Archives For C.S. Lewis

bennett

Some Christians are obnoxious. Well, okay, quite a few Christians are insufferable when they persistently “witness” to those who are deaf to their appeals. But, truth be told, many atheists are becoming increasingly obnoxious in their attitudes towards Christians as well. Let’s consider which group is worse.

First, some definitions. By Christians I don’t mean people who have some vague deistic notion that there is a God, and Jesus is somehow connected to this divinity because he was such a holy prophet.

By Christian I mean someone who has placed their faith and trust in Jesus the Christ, the only begotten Son of God who declared he was the Way, the Truth and the Life… The Logos (Word) through whom the universe was created.

By Atheist, I don’t mean people who do not share that faith, but who consider it an unprovable thesis. Most people with this viewpoint are ambivalent about whether or not others “believe.” The majority of these folks, many of whom do not feel threatened by religious conversations, are better understood as Agnostics.

By Atheist I mean people who are so convinced that Christianity is fallacious that they feel they must do what they can to stamp it out. They are so emotionally engrossed in the matter that they are genuinely unable to recognize that their own belief is based on nothing other than faith itself.

I can respect the fact that Atheists have historically been mistreated by “Christendom.” By my definition, this institutional entity is not synonymous with actual Christianity. In fact, it’s persecuted far more Christians of different denominational allegiances, than it has unbelievers who simply kept their mouths closed. But that’s a subject for another day.

Christians do not hate agnostics, or even atheists. Their motivation for sharing the Gospel inclines them towards the opposite attitude. Certainly they do it in obedience to their Lord’s command. Most possess a genuine concern and compassion for those they consider to be lost and facing eternal separation from God.

On the other hand, an increasing number of Atheists are insultingly dismissive of Christians who they consider—as a group—to be ignorant and prejudiced.

An Atheist columnist acknowledged this fact, and the discomfort it causes him, in a recent essay. David Harsanyi wrote the following in “Political Idols,” an article about a broader subject.

Unlike many of my fellow non-believers, I don’t feel especially enlightened or rational for my apostasy; I feel kind of unlucky, actually.

The typical non-believer sees the strictures of Christianity or Judaism [the faith in which Harsanyi was raised] as a punishment—mythical limitations set to inconvenience him—but I see people who take profound comfort in a beautiful fate that awaits them as long as they treat people as they would want to be treated themselves.

As a man who believes his story ends in a pile of dirt rather than celestial salvation, I have many reasons to be envious.

Yet, for my entire atheistic life, I’ve been nudged to mock the believer. The unifying doctrine of atheism is a reflexive antagonism toward faith and all the ideas it has dragged along with it through the centuries.

If all Atheists recognized this, and all Christians acknowledged that they are no more deserving of God’s mercy than their neighbor, oh what wonderful conversations about matters of eternal significance we could have!

C.S. Lewis’ Comment about an Atheist Writer

In a 1916 letter to his friend Arthur Greeves, Lewis comments on a book that Greeves had mentioned. He says the particular volume is of little value, without remarking on the author’s work in fiction, for which he as better known.

What is most significant about this particular letter is Lewis’ reference to the writer’s atheism, and the allusion to his own. It must be remembered that Lewis would not experience his conversion to Christianity for another fifteen years!

The book you refer to is ‘How to Form a Literary Taste’ by Arnold Benett: the edition is pretty but the book is not of any value. The very title—as if you set out to ‘learn’ literature the way you learn golf—shews that the author is not a real book-lover but only a priggish hack.

I never read any of his novels & don’t want to. Have you? By the way, he is a rather violent atheist, so I suppose I shall meet him by

‘The fiery, flaming flood of Phlegethon,’ as good old Spenser has it.

Before we look at Arnold Bennett (1867-1931), the author Lewis is describing, let us take a moment to consider the literary allusion Lewis includes in this passage.

“The fiery, flaming flood of Phlegethon” comes from The Faerie Queene, an epic poem which was the masterpiece of Edmund Spenser (1552-1599). Various editions of the fantasy poem are available.

In Spenser’s poem, the Phlegethon is a river found in Hell. The name itself means “flaming,” and it initially appears in Greek mythology as one of the Underworld’s five rivers. In The Faerie Queene, the terrible place where “the damned ghosts in torments fry.”

While his agnosticism assumes there is no afterlife, he acknowledges he may be wrong. And, if so, it is precisely to this tragic, fiery end that the unbelieving Lewis delivers Bennett . . . and himself.

So, who was Arnold Bennett?

Bennett was a versatile writer, and found success not only as a novelist, but also in theater and journalism. He even served as the Director of Propaganda for France during WWI, even though he was English. (He had resided in France since 1903.)

He was outspoken in his view that religious faith was not for the wise. Ironically, he died of typhoid after ignoring a French waiter’s counsel not to drink the “ordinary [tap] water from a carafe,” which was unsafe.

In 1932, Bennett’s widow began editing and publishing his journals. In a review that year, a literary magazine noted his antagonism towards Christianity.

Through it all one gets the impression of a terribly self-centered personality. Perhaps the artist is necessarily self-centered, though I cannot believe that Shakespeare was.

There have been artists like Dante, like Milton, whom it would be absurd to call selfish in the usual sense of the term because, colossal as their egos were, they yet consecrated themselves and all their pride of art and pride of soul to something for which, in the final analysis, their inmost spirits cared immensely more than they cared for self or for art or for any other thing on the earth below or in the heavens above it. . . .

Probably he was as great an artist as a man can be without religion, and the measure of his greatness is to be found in his straining against the limitations he so needlessly imposed upon himself. . . .

He had nothing of the mystic in him. In a moment of illumination he declares that “there is no such thing as ugliness in the world,” but this is as far as he gets. Yet he holds out against Christianity as he holds out against what he thinks of as sentimentalism, and his wife was probably right in her feeling that he might have made a very good Christian if he had only been willing to let himself go.

Civil Atheism

It would be a good thing for us individually and as members of a pluralistic world, to treat one another with civility. As a Christian, I can confess for my brothers and sisters that we do not always do so. Let us strive to do better.

And, as for those who identify themselves as Atheists, perhaps there is some room for improvement in this area as well. If more people resisted atheism’s “reflexive antagonism toward faith,” the world would definitely become a more friendly place.

A final note for those who would read more about Bennett. G.K. Chesterton wrote an essay about morality and punishment, in which he responds to a proposal offered by Bennett that society should not “judge” criminals. You can read “The Mercy of Mr. Arnold Bennett” here.

Since it relates to our discussion here, I must share a portion of Chesterton’s witty introduction to his essay.

Mr. Arnold Bennett recently wrote one of his humorous and humane “causeries” pleading very properly for social imagination and the better understanding of our fellows. He carried it, however, to the point of affirming, as some fatalists do, that we should never judge anybody in the sense of condemning anybody, in connexion with his moral conduct.

Some time ago the same distinguished writer showed that his mercy and magnanimity were indeed on a heroic scale by reviewing a book of mine, and even saying many kind things about it.

But to these he added a doubt about whether true intelligence could be consistent with the acceptance of any dogma. In truth there are only two kinds of people; those who accept dogmas and know it, and those who accept dogmas and don’t know it. My only advantage over the gifted novelist lies in my belonging to the former class.

I suspect that his unconsciousness of his dogmas extends to an unconsciousness of what he means by a dogma. If it means merely the popular idea of being dogmatic, it might be suggested that saying that all dogmatism is unintelligent is itself somewhat dogmatic.

And something of what is true of his veto on dogma is also true of his veto on condemnation; which is really a veto on vetoes.


The photograph above is of a statue of Arnold Bennett unveiled this summer in his home town of Stoke-on-Trent.

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With civil discourse in such short supply today, it may be beneficial to consider some wisdom from the past about disagreeing calmly.

If you’re a thoughtful person, and you interact with other rational people, it’s inevitable that you will sometimes disagree. These differences of opinion are not bad things, in and of themselves. They help us sharpen our thinking and occasionally result in someone (from either side) recognizing the errors in their opinions.

There are times, however, when disagreements are not handled respectfully. In such situations, they seldom result in a positive end. In cases where quarrels arise, people don’t persuade others. They do the opposite—they motivate them to entrench themselves and hide behind mental and verbal barricades that reinforce their “errors.”

You can go all the way back to the Scriptures to find the recognition that this sort of debate is destructive. Here is the counsel of the apostle Paul to his protégée Timothy, a young pastor:

Remind them of these things, and charge them before God not to quarrel about words, which does no good, but only ruins the hearers. Do your best to present yourself to God as one approved, a worker who has no need to be ashamed, rightly handling the word of truth. But avoid irreverent babble, for it will lead people into more and more ungodliness, and their talk will spread like gangrene. (2 Timothy 2:14-17)

In the second century, Tertullian, a brilliant North African Christian scholar, penned one of my favorite passages in all of patristic literature.

I might be bringing forward this objection from a want of confidence, or from a wish to enter upon the case in dispute in a different manner from the heretics, were not a reason to be found at the outset in that our Faith owes obedience to the Apostle who forbids us to enter into questionings, or to lend our ears to novel sayings, or to associate with a heretic after one admonition—he does not say after discussion.

Indeed, he forbade discussion by fixing on admonition as the reason for meeting a heretic. And he mentions this one admonition, because a heretic is not a Christian, and . . . because argumentative contests about the Scriptures profit nothing, save of course to upset the stomach or the brain.

This or that heresy rejects certain of the Scriptures, and those which it receives it perverts both by additions and excisions to agree with its own teaching. For even when it receives them it does not receive them entire, and if it does in some cases receive them entire, it none the less perverts them by fabricating heterodox interpretations.

A spurious interpretation injures the Truth quite as much as a tampered text. Baseless presumptions naturally refuse to acknowledge the means of their own refutation. They rely on passages which they have fraudulently rearranged or received because of their obscurity.

What wilt thou effect, though thou art most skilled in the Scriptures, if what thou maintainest is rejected by the other side and what thou rejectest is maintained? Thou wilt indeed lose nothing—save thy voice in the dispute; and gain nothing—save indignation at the blasphemy. (On the Prescription of Heretics, 16-17)

If you would like to read a fascinating scholarly article on this passage you can download one here. In “Accusing Philosophy of Causing Headaches: Tertullian’s Use of a Comedic Topos,” J. Albert Harrill writes:

Among the most famous passages in Tertullian’s De praescriptione haereticorum (ca. 203) is what appears to be nothing more than a throwaway line. After declaring that ‘heretics’ have no right to use Christian Scripture, he writes, ‘Besides, arguments over Scripture achieve nothing but a stomachache or a headache.’

Previous scholarship has assumed the protest to epitomize Tertullian’s fideism and general anti-intellectualism. However, I argue that the line evokes a comedic stereotype within a medical topos about ‘excessive’ mental activity causing disease in the body, going back to Plato and Aristophanes.

The passage is, therefore, not a throwaway line but an important part of Tertullian’s attempt to caricature his opponents with diseased superstitio (excessive care and ‘curiosity’).

More Recent Variations of this Theme

Those who have attempted serious, rational argument with someone who is unserious or irrational know very well what Tertullian was describing. If you are earnest and calm in your advocacy, only to have your counterpart act flippant or ignorantly obstinate, it really can make one feel nauseous.

G.K. Chesterton, who was an articulate defender of Christianity during the beginning of the twentieth century, described the frustration in a predictably entertaining manner.

If you argue with a madman, it is extremely probable that you will get the worst of it; for in many ways his mind moves all the quicker for not being delayed by things that go with good judgment.

He is not hampered by a sense of humour or by clarity, or by the dumb certainties of experience. He is the more logical for losing certain sane affections.

Indeed, the common phrase for insanity is in this respect a misleading one. The madman is not the man who has lost his reason. The madman is the man who has lost everything except his reason.” (Orthodoxy)

As Chesterton suggests, the madman has retained his ability to reason, but is no longer inhibited by reason itself. I would liken it to retaining the appearance of reasoning, bereft of its essence. It parallels what we read in 2 Timothy 3.

In the last days . . . people will be lovers of self, lovers of money, proud, arrogant, abusive, disobedient to their parents, ungrateful, unholy,  heartless, unappeasable, slanderous, without self-control, brutal, not loving good,  treacherous, reckless, swollen with conceit, lovers of pleasure rather than lovers of God, having the appearance of godliness, but denying its power. Avoid such people. (Italics added.)

C.S. Lewis also addresses the inability of many who are wrong to conduct rational conversations. Whenever they meet a reasoned argument, they are disarmed.

Unfortunately, their lack of logic does not prevent them from charging into the disputation. They assume their passion or their appeal to subjectivity (i.e. that “everyone” is right) will win the day.

Lewis grew so frustrated by the phenomenon that he coined a new word to identify it. He regrets the passing of the day when you persuade someone of their error before you could legitimately explain why your own position is correct on a given issue.

The modern method is to assume without discussion that he is wrong and then distract his attention from this (the only real issue) by busily explaining how he became so silly.

In the course of the last fifteen years I have found this vice so common that I have had to invent a name for it. I call it Bulverism.

Some day I am going to write the biography of its imaginary inventor, Ezekiel Bulver, whose destiny was determined at the age of five when he heard his mother say to his father – who had been maintaining that two sides of a triangle were together greater than the third – `Oh you say that because you are a man.’

“At that moment,” E. Bulver assures us, “there flashed across my opening mind the great truth that refutation is no necessary part of argument. Assume that your opponent is wrong, and then explain his error, and the world will be at your feet.

“Attempt to prove that he is wrong or (worse still) try to find out whether he is wrong or right, and the national dynamism of our age will thrust you to the wall.” That is how Bulver became one of the makers of the Twentieth Century.

I find the fruits of his discovery almost everywhere. Thus I see my religion dismissed on the grounds that “the comfortable able parson had every reason for assuring the nineteenth century worker that poverty would be rewarded in another world.” Well, no doubt he had. On the assumption that Christianity is an error, I can see early enough that some people would still have a motive for inculcating it.

I see it so easily that I can, of course, play the game the other way round, by saying that “the modern man has every reason for trying to convince himself that there are no eternal sanctions behind the morality he is rejecting.”

For Bulverism is a truly democratic game in the sense that all can play it all day long, and that it gives no unfair privilege to the small and offensive minority who reason. But of course it gets us not one inch nearer to deciding whether, as a matter of fact, the Christian religion is true or false. . . . I see Bulverism at work in every political argument.

Until Bulverism is crushed, reason can play no effective part in human affairs. Each side snatches it early as a weapon against the other; but between the two reason itself is discredited. (“‘Bulverism:’ Or the Foundation of Twentieth Century Thought”)

So, there we have it. We may derive some comfort from the fact that irrational arguing has frequently displaced civil discourse since the dawn of human communication.

As for me, I intend to avoid the Bulverites as much as possible. The last thing I need is a migraine or a serious case of indigestion.

How One Speaks to Royalty

September 20, 2017 — 6 Comments

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How does your voice subtly alter as you are introduced to foreign royalty? When you kneel before your sovereign, if you summon the courage to speak, does your voice crack, or assume the volume of a whisper.

A recent study argues that “Non-verbal behaviours, including voice characteristics during speech, are an important way to communicate social status.”

The research involved interviews with potential employers (most likely because too few individuals with royal blood were available).

We found that vocal modulations were apparent between responses to the neutral and high-status targets, with participants . . . increasing fundamental frequency.

That means that when people talked to those they considered more powerful or prestigious than themselves, their voices got higher and squeakier. [Note: the study itself does not refer explicitly to the squeakiness quotient.]

C.S. Lewis was a gifted orator, who could well have served as the prestigious participant in a study such as this. “Lewis had a rich, deep, booming voice,” notes a recent volume.

This may be one reason that Adolf Hitler rued Lewis’ contribution to the Allied war effort.

There are a bevy of studies related to how all manner of things exert a subconscious effect on our vocal pitch. For example, you may not be aware that “Japanese women modify their pitch when reading English sentences, producing speech in a slightly lower pitch range” (Japanese Language, Gender, and Ideology).

Another fact of which you may be unaware, is that on the Supreme Court of the United States, “when male justices respond to female justices, they are more likely to raise their pitch.” What’s more, as the years pass, “female justices lower their voice pitch over time, whereas male justices raise their voice pitch over time.” What do we make of that?

In an article about how “study after study has suggested that low voices, ‘masculine’ voices, are an asset to those seeking leadership roles, in politics and beyond,” we discover how this relates to women, as well.

We perceive men with lower-pitched voices to be more attractive and physically stronger–and also more competent and more trustworthy—than their less burly-voiced peers. And we perceive women with lower-pitched voices along the same lines (though we also tend to perceive them, tellingly, as less attractive than their Betty Boop-y counterparts).

C.S. Lewis and the Idea of Voice

Accustomed as he was to an academic world constructed on the scaffolding of lecture and debate, Lewis was well acquainted with the power of “voice.” In fact, in one of his most creative essays, “Two Lectures,” Lewis describes hearing a predictable lecture on the subject of “evolution, development, the slow struggle upwards and onwards from crude and inchoate beginnings towards ever-increasing perfection . . .”

He then describes a “dream” that very night in which all of the lecturers presuppositions are reversed, raising the question of whether it might be “equally reasonable to look outside Nature for the real Originator of the natural order?”

The portion of the essay which is pertinent to the subject of the current column is the way he introduces the Dream Lecturer, but praising the “voice and figure” of its human precursor.

None of this [i.e. the evolution lecture], of course, was new to me or to anyone else in the audience. But it was put very well (much better than it appears in my reproduction) and the whole voice and figure of the lecturer were impressive. At least they must have impressed me, for otherwise I cannot account for the curious dream I had that night.

In “The Decline of Religion,” Lewis praises open and uninhibited conversations about faith. In contrast, he describes an earlier age of superficial religiosity in which Christianity, “if it had to be spoken of, it was spoken of in a hushed, medical voice.” Ah, the medical voice. We who have been around hospitals and sickbeds (for those seriously ill) are quite familiar with that somber and muted tone.

In “Meditation in a Toolshed,” Lewis illustrates the distinction between studying something and peering more deeply into it. His description of the voice of one’s beloved is quite poetic.

A young man meets a girl. The whole world looks different when he sees her. Her voice reminds him of something he has been trying to remember all his life, and ten minutes’ casual chat with her is more precious than all the favours that all other women in the world could grant. [Italics added.]

Reading these words, I am reminded of the Song of Solomon.

O my dove, in the clefts of the rock, in the crannies of the cliff, let me see your face, let me hear your voice, for your voice is sweet, and your face is lovely. (2:14)

The Voice of C.S. Lewis

Fortunately, we possess a small number of recordings of Lewis’ voice. Sadly, however, many more were lost.

During WWII, the BBC used twelve-inch metal disks coated with acetate for recordings. But because metal was in short supply, those disks were primarily reserved for field recording, so only one of Lewis’s WWII talks was preserved.

If a sufficient number of recordings had survived, an analysis of Lewis’ voice pitch might have earned a modern graduate their PhD.

It is fitting to close these thoughts with a thoroughly Lewisian quotation. Lewis was a deeply charitable man. In his writings he mentions a number of times how he strove to put the best face on the words and actions of others.

In a letter to one of his regular correspondents who is extremely “distraught” at another’s behavior, he urges patience. In doing so he mentions how we can become so prejudiced toward others that their very voice becomes a bludgeon. But read on and see how he makes his gracious point.

It is a pity he ‘gets on your nerves’ but you are, rightly, controlling your reactions. I know well how a person’s very voice, looks, and mannerisms may grate on one! I always try to remember that mine probably do the same to him—and of course I never hear or see myself.

C.S. Lewis and Flags

September 6, 2017 — 3 Comments

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Do you find flags interesting? Even inspirational, perhaps?

A recent article on the subject reminded me that one of my early avocations was as a vexillologist. If you also enjoy learning about flags, you can become a vexillologist too (ability to spell the title not required).

The article discussed the diversity of America state and territory flags. Some are rather mundane, featuring state seals on single colored fields. While my own Washington State flag falls into this category, the fact that the first president’s face dominates the seal makes it rather attractive. Many seals though, are terribly busy and jumbled.

The Nebraska flag is so bland that it once flew over the state capitol for several days, before anyone noticed it was upside down.

One of the most distinctive flags is that of New Mexico, which features “the sun symbol of the Zia Pueblo. The red and yellow imitate Spain’s national colors, paying tribute to the region’s colonial heritage.”

You can view all of the American flags here, if you are interested.

Or, if you are more interested in international flags, you can see and read about them here (compliments of the CIA).

The best part of the article, “Fifty Flags” by John J. Miller, is the author’s citation of C.S. Lewis.

The main purpose of a flag is to unite people behind patriotic, military, or civic causes. A good flag stirs emotions, tingling spines at Olympic ceremonies and encouraging soldiers to hold fast.

“In battle it is not syllogisms that will keep the reluctant nerves and muscles to their post in the third hour of the bombardment, wrote C.S. Lewis in The Abolition of Man. “The crudest sentimentalism . . . about a flag or a country or a regiment will be of more use.”

Inspired by this passage, I’ve gleaned several more references that the Oxford scholar makes to flags.

Quotations from C.S. Lewis Mentioning Flags

The flag serves as the emblem of a nation as it projects its image beyond its own borders.

After breakfast [Lord Bern] asked Caspian to order every man he had into full armor. “And above all,” he added, “let everything be as trim and scoured as if it were the morning of the first battle in a great war between noble kings with all the world looking on.”

This was done; and then in three boatloads Caspian and his people, and Bern with a few of his, put out for Narrowhaven. The King’s flag flew in the stern of his boat and his trumpeter was with him. (Voyage of the Dawn Treader)

The absence of a flag or identifiable markings leaves an enemy uncertain about how to proceed.

Inside, he was wondering if there were any way of getting rid of these unwelcome visitors. Had he known that Caspian had only one ship and one ship’s company with him, he would have spoken soft words for the moment, and hoped to have them all surrounded and killed during the night.

But he had seen a ship of war sail down the straits yesterday and seen it signaling, as he supposed, to its consorts. He had not then known it was the King’s ship for there was not wind enough to spread the flag out and make the golden lion visible, so he had waited further developments. (The Voyage of the Dawn Treader)

The enthusiastic waving of flags can be a visible manifestation of patriotic fervor. In a letter to his brother, written between the wars, Lewis describes conversation with an Anglican priest, William Stead, who had just returned from Italy.

Lewis is rather dismissive of the priest’s comparison of Italy and Great Britain because, unlike Lewis and his brother Warnie, the cleric had never been to the front lines.

Stead, fresh back from Venice and Rome, gave as his verdict that “Italy was a pleasant surprise to him. He had always imagined the Italians a degenerate people but found that they were really quite go ahead and up to date.”

They were also more patriotic than the English, for they were always waving flags and went mad over the name of Italy whereas “he had never found that Englishmen showed any great enthusiasm over the mention of England.”

They and their landscape were, he said, hardy and vigorous whereas one always felt the softness of England. Stead is an American and has not been to the war. (All My Road Before Me: The Diary of C. S. Lewis)

A flag can also be used to gain the attention of a friend or potential ally. Lewis uses the image in his first letter to Charles Williams, who would join him in the Inkling writing community. The story of their mutual respect is fascinating. Williams response to Lewis begins, “My dear Mr Lewis, If you had delayed writing another 24 hours our letters would have crossed.”

I never know about writing to an author. If you are older than I, I don’t want to seem impertinent: if you are younger, I don’t want to seem patronizing. But I feel I must risk it. A book sometimes crosses one’s path which is so like the sound of one’s native language in a strange country that it feels almost uncivil not to wave some kind of flag in answer.

I have just read your Place of the Lion and it is to me one of the major literary events of my life—comparable to my first discovery of George Macdonald, G. K. Chesterton, or Wm. Morris.

In “Religion Without Dogma?” Lewis includes a flag as one of the symbols with more inherent inspirational power than can be uncovered in a lifeless religion. He is discussing spiritualism, which offered supposed communication with ghosts wandering through an ill-defined afterlife.

A minimal religion compounded of spirit messages and bare Theism has no power to touch any of the deepest chords in our nature, or to evoke any response which will raise us even to a higher secular level—let alone to the spiritual life. The god of whom no dogmas are believed is a mere shadow. He will not produce that fear of the Lord in which wisdom begins, and, therefore, will not produce that love in which it is consummated.

The immortality which the messages suggest can produce in mediocre spirits only a vague comfort for our unredeemedly personal hankerings, a shadowy sequel to the story of this world in which all comes right (but right in how pitiable a sense!), while the more spiritual will feel that it has added a new horror to death—the horror of mere endless succession, of indefinite imprisonment in that which binds us all . . .

It can never be a controller or even a rival to our natural sloth and greed. A flag, a song, an old school tie, is stronger than it; much [stronger are] the pagan religions.

The flag can delineate the leading edge of an advance into enemy territory. Lewis uses this notion with great effect in his treatise on pain.

No doubt Pain as God’s megaphone is a terrible instrument: it may lead to final and unrepented rebellion. But it gives the only opportunity the bad man can have for amendment. It removes the veil; it plants the flag of truth within the fortress of a rebel soul. (The Problem of Pain)

In his essay “Answers to Questions on Christianity,” Lewis uses the flag as a metaphor for where one’s ultimate loyalty lies.

When I first became a Christian . .  . I thought that I could do it on my own, by retiring to my rooms and reading theology, and I wouldn’t go to the churches and gospel halls; and then later I found that it was the only way of flying your flag; and, of course, I found that this meant being a target.

It is extraordinary how inconvenient to your family it becomes for you to get up early to go to church. It doesn’t matter so much if you get up early for anything else, but if you get up early to go to church it’s very selfish of you and you upset the house.

If there is anything in the teaching of the New Testament which is in the nature of a command, it is that you are obliged to take the Sacrament, and you can’t do it without going to church.

A Final Observation on Flags & War

In one of Lewis’ less well-known essays, “Talking about Bicycles,” he discusses a fascinating procession through which many of our experiences pass. “Let’s give them names. They are the Unenchanted Age, the Enchanted Age, the Disenchanted Age, and the Re-enchanted Age.”

His illustration using the example of marriage is excellent, and accurately describes the chronicle of many if not most marital unions. It is, however, in his example related to war that he mentions the symbol of the flag.

Let’s take an example that may interest you more. How about war? Most of our juniors were brought up Unenchanted about war. The Unenchanted man sees (quite correctly) the waste and cruelty and sees nothing else.

The Enchanted man is in the Rupert Brooke or Philip Sidney state of mind [both were poets whose lives were cut violently short in war]—he’s thinking of glory and battle-poetry and forlorn hopes and last stands and chivalry.

Then comes the Disenchanted Age—say Siegfried Sassoon [another poet who survived WWI, in contrast to his contemporary, Brooke].

But there is also a fourth stage, though very few people in modern England dare to talk about it. You know quite well what I mean. One is not in the least deceived: we remember the trenches too well. We know how much of the reality the romantic view left out.

But we also know that heroism is a real thing, that all the plumes and flags and trumpets of the tradition were not there for nothing. They were an attempt to honour what is truly honourable: what was first perceived to be honourable precisely because everyone knew how horrible war is. And that’s where this business of the Fourth Age is so important.

C.S. Lewis did, indeed, recall the trenches. He understood the horrors of war, but had matured in his viewpoint to become reenchanted with its glory. Flags, pennants and guidons are visible emblems of its chivalry and honor. Lewis would certainly concur with the declaration of Robert E. Lee, commander of the Confederate States of America army, that “it is well that war is so terrible, otherwise we should grow too fond of it.”

Fortunately, flags fly far more commonly in peace than they do in war. Their peaceful fluttering is far more familiar to the masses than their battle shorn visage. May that always remain true.

_____

The image at the top of the page is copyrighted by its creator, Joel Lisenby, and used with permission.

 

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Among Irish writers who left large imprints on literature, there were a peculiar pair who failed to impress one another when twice their paths crossed. William Butler Yeats (1865-1939) and C.S. Lewis (1898-1963) met in Oxford, and both found their encounters less than inspiring.

Obviously, when the two of them met, Yeats was an internationally renowned pillar of poetry, and Lewis was a young man with a trifling reputation. Oddly enough, they were introduced by an American poet.

[Editorial Note: This is a longer post than most, but it is a fascinating subject that demands more comprehensive discussion.]

William Force Stead (1884-1967) had served in the United States Consular Service. Upon being posted to the United Kingdom, he studied at Queen’s College in Oxford, and was ordained a priest in the Church of England.

His religious life must have been curious, since he apparently explored some of the spiritualism common to that era. However, his ordination did allow for his employment in a convenient position. While Chaplain of Worcester College in Oxford, he baptized T.S. Eliot, who had become his friend.

He left the position when he decided to convert to Roman Catholicism. (Apparently it was a bit of a scandal.) At the outset of the Second World War, he returned to the United States where he pursued an academic life. One of his poems, “Sweet Wild April,” can be read in the supplemental notes below.

The Relationship Between Lewis and Stead

In his diary of his early life, published as All My Road Before Me, Lewis describes a visit to his home made by Stead.

Sunday 8 July: After lunch I lay on the lawn reading Boswell while Harwood and Maureen played duets to their great satisfaction. Just before tea I had gone into the house when I saw someone at the hall door and opening it found Stead.

I talked to him in the drawing room for a few minutes and then brought him out and introduced him to Harwood and disappeared to get tea. He talked philosophy to Harwood and I threw in impertinent interruptions whenever I came out to put a cup or a cake on the table. . . .

Stead, fresh back from Venice and Rome, gave as his verdict that “Italy was a pleasant surprise to him. He had always imagined the Italians a degenerate people but found that they were really quite go ahead and up to date.”

They were also more patriotic than the English, for they were always waving flags and went mad over the name of Italy whereas “he had never found that Englishmen showed any great enthusiasm over the mention of England.” They and their landscape were, he said, hardy and vigorous whereas one always felt the softness of England.

Lewis’ next sentence expresses in eleven words an entire volume. It is followed by fascinating observations about the Italian fascism of the early twenties.

Stead is an American and has not been to the war. We also talked of Fascismo. We were all inclined to favour it except Harwood who said it was only a more successful version of the Ku Klux Klan and that Mussolini had the face of a villain.

Asked if he believed in Fascist atrocities, Stead said that they committed atrocities only when they were deserved.

Stead’s Introduction of Lewis to Yeats

Stead apparently possessed the type of personality that resonated with Yeats, who was captive to various Hermetic and Rosicrucian mythologies. Yeats must also have appreciated Stead’s poetry, since he included two of his poems in the Oxford Book of Modern Verse (1892-1935).

Stead was modest about his ability to contribute to the conversation as it was guided by the elder authority. With some frequency, he was invited to dine with Yeats and his wife (although it does not appear that his own wife accompanied him). Here is his description of the normal pattern for such evenings.

[It was] an easy and intimate little party, but I was often puzzled in the hours that followed when we retired to his study: Yeats, who mistook me for a philosopher and a man of learning, went voyaging off into regions with which I was wholly unfamiliar.

He was then reading the Catholic theologian, Baron von Hugel—and here I could offer a few comments; he was already interested in Byzantium, and I had a little knowledge of the Eastern Empire. But his range of interest–tho’ he was not a man of learning–went far beyond my boundaries. For instance, he would open a volume on Art, Apollo by Reinach, and ask me to compare the facial expressions in Greek and Roman sculpture, as representing the contrast between the subjective or instinctive life and the objective or rational life.

This led to a discussion of the difference between the Greek and Roman civilizations, and to subjective and objective periods during the Christian era.
Here I was invited to follow his involved system of intersecting cones, as the objective age or civilization was moving up into the subjective, and the subjective age or civilization was moving down into the objective.

These again were symbolised by the dark of the moon as the objective, and the light or full moon as the subjective, and the transition as the gradual rounding out of the dark into the light, and vice versa.

I was often quite lost, and even the poet himself, to whom this reading of character and history had come as a revelation—partly thro’ his wife, who had pronounced psychic powers—even the poet would pause at times, drop his glasses, dangle them at the end of their ribbon, look round and say: “It is all very difficult.”

Stead offers a suggestion as to why his company may have been valued by the famous poet.

I must have been useless as a source of information and ideas, but Yeats was lonely and felt rather neglected in Oxford; his was not the academic type of mind, and learned ladies bored him by asking, “Mr. Yeats, what is your subject?” as though he were a don, with some narrow field of research.

He soon adopted a blunt reply—“Astrology,” and that floored them. As a matter of fact, it was one of his many interests in occultism. . . .

Yeats welcomed almost any form of belief. He craved the supernatural. It was the only air he could live and breathe in.  (“Oxford Poets” by David Bradshaw in Yeats’s Mask)

Lewis’ Introduction to Yeats

Lewis could hardly believe his good fortune when his acquaintance invited him to meet Yeats. However, it was the poet’s peculiarities, rather than his talents, that left the deepest impression.

In a lengthy letter to his brother Warren, Lewis describes in detail these events. He begins with the receipt of the invitation, and includes a humorously critical evaluation of Stead’s poetry.

I received this morning a letter from my obliging friend Stead. Stead is rather a punt: I think you saw me stop to speak to him one day in the Corn. 36 He is an undergraduate but also curate of a parish in Oxford. He writes poetry. The annoying thing is that it’s exactly like mine, only like the bad parts of mine: this was my own original opinion and it has been confirmed by others. Perhaps you can imagine the sensation I experienced in reading it.

Stead’s letter was to say that he had mentioned to Yeats–whom he knows–“my double claim to distinction as an Irishman and a poet” and would I come along this evening and see him?

The letter continues with a description of the evening.

I accordingly repaired after dinner to Stead’s lodging in Canterbury Street. He is a married man: his wife is an American: she is the sister of a woman who is married to a brother of Mrs Moore’s.

She was a woman of implacable sullenness who refused even to say good evening to me: beside her at the fire sat an American gentleman who was apparently left to console her for the absence of her husband.

This was a very amiable person: he was ‘studyin’ when I entered, but politely laid his book down. You know the sort of face in which a long promontory of nose (eagle build) projects from between two rounded hills of cheek (cherub build)? Picture this surmounted by a pair of horn spectacles and made of a texture rather like cod’s roe: then add that this face beams but can contribute to the crack only by saying ‘That’s right’ at the end of everyone’s remark.

In these rather nasty surroundings Stead was finishing a very nasty meal of cold fish and cocoa: but he soon put on his coat and after asking his lady why there were no stamps in the house and receiving no answer, swung out with me into the usual Oxford theatrical night. Trusting soul to leave his wife unguarded in such society!

Yeats lives at the end of Broad St, the first house on your right as you leave the town. I can assure you I felt a veritable Bozzy as I reflected that I was now to meet at last WILLIAM BUTLER YEATS! But enough of that.

We were shown up a long stairway lined with rather wicked pictures by Blake–all devils and monsters–and finally into the presence chamber, lit by tall candles, with orange coloured curtains and full of things which I can’t describe because I don’t know their names.

The poet was very big, about sixty years of age: “awful” as Bozzy says: grey haired, clean shaven. When he first began to speak I would have thought him French, but the Irish sounds through after a time.

Before the fire was a circle of hard antique chairs. Present were the poet’s wife, a little man who never spoke all evening, and Father Martindale. Father M. is a Catholic Priest, a little twinkling man like a bird, or like Puck, whom I take to be an atheistical dog. I used to go to his lectures in the old days: he is a mocker.

Everyone got up as we came in: after the formalities I was humbly preparing to sink into the outlying chair leaving the more honourable to Stead, but the poet sternly and silently motioned us into other ones. The meaning of this I have not fathomed: ’twas very Pumble-chookian.

Then the talk began. It was all of magic and cabbalism and “the Hermetic knowledge.” The great man talked while the priest and Mrs Yeats fed him with judicious questions.

The matter I admit was either mediaeval or modern, but the manner was so XVIII Century that I lost my morale.

I understood how it is possible for a man to terrify a room into silence: and I had a ghastly presentment that something would presently impel me to up like that “unknown curate” and say “Were not Vale Owen’s revelations, Sir, addressed to the passions?”

And then as Max Beerbohm says “Bang” the suddenness of it! However I remembered that Johnson WAS really dead and controlled myself. Indeed some good angel guided me: for presently I really had something to say–a case mentioned by Coleridge which was most apposite and indeed crying for quotation on something just said.

But thank God I didn’t: for a minute later the priest did. YEATS (thumping his chair): “Yes–yes–the old woman in Coleridge. That story was published by Coleridge without the slightest evidence. Andrew Lang exposed it. I’ve never had a conversation on the subject that SOMEONE didn’t bring in Coleridge’s old woman. It is anonymous in the first place and every one has taken it over without question. It just shows that there’s no limit to the unscrupulousness that a sceptical man will go to–”

MARTINDALE: “Oh surely Mr Yeats–”

YEATS: “Yes! There is a Professor living in Oxford at this moment who is the greatest sceptic in print. The same man has told me that he entered a laboratory where X (some woman whose name I didn’t catch) was doing experiments: saw the table floating near the ceiling with X sitting on it: vomited: gave orders that no further experiments were to be done in the laboratories–and refused to let the story be known.”

But it would be only ridiculous to record it all: I should give you the insanity of the man without his eloquence and presence, which are very great. I could never have believed that he was so exactly like his own poetry.

One more joke must be recorded. Stead presently told us a dream he had had: it was so good that I thought it a lie. YEATS (looking to his wife): “Have you anything to say about that, Georgie?” Apparently Stead’s transcendental self, not important enough for the poet, has been committed to Mrs Yeats as a kind of ersatz or secondary magician.

Finally we are given sherry or vermouth in long and curiously shaped glasses, except Martindale who has whiskey out of an even longer and more curiously shaped glass, and the orgy is at an end.

Try to mix Pumblechook, the lunatic we met at the Mitre, Dr Johnson, the most eloquent drunk Irishman you know, and Yeats’s own poetry, all up into one composite figure, and you will have the best impression I can give you.

A week later Lewis records, in the same missive, a description of their encore gathering.

Having met Stead yesterday in the Broad with his wife and of course with our friend of the nose, I was told that the great man had expressed himself sorry not to have been able to see more of me owing to his argument with the priest, and would I come again with Stead [the] next night?

This night we were shown to a study up in the ceiling and entertained by him alone: and, would you believe it, he was almost quite sane, and talked about books and things, still eloquently and quite intelligently? Of course we got on to magic in the end—that was only to be expected.

It was really my fault, for I mentioned Bergson. “Ah yes,” said he, “Bergson. It was his sister who taught me magic.” The effect of this statement on Aunt Suffern (already in paroxysms of contempt over what I had already told her about Yeats) ought to be amusing.

We spoke of Andrew Lang. YEATS: “I met him once—at a dinner somewhere. He never said a word. When we began to talk afterwards, he just got up and took his chair into a corner of the room and sat down facing the wall. He stayed there all the evening.” Perhaps Lang didn’t like wizards!

Of the “great Victorians” he said: “The most interesting thing about the Victorian period was their penchant for selecting one typical great man in each department—Tennyson, THE poet, Roberts, THE soldier: and then these types were made into myths. You never heard of anyone else: if you spoke of medicine it meant—(some ‘THE Doctor’ whose name I’ve forgotten): if you spoke of politics it was Gladstone.” This is especially interesting to us as explaining the mental growth of a certain bird we wot of. (“Well all said and done boys, he was a GREAT man.”)

So home to bed more pleased with our poet than I had been on the last occasion: and rather thankful that L’Oiseau Pomme de Terre hadn’t been there to explain that “you can see he’s a disappointed man” after every adverse criticism on any living writer. Oh, before I leave it, Stead told me he had shown Yeats a poem: Yeats said he thought “IT WOULD DO VERY WELL” to set to music! Stead thinks this is a compliment. H’mh!

A moment ago we heard Stead’s appraisal of Yeats, which ended with a declaration of his interest in the supernatural. Stead said “Yeats welcomed almost any form of belief.” Well, that is not quite true. As the passage continues, he reveals Yeats’ discomfort with those who might challenge his affinity for occultic phenomena.

Once when I had brought an undergraduate with me, Yeats gave us a long discourse on re-incarnation. At the end my young friend ventured to observe that the theory of re-incarnation “bristles with difficulties.”

Yeats passed it off in sullen silence, but several times later on referred indignantly to “that young man who said re-incarnation bristles with difficulties.” (“Oxford Poets”)

The young man who dared suggest to Yeats that reincarnation was a flawed philosophy was none other than C.S. Lewis.

It is little surprise that the relationship between the two Irish poets never grew close.


Below you will find poems written by Lewis’ acquaintances mentioned in this column. The first is by Stead, and reflects a truly carefree spirit. The second is one of Yeats’ most famous works, penned in the aftermath of WWI.

Sweet Wild April

O sweet wild April
Came over the hills,
He skipped with the winds
And he tripped with the rills;
His raiment was all
Of the daffodils.
Sing hi,
Sing hey,
Sing ho!

O sweet wild April
Came down the lea,
Dancing along
With his sisters three:
Carnation, and Rose,
And tall Lily.
Sing hi,
Sing hey,
Sing ho!

O sweet wild April,
On pastoral quill
Came piping in moonlight
By hollow and hill,
In starlight at midnight,
By dingle and rill.
Sing hi,
Sing hey,
Sing ho!

Where sweet wild April
His melody played,
Trooped cowslip, and primrose,
And iris, the maid,
And silver narcissus,
A star in the shade.
Sing hi,
Sing hey,
Sing ho!

When sweet wild April
Dipped down the dale,
Pale cuckoopint brightened,
And windflower trail,
And white-thorn, the wood-bride,
In virginal veil.
Sing hi,
Sing hey,
Sing ho!

When sweet wild April
Through deep woods pressed,
Sang cuckoo above him,
And lark on his crest,
And Philomel fluttered
Close under his breast.
Sing hi,
Sing hey,
Sing ho!

O sweet wild April,
Wherever you went
The bondage of winter
Was broken and rent,
Sank elfin ice-city
And frost-goblin’s tent.
Sing hi,
Sing hey,
Sing ho!

Yet sweet wild April,
The blithe, the brave,
Fell asleep in the fields
By a windless wave
And Jack-in-the-Pulpit
Preached over his grave.
Sing hi,
Sing hey,
Sing ho!

O sweet wild April,
Farewell to thee!
And a deep sweet sleep
To thy sisters three, –
Carnation, and Rose,
And tall Lily.
Sing hi,
Sing hey,
Sing ho!

The Second Coming

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.

The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

 

Dogs, Heaven and Ministry

August 22, 2017 — 4 Comments

divine dog

My pastor’s sermon last Sunday was entitled “Do Dogs Go to Heaven?” I was really looking forward to hearing the message, but I received a request to preach at another church on the other side of the Cascade Mountain range, and I couldn’t be there to learn the answer to the question.

I wanted to hear his sermon for several reasons. First, orthodox Lutherans are not given to faddish subject matter for their sermons, so I was eager to see his approach. Second, this is a question that pastors are asked surprisingly often, so I enjoy hearing others respond to the question, especially when they appeal to the Bible in doing so.

A third reason is because I love dogs. All dogs. Even “bad” ones, who are only aggressive or ill-behaved because the humans they’ve had the misfortune of encountering in this world have done poorly by them.

I’ve had many dogs as members of my family through the years, and they were treasures, even though I took them for granted in my youth.

I’m not going to offer my take on the question posed by the sermon title. I’ve already written about that in the past. The thoughts are developed more fully here.

Nor am I going to discuss the important place of dogs in the life of C.S. Lewis, since I have written about that before, as well.

The Upshot of the Sermon

When we were leaving church the previous Sunday, our pastor was discussing his impending pronouncement on the subject of animal redemption. I laughed and offered a comment that proved a little disconcerting to him.

I told him that not long ago I read a passage in Martin Luther’s writings where he said just that. Luther, the preeminent figure in the Reformation, suggested the possibility that animals just might be resurrected by God. It became obvious that wasn’t where he was going with his homily, and in looking at the Gospel text for the message I realized why.

The fifteenth chapter of Matthew’s Gospel includes this grace-filled story about Jesus’ mercy.

And behold, a Canaanite woman from that region came out and was crying, “Have mercy on me, O Lord, Son of David; my daughter is severely oppressed by a demon.” But he did not answer her a word. And his disciples came and begged him, saying, “Send her away, for she is crying out after us.” He answered, “I was sent only to the lost sheep of the house of Israel.”

But she came and knelt before him, saying, “Lord, help me.” And he answered, “It is not right to take the children’s bread and throw it to the dogs.” She said, “Yes, Lord, yet even the dogs eat the crumbs that fall from their masters’ table.” Then Jesus answered her, “O woman, great is your faith! Be it done for you as you desire.” And her daughter was healed instantly. (Matthew 15:22-28).

The Jews of Jesus’ day sometimes referred to Gentiles as “dogs.” In this passage he is not insulting her, but (1) clarifying the priority of his ministry to fulfill the promise to the house of Israel and (2) to invite her to press the issue, just as she does.

The Luther quotations to which I referred were:

“Be thou comforted, little dog. Thou too in Resurrection shall have a little golden tail.”

“The dog is the most faithful of animals and would be much esteemed were it not so common. Our Lord God has made His greatest gifts the commonest.”

I doubt he incorporated either into his sermon.

Dogs in Ministry

Recently I read an excerpt from an interesting new book entitled The Grace of Dogs: A Boy, A Black Lab, and a Father’s Search for the Canine Soul.

It reinforced something that all of us who love dogs already know—they possess a profound ability to sense and minister to our emotional needs.

You can read the excerpt in Christianity Today here, although they have retitled it for the online edition. I prefer the title that appeared in the print edition, “God’s Canine Counselors.” I’ll close here with a brief excerpt from the excerpt.

A child sits down on the floor next to a dog and reads aloud from a book. There is something magical about it. After lying next to Pepper, a slightly overweight border collie, and reading him a book, seven-year-old Jessicah, who has always hated reading, says to the volunteer, “[He] loves when I tell him stories. I think he likes stories about turtles best, and so do I. He’s the coolest dog in the whole world.”

I can vividly imagine what it would be like to be the child in that situation. To read to a dog whose big eyes took me in with simple pleasure, who laid her head on my lap with absolute ease to listen to my voice, would have made for an entirely different experience.

The dog would have exuded patience, unconditional acceptance, and peace. The words I botched terribly [as a child] would have captivated the dog every bit as much as the ones read perfectly. In that one-on-one relationship, the anxiety, self-doubt, and panic I used to feel about not being able to do something would have faded.

Thank you, Lord, for creating dogs.

editors wants

The goal of most writers is to become published writers. In his diary, C.S. Lewis describes a rather peculiar route to publication followed by one of his acquaintances at Oxford.

During his prolific career, Lewis dealt with many different editors. Some experiences were positive, while others were less so.

In the diary entry which follows, Lewis expresses his befuddlement at the criteria some editors use to make their decisions.

“Stead” was William Stead, an American poet who came to England as a diplomat, became an Anglican priest, baptized T.S. Eliot, and returned to the States prior to WWII. Stead also introduced Lewis to W.B. Yeats, a curious encounter I will be writing about quite soon.

Wednesday 5 April: Started revising Greek History today. At first I found my notes etc. in great confusion, but when that was straightened out I worked with more interest and pleasure than I had expected. . . .

I also got the two poems (typed v. accurately for I/-)* and saw Stead in order to get the address of the London Mercury.

He told me with a solemn face and admirable naivety how he had got his accepted. Two or three were sent back by return post, whereupon he went up to London and called on the Editor, saying, “Look here Mr Squire, you haven’t taken these poems of mine and I want to know what’s wrong with them!!”

If the story ended there, it would be merely a side light on Stead, but the joke is that Squire said, “I’m glad you’ve come to talk it over: that’s just what I want people to do” and actually accepted what he’d formerly refused. Truly the ways of editors are past finding out! (All My Road Before Me)

Anyone who has submitted their work for publication consideration can relate to Lewis’ incredulity. Long ago I resigned myself to their arbitrariness and irrationality. They are, after all, simply human beings, and as such, inescapably subjective.

While we could all agree on circular filing** submissions filled with typos or misspellings, they sometimes reject what is excellent and embrace what is maudlin. The stories of best sellers that were repeatedly rejected are common.

It’s true that some publications have pretty exhaustive stylebooks, but when it comes to the content of what they publish, it frequently appears to be based on momentary whim.

After many years of writing, and a handful of years as an editor myself, I have come to believe the decisions are purely subjective. Subjective and arbitrary, depending on the mood, time of day, weather, status of family relations and digestion of the editor.

A Postscript on C.S. Lewis and Stead

After the diary excerpt cited above, Lewis continues with a bit more about the brash American.

Stead gave me the proof of his new book, The Sweet Miracle, wh. I took away. So far it seems rather dull. Worked for the rest of the day, except for a nightcap of Repington.

If you would like to assess for yourself the “dullness” of Stead’s poetry, you can download a copy of The Sweet Miracle and Other Poems via Hathitrust.

The book Lewis refers to as his “nightcap” was a history of the First World War, in which he had personally served. It was written by Lieutenant Colonel Charles à Court Repington, a war correspondent. Both volumes are available for your bedtime reading (volume one, volume two).


* “Typed very accurately for one pound.”

** Also referred to as the “round file.”