lacus!

_____

Father Peter Milward, SJ, taught English Literature at Sophia University in Tokyo. He has extensively published on his major subject, and A Challenge to C.S. Lewis (1995), which I just now ordered for my library. A curious title, however, for a student and “fan” of Lewis.

As a Shakespeare scholar, he has persuasively argued that the bard was Roman Catholic. “When the archbishop of Canterbury recently broke his church’s long silence and acknowledged that William Shakespeare was probably a Catholic, it was a moment of quiet satisfaction for Father Peter Milward, the author who began researching this subject a half century ago.” Read the article here.

From Ear to Quill

anglo saxonConsider how one humble Anglo-Saxon poet can teach us about the ancient transition from the oral to written delivery of poetry.

In recent study about the transition from aural to literary communication I came upon the following fascinating fact.

In an essay entitled “Oral to Written,” J.B. Bessinger writes:

As literate authors learned to assimilate oral materials to pen-and-parchment composition, and since cultural life and centres of writing were controlled so largely by the Church, it was inevitable that the oral transmission of pagan verse would die out, or at best leave few records of an increasingly precarious existence. Meanwhile the invasion of bookish culture into an oral tradition proceeded.

Amid the overwhelming anonymity of the period, Cynewulf was the only poet who troubled to record his name, not from motives of a new literary vanity, but against the Day of Judgement:* “I beg every man of human kind who recites this poem to remember my name and pray . . .”

I’ve read elsewhere that the names of a dozen Anglo-Saxon poets were recorded, although only four have any work that has survived. I understand, however, why Cynewulf is so well recognized—several thousand lines of his poetry are extant. You can access copies of his work for free at Project Gutenberg and Internet Archive.

Curiously, we know no details about Cynewulf other than his name. This he included in his manuscripts, spelled in runic characters.

Cynewulf’s poetry was familiar to the Inklings.

In his diary during the 1920s, C.S. Lewis describes reading Cynewulf and Cyneheard while he bemoaned that Old English Riddles continued to represent an obstacle to him.

I set to on my O.E. Riddles: did not progress very quickly but solved a problem which has been holding me up. [Henry] Sweet is certainly an infuriating author . . .

[Following afternoon tea, Lewis] retired to the drawing room and had a go at the Riddles. I learned a good deal, but found them too hard for me at present.

J.R.R. Tolkien paid an unimaginable tribute to Cynewulf. He attributed to the ancient poet no less than the original inspiration for his mythopoeic conscience.

In the summer of 1913 Tolkien . . . switched course to the English School after getting an “alpha” in comparative philology. At this time he read the great eighth-century alliterative poem Christ, by Cynewulf and others.

Many years later from the poem he cited Eala Earendel engla beorhtost (“Behold Earendel brightest of angels”) from Christ as “rapturous words from which ultimately sprang the whole of my mythology.”**

Cynewulf was an inspired poet. And, it is possible to discern some Anglo-Saxon words which have made it into contemporary English when passages are lined up, side by side.

We’ll close now with a passage from his poem, Christ. These words come from the beginning of Part II (Ascension) and comprise the beginning of chapter four. For those who would like to compare the texts, a parallel version follows.*** (Just click on the image to enlarge it.)

Enjoy Cynewulf’s celebration of God’s abundant gifts, extended to poets, musicians, and all others.

Then He who shaped the world, God’s Spirit-Son,

ennobled us, and granted gifts to us,

eternal homes ’mid angels upon high;

and wisdom, too, of soul, full manifold

He sowed and set within the minds of men.

To one He sendeth, unto memory’s seat,

through spirit of the mouth, wise eloquence,

and noble understanding; he can sing

and say full many a thing, within whose soul

is hidden wisdom’s power. With fingers deft

’fore warrior-bands one can awake the harp,

the minstrel’s joy. One can interpret well

the law divine, and one the planets’ course

and wide creation. One cunningly can write

the spoken word. To one He granteth skill,

when in the fight the archers swiftly send

the storm of darts, the wingéd javelin,

over the shields defence. Fearlessly another

can o’er the salt sea urge the ocean-bark

and stir the surging depth. One can ascend

the lofty tree and steep. One can fashion well

steeled sword and weapon. One knoweth the plains’ direction,

the wide ways. Thus the Ruler, Child divine,

dispenseth unto us His gifts on earth;

He will not give to any one man all

the spirit’s wisdom, lest pride injure him,

raised far above the rest by his sole might.

cynewulf

_____

* Please don’t correct me regarding the misspelling of “judgment;” this quotation comes from a British text. ;)

** From Tolkien and C.S. Lewis: The Gift of Friendship by Colin Duriez.

*** This image is derived from the 1892 translation of Cynewulf’s Christ by Israel Gollancz.

The lovely Anglo Saxon cross at the top of this page was discovered several years ago in the grave of a young teenage girl who had been buried near Cambridge.

I have blogged about Anglo Saxon legacy in the past . . . here and here.

Norse Linguistic Invasion

vik
The initial Viking incursions into England were violent, but they left a colorful linguistic legacy in their wake.

Victims of the onslaught, like the unfortunate monks of Lindisfarne, paid a steep price, but the Norse eventually became farmers and craftsmen like the people they initially displaced.

Their contribution to the British gene pool was small, as was their donation to the English language, but it was not insignificant.

Some of the words fit the Viking mystique. Klubba becomes club (as in the weapon, not the association). Rannsaka may have initially meant searching the house for something like your missing keys, but the English experienced it as ransack. And slatra transfers into slaughter. The original word means “to butcher,” and one wonders if it originally applied to meal preparation. It so, the decades of Norse raids modified that focus.

Other adopted words arose from the more peaceful pursuits of the Scandinavians. Bylög meant the laws of the village and became bylaw. Law itself comes from the Norse lag. Husband, skill, thrift, litmus and loan have Viking roots. Those who enjoy a great slice of beef can thank them for their “steak” as well, since steik was their term for frying meat.

The Inkling Affection for the Sagas

J.R.R. Tolkien was actually a Professor of Anglo-Saxon at Oxford. He founded a society devoted to the study of Icelandic and Norse sagas called Kolbitar (Coalbiters).* C.S. Lewis joined him in the group, which preceded the development of the Inklings fellowship.

As a young student, Lewis was attracted to Norse myth and experimented with writing his contribution to the tales. He penned over 800 lines of a massive epic he entitled “Loki Bound.” Only fragments have survived, but the following passage is especially intriguing. In it, Loki criticizes Odin for the manner in which he created humanity.

Odin! And who art thou to make a soul

And force it into being? Who art thou

To bring forth men to suffer in the world

Without their own desire? Remember this,

In all the universe the harshest law,

No soul must ever die: it can but change

Its form and thro’ the myriad years

Must still drag on for aye its weary course,

Enduring dreadful things for thy caprice.

The echoes of teenaged angst are clear in this tirade. The words describe (well, I believe) the fatalistic despair of many people. Fortunately, this young man eventually encountered the One who rescues us from “harshest law” and “dreadful things” that are the lot of fallen mortals.

A Few More Norse>English Words

Here are some more of the seven score words that are identified as having a Scandinavian origin.

An interesting collection of verbs include: bark, blunder, choose, crawl, glitter, race, scare, stagger, stammer and whirl.

The following words associated with people: Guest, kid, lad, oaf, foot, leg, skin, freckles, ill, and weak.

The gamut of emotions: anger, awe, and happy.

And, without their Norse contribution, who knows what we would call these articles today.

axle   ~   window   ~   cake   ~   bag

glove   ~   mug   ~   plow   ~   link

they   ~   trust   ~   same   ~   gift

and even Hell

One final example, as quoted in the source of the comprehensive list of Norse words.

Even though the gun wasn’t invented until centuries after the Viking era, the word comes from Old Norse. The most common usage was in the female name Gunnhildr: gunn and hildr both can translate as “war” or “battle.” Only truly [ferocious] Vikings named their infant daughters “Warbattle.”

_____

*You can read a bit more about Kolbitar here. I have also mentioned Kolbitar in this column.

 

C.S. Lewis’ Bilingualism

csl bilingualHow many extremely intelligent and well educated people do you know . . . who can actually communicate with those of us possessing normal human intelligence?

That talent is a rarity.

And it is precisely what makes C.S. Lewis such an unusual man. He was brilliant. Yet he could communicate with the common person—even the child—just as easily as he conversed with his fellow university dons.

Lewis, of course, could comprehend a number of languages, so he was more than merely “bilingual.” But that is not exactly the sense in which I am using the word today. I mean it in the sense of my opening paragraphs. It is the ability to communicate (even with the same “language”) to distinctly different groups who would normally not be able to readily understand one another.

In an interview that appeared in Christianity Today, Detroit pastor Christopher Brooks was asked about the challenges of urban ministry.

How have you included both righteousness and justice in your setting?

I think about C.S. Lewis, who had the challenge of building the bridge between the culture of Oxford and Cambridge and the culture of the church. These cultures were worlds apart by his time, but he was bilingual, in a sense: able to speak the language of Oxford to the church and the language of the church to the intellectuals and naturalists.

One of the titles for ancient Roman priests that was adopted by their Christian successors is “pontifex.” It means “bridge-maker.” The Pontifex Maximus was, of course, referred to the greatest of these offices.

In light of Brooks’ words about Lewis as building bridges between elite academia and Christianity, I have added that dimension to my view of him. C.S. Lewis, Pontifex Maximus. (I doubt it would make him happy, so I’ll keep it under wraps . . . and probably never mention it again.) But I am genuinely happy about his skill in building these bridges of understanding.

Before signing off, a special treat. If you call someone who speaks two languages “bilingual,” and someone who speaks three “trilingual,” what do you call someone who only speaks one language? Why, an American, of course.

That joke would not be as funny if it were not so sadly true. While the rest of the world almost assumes that people know at least two languages, most Americans stumble their way through the study of a second language for two or three years and never develop a comfort level with it. But that’s a story for another day.

Harry Potter in the Bible

potterSo much for the effectiveness of “state churches.” The European ones appear to have become abject failures. There is ample evidence that the “establishment” of religions has rarely served either church or state very well.

Here’s the latest proof from the United Kingdom. The BBC recently reported a study that shows three in ten teenaged Brits don’t know the Nativity of Jesus came from the Bible. Similar numbers had never heard about the Crucifixion or Adam and Eve.

I imagine they’ll consider the new Noah film just another work of Hollywood fiction. (Actually, half of them didn’t know that very story comes from the Bible.)

What’s more—their parents are nearly as ignorant.

Many of the teens did, however, think that the plotlines from the Harry Potter series were based on Bible stories.

As a person who was genuinely inspired by England’s magnificent cathedrals while I lived there, it is painful to contemplate the terrible loss. The great-great-grandchildren of saints who suffered and sacrificed for the Gospel have disregarded the good news.

And, lest any readers think I’m pointing fingers as a “self-righteous” American, let me assure you I take no pride in my own nation’s slide into apostasy. The words of Micah’s prophecy seem closer to fulfillment each day. “The faithful have been swept from the land; not one upright person remains.”

C.S. Lewis saw this coming. Consider the following from his 1950 essay, “The Literary Impact of the Authorised Version.”

It may be asked whether now, when only a minority of Englishmen regard the Bible as a sacred book, we may anticipate an increase of its literary influence. I think we might if it continued to be widely read. But this is not very likely. Our age has, indeed, coined the expression “the Bible as literature.” It is very generally implied that those who have rejected its theological pretensions nevertheless continue to enjoy it as a treasure house of English prose.

It may be so. There may be people who, not having been forced upon familiarity with it by believing parents, have yet been drawn to it by its literary charms and remained as constant readers. But I never happen to meet them. Perhaps it is because I live in the provinces. But I cannot help suspecting, if I may make an Irish bull, that those who read the Bible as literature do not read the Bible.

Speaking of reading the Bible “as literature,” that’s not a bad thing. It informs so much Western literature, that an ignorance of the Scriptures is tantamount to possessing an inadequate education. An excellent online resource for exploring this truth can be found at the Bible Literacy Project.

The site includes a copy of a comprehensive 2006 study of English professors from America’s top-rated schools, including Yale, Harvard, Princeton, Stanford, Texas A&M, UC-Berkeley and others. In the study, not a single professor disagreed with the statement that: “Regardless of a person’s faith, an educated person needs to know the Bible.”

If some people could get past their prejudices against the Bible, they would recognize the truth of this statement. Everyone should be reading the Bible, even if only as a significant literary work.

Perhaps, if this widespread study comes to pass, one day people will be able to recognize the difference between the Scriptures and Harry Potter.