C.S. Lewis & the Playful God

When my grandchildren were younger, we played a game where everything would be “normal” and I would without warning say “you don’t need to be afraid of me, because I’m not…” [transformational pause, followed with a growl] “… an ogre!”

The kids would squeal and hightail it for cover where they were safe while I briefly lumbered about for a moment. It was much fun, and if Jesus tarries, perhaps I’ll play a similar game with their children.

I recently read an interesting article about Martin Luther’s understanding of God’s playfulness. You can read the entire article here: “Deus Ludens: God at Play in Luther’s Theology.”

Finally, and perhaps most importantly, Luther knows a kind of unstructured play, especially between parents and children, that may involve . . . a kind of pretending which then gives way to the revelation of reality.

C.S. Lewis was a confirmed bachelor when he was surprised by encountering Joy, who would become his wife. He did a commendable job as a stepfather after her death, but wasn’t well equipped for the job.

In The Abolition of Man, Lewis confessed “I myself do not enjoy the society of small children . . . I recognize this as a defect in myself.” Yet he did enjoy other forms of play – of the mental and imaginary varieties – that many young people also savor.

One pastor encourages us to apply Lewis’ observation to ourselves.

Do you recognize that an inability to enjoy children is not representative of a defect in the children, but of a defect in us? I hope that you do. And if not, I hope that you will.

In “C.S. Lewis on Pretending,” the author touches on this theme. After quoting the following passage from Mere Christianity, he writes, “Lewis is drawing out two key elements of change. The role of imagination in faith. The necessity of visionary faith for change.”

Very often the only way to get a quality in reality is to start behaving as if you had it already. That is why children’s games are so important. They are always pretending to be grown-ups – playing soldiers, playing shop.

But all the time, they are hardening their muscles and sharpening their wits so that the pretence of being grown-up helps them grow up in earnest.”

Poet Malcolm Guite challenges (accurately, in my opinion) Lewis’ self-diagnosed disconnect from children.

That Lewis could write immortal children’s tales in late middle age, and weave into those tales such truth and vision that the children who first read them at 8 or 9 keep returning to them in adult life and finding more and more, is a sign that he retained to the end, ‘the child within,’ to borrow George Macdonald’s phrase. And yet in those very stories he provides for both children and grown-ups some very searching truths about what it is both to be a child and to grow up.

Other Christians have identified with Lewis’ challenge. One pastor repeated Lewis’ words about his “defect,” admitted he felt similarly, and responded:

Do you recognize that an inability to enjoy children is not representative of a defect in the children, but of a defect in us? I hope that you do. And if not, I hope that you will.

Because children, just like the poor, offer us another unique opportunity to see what it means to live inside God’s kingdom.

Like it or not, children are going to be who they are. With zero nuance or subtlety, they are going to be consistent – the authentic version of themselves – in every situation.

Ironically, despite his supposed handicap, C.S. Lewis directly blessed more children than it would be possible to number. The follow article, “A Playful Romp with God,” reveals an excellent example of his accomplishment.

The first time I encountered this scene – as an adult, reading the Narnia books to my own kids – I cried. The possibility that God might laugh, romp, and play with his children stopped me in my tracks. How could such a scandalous thing be true?

Growing up, I never heard a word about God laughing, joking, or doing anything for fun. No one invited me to imagine the Jesus of the Gospels smiling, much less goofing around with his disciples, playing hide-and-seek with the children who flocked to him, or basking in the sunshine on a gorgeous summer day.

The list of characteristics I associated with God – omniscience, holiness, transcendence, righteousness – did not include playfulness.

The writer of these words is not alone. Too many people have been raised with the image of a stern, humorless Christ. That’s one of the reasons I am so pleased with the new series, “The Chosen.”

While they may carry the image of Jesus’ playfulness a bit too far – who can say – it is a truly refreshing and convincing portrayal of the Lamb who came to lay down his life as a sacrifice for each of us.

C.S. Lewis portrays this aspect of God brilliantly in The Lion, the Witch, and the Wardrobe. After his resurrection, Aslan reveals himself first to Susan and Lucy. And, rather than rush off to prepare Narnia for the approaching battle with the Witch . . . he plays.

“Oh, children,” said the Lion, “I feel my strength coming back to me. Oh, children, catch me if you can!” He stood for a second, his eyes very bright, his limbs quivering, lashing himself with his tail. Then he made a leap high over their heads and landed on the other side of the Table.

Laughing, though she didn’t know why, Lucy scrambled over it to reach him. Aslan leaped again. A mad chase began. Round and round the hilltop he led them, now hopelessly out of their reach, now letting them almost catch his tail, now diving between them, now tossing them in the air with his huge and beautifully velveted paws and catching them again, and now stopping unexpectedly so that all three of them rolled over together in a happy laughing heap of fur and arms and legs.

It was such a romp as no one has ever had except in Narnia; and whether it was more like playing with a thunderstorm or playing with a kitten Lucy could never make up her mind. And the funny thing was that when all three finally lay together panting in the sun the girls no longer felt in the least tired or hungry or thirsty.

Do we have a playful God? If you still think not, you have my sympathy, my prayers, and my encouragement to read this helpful article, “The Role of Laughter in the Christian Life,” written by the author of Surprised by Laughter: The Comic World of C.S. Lewis.

C.S. Lewis & a Horse Named Fledge

C.S. Lewis was not alone in recognizing horses are magnificent creatures. Many of us share his appreciation for the more than 300 breeds that comprise the equine family.

Horses hold a prominent place in Lewis’ zoologically rich fantasies. In the Chronicles of Narnia, we encounter many Talking Horses. Among them are Bree, the titular hero of The Horse and His Boy, and Hwin, the heroine who teaches Bree what it means to be a Narnian.

But before Bree and Hwin galloped across the fields and plains of Narnia, a horse from Earth was transported to that Land at the hour of its very creation.* And there, Aslan anointed this modest draft horse⁑ to become the progenitor of a race of pegasi. Fledge’s story is quite inspiring.

Fledge was once named Strawberry, and pulled a Hansom cab in London. But after journeying to Narnia, Aslan chose him to be one of the very first Talking Animals, and granted him wings.

Would You Like Wings?” offers an illuminating meditation on this transformation.

So Strawberry, in this first stage, goes from beast to person. From a dream to wakefulness. From slavery to freedom. From silence to speech, from witless to intelligent.

From C.S. Lewis’ account of the “miraculous” event:

He then turned to the Horse who had been standing quietly beside them all this time, swishing his tail to keep the flies off, and listening with his head on one side as if the conversation were a little difficult to understand. “My dear,” said Aslan to the Horse, “would you like to be a winged horse?”

You should have seen how the Horse shook its mane and how its nostrils widened, and the little tap it gave the ground with one back hoof. Clearly it would very much like to be a winged horse. But it only said: “If you wish, Aslan – if you really mean – I don’t know why it should be me – I’m not a very clever horse.”

“Be winged. Be the father of all flying horses,” roared Aslan in a voice that shook the ground. “Your name is Fledge.” The horse shied . . . It strained its neck back as if there were a fly biting its shoulders and it wanted to scratch them. And then, just as the beasts had burst out of the earth, there burst out from the shoulders of Fledge wings that spread and grew, larger than eagles’, larger than swans’, larger than angels’ wings in church windows. . . .

“Is it good, Fledge?” said Aslan.

“It is very good, Aslan,” said Fledge.

When Aslan sends Polly and Digory on a quest with Fledge, they camp for the night and enjoy a delightful human~animal conversation (much like I would anticipate having with the deer that visit our yard daily, should they be graced with speech).

“And my wings are beginning to ache,” said Fledge. “There’s no sign of the valley with a Lake in it, like what Aslan said. What about coming down and looking out for a decent spot to spend the night in? We shan’t reach that place tonight.”

“Yes, and surely it’s about time for supper?” said Digory. So Fledge came lower and lower. As they came down nearer to the earth and among the hills, the air grew warmer and after traveling so many hours with nothing to listen to but the beat of Fledge’s wings . . .

A warm, good smell of sun-baked earth and grass and flowers came up to them. . . . “I am hungry,” said Digory.

“Well, tuck in,” said Fledge, taking a big mouthful of grass. Then he raised his head, still chewing and with bits of grass sticking out on each side of his mouth like whiskers, and said, “Come on, you two. Don’t be shy. There’s plenty for us all.”

“But we can’t eat grass,” said Digory.

“H’m, h’m,” said Fledge, speaking with his mouth full. “Well—h’m—don’t know quite what you’ll do then. Very good grass too.”

Polly and Digory stared at one another in dismay. “Well, I do think someone might have arranged about our meals,” said Digory.

“I’m sure Aslan would have, if you’d asked him,” said Fledge. “Wouldn’t he know without being asked?” said Polly. “I’ve no doubt he would,” said the Horse (still with his mouth full). “But I’ve a sort of idea he likes to be asked.”

“But what on earth are we to do?” asked Digory.

“I’m sure I don’t know,” said Fledge. “Unless you try the grass. You might like it better than you think.” (The Magician’s Nephew).⁂

In C.S. Lewis’ first story about Narnia, The Lion, the Witch and the Wardrobe, we read about the “statues” that surround the castle of the White Witch. Edmund has been corrupted by the Witch, and told that Aslan is dangerous.

The Witch has the power to turn living creatures to stone. When Edmund discovers a lion in her garden, he is delighted. But the lion is not alone.

The relief which Edmund felt was so great that in spite of the cold he suddenly got warm all over right down to his toes, and at the same time there came into his head what seemed a perfectly lovely idea. “Probably,” he thought, “this is the great Lion Aslan that they were all talking about. She’s caught him already and turned him into stone. So that’s the end of all their fine ideas about him! Pooh! Who’s afraid of Aslan?”

And he stood there gloating over the stone lion, and presently he did something very silly and childish. He took a stump of lead pencil out of his pocket and scribbled a mustache on the lion’s upper lip and then a pair of spectacles on its eyes. Then he said, “Yah! Silly old Aslan! How do you like being a stone? You thought yourself mighty fine, didn’t you?”

But in spite of the scribbles on it the face of the great stone beast still looked so terrible, and sad, and noble, staring up in the moonlight, that Edmund didn’t really get any fun out of jeering at it. He turned away and began to cross the courtyard.

As he got into the middle of it he saw that there were dozens of statues all about – standing here and there rather as the pieces stand on a chessboard when it is halfway through the game. There were stone satyrs, and stone wolves, and bears and foxes and cat-a-mountains of stone. . . . a winged horse and a long lithe creature that Edmund took to be a dragon (The Lion, the Witch and the Wardrobe).

I find the description of the lion quite provocative. “. . . so terrible, and sad, and noble.” That is exactly what I experienced when I saw the model for a “war horse” memorial in Romsey, England. The artists have done a brilliant job. The sorrow overflows from it eyes.

True, my impression is influenced by the outstanding 2011 film titled War Horse. If you’ve never seen this Spielberg gem, I encourage you to watch it and challenge you to do so without shedding a tear.

Horses have long been used in war. That is not what God created them for, but fallen humanity has often harnessed their power for combat. Some of their names are remembered today, including Bucephalus, Copenhagen, Cincinnati, and Traveler.

Returning to Fledge, we find a horse not only experiencing the fullness of his equine nature, but receiving blessings unimagined.


* C.S. Lewis did not compose the seven volumes of the Chronicles of Narnia chronologically. This has led to different opinions on the order in which the books should be read.

⁑ Draught horse, to you Brits.

⁂ While I typed this, a doe and her two fawns were peacefully grazing on our clover-seeded lawn, just a few feet away, outside my office window. [I’m sure they would have happily shared with me.]

Narnian Numismatics

I’m a numismatist, and you may be one as well.

Although I haven’t actively accumulated coins for some years, I do have as a prize piece of my collection a Narnia coin used in the production of Prince Caspian (2008). Technically, since it isn’t a true, earthly coin, it is considered exonumia, but we coin collectors still recognize just how truly special these treasures are.

Speaking of treasures, that is precisely where my Narnian medallion comes from. The treasure chamber scene had a surfeit of the pieces, and some were sold in collectible frames. The obverse and reverse of the coin can be seen above. I’ve actually written about “my precious” piece of Narnia in the past but just this morning I woke up with the word “numismatist” on my mind, crying out for a Mere Inkling post. (More on this in a moment.)

First, those interested in the history of money may wish to skim a few of my other related columns. These include: inflationary currency such as German notgeld and Zimbabwe’s more recent $1,000,000 bills, a comparison of the women in the life of Constantine the Great and the prominent women in the life of C.S. Lewis, and the misspelling of the name of Jesus on a papal medallion.

Coins Have Given Way in My Life, to Words

As I said above, I awoke today with the word “numismatic” fluttering across my thoughts. And it was not alone. It was linked to the wordplay I recently discussed in “Creative Definitions.”

Before pondering where my mental gyrations on the word in question carried me, allow me to share two additional examples I scribbled out on my bedside tablet before rising to brush my teeth and begin the day.

Provocatours: excursions to politically explosive environs where travelers can accurately anticipate their guides will provide an explosively entertaining adventure.

Methics: the ethical perversion which allows people to justify creating pharmaceuticals with the primary function of destroying lives. [See chemistry teacher Walther White on “Breaking Bad.”]

From there my mind jumped to the pecuniary avarice of drug dealers as associated with the word numismatics – and it coined the related word,

Numethmatics: wherein the potential temporal gains associated with drug dealing outweighs the cost to society, oneself and an individual’s soul.

And in relatively rapid sequence came the following.

Flumismatics: when viral contagions disrupt the entire global economy.

Cluemismatics: either the determination of the financial motivations for murder mysteries or the funding required for law enforcement agencies who determine the criminals’ identities.

Numismantics: when economic theory is dominated by traditionally masculine concepts and values (e.g. profit and greed).

Numissmatics: economic theory which is strongly influenced by traditionally feminine values (e.g. charity and compassion).

If the last two culturally antiquated examples haven’t lost you, read on.

Gloomismatics: the prospect for economic survival in light of crushed hopes for the future due to unbridled inflation (e.g. the insanity of some economists and politicians who advocate simply “printing more money” to solve the problem).

Newmismatics: novel currencies and specie that seek to deceive citizens through the pretense that they actually possess some value.

Bluemismatics: the depressive condition elicited when one’s financial holdings inadequately counterbalance one’s debts; historically, applied to cabin boys in sailing days who only realized they would not be fiscally compensated for their services after the ship had left port.

Pneumismatics: pecuniary considerations based on spiritual rather an material considerations.

Numismetrics: the partly scientific, partly fanciful art of exchanging international currencies.

Nufistmatics: the shocking rise of unprovoked blindsided blows to strangers in urban jungles, frequently without any apparent desire to steal property.

Truemismatics: the actual value of monies before economists get involved in the matter.

Gluemismatics: the tight-fisted relationship misers have with their monetary hordes (see Ebenezer Scrooge, or dragons such as described by C.S. Lewis and J.R.R. Tolkien).

Nuclearmismatics: the grim cost calculation involved by world powers when weighing the “benefits” of a possible nuclear conflagration.

There were a couple of other scribblings I was unable to decipher once I was fully awake, but near the end of my meanderings, I came upon,

Zoomismatics: the financial resources required to provide a healthy environment, as close as possible to their natural habitat, for animals residing in zoological parks.

Unsurprisingly, this neologism gave rapid birth to Gnumismatics and Moomismatics . . . well, you get the idea. For the sake of my on sanity, I had to forcibly end the spontaneous exercise.

Returning to Narnia

It is fitting to end this numismatic revelry with a return to the scene for which my coin was minted. As noted earlier, it appeared in Prince Caspian. The Pevensie children have returned to Narnia, and are reawakened to their former life which had become but a dream.

Rediscovering their treasure chamber, in the now-ruins of the castle Cair Paravel (time runs differently in Narnia) is pivotal in their reawakening.

“There’s one thing,” said Lucy. “If this is Cair Paravel there ought to be a door at this end of the dais. In fact we ought to be sitting with our backs against it at this moment. You know – the door that led down to the treasure chamber.”

“I suppose there isn’t a door,” said Peter, getting up. The wall behind them was a mass of ivy.

“We can soon find out,” said Edmund . . .

They worked at the ivy with their hands and with Peter’s pocket-knife till the knife broke. After that they used Edmund’s. Soon the whole place where they had been sitting was covered with ivy; and at last they had the door cleared. “Locked, of course,” said Peter. “But the wood’s all rotten,” said Edmund. “We can pull it to bits in no time . . .

[Descending into the chamber, Peter who is bringing up the rear tells Edmund to count the steps.] “One—two—three,” said Edmund, as he went cautiously down, and so up to sixteen. “And this is the bottom,” he shouted back.

“Then it really must be Cair Paravel,” said Lucy. “There were sixteen.” Nothing more was said till all four were standing in a knot together at the foot of the stairway.

Then Edmund flashed his torch slowly round. “O—o—o—oh!!” said all the children at once. For now all knew that it was indeed the ancient treasure chamber of Cair Paravel where they had once reigned as Kings and Queens of Narnia. There was a kind of path up the middle (as it might be in a greenhouse), and along each side at intervals stood rich suits of armor, like knights guarding the treasures.

In between the suits of armor, and on each side of the path, were shelves covered with precious things – necklaces and arm rings and finger rings and golden bowls and dishes and long tusks of ivory, brooches and coronets and chains of gold, and heaps of unset stones lying piled anyhow as if they were marbles or potatoes – diamonds, rubies, carbuncles, emeralds, topazes, and amethysts. Under the shelves stood great chests of oak strengthened with iron bars and heavily padlocked.

The tale continues, as with each returning memory, the children resumed their stature and confidence as the Kings and Queens of Narnia. Their character, you see, was restored, but they remained only a year older (in Earth age) than they had been when they had previously left the wonderland.

Much to the disappointment of the dwarf Trumpkin. “Well, then – no offense,” said Trumpkin. “But, you know, the King and Trufflehunter and Doctor Cornelius were expecting – well, if you see what I mean, help. To put it in another way, I think they’d been imagining you as great warriors. As it is – we’re awfully fond of children and all that, but just at the moment, in the middle of a war – but I’m sure you understand.”

Lesser children may have filled their pockets with gold coins and diamonds and sought a return to their native land and a life of leisure. Not so these four young heroes. And, due in part to their immunity to avarice, the glory of Narnia is eventually reestablished.

C.S. Lewis & Roald Dahl

Do C.S. Lewis (1898-1963) and Roald Dahl (1916-1990) have anything in common, besides authoring books enjoyed by children?

Looking back, I must have been deprived of opportunities to read common children’s books. I recall my mom having many of Dr. Seuss’ classics, but don’t remember more advanced works such as those of Beatrix Potter or E.B. White.

I suppose that is why Roald Dahl’s name means little to me. By the time I was aware of his popular works, I was too old to appreciate them. Added to that was my intense dislike for the cinematic presentation of his Chocolate Factory, which has permanently (and probably unfairly) soured my impression of the poor man.

In Matilda, published in 1988, Dahl offers a rather curious homage to the Inklings. The young protagonist offers to her teacher the following observations.

“I like The Lion, the Witch and the Wardrobe,” Matilda said. “I think Mr. C.S. Lewis is a very good writer. But he has one failing. There are no funny bits in his books.”

“You are right there,” Miss Honey said.

“There aren’t many funny bits in Mr. Tolkien either,” Matilda said.

If you are intrigued by this brief interchange, you would probably enjoy reading “Disagreeing with Matilda on Lewis and Tolkien.”

Curiously, a number of people have offered their evaluations of Lewis and Dahl, vis-à-vis one another. Author Grudge Match: Roald Dahl vs. C.S. Lewis invited diverse contributions to the debate eight years ago on LibraryThing.

A Christian blogger offers a faith-based appraisal on an entertaining website called “Like but better.” It’s entitled “How C.S Lewis is like Roald Dahl, but better (and Aslan is like Willy Wonka, but better).”

C.S Lewis is serious about what Dahl jokes about; even as both want us to pursue a childlike wonder and joy. For Lewis these enchanted stories and our sense of wonder are small stories reflecting on the big story — the ‘myth that became history’ — the death and resurrection of Jesus.

A BBC Culture article is quite critical of Dahl, despite his popularity. The introduction to “The Dark Side of Roald Dahl” aptly describes the essay.

Roald Dahl was an unpleasant man who wrote macabre books – and yet children around the world adore them. Perhaps this shouldn’t surprise us, writes Hephzibah Anderson.

An article by a Jewish journalist refers to both of the authors discussed here. It describes his bitter introduction to the major flaws of an author whose work he enjoyed as a child. “Why I Hope My Kids Never Read Roald Dahl” is, for me, most valuable for the way in which the journalist regards the faith which underlies the tales of Narnia.

As a nerdy Jewish kid in Indiana and Tennessee in the late 1970s and 1980s, I had far better relationships with books than I did with other kids. If I liked a book, I read it again, and again and again.

And so it was with Roald Dahls “Charlie and the Chocolate Factory.” Dahl’s protagonists Charlie and later James (of the “Giant Peach”) both provided early models for how to find a better way through a hostile world where I always felt like an outsider.

Given that personal history, the announcement that Netflix has acquired Dahl’s entire catalog and plans a robust lineup of multimedia adaptations ought to feel like good news. . . .

Seeing his work still celebrated fills me with sadness, leaving me caught between attachment to something that mattered to me as a boy and commitment to the principles that, I hope, make me the man I am today.

Because I know that Roald Dahl hated Jewish people like me.

There are cases where it’s complicated to ascribe modern values to figures from the past and as a reader, my feelings, my emotions, are just not going to be consistent. I don’t share C.S. Lewis’ religious views . . . J.R.R. Tolkien’s “Lord of the Rings” trilogy is, I’m sad to say, bound up in long histories of racism.But my childhood copies of their books still occupy my shelves, some missing covers and pages, and I bought new copies for my kids and tried – with mixed success – to share my love of those stories with them. It’s hardly new for readers of one generation to struggle with the views of authors from another.But Dahl is different. He passed away in 1990, only 31 years ago. And we know he was an anti-Semite because he said so.

While I would challenge Perry’s modest critiques of the Inklings, I am delighted he is able to look beyond his adult disappointment with their imperfections to commend them to his own children. As for Dahl . . . this article reinforces my lack of regret in being unfamiliar with his work.

Enough, now, of their differences. I promised readers a surprising similarity between the two British authors.

And What Is Their Unusual Commonality?

In 1951, C.S. Lewis was approached by Prime Minister Churchill’s office to accept an honor occasionally bestowed upon renowned literary figures. He was invited to become a Commander of the Most Excellent Order of the British Empire. Lewis declined, because he felt the political implications might overshadow the nonpartisan spirit of his writings. He was, however, honored to have been offered the honour.

This decision brings us to the peculiar similarity between the two writers. It turns out that Roald Dahl also passed up the invitation to join this chivalric order.

And the two were not alone. In 2012 a list of deceased individuals who had declined related honors between 1951 and 1999 was published.

Literary names were prominent amongst those to have said no to CBEs, OBEs and knighthoods in the annual New Year or Birthday Honours list, with Dahl, Lewis, and Huxley . . . joined by fellow naysayers Eleanor Farjeon, the children’s author, the poets Philip Larkin and Robert Graves, who said no to both a CBE and a CH (Order of the Companions honour), literary critic F.R. Leavis, Booker [Prize] winner Stanley Middleton and the authors J.B. Priestley and Evelyn Waugh.

An aspiring literary historian might do well to research whether and why successful writers might be more inclined to dismiss such an honor than other British citizens. I wonder if that inclination would carry over to other nationalities or cultures.

Ultimately, I assume most writers care less about receiving honors, than having their work read. And, perchance, having their literary efforts improve the lives of one or two others along the way. [This statement inspired vigorous debate when I shared this draft with members of my critique group.]

That desire – to enrich lives – is what motivates me. I believe it is also what inspired C.S. Lewis. And I know we are not alone.

We Found Hobbits in Our Yard

Yes, we found hobbits in our yard, when we weren’t even looking. True, I have a sign on our property welcoming “all true Narnians,” but true fans of the Oxford Inklings will recognize that hobbits are actually residents of Middle Earth.

I suppose, though, that doesn’t mean that Middle Earth’s hobbits, elves, and Ents can’t be Narnians at heart. As for dwarves and humans, they already reside in Narnia and are welcome here even if they are traveling through on their way to Valinor, in the Blessed Realm.

To be honest, it wasn’t actual hobbits we discovered. It is a small field of Eryngium planum, which is also known to botanists as Blue Hobbit, Sea Holly.

Noted for its petite size, Eryngium planum ‘Blue Hobbit’ (Sea Holly) is a compact perennial boasting a profusion of spiny, egg-shaped, purplish-blue flower heads throughout the summer.

They are produced on silver-blue stems and stand high above the basal rosette of deeply toothed, smooth textured leaves. Its beautiful texture, unique color, long-lasting flowering, easy care and remarkable qualities as cut flowers make it a favorite of florists, gardeners, bees and butterflies.

The plant’s size is the apparent premise for its popular name. I mean, there were Blue Wizards in Middle Earth, but no blue hobbits I can recall.

According to an interesting article in a Canadian newspaper, there are several plants “eagerly adopted by Tolkien fans, at least ones with a love of houseplants.”

The author describes his new acquisition named in honor of Gollum, a Stoor, which was an old breed of hobbits that preferred riversides and marshes. Gollum, of course, devolved from his life as Sméagol, due to the corrupting influence of the Ring.

Despite the name, the plant is kinda cute. Its full name is Crassula ovata ‘Gollum,’ and if you’re keeping up with your botanical Latin, or still have the tag stuck in one of your houseplants, you’ll know that Crassula ovata is the jade plant.

J.R.R. Tolkien and C.S. Lewis loved nature. And, not just from a distance. Their frequent cross country walks were of great delight to both scholars.

Lewis’ fascination with gardens began in his childhood. In his autobiography, he includes “a garden (which then seemed large)” as one of his initial “blessings” (Surprised by Joy). He also relates a pivotal experience in the development of his imagination.

Once in those very early days my brother brought into the nursery the lid of a biscuit tin which he had covered with moss and garnished with twigs and flowers so as to make it a toy garden or a toy forest. That was the first beauty I ever knew. What the real garden had failed to do, the toy garden did.

It made me aware of nature—not, indeed, as a storehouse of forms and colors but as something cool, dewy, fresh, exuberant. I do not think the impression was very important at the moment, but it soon became important in memory.

As long as I live my imagination of Paradise will retain something of my brother’s toy garden. And every day there were what we called “the Green Hills;” that is, the low line of the Castlereagh Hills which we saw from the nursery windows. They were not very far off but they were, to children, quite unattainable. They taught me longing—Sehnsucht; made me for good or ill, and before I was six years old, a votary of the Blue Flower.

The blue flower to which Lewis refers is not the Blue Hobbit. It is actually a symbol which grew to reference the Romanticism movement. Among other things, such as an emphasis on intense emotion, Romanticism fostered an idealized image of nature. In an essay about the German writer Novalis,* Norwegian-American author Hjalmar Hjorth Boyesen (1848-1895)⁑ offers the following description.

In the very first chapter we meet with all the conventional machinery of Romantic fiction: night, moonlight, dreams, and the longing for the blue flower. This blue flower is the watchword and the sacred symbol of the school. It is meant to symbolize the deep and nameless longings of a poet’s soul.

Romantic poetry invariably deals with longing; not a definite, formulated desire for some attainable object, but a dim, mysterious aspiration, a trembling unrest, a vague sense of kinship with the infinite, and a consequent dissatisfaction with every form of happiness which the world has to offer. The object of the Romantic longing, therefore, so far as it has any object, is the ideal—the ideal of happiness . . .

The blue flower, like the absolute ideal, is never found in this world . . .

The blue flower, as a metaphor, may remain out of reach, but selective breeding of cultivars has provided us with genuine examples in our modern era. And, since cultivars are named according to binomial nomenclature – which uses their scientific name, followed by a vernacular epithet – we may be introduced to more Inkling plants in the future.

I imagine both C.S. Lewis and J.R.R. Tolkien would be pleased to know that people have commemorated their literary creations with lovely flora. Learning of their existence, I’m thrilled to have Blue Hobbit spreading across our property. Perhaps it’s time to add a Gollum Jade plant to our home?


* For some reason, Romantic poet Georg Philipp Friedrich Freiherr von Hardenberg (1772- 1801), was commonly known by his pen name, Novalis, rather than his given name.

⁑ You can download a free copy of Boyesen’s Essays on German Literature at Internet Archive.

Good & Bad Memories

We humans are fascinating creatures. Our capacity to remember both the good and the ill from our past, exerts a powerful influence on the course of our future.

I’ve been reflecting on this contrast since our lectionary readings from worship this past Sunday. (I’ll note the particular passage that triggered my thoughts in a moment.)

The question I’ve pondered is whether good memories are more powerful than bad memories. By bad, I’m not referring to horrific experiences which our minds sometimes actively suppress or bury.

I’m thinking of unpleasant, disappointing memories. Things that we regret having happened, either to us, or because of us.

When I use the word “powerful” in my question, I’m referring to the ability of a given memory to continue actively impacting our lives.

In too many lives, it seems the joy and light emanating from positive recollections is often shaded or eclipsed by the clouds of painful memories.

Perhaps our lives would be happier if we consciously spent time recalling good experiences, and taught ourselves to reject – rather than dwell upon – negative thoughts when they force their way onto the stage?

C.S. Lewis provides a curious insight into the nature of memories. Their overarching essence often seem to magnify as time passes. Listen to his words, penned after a vacation in 1921, in which he describes how the joyful memories will grow ever sharper as they are recalled in the future.

I still feel that the real value of such a holiday is still to come, in the images and ideas which we have put down to mature in the cellarage of our brains, thence to come up with a continually improving bouquet.

Already the hills are getting higher, the grass greener, and the sea bluer than they really were; and thanks to the deceptive working of happy memory our poorest stopping places will become haunts of impossible pleasure and Epicurean repast.

Sadly, though, even glorious memories can sometimes fade away. This is the grimmest tragedy of many forms of dementia.

Memory in the Chronicles

C.S. Lewis does some curious things with memory in his Chronicles of Narnia. While the Pevensie children grow to adulthood reigning over Narnia, they end up forgetting about their earlier lives. Only when they stumble upon the Lamp-post, do they recall the land of their birth.

“By the Lion’s Mane, a strange device,” said King Peter, “to set a lantern here where the trees cluster so thick about it and so high above it that if it were lit it should give light to no man!”

So these Kings and Queens entered the thicket, and before they had gone a score of paces they all remembered that the thing they had seen was called a lamp-post, and before they had gone twenty more they noticed that they were making their way not through branches but through coats.

And next moment they all came tumbling out of a wardrobe door into the empty room, and they were no longer Kings and Queens in their hunting array but just Peter, Susan, Edmund and Lucy in their old clothes.

It was the same day and the same hour of the day on which they had all gone into the wardrobe to hide. Mrs. Macready and the visitors were still talking . . . (The Lion, the Witch and the Wardrobe).

In Prince Caspian, a wise advisor, Doctor Cornelius, secretly informs the heir to the Narnian throne that the old stories were not simply myths. The evil Telmarines had actively labored to erase all memory of Narnia’s true nature.

“Listen,” said the Doctor. “All you have heard about Old Narnia is true. It is not the land of Men. It is the country of Aslan, the country of the Waking Trees and Visible Naiads, of Fauns and Satyrs, of Dwarfs and Giants, of the gods and the Centaurs, of Talking Beasts. It was against these that the first Caspian fought.

It is you Telmarines who silenced the beasts and the trees and the fountains, and who killed and drove away the Dwarfs and Fauns, and are now trying to cover up even the memory of them. The King does not allow them to be spoken of.”

I find the following description of a renewed memory particularly picturesque. It takes place after the Pevensie children return to Narnia years after their initial visit.

Everyone except Lucy went to sleep at once. Lucy, being far less tired, found it hard to get comfortable. Also, she had forgotten till now that all Dwarfs snore. She knew that one of the best ways of getting to sleep is to stop trying, so she opened her eyes.

Through a gap in the bracken and branches she could just see a patch of water in the Creek and the sky above it. Then, with a thrill of memory, she saw again, after all those years, the bright Narnian stars. She had once known them better than the stars of our own world, because as a Queen in Narnia she had gone to bed much later than as a child in England.

And there they were – at least, three of the summer constellations could be seen from where she lay: the Ship, the Hammer, and the Leopard. “Dear old Leopard,” she murmured happily to herself (Prince Caspian)

Forgetting the Past

Every one of us has made mistakes. And far too often we allow those poor decisions and choices to haunt us the rest of our lives. That delights the Devil, one of whose titles is Accuser.

He wants us mired in the past, thinking there is no way we could ever earn God’s love.

The simple fact is that we don’t earn our Creator’s love. It’s a free gift. It is pure grace, and utterly unmerited.

Once we have confessed our sins, God washes them away and cleanses us from all unrighteousness.

To emphasize how God no longer holds our past sins against us, consider some of the ways he expresses his capacity to permanently forgive our confessed sins.

He does not deal with us according to our sins, nor repay us according to our iniquities… so great is his steadfast love toward those who fear him; as far as the east is from the west, so far does he remove our transgressions from us (Psalm 103).

Who is a God like you, pardoning iniquity and passing over transgression..? You will cast all our sins into the depths of the sea. (Micah 7:18-19).

And now, for the verse which inspired my thoughts. It struck me as particularly helpful for our Christian lives, given the fact that God does not keep a permanent record of our sins. Wouldn’t our lives be better if we followed the Lord’s example?

Not that I… am already perfect, but I press on to make it my own, because Christ Jesus has made me his own… one thing I do: forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus (Philippians 3:12-14).

“Forgetting what lies behind,” our past failings which have been forgiven, liberates us to live the life to which God calls us.

That’s seldom easy to do, but knowing how “far [God] removes our transgressions from us,” makes that possibility much more likely. Let us press on.

Anachronistic Military Imagery

Peace is almost universally valued. Ironically, it cannot be achieved without holding militaristic forces at bay. And preventing them from crushing the weak, requires that a more “benevolent” be strong enough to stand up to the international bullies.

If there is no champion for those unable to defend themselves, the wolves tear their prey apart and the only limits placed on their appetites are the threats posed by other predators. The fate of the small ranges from domination by ruthless powers to domination by less ruthless overlords.

If there is no benevolent “superpower,” or if it is viewed as feeble and indecisive, the Third Reichs of the world will reign.

Historically, imperialistic agendas have been checked by other empires or alliances. Some alliances are small, such as the North American Aerospace Defense Command (NORAD) which includes only Canada and the U.S. Others are intercontinental, such as the North Atlantic Treaty Organization (NATO), with its thirty members. Further growth of this alliance is at the heart of global tensions as this post is published.

The alliances I have mentioned are established for mutual defense. NATO has not secreted away a covert plan for world domination.

My thoughts turn to the possibility of war because (in view of many) the power of the United States is waning. Wolves are licking their proverbial chops, eager to expand their spheres of influence.

Even as we pray that God would preserve Europe from conflict around Ukraine, remember that there are nations where civil wars have raged for generations. God have mercy.

War & Peace

The “collectable plate” pictured at the top of this post was purchased by my mother when she visited our family in the U.K. in 1990. A decade after my retirement from the USAF, I am still unpacking some of the boxes I accumulated during decades, and after my mom’s passing, this souvenir joined the archives.

It really is beautifully ornate. Such an attractive setting for an awesomely combative image.

Lest they be misperceived as “conventional” weapons, it should be noted that Ground Launched Cruise Missiles were expressly devised to deliver intermediate range nuclear explosives. Deadly.

The great thing about NATO’s cruise missiles is that they were deployed to bring the Soviet Union to the negotiating table, where the Intermediate Nuclear Forces Treaty led to the elimination of all such munitions from Europe!

Combining military and peace imagery has a long tradition. I wrote about “Powerful Names” and how Iran chose the classic name “Peacekeeper” for one of its deadly missiles. But you can find in my post many other, stranger labels. (I’m still confused why the Brits named of their 1950s missiles “Green Cheese.”)

My assignment at Royal Air Force Greenham Common was a joy. And it was a genuine privilege to be part of a mission that literally made the world a safer place.

I hope all people who desire lasting peace will join me in supporting the allied nations of democratic countries as they counterbalance the world’s totalitarians. And if they can combine the power of necessary arms with artistry that celebrates the pastimes of peace, all the better.

C.S. Lewis worked his own magic combining frightening images with peaceful pursuits. Included in the ranks of Aslan’s army, after all, we see not only cute badgers and prickly hedgehogs. Fierce (even beastly) satyrs are found in the ranks of Good. (Think super-gross, goat-faced fauns . . . with axes). Still, when they are aligned in the ranks beside Narnia, they appear noble. I can even imagine them, during seasons of peace, tilling the soil and tending the orchards.

We will close with a piece of trivia about Narnian warriors. In the books, the Minotaurs (nasty creatures these), are all portrayed in a negative light. They are among the troops of the White Witch celebrating Aslan’s death. However, in the films they have been redeemed and some fight beside Aslan and Narnia’s kings. C.S. Lewis’ son, Doug Gresham, explained the change in an interview:

There are several reasons for that. Firstly, we felt that we needed to show that in Narnia as here, old foes can be forgiven and can reconcile and work together, given the will to do so. Secondly, that in Narnia as also it is here, a common adversary will bring even the worst of enemies together and unite them.

Also, that the shapes and colours of a species’ body do not necessarily denote their character, that just because someone is a Minotaur does not have to mean that they are all bad. Finally, we kind of like Minotaurs.

Free Books Offered Monthly

Would you like to receive free books for the simple exchange of a short, honest review of them? If so, join me at LibraryThing. Best of all, they offer additional benefits for readers (and writers).

You may already have a free account there, since they offer a book cataloging system connecting you to fellow readers, which appeals to many book lovers.

They also offer TinyCat, which is a sophisticated cataloging system designed for small libraries. And it is free for personal use! I don’t have the time to input my own library, despite all of their tools for making that easy, but it could well work for you. [Warning: if your library includes more than 20,000 items, it may be a tad too large.]

Requesting a book for review is simple. Each month they list a bunch of new, mostly self-published titles that are available. You express your interest and they distribute the quantity that are available. You can see current offerings here: LibraryThing Early Reviewers.

The truth is that I rarely request a title. The vast majority are fiction, while my tastes strongly lean toward nonfiction. Even there, available time restricts my interests to a handful of topics. Still, I wrote a review about a book I received entitled  A Curmudgeon’s Guide to Postmodern Times: Aphorisms. (I am a sucker for thought-provoking maxims, especially if they are witty.) More on my review in a moment.

In the past I’ve written book reviews for military and theological journals. Most publications offer specific guidelines as to what they desire in a review. If you opt to ignore these, you are wasting everyone’s time. Most online sites are more tolerant.

Writing Book Reviews

Writing effective reviews is an art in itself. To do it well requires some conscious effort. To simply describe something as “good” or “boring” is basically not worth the effort. You need to think about what you, as a potential reader, are interested in knowing about a title before you invest your time and money in procuring it.

It appears there are hundreds of online sites describing the process. This one from Grammarly is a quick, clear read. One piece of their advice relates directly to my latest review.

Remember that you’re reviewing a book that another human poured their heart and soul into to write. Express your honest opinion, but don’t be nasty about it.

That sentiment is similar to one I just read in an old magazine I was perusing.

Concerning satire, I’ve always followed the rule laid down by an old college professor: “I only pick on those I love.” If I have trouble loving someone, it’s better if I refrain from jokes, satire, and teasing.

C.S. Lewis & the Art of Reviewing Books

If one were to tally all the reviews that have been written about the works of C.S. Lewis, their number might rival the grains of sand spread around the world’s beaches.*

It is unsurprising that Lewis, being a professor of English literature, wrote a significant number of book reviews himself. Some of the most notable are gathered in Image and Imagination. While the volume includes a number of valuable essays, it is the collection of his published book reviews which are of interest to us today.

You see, in Image and Imagination we encounter ten of his reviews written about books authored by his fellow Inklings. These include Owen Barfield, J.R.R. Tolkien and Charles Williams. The volume is edited by Walter Hooper, who ably introduces each of the reviews, and provides unique insight. For example, he notes C.S. Lewis’ ongoing debate with Owen Barfield about anthroposophy.

Barfield’s conversion to Anthroposophy . . . marked the beginning of . . . the ‘Great War’ between [the two friends]. . . . While the ‘Great War’ had ended years before, the problem Lewis faced in reviewing Romanticism Comes of Age is that it contains in the Introduction and other places Barfield’s ‘case’ for Anthroposophy (“Who Gaf Me Drink?”).

Lewis’ review of the culmination of the Lord of the Rings is worth the full price of the collection. Doesn’t the following ring true?

The other excellence is that no individual, and no species, seems to exist only for the sake of the plot. All exist in their own right and would have been worth creating for their mere flavour even if they had been irrelevant.

Treebeard would have served any other author (if any other could have conceived him) for a whole book. His eyes are ‘filled up with ages of memory and long, slow, steady thinking.’

Through those ages his name has grown with him, so that he cannot now tell it; it would, by now, take too long to pronounce. When he learns that the thing they are standing on is a hill, he complains that this is but ‘a hasty word’ for that which has so much history in it (“The Dethronement of Power”).

On My Review of the Curmudgeon’s Concerns

My recent review (to which I referred above) was not easy to write. What made it difficult was my mixed opinion of the aphorisms chosen for the publication. Most were quite interesting, and a few were downright brilliant. The problem was the strong bias of the author when he addressed two “controversial” topics – politics and religion.

Unlike Mark Twain, to whom I refer in the review, this author forsakes humor when he deplores subjects with which he disagrees. Twain made it clear how he stood, but usually in a manner that left even his opponents entertained. This particular book is much more “curmudgeonly,” in that some of it is delivered in an ill-tempered, alienating manner.

If you are curious in seeing how I threaded the needle of honestly reviewing a book with problematic material, you can read it here. While praising many aspects of the book, I did make one critical observation related to an aphorism related to The Chronicles of Narnia.

Greene even invokes my favorite author to mischaracterize Christianity. “C.S. Lewis depicted God as a lion. The lion, of course, is a predator.” So much for agnus dei and Aslan’s manifestation as a lamb.

A Final Encouragement

If you are a writer, or an aspiring writer, consider writing some book reviews. It can provide a more welcoming entrée into the publishing world than other features. Write it in a style similar to the reviews they normally run, and be sure to read any guidelines they provide for contributions. As with other submissions, it’s best to query first. Best of luck!


* The World Atlas estimate of 2.5 to 10 sextillions may suggest this estimate of Lewisian reviews may be hyperbole. But at least I did not refer to the number of stars, which is estimated at 10 to 200 sextillion.

Create a Word Today

What could possibly be more fun than making up a witty new word?

Well, to be honest, lots of things. But inventing words is still an enjoyable creative exercise. I made up several in less than an hour this evening, while half-watching an old movie. A few may be lame, but I hope you will discover one or two you enjoy.

I’ve touched on the subject of inventing words in the past. But this approach involves a different process.

This article from The Guardian asks, “English speakers already have over a million words at our disposal – so why are we adding 1,000 new ones a year to the lexicon?” That’s certainly a fair question. However, it doesn’t pertain to my thoughts here. I’m not attempting to birth any neologisms. These are simply humorous tweaks to existing words. A form of wordplay.

I got the idea when I read a short article, “The Best Made Up Words Ever,” by Bill Bouldin.* He admits to including a number of words from an online site I won’t name here (due to its preponderance of vulgar terms). While Bouldin doesn’t indicate which examples are his own contributions, and which are reproduced, I found a couple of the words quite entertaining.

The first of these reminded me of many group meetings where we consider all sorts of opportunities and possibilities.
Blamestorming – The act of attempting to identify the person who is most at fault for a plan’s failure.

As a pastor I couldn’t resist modifying this gem.
Sinergy – When performing two bad acts make you feel as guilty as if you had committed three.

This one struck home since it’s a play on one of the words in the title of the Narnian classic, The Lion, the Witch and the Wardrobe.
Chairdrobe – A chair on which one piles clothes that belong in the closet. Not to be confused with a floordrobe.

The final example will resonate with everyone who enjoys reading and writing.
“Illiteration – The mistaken impression that you know more about rhetorical devices than you really do.

At the risk of revealing myself to be an illiterator, I’ve included below some of the words I conjured up during an idle hour. I don’t claim any are masterpieces, but you may find one or two that bring a smile to your face. And, who doesn’t need an extra smile during these trying times?

My Initial Experiment

Caution: Before proceeding, keep in mind these are not real words. As genuine and utilitarian as they may appear, I advise you not to use them in conversation or composition. They are offered by Mere Inkling purely for entertainment purposes. Feel free to add some of your own in a comment.

Miscellaneous Vocabulary

Subbatical: the period when some temp like you is hired to fill in for some privileged person who has a job that has sent him or her off for an extended paid vacation.

Dippididude: Confused men who use hair gel designed for young girls and women.

Cemetarry: The unwillingness of some people to ponder the reality of their own mortality.

Mannekin: A boring, sedentary relative, who rarely rises from the couch.

Candlelablouse: The name for candlesticks with multiple arms in the homes of prudes.

Carnivirus: Individuals who strive to draw blood from those who view the coronavirus and its implications differently than they do.

Brigadeer: A domineering deer who tries to order all the other members of its herd around (antlers optional).

Altruistick: Actions that appear on the surface to be selfless, but include a hidden agenda.

Monumentill: Descriptor for someone of little worth who builds a significant reputation with the sole purpose of lining their pockets.

Blasphemee: An individual’s personal inability to consistently observe the Second Commandment.

Concupiscents: Hollywood’s obsession with including graphic sexual themes in all of their productions, resulting in the selling of their souls for pennies on the dollar.

Cathedroll: A large church led by a senior minister given to quaint and unintentionally comic humor.

Cadaversary, pl., cadaversaries: A member of the endless hordes of the undead during a zombie apocalypse.

Writing Vocabulary

Literasee: The capacity of one’s imagination to visualize what you are reading.

Bloggrr: An essentially angry person, given to writing unbridled tirades on various digital formats.

Gerdprocessing: When whatever you are typing just doesn’t work, and causes you severe heartburn instead.

Manuskipped: The sad condition when the article or book into which you poured your blood, sweat and tears has been tossed into a slush pile to lie forgotten.

Editteen: The maturity level of the editor who did not recognize the merits of your manuscript and rejected it without comment.

Subliminil: When the word you are reading or writing possesses no hidden or subconscious message.

Proofreaper: Someone you invited to read your manuscript for misspellings who advises you to delete entire sections of your precious creation.

Skulldigory: Misbehavior by the English professor, Digory Kirke, who, as a child, introduced evil into Narnia.

I will close now with two words that cat-lovers may find objectionable. If you are a devoted feline-fancier, you are advised to cease reading now.

Lucifur: The anonymous leader of that faction of felines devoted to serving evil.

Purrification: The activity of forgiveness and restoration that occurs when any cat makes a sincere confession of its sins.


* This columnist cites various words from the Bouldin’s piece, and others from a book entitled The Emotionary: a Dictionary of Words That Don’t Exist for Feelings That Do.

We Are All Hard of Hearing

Do you have any Deaf friends or family members? If so, I cannot think of any more inspiring reason to learn sign language.

Even if you don’t already know someone Deaf, gaining familiarity with American Sign Language (ASL), or one of its British, French, Chinese, Japanese, Arabic, Spanish, Mexican, etc. alternatives – is worthwhile.

According to one major translation and captioning corporation, the use of sign language extends not only throughout nations, but also to a variety of populations.

It’s the main form of communication for the Deaf and Hard-of-Hearing community, but sign language can be useful for other groups of people as well. People with disabilities including Autism, Apraxia of speech, Cerebral Palsy, and Down Syndrome may also find sign language beneficial for communicating.

My wife, a special education teacher, recognized this early in her career. One of her greatest joys came from introducing a deaf, severely autistic teenager to a world where she could communicate for the first time. Although she could see, and learned to read with some comprehension, her transformation through learning ASL called to mind the miracle that was Helen Keller.

Before proceeding, it is helpful to clarify some terminology. According to the National Association of the Deaf website, “we use the lowercase deaf when referring to the audiological condition of not hearing, and the uppercase Deaf when referring to a particular group of deaf people who share a language.”

The members of this group have inherited their sign language, use it as a primary means of communication among themselves, and hold a set of beliefs about themselves and their connection to the larger society.

We distinguish them from, for example, those who find themselves losing their hearing because of illness, trauma or age; although these people share the condition of not hearing, they do not have access to the knowledge, beliefs, and practices that make up the culture of Deaf people.

This is an extremely significant distinction. So, people like me whose progressive hearing loss could conceivably lead to deafness, would not be members of the Deaf community. Unless, I suppose, we were to immerse ourselves in the Deaf (sign) language and culture. Even then, I imagine we would always be recognizable as “immigrants,” rather than native members of the Deaf family.

Another semantic consideration is the obsolete usage of the term “hearing-impaired.” This term is offensive to the Deaf community, and efforts continue to update the language of pertinent laws. The Cogswell Macy Act, which outlines educational rights for the Deaf and the Blind, is currently being revised.

In fact, the National Association for the Deaf is asking everyone to serve as advocates. One small element of the revision  will be to “change outdated terminology in current educational law from ‘hearing impaired’ to ‘deaf, hard of hearing, and DeafBlind.’”

Sign language is certainly not limited to spelling out words with individual letters. There are numerous words that have their own sign. A company named Start ASL offers online courses, and they offer video examples of 150 basic ASL words on their website.

One fascinating practice of the Deaf is the way many of them possess a unique “name sign” which identifies them in the community. Very Well Health has a great explanation about the way these names are given.

One aspect of Deaf culture is the use of unique, personal “name signs” as a way to identify someone without fully spelling out their name. . . . These names often reflect the person’s character and are usually devised by someone within the Deaf community.

Some people have a combination of initialized and descriptive name signs, like the first letter of their name that is swirling like a fish for someone who is a swimmer.

If you love a specific animal, like cats, your name sign may be the first letter of your birth name to then sign “cat’s whiskers” on your cheek. If you enjoy birds, your name sign could be the first letter of your birth name combined with the sign for bird.

The name sign given to my wife, Delores, was the letter “d” beside her “smile.” Quite fitting, since she is an extremely compassionate person who is seldom without one.

C.S. Lewis & the Deaf

Obviously, C.S. Lewis encountered a number of people who were deaf or hard of hearing. He mentions some of them in his correspondence. While there are now a “few students with hearing loss at Oxford,” I don’t know what accommodations would have been available during Lewis’ residency.

In “Oxford Student on Being Hearing Impaired at University,” we read “Deaf and hard of hearing students need to speak up at their universities if they want their needs to be taken more seriously and reach their full academic potential.” (Curiously, this 2019 article uses the outdated term “hearing impaired.” Perhaps the British find it less irritating than Americans?)

In 1953, C.S. Lewis responded to a letter from a student who had explained the Gospel to one of her Deaf classmates. She asked “how much of the teaching about Christ” she could present with the Gospel story itself. In his response he begins with a disclaimer about having little knowledge of the Deaf.

It is difficult to one, who, like me, has no experience, to give an opinion of these problems, which, I see, are very intricate. The story about the girl who had reached the age of 16 under Christian teachers without hearing of the Incarnation is an eye-opener.

For ordinary children (I don’t know about the Deaf) I don’t see any advantage in presenting the Gospels without some doctrinal comment. After all, they weren’t written for people who did not know the doctrine, but for converts, already instructed, who now wanted to know a bit more about the life and sayings of the Master.

Shortly before his death he explained to a writer that he had no personal photo to share. In his response, he uses the word “deaf” to explain (or exaggerate) the fact he was hard of hearing.

Sorry, but I’m out of photos. Which is perhaps just as well, for I look awful. Imagine a marsh-wiggle gone fat and red in the face. And deaf and bald. I talk far too loud. I’m so glad you liked the Narnian series.

Humanity’s Universal Deafness

Shifting our view from the physical to the spiritual, we see that all of us truly are Hard-of-Hearing. Christians understand the human inclination toward selfishness and sin as a consequence of “original sin.” We can be rescued from our sinful state, of course, and that is what the doctrine of the atonement is all about.

We’re not discussing theology here, but I say that to explain why deafness and blindness are metaphors in the Scriptures for being unable to hear or see the Truth.

For example, through the Prophet Isaiah, God describes unfaithfulness of his people in the following way.

Hear, you deaf,
    and look, you blind, that you may see!
Who is blind but my servant,
    or deaf as my messenger whom I send?
Who is blind as my dedicated one,
    or blind as the servant of the Lord?
He sees many things, but does not observe them;
    his ears are open, but he does not hear. (Isaiah 42:18-20).

When Jesus says “he who has ears to hear, let him hear” (Matthew 11:15) he is saying that we should not be deaf to God’s call. And the deafness he refers to is our conscious choice not to hear God’s words.

It seems to me that most of us are at least slightly hard of hearing when it comes to listening to our Creator. If we weren’t – if we heeded God’s words – this world of ours would be a vastly different place.

C.S. Lewis describes the tragic end of someone who insists on remaining utterly deaf to God.

In The Great Divorce, he describes the withered soul of a person who had resisted every attempt of God to alleviate their suffering and lift them from death, to life.

A damned soul is nearly nothing: it is shrunk, shut up in itself. Good beats upon the damned incessantly as sound waves beat on the ears of the deaf, but they cannot receive it. Their fists are clenched, their teeth are clenched, their eyes fast shut.

First they will not, in the end they cannot, open their hands for gifts, or their mouths for food, or their eyes to see.

No one reading this is at that point. So long as we breathe, we can uncover our spiritually blind eyes and unstop our spiritually dead ears, to receive his words of life. Admitting that we are all sometimes hard of hearing is a good step toward growing in our faith and anticipating the gift of eternal life.

You will find a list of resources below, but before exploring them, there is one more amazing C.S. Lewis connection that needs to be mentioned. In 2018, the Pennsylvania School for the Deaf adapted The Lion, the Witch, and the Wardrobe for the stage in ASL. Pretty amazing! “Narnia’s Latest Adaptation: Sign Language” tells the story and includes a delightful short video featuring several of the performers.


Resources

There are a number of interesting and useful resources available for those interested in this subject.

For charts displaying different sign language alphabets, you will find one collection here.

For those who share my interest in fonts, you can download a free ASL font at this website. And, for those Down Under, you can find a free font featuring your version of sign language here.

As you can see from the animated graphic above this section an example of the ASL animation generator available at signlanguageforum.com – This one spells “resources.”

There are several sites online where you can type in your own words or phrases using fingerspelling. For example, with either American Sign Language or British Sign Language (BSL).