Archives For Modern Life

C.S. Lewis had a deep fondness for horses. I imagine he would have enjoyed a recent report from the historic village of Kilmallock, Ireland. It appears that some stray horses have been attempting to upstage the local ducks.

According to the Independent, one of the horses even proudly trotted into a local gymnasium. The mare (or stallion) appears to be more brazen than last year’s crisis which caused one councillor to call “on gardaí [police] in the Co Limerick town to rein in children as young as six riding sulkies in the town which he claimed was turning into the ‘Wild West.’” Yes, you most certainly need to beware of those rowdy six year old cowboys and cowgirls!

Dog owners have begun raising questions about why they must clean after their animal companions while the horses treat the parks like, shall we say, regular pastures. The city’s senior executive engineer attributes the problem to the fact the equines are just so sneaky. “Any time it is reported we go down but the minute our back is turned they are put back. We can’t be there 24/7.”

The most humorous element of the effort to ban the horses, in my mind, is because they have interrupted the entertainment of local ducks.* Not one, but “two duck races on the river have been affected.”

Lewis’ Thoughts about Horses

One of Lewis’ Chronicles of Narnia presents a pair of horses as two of its major protagonists. The Horse and His Boy features Bree and Hwin, Talking Horses captured from Narnia by the Calormenes. A wonderful passage that illustrates the book’s ethos comes when the two horses and their respective riders decide to journey north together.

Aravis is a Calormene princess fleeing her land’s tyranny. Her mount, Hwin, is a young mare who was stolen as a colt and raised in the south. Bree was a stallion, also captured as a colt, and raised to be a warhorse.

“All right then,” said Aravis. “You’ve guessed it. Hwin and I are running away. We are trying to get to Narnia. And now, what about it?”

“Why, in that case, what is to prevent us all going together?” said Bree. “I trust, Madam Hwin, you will accept such assistance and protection as I may be able to give you on the journey?”

“Why do you keep talking to my horse instead of to me?” asked the girl.

“Excuse me, Tarkheena,” said Bree (with just the slightest backward tilt of his ears), “but that’s Calormene talk. We’re free Narnians, Hwin and I, and I suppose, if you’re running away to Narnia, you want to be one too. In that case Hwin isn’t your horse any longer. One might just as well say you’re her human.”

While technically their own genus, centaurs might be considered “part horse.” Thus the entertaining description from The Silver Chair. The children are surprised that the centaurs are still about their breakfasts, two hours after rising before dawn.

“Why, Son of Adam, don’t you understand? A Centaur has a man-stomach and a horse-stomach. And of course both want breakfast. So first of all he has porridge and pavenders [small fish] and kidneys and bacon and omelette and cold ham and toast and marmalade and coffee and beer.

And after that he attends to the horse part of himself by grazing for an hour or so and finishing up with a hot mash, some oats, and a bag of sugar. That’s why it’s such a serious thing to ask a Centaur to stay for the weekend. A very serious thing indeed.”

In Mere Christianity, Lewis uses the transformation of a horse to a new creation as an analogy for what happens to people when they surrender their lives to God’s mercy and seek to follow him.

“Niceness”—wholesome, integrated personality—is an excellent thing. We must try by every medical, educational, economic, and political means in our power, to produce a world where as many people as possible grow up “nice;” just as we must try to produce a world where all have plenty to eat.

But we must not suppose that even if we succeeded in making everyone nice we should have saved their souls. A world of nice people, content in their own niceness, looking no further, turned away from God, would be just as desperately in need of salvation as a miserable world—and might even be more difficult to save.

For mere improvement is not redemption, though redemption always improves people even here and now and will, in the end, improve them to a degree we cannot yet imagine. God became man to turn creatures into sons: not simply to produce better men of the old kind but to produce a new kind of man. It is not like teaching a horse to jump better and better but like turning a horse into a winged creature.

Of course, once it has got its wings, it will soar over fences which could never have been jumped and thus beat the natural horse at its own game. But there may be a period, while the wings are just beginning to grow, when it cannot do so: and at that stage the lumps on the shoulders—no one could tell by looking at them that they are going to be wings—may even give it an awkward appearance.

For a more in-depth discussion of this subject, I commend to you Leslie Baynes’ column, “The Heavenly Horses of C.S. Lewis,” which you can read at A Pilgrim in Narnia.

A final comment from Lewis’ youth worth noting. When writing to his friend Arthur Greeves in 1914, he refers to his scribblings and attempts (quite likely involving the Boxen era) when he attempted to sketch horses.

I sympathize with your difficulty in drawing a horse, as I have often made the attempt in the days when I fancied myself in that line. But of course that counts for nothing: as the easiest of your sketches would be impossible for me. But there are heaps of pictures in which you need not introduce the animal.

It was this passage that inspired the graphic created for the top of this post.


* I wish the Irish were cultured enough to allow actual ducks to enjoy the adrenaline rush of a race, rather than using those little rubber ducklings that belong in children’s baths. If it’s the latter, which I fear it could be, I vote to let the horses run free. After all, some of those rubber ducks wash out to sea and become part of the international litter problem. For example, the piece of rubbish pictured on this link presumably polluted the Irish Sea for a full decade before it washed up on a distant shore.

Historical Font Facts

February 27, 2020 — 13 Comments

Consider yourself blessed if you’re not a fontaholic. The affliction leads to clogged font directories on your computer, and an unavoidable prejudice toward either serif or sans serif fonts.

People who are intrigued by typography know exactly what I’m talking about. At least two or three times a year they will inextricably find themselves on some font website (there are scores of them) without consciously knowing how they got there or there or there.*

I’ve written about fontaholicism in the past. Unfortunately, despite my advocacy, the Diagnostic and Statistical Manual of Mental Disorders has yet to classify the malady as a recognized illness. That said, the American Psychiatric Association does sound a bit obsessive compulsive in terms of their font guidance for annual meeting posters.

If any or all of the work in this poster was prepared with commercial support, a statement “Supported by funding from [name of company]” must be noted in the lower left corner of the poster in Arial 72 point font, with no bold, italics, special colors, or other enhancement of the company name, product, or any other portions of the statement.

One wonders what sort of reaction a person would get from the APA if they used Times Roman or Comic Sans by mistake.

C.S. Lewis & Fonts

It should be acknowledged up front that C.S. Lewis was not obsessed with fonts. However, he was wise enough to recognize their significant role in communication. Good fonts could be transparent, while problematic fonts blurred the message. He highlighted one of the most significant aspects of a font’s usage—size—in a 1957 letter. He told a fellow Brit, “you’d be much wiser to get my books in the American edition as these now have larger print and better paper than our own.”

A year earlier he had discussed a related issue with his publisher. There was a problem with a Shakespeare quotation intended for the title page of Till We Have Faces.

The quotation would, I agree, look better on a page to itself, but (what is more important) I am very strongly opposed to the idea of dividing it. I agree that it ‘looks wrong as it is’ but I think it will look equally with any division whatever. I do not see why it need be printed ‘absurdly small’ to fit in as one line . . .

Now a line of that length on a page to itself would I believe, look ugly if it came anywhere near the middle of a page–because it would then seem to divide the page into two halves. But would it not look quite nice if put near the top? It would then have the properties of a frieze or dado with plain wall under it.

And we may perfectly well omit the word ‘Shakespeare’ if we think that makes a better design. But I’d prefer even a bad design to a division of the verse.

Free Books about Fonts

You can find a number of interesting books about fonts at some of the wonderful internet libraries such as Project Gutenberg. During recent historical research about Reformation-era artists, I discovered a book written by Albrecht Dürer (1471–1528). Since his fame is derived from his portraits of prominent people, I was surprised he had written a guide for properly shaping letters, based on geometric principles. The introduction provides a fascinating portrait of sixteenth century artistry in northern Europe.

In our Germany . . . are to be found at the present day many young men of a happy talent for the Art Pictorial, who without any artistic training whatever, but taught only by their daily exercise of it, have run riot like an unpruned tree, so that unhesitatingly and without compunction they turn out their works, purely according to their own judgment.

But when great and ingenious artists behold their so inept performances, not undeservedly do they ridicule the blindness of such men; since sane judgment abhors nothing so much as a picture perpetrated with no technical knowledge, although with plenty of care and diligence.

Now the sole reason why painters of this sort are not aware of their own error is that they have not learnt Geometry, without which no one can either be or become an absolute artist; but the blame for this should be laid upon their masters, who themselves are ignorant of this art.

Since this is in very truth the foundation of the whole graphic art, it seems to me a good thing to set down for studious beginners a few rudiments, in which I might, as it were, furnish them with a handle for using the compass and the rule, and thence, by seeing Truth itself before their eyes, they might become not only zealous of the arts, but even arrive at a great and true understanding of them.

Dürer’s book sparked my curiosity, and a very quick subsequent search hinted at the wealth of typographical information online. For example, you can read about The Typography of Advertisements, circa 1911. There you will be warned that bolder is not always better.

“But,” some one says, “the heavier and bolder type-faces furnish a greater contrast to the white of the paper, and therefore should be easier to read.”

It is true that a greater contrast of color is furnished in the use of the bolder type-faces, but to force these greater contrasts on the eye is to literally club it into reading the text, whether or no. Are the salesman’s statements of better selling value because they are shouted loudly in direct contrast to the quiet of the office?

There may be, and undoubtedly are, some on whom this force is necessary, but to those who are sufficiently educated and intelligent to be reached through the appeal of an advertisement, the quiet dignity of the salesman’s statements made in well-modulated tones will be more attractive.

Gaze back even farther, to what was considered Early Typography in 1872. There you will discover a medieval religious order devoted to worship and manuscripts.

Reference has more than once been made to the impulse given to learning at the end of the fourteenth and the beginning of the fifteenth centuries. This movement was helped forward by no one in Holland and Germany more than by Gerhard Groote, or Magnus, of Deventer, (b. 1326, d. 1370), who after studying theology at Paris, became a canon of Utrecht and Aix-la-Chapelle, and founded the Order of the Brethren and Clerks of the Common Life, generally known as the “Gemeiineslebens,” or “Frères de la Vie Commune . . .”

It was divided into the literary Brethren or Clerks, and the unlearned Brethren, who lived in different houses, but in bonds of the greatest friendship. The Clerks devoted themselves to transcribing books, the cultivation of polite learning, and the instruction of youth; and they erected schools wherever they went. The Brethren laboured with their hands, and pursued various mechanic trades. Neither were under the restraint of religious vows; but still they ate at a common table, and had a general community of goods.

There are many other curious titles available to those who choose to explore obscure typography in greater depth. A person might even wish to begin with 1891’s Specimens Of Book, Jobbing, And Ornamental Printing Type In Use In The Government Central Printing Office, Simla [India].

Fonts, fonts, fonts. As I said above, you are fortunate if they don’t draw you too deeply into their orbit. However, if you recognize you too are a fontaholic, take comfort in the knowledge that you are not alone.


* And here’s another font site I had never seen before writing this post. It has a delightful name, Font Squirrel. Once I finish writing this piece, you can guess where I will be spending some of my web surfing research time.

The Elefonts cartoon at the top of the page is a creation of talented Canadian John Atkinson, and is used with permission.

Who are you? If you were to fully answer that question, it would require serious introspection. However, if you were to answer it completely, it would also require an honesty that is extremely rare.

That’s because anyone who reveals everything about themself, comes to a point where the qualities and actions are no longer flattering. They ultimately arrive at the place where the exposé becomes a confession.

The truth is that no one actually knows everything about themself. But some of the things we are aware of . . . some of the secrets we desire to hide, even from ourselves . . . are seldom shared. That is one great value of the “confessional.” There, one can unburden themselves and face their demons, so to speak, in a setting where they know their confidence won’t be violated.

As a Protestant pastor, who has never used a physical confessional stall or screen, I note that I have nevertheless heard thousands of confessions. They are, as one would expect, a common element of counseling as people seek to experience healing and restoration. As a Lutheran, I belong to a tradition that guarantees the privacy of these confessions, or what is considered “privileged communication.” Moreover, as a military chaplain, I was grateful to serve a nation that enshrines the same promise in the Uniform Code of Military Justice.

As Lewis wrote, “if there is a particular sin on your conscience, repent and confess it” (Letters to an American Lady). Once that is done, the pastor (or any “confessor”) can assist the individual with working to make as right as possible in the future what was damaged or destroyed by their choices in the past.

From the Psychological Vantage Point

If you have never encountered it before, I commend to you the model called the Johari Window. I have written about it in the past in the context of honesty and dishonesty.

The model illustrates just how complex our personalities are. The arrows on the model below reveal how we can expand the “open” part of ourselves. Naturally, there are some “hidden” aspects that should only be disclosed in certain contexts.

When it comes to the darkness in our lives, that which we strive to keep veiled, psychologists describe it in a variety of ways. One chaplain with whom I worked was particularly enamored with the work of Carl Jung. He loved to toss around the word “shadow,” and suggest there was some dark psychological significance to even the most offhand comment or expression. In essence, the shadow is the part of our personality we don’t want to admit to having. In terms of the Johari Window, you might think of it as the sinister stuff in the Hidden quadrant.*

C.S. Lewis wrote about Jung in an essay entitled “Psycho-Analysis and Literary Criticism.” Lewis disparages the Freudian theory, saying “poetry is not a substitute for sexual satisfaction, nor sexual satisfaction for poetry.” Jung, he argues, presents “a much more civil and humane interpretation of myth and imagery.” Of course, Lewis is discussing these psychoanalysts from the perspective of a literary critic, not a psychologist. In that regard, we can appreciate his assessment of one of Jung’s major works.

Thanks to my training I can suspend my judgement about the scientific value of Jung’s essay on “Mind and the Earth:” but I perceive at once that even if it turns out to be bad science it is excellent poetry.

From the Christian Point of View

I have already described how confession can serve as a means of expanding our self-awareness in a constructive and healing way. That’s why confession and absolution are a formal part of many worship service, going back to the earliest times. If we want to read the finest primer on confession, we need look no further than the book of Psalms.

As King David, in recognition of this great sins, prays in the fifty-first psalm:

Have mercy on me, O God,
according to your steadfast love;
according to your abundant mercy
    blot out my transgressions.
Wash me thoroughly from my iniquity,
    and cleanse me from my sin!

One of the earliest Christian classics (outside the Bible itself) was aptly entitled Confessions. It was written by Augustine, the bishop of a North African city called Hippo. His description of our self-awareness is so deep and profound, it will likely require more than a single reading.

No one knows what he himself is made of, except his own spirit within him, yet there is still some part of him which remains hidden even from his own spirit; but you, Lord, know everything about a human being because you have made him . . .

Let me, then, confess what I know about myself, and confess too what I do not know, because what I know of myself I know only because you shed light on me, and what I do not know I shall remain ignorant about until my darkness becomes like bright noon before your face. (Augustine, The Confessions, translation by Maria Boulding)

One of C.S. Lewis’ many correspondents was a man who was acutely troubled by his own self-awareness, and in particular, the consciousness of his own selfishness and egotism. Lewis offered some comforting and sound spiritual direction to the man. Since I believe the letter has a message for us all, I choose to close with it.

You are of course perfectly right in defining your problem (which is also mine and everyone’s) as “excessive selfness.” But perhaps you don’t fully realise how far you have got by so defining it. All have this disease: fortunate are the minority who know they have it.

To know that one is dreaming is to be already nearly awake, even if, for the present, one can’t wake up fully. And you have actually got further than that. You have got beyond the illusion (very common) that to recognise a chasm is the same thing as building a bridge over it.

Your danger now is that of being hypnotized by the mere sight of the chasm, of constantly looking at this excessive selfness. The important thing now is to go steadily on acting, so far as you can—and you certainly can to some extent, however small—as if it wasn’t there. You can, and I expect you daily do—behave with some degree of unselfishness. You can and do make some attempt at prayer.

The continual voice which tells you that your best actions are secretly filled with subtle self-regard, and your best prayers still wholly egocentric—must for the most part be simply disregarded—as one disregards the impulse to keep on looking under the bandage to see whether the cut is healing. If you are always fidgeting with the bandage, it never will

A text you should keep much in mind is I John iii, 20: “If our heart condemns us God is greater than our heart.” I sometimes pray “Lord give me no more and no less self-knowledge than I can at this moment make a good use of.” Remember He is the artist and you are only the picture. You can’t see it. So quietly submit to be painted—i.e. keep on fulfilling all the obvious duties of your station (you really know quite well enough what they are!), asking forgiveness for each failure and then leaving it alone. You are in the right way. Walk—don’t keep on looking at it.


* In contrast to the insignificant or embarrassing things we are aware of that we may prefer to keep to ourselves. For example, although I sing decently, I am an exceptionally poor instrumentalist. This despite the fact I married a talented and patient music teacher. It’s not my lack of talent which motivates my secrecy, it is the sad fact that I am a total sluggard when it comes to practicing. And this reveals a major flaw in my personality—if something is not inherently fun or doesn’t come easily to me, I have a terribly difficult time applying myself to the task. (And this shortcoming has very real consequences, both in terms of professional success and interpersonal relationships.)

⁑ Several years ago, a member of our Mere Inkling described in her blog how everyone experiences seasons of restlessness.

In his Confessions, Augustine wrote, “Thou hast made us for thyself, O Lord, and our heart is restless until it finds its rest in thee.” Yet even those who have found Christ feel restless at certain times, and these times lead us to a salutary discovery.

Augustine’s Confessions is a Christian classic. You can download a free copy here.

C.S. Lewis & Tattoos

January 3, 2020 — 13 Comments

How is this for an odd New Year resolution? Getting a new tattoo—with a connection to the writings of C.S. Lewis.

I suppose I’m betraying my age here. Being a retired pastor, my body remains a totally uninked canvas. Not that I’ve never considered getting a tattoo. In fact, if I end up making a pilgrimage to Jerusalem before I journey to the New Jerusalem, I may still opt to get inked. In Jerusalem there is a tattooist whose family traces their art back for 700 years to when their Coptic family lived in Egypt.

Our ancestors  used tattoos to mark Christian Copts with a small cross on the inside of the wrist to grant them access to churches . . and from a very young age (sometimes even a few months old) Christians would tattoo their children with the cross identifying them as Copts. . . .

One of the most famous of Christian types of tattoos, however, is still in use today—that of the pilgrimage tattoo. At least as early as the 1500s, visitors to the Holy Land . . . often acquired a Christian tattoo symbol to commemorate their visit, particularly the Jerusalem Cross.

In Bethlehem, another Christian tattooist practices his art “near the Church of the Nativity, offering pilgrims ink to permanently mark their visit.” He offers designs featuring scriptural texts in Hebrew and Aramaic, the language spoken by Jesus.

Tattoos have a fascinating history, and it should be noted some people consider Torah prohibition to bar even religious tattoos. “You shall not make any cuts on your body for the dead or tattoo yourselves: I am the Lord” (Leviticus 19:28). However, most Christians* and increasing numbers of Jews do not agree that the passage forbids the current practice.

That doesn’t mean all tattoos are appropriate, of course. Most tattoos are innocuous. Some are humorous. A small number are actually witty. Yet some tattoos can be downright malevolent.

Like so many human activities, the significance of a tattoo depends in great part on the intention of the person asking for this permanent mark. For example, my wife and I approved of our son and his wife having their wedding rings tattooed in recognition of God’s desire⁑ that a marriage will last as long as both individuals live.

What has this to do with C.S. Lewis?

Precious few writers have penned more inspiring and enlightening words than Lewis, that great scholar of Oxford and Cambridge. Because of this, it should come as no surprise that there are many Lewis-inspired tattoos gracing bodies. There is even a website devoted to C.S. Lewis-inspired body ink.

I imagine that Lewis himself would regard this as quite peculiar. I don’t believe he had any tattoos of his own, but it’s quite possible his brother Warnie—a retired veteran of the Royal Army—may have sported one or more.

In 1932, Lewis wrote to Warnie about his recent walking trip. Warnie was his frequent companion, when he was not elsewhere deployed. In this fascinating piece of correspondence, Lewis described his most recent excursion. I include a lengthy excerpt (comprising the first half of the journey) not because of its single passing mention of tattoos. Rather, because of the portrait it paints of the young and vigorous scholar in the prime of life. If you would prefer to skip to the mention of inking, see the sixth paragraph.

Since last writing I have had my usual Easter walk. It was in every way an abnormal one. First of all, Harwood was to bring a new Anthroposophical Anthroposophical member (not very happily phrased!) and I was bringing a new Christian one to balance him, in the person of my ex-pupil Griffiths. Then Harwood and his satellite ratted, and the walk finally consisted of Beckett, Barfield, Griffiths, and me.

As Harwood never missed before, and Beckett seldom comes, and Griffiths was new, the atmosphere I usually look for on these jaunts was lacking. At least that is how I explain a sort of disappointment I have been feeling ever since. Then, owing to some affairs of Barfield’s, we had to alter at the last minute our idea of going to Wales, and start (of all places!) from Eastbourne instead.

All the same, I would not have you think it was a bad walk: it was rather like Hodge who, though nowhere in a competition of Johnsonian cats, was, you will remember, ‘a very fine cat, a very fine cat indeed.’

The first day we made Lewes, walking over the bare chalky South Downs all day. The country, except for an occasional gleam of the distant sea—we were avoiding the coast for fear of hikers—is almost exactly the same as the Berkshire downs or the higher parts of Salisbury Plain. The descent into Lewes offered a view of the kind I had hitherto seen only on posters—rounded hill with woods on the top, and one side quarried into a chalk cliff: sticking up dark and heavy against this a little town climbing up to a central Norman castle.

We had a very poor inn here, but I was fortunate in sharing a room with Griffiths who carried his asceticism so far as to fling off his eiderdown—greatly to my comfort. Next day we had a delicious morning—just such a day as downs are made for, with endless round green slopes in the sunshine, crossed by cloud shadows. The landscape was less like the Plain now. The sides of the hill—we were on a ridgeway—were steep and wooded, giving rather the same effect as the narrower parts of Malvern hills beyond the Wych.

We had a fine outlook over variegated blue country to the North Downs. After we had dropped into a village for lunch and climbed onto the ridge again for the afternoon, our troubles began. The sun disappeared: an icy wind took us in the flank: and soon there came a torrent of the sort of rain that feels as if one’s face were being tattooed and turns the mackintosh on the weather side into a sort of wet suit of tights.

At the same time Griffiths began to show his teeth (as I learned afterwards) having engaged Barfield in a metaphysico-religious conversation of such appalling severity and egotism that it included the speaker’s life history and a statement that most of us were infallibly damned. As Beckett and I, half a mile ahead, looked back over that rain beaten ridgeway we could always see the figures in close discussion. Griffiths very tall, thin, high-shouldered, stickless, with enormous pack: arrayed in perfectly cylindrical knickerbockers, very tight in the crutch. Barfield, as you know, with that peculiarly blowsy air, and an ever more expressive droop and shuffle.

For two mortal hours we walked nearly blind in the rain, our shoes full of water, and finally limped into the ill omened village of Bramber. Here, as we crowded to the fire in our inn, I tried to make room for us by shoving back a little miniature billiard table which stood in our way.

I was in that state of mind in which I discovered without the least surprise, a moment too late, that it was only a board supported on trestles. The trestles, of course, collapsed, and the board crashed to the ground. Slate broken right across. I haven’t had the bill yet, but I suppose it will equal the whole expences of the tour.

Wouldn’t it have been amazing to join C.S. Lewis on one of these walking trips? A Lewisian tattoo is no substitute, to be sure, but I imagine it does offer certain people a sense of connection to the great author. Perhaps, if I were a younger man . . .


* Two recent converts to Christianity, Kanye West and Justin Bieber have made public their recent religious additions to their vast tattoo collections.

⁑ As Jesus said, “So they are no longer two but one flesh. What therefore God has joined together, let not man separate.”

The motivational poster above was created by Mere Inkling, and represents only an infinitesimal number of the misspelled tattoos adorning human bodies. What a travesty . . . one that may have been prevented by remaining sober. The tattoo below, on the other hand, strikes me (being a writer) as quite clever.

C.S. Lewis and Libraries

December 18, 2019 — 9 Comments

Do you suppose that if we gathered together all of the volumes written by the Inklings, along with all of the books and articles written about these gifted authors, we could fill a library? I am uncertain, but I think the effort would prove a quite enjoyable undertaking.

Libraries have always been important to Christians. The preservation of documents during the so-called “dark ages” was one of the major duties assumed by monasteries. It’s no accident the oldest continuously operating library is found in a monastery. The library at Saint Catherine Monastery contains “3,300 manuscripts, and some 8,000 early printed books, together with 5,000 new books.”

When Egeria visited the Sinai in 383-384, she wrote approvingly of the way the monks read to her the scriptural accounts concerning the various events that had taken place there. Thus we can speak of manuscripts at Sinai in the fourth century.

It is written of Saint John Climacus that, while living as a hermit, he spent much time in prayer and in the copying of books. This is evidence of manuscript production at Sinai in the sixth century. The library at the Holy Monastery of Sinai is thus the inheritor of texts and of traditions that date to the earliest years of a monastic presence in the Sinai.

It comes as no surprise that libraries played a prominent role in the life of C.S. Lewis. The three volumes of his letters include well over a hundred references to them. I offer just a small sampling to illustrate.

In 1914, Jack (at boarding school in England) wrote his father about some renovation work being done in their Northern Ireland home. He refers to the existence of two libraries. The second was the one the boys, Jack and his brother Warnie, shared.

I hope that by the time this letter reaches you, the study wall will have been replaced and the stately hall of Leeborough will smile upon guest and inhabitant with its pristine splendour and hospitality. Of course in restoring the ‘main library’ you are careful to alter the appearance of the room as little as possible. It would be a pity if I came home to a strange house. In the meantime I hope that the small library has been  allowed to remain untouched?

The next year he wrote to his father, apparently in response to an accounting of the collection in the “small library.” One wonders how his father responded to his comment about the octavo book format. After all, he was himself an educated man, a solicitor. But then, most of the legal publications with which he was acquainted would have published in such a format. [See the video* below for an explanation of book sizes.]

The state of our library at Leeborough must be perfectly appalling: how such a collection of ignorances and carelessnesses could have got together on the shelves of our room passes my comprehension. As well, where is the beautiful quarto edition? What is a quarto? I don’t believe you have the vaguest idea, and should not be surprised if the edition in question is merely an 8vo., (no, that doesn’t mean ‘in eight volumes,’ though I too thought so once.)

Meanwhile, Lewis spent considerable time in the library of his school, Malvern College. The library was not only a valued place of learning and reflection. It also served as a refuge from the bullying that was a daily reality at the boarding school. (As we know, the tormenting of vulnerable students is not restricted to schools that double as temporary homes; it seems to be endemic to educational settings for children and adolescents.)

[In a letter to his father, Lewis wrote:] The worst part of the summer term is the fact that we have to keep out of doors nearly all our time; but here one notices the great advantage of being in the Upper School, and therefore allowed to go into the Grundy Library at all hours of the day—it proves a great refuge when the ‘house’ is out of bounds.

In 1915 he chided his close friend, Arthur Greeves, about treating businesses like libraries. I offer an extended passage since it offers a rare insight into Lewis’ musical interests.

Odeon records are the most fascinating and delusive bait on the Gramaphone market. Cheap, classical, performed by good artistes, they present a jolly attractive list: but they wear out in a month.

Of course there are exceptions, and I can play you some selections from Lohengrin which I have on that make, and which have worn well. On the whole however, I wouldn’t advise anyone to get Odeon records, as a short-lived record is one of the most disappointing of things.

I foresee, by the way, that your way of getting records is like Jane McNeil’s way of getting books—that is you use a shop like a free library: whenever a record is worn out, back it goes to the shop, and you have a new one in its place.

The same year, in another letter to the same friend, Lewis displays a bit of prejudice in exactly what sort of volume belongs in a library. “Your little edition [of Faerie Queene] is very nice, but rather too small, and not enough of a library-looking book.” In the same context he later bemoans paying to have a volume professionally bound.

Never, never get a book bound. You will gather from this that ‘Tristan’ has arrived and is a complete and absolute failure. When I told them to bind it in brown leather, with corner pieces etc., I imagined that it would look something like Kelsie’s Dickens . . . Well as a matter of fact, though in a sense they have done what I told them, yet the total effect, instead of being booky and library like, is somehow exactly like a bank book or a ledger.

The following year he informs Greeves about his current reading. Due to his unhappiness at Malvern, his father had transferred him to be tutored by William Kirkpatrick. Lewis was fifteen when he moved to Gaston. His two and a half years there were intellectually stimulating, but spiritually deadening.

Talking of books—you might ask, when do I talk of anything else—I have read and finished ‘The Green Knight,’ which is absolutely top-hole: in fact the only fault I have to find with it is that it is too short—in itself a compliment. . . .

Since finishing it I have started—don’t be surprised—‘Rob Roy,’ which I suppose you have read long ago. I really don’t know how I came to open it: I was just looking for a book in the horribly scanty library of Gastons, and this caught my eye. I must admit that it was a very lucky choice, as I am now revelling in it.

Next it was off to University College at Oxford, where Lewis celebrated an amazing library. Once again, these letters were written to Greeves.

The book shops here are rather adorable, and also our college library. Still better is the Library of the Union Society (a club everyone belongs to) where I spent this morning turning over one book after another and enjoying myself hugely.

13 May 1917
So about 11.30 we arrived back at college and I am come straight thence to the Union. ‘The Union’ is a club to which nearly everyone in the varsity belongs. It has a writing room of strictest silence, where I am scribbling this, and an admirable library where I have already passed many happy hours and hope to pass many more. Oh, Galahad,⁑ you simply must come up after the war.

Lewis not only pursued focused research in the library at his college. He also explored.

I have also been spending more time than usual in the College Library, dipping here and there. Did I tell you that there was a queer little volume in Latin by Cornelius Agrippa⁂ the great magician . . ?

Unfortunately the print is so execrable and the worms have done their work so well that I cannot make much of it: but I love to have it in my hands, and think of all the wizards who have centred their hopes on it—perhaps on this very copy, for it is some 300 years old.

In 1919, Lewis visited the historic Dr. Steevens’ Hospital in Dublin. He described the memorable visit to Greeves.

We had quite a pleasant day in Dublin. I liked Warnie’s friend, who is house-surgeon in Steeven’s hospital where he has a very pleasing little set of rooms. Have you ever been in Steeven’s? There is a fine little library—despite some shocking portraits—containing some letters of Swift’s. This letter begins to read like a guide book, so I will pass on.

In 1924, Lewis’ father apparently inquired into the amount of money he was spending on books. That is a quite natural question from a parent supporting a graduate student. Jack explained:

The book bill was naturally increased by my turning to a new subject. I try to use the libraries as much as possible: but when one is reading for a particular exam there are over a hundred other people taking the same books out of the libraries–and of course there are some things one must have at command. My expenditure on books will be less in future.

 I’m confident Lewis kept his word, and cut back on his book purchases in 1925. However, true bibliophiles will ultimately find a way, even when it’s a choice between books and food. Lewis continued to build an impressive personal library in the years that followed.

A Final Thought about Our Personal Libraries

Wouldn’t you enjoy only a book that came from the personal library of someone you admire? I certainly would. C.S. Lewis did, as well. In 1953 Lewis received a copy of In Brief Authority from his fellow Inkling, Roger Lancelyn Green.

My dear Roger
Oh angel! What a lovely present, and all the more valuable for being the copy from that enchanted place your own library. I re-read it at once. It is perhaps the most complete of his books: as funny, or very nearly as funny, as Vice Versa but with a beauty which V.V. did not attempt. The ogre is somehow a very real character. Very, very many thanks.

The Wade Center at Wheaton College owns almost 400 books from C.S. Lewis’ personal library. Some are undergoing conservation treatment, but the others are available to visitors. However, “requests to view books from the Author Libraries should be placed at least 24-hours in advance.”

The essays collected in God in the Dock include a peculiar little piece, entitled “Scraps.” The article, which was originally published in 1945, describes four brief scenes. The first describes the nature of our heavenly library.

“Yes,” my friend said. “I don’t see why there shouldn’t be books in Heaven. But you will find that your library in Heaven contains only some of the books you had on earth.”
“Which?” I asked.
“The ones you gave away or lent.”
“I hope the lent ones won’t still have all the borrowers’ dirty thumb marks,” said I.
“Oh yes they will,” said he. “But just as the wounds of the martyrs will have turned into beauties, so you will find that the thumb-marks have turned into beautiful illuminated capitals or exquisite marginal woodcuts.”

Reading these words renewed my enthusiasm for lending out my books. As you know, sharing one’s library is much like the biblical injunction about extending aid: “and if you lend to those from whom you expect to receive, what credit is that to you? . . . do good, and lend, expecting nothing in return . . .” (Luke 6:34-35)

C.S. Lewis employs this same illustration in a 1947 letter to one of his correspondents. The context for his remark is how deeply the woman misses the house from which she had recently moved. I’m no philosopher, but Lewis’ argument for how the essential essence of a thing can last, reminds me of Plato’s conception of forms.

I think that about Houses the answer is this. Nothing rises again which has not died. The natural and possessive love for a house if it has been crucified, if it has become disinterested, if it has submitted to sacrifice, will rise again: i.e. the love for a house you were willing to give up will rise again.

The willful, grasping love will not—or only rise as a horror. About the house itself, if the love rises, then all that is necessary to bless it will, I believe, be there. It may not be very like what you would now call ‘a house:’ but you’ll see then that it was what you really meant by the house.

But the whole point is that you can keep forever only what you give up: beginning with the thing it is hardest to give up—one’s self. What you grab you lose: what you offer freely and patiently to God or your neighbour, you will have. (Your heavenly library will contain only the books you have given or lent! And the dirty thumb marks on the latter will have turned into beautiful marginal decorations—I’m joking of course, but to illustrate a serious principle.)

A love of libraries is something shared by most of us “readers.” We can only imagine with joyous anticipation the collection of biographies and stories of adventures, sacrifice, tribulation, rescue, and resurrection that await us in the New Jerusalem. And we’ve already savored a foretaste of that banquet, since the Bible itself is a library in its own right.


* This short video explains different sizes for books. For a comprehensive listing of the options, see this chart at AbeBooks.

⁑ Galahad was C.S. Lewis’ nickname for his lifelong friend, Arthur Greeves. It was inspired by Greeves’ “idealistic turn of mind.” (Into the Wardrobe: C.S. Lewis and the Narnia Chronicles)

⁂ Henricus Cornelius Agrippa (1486-1535) was a brilliant German who excelled in a number of fields. He served as a soldier, physician and lawyer. He even became a Professor of Theology at the University of Dôle for a time, and later lectured on theology at the University of Turin.

Most curiously, he wrote several books on the magic and the occult. If your Latin is competent, you can read some of his magical writing here. Or, you may find the first English translation more accessible.

Of potentially greater interest is a proto-feminist volume he dedicated to Margaret of Austria. Declamatio de nobilitate et praeccellentia foeminei sexus (Declamation on the Nobility and Preeminence of the Female Sex) defended the equality of the sexes and attributed women’s inferior social status to cultural traditions, inequality in access to education, and the domination of men.

As for Agrippa’s confused bonds with the occult and Christian theology, consider this repudiation of the occult written near the end of his life.

But of magic I wrote whilst I was very young three large books, which I called Of Occult Philosophy, in which what was then through the curiosity of my youth erroneous, I now being more advised, am willing to have retracted, by this recantation; I formerly spent much time and costs in these vanities. At last I grew so wise as to be able to dissuade others from this destruction.

For whosoever do not in the truth, nor in the power of God, but in the deceits of devils, according to the operation of wicked spirits presume to divine and prophesy, and practising through magical vanities, exorcisms, incantations and other demoniacal works and deceits of idolatry, boasting of delusions, and phantasms, presently ceasing, brag that they can do miracles, I say all these shall with Jannes, and Jambres, and Simon Magus, be destined to the torments of eternal fire.

C.S. Lewis considered war a hated necessity in a fallen world. Emperor Constantine I, in contrast, did not shirk from waging violent conflict to reunite the Roman Empire in the early fourth century. What could these two men, humble and proud, have in common?

In a New York Times essay, “C.S. Lewis’s Legacy Lives on, and Not Just Through the Wardrobe,” Mark Oppenheimer compares their influence on the expansion of the Christian Church.

Who, since the time of Jesus and his apostles, has brought more people to Christianity than anybody else?

A short list would include the Roman emperor Constantine, who legalized Christian worship in 313, and Pope Urban II, who began the First Crusade in 1095. But it would also include C.S. Lewis, who moved more hearts with a pen than others have with armies.

Oppenheimer’s Jewish perspective is likely the reason Urban II (c. 1035-1099) finds himself on this short list. After all, the Crusades were intended to liberate the Holy Land from its Muslim conquerors. Other than a handful of the genuinely religious individuals who participated, no historian (much less any educated practicing Christian) would consider the Crusades an evangelistic enterprise.

As for the similarities between C.S. Lewis and Constantine, I am hard-pressed to find many. One, however, is common to many men throughout history. The influence of women in their lives was significant. This is true in terms of both their revered mothers, and their tenacious wives.

Women in Constantine’s Life

Constantine was the first Roman emperor to convert. Because he delivered the Church from persecution and favored the religion within the empire, he is regarded by the Orthodox Church to be a saint. His transitional reign, and the foundation of Constantinople, were monumentally important. But the violence experienced within the imperial family leaves disturbing questions that cannot be answered.

Constantine’s mother, Helena, was a true saint. She lived a devout life and did many good works. Doubtless, she also tempered the volatility of her son.

Constantine had four sons. The first was born to Minervina, a wife or official concubine about whom very little is known.* However, in 307 Constantine followed the common practice of marrying the daughter of a powerful ally, in this case the Augustus (Emperor) Maximian. This wife, Fausta, gave birth to three emperors who succeeded their father and proceeded to battle one another.

The first son, Crispus, was likely the most virtuous of them all. Unfortunately, however, Constantine heeded the lies of his step-mother, Fausta, and had Crispus put to death.⁑

The image of the Roman coins at the top of this column reveals official images of Helena and Fausta. Both of the women had, by the time these were minted, been honored with the title Augusta. The photograph comes from a detailed study of the coinage minted during Constantine’s Vicennalia, which marked the twentieth year of his reign. It features two coins of each, from different mints.

“For Helena,” that author notes, “the reverse always figures Securitas, and for Fausta, either Salus or Spes.” Roman personifications were not actually regarded as “gods,” except by the most superstitious. They were images intended to represent abstract qualities or values. Securitas represented Security with Salus and Spes representing Health and Hope, respectively. The inference here is that Helena represented the stability and authenticity of the dynasty, while Fausta represented its vitality and hope for the future, particularly as she nestles in her arms two future emperors.

Women in C.S. Lewis’ Life

For symmetry, we won’t discuss Minto here. Lewis’ mother and wife did, however, exert a great influence on the man he became. Whereas, with Constantine, one a saint, and the other a murderer, Lewis’ ladies both lived their Christian faith.

Flora Augusta Hamilton Lewis (1862-1908) was the daughter of an Anglican priest in Belfast. (By odd coincidence, her name included Helena’s regal title, Augusta.) Flora was quite gifted, and taught young Jack French and Latin. Her untimely death, during her boys’ childhood, left a last mark on both of them.

My father never fully recovered from this loss. Children suffer not (I think) less than their elders, but differently. For us boys the real bereavement had happened before our mother died.

We lost her gradually as she was gradually withdrawn from our life into the hands of nurses and delirium and morphia, and as our whole existence changed into something alien and menacing, as the house became full of strange smells and midnight noises and sinister whispered conversations. (Surprised by Joy)

Despite the great loss, life continued. Everyone eventually came to view Professor Lewis as a confirmed bachelor. Himself included. That is, until Joy Davidman entered his life. She turned his life upside down. Much has been written about their deep love for one another, and how well suited they were for each other.

Some have criticized Lewis for insensitivity to women. I consider this allegation utterly fallacious. Like all interpersonal relationships in this fallen world, bonds between (and within) genders are complex.

For those who consider Lewis’ personal outlook on male/female roles to be unenlightened, might I suggest you compare them to the example of any other man. Constantine perhaps?


* Minervina may have been Constantine’s wife, or official concubine. Since Crispus was regarded as a fully legal heir, the former is most likely. She may have already died before Constantine strengthened his political position with his second marriage.

⁑ The most probable account is that Fausta falsely accused Crispus of molesting her. After mercilessly condemning his own son, Constantine learned of the deceit and had Fausta executed as well. Crispus already held the rank of Caesar, and was heir apparent to his father. The story is extremely complicated, and heartbreakingly tragic.

How should Christians relate to modern culture? Should they try to identify with culture so they are indistinguishable from their secular peers? Or, would it be better for them to stand aloof from a society espousing a worldview diametrically opposed to their own?

C.S. Lewis would recommend a different course. He would be saddened by Christians who felt compelled to pander to the ideals of contemporary culture. At the same time, he would be offended by disciples of Jesus who deemed themselves too enlightened—or, God forbid, holy—to stoop to engage with modern civilization.

In his essay “Christianity and Culture,”* Lewis begins by pointing out that the omnipresence of culture makes us unconscious of its independence from our religious worldview.

At an early age I came to believe that the life of culture (that is, of intellectual and aesthetic activity) was very good for its own sake, or even that it was good for man. After my conversion, which occurred in my later twenties, I continued to hold this belief without consciously asking how it could be reconciled with my new belief that the end of human life was salvation in Christ and the glorifying of God.

After this epiphany, Lewis began to consciously explore the proper relationship a believer should have with culture. And, his conclusion rejected both of the aforementioned extremes.

Culture has been on my mind since reading the 2019-20 schedule of the Fellowship of Performing Arts. I have written about two of the Lewis-related plays presented by this wonderful theatrical community in the past. The Great Divorce and C.S. Lewis Onstage: The Most Reluctant Convert were both superb. I’m hoping that The Screwtape Letters will return to Seattle soon. All of their work is deeply inspiring.

The founder of FPA, Max McLean, affirms how their mission—producing quality “theatre from a Christian worldview meant to engage a diverse audience”—continues to guide their efforts. This includes a new rendition of Paradise Lost which will debut on Theater Row in New York in January. You won’t get to see the new play outside of New York City, but check this site for a list of their touring casts to see what wondrous performances may be available near you.

McLean writes, “In the arts world, Christians are seen as cultural critics, not culture makers. Mainstream opinion is that Christianity is a regressive idea that has nothing to add to the cultural conversation.”

McLean, like C.S. Lewis, encourages us to challenge this misinterpretation. After all, even if some Christian communions have retreated from the modern Areopagus, most of the great cultural accomplishments of the Western world owe a great deal to Christianity. And that is a debt of gratitude we can increase when we choose.

Culture is Not Our Enemy

Lewis posed an interesting contrast in “Christianity and Culture.” Speaking of the positive aspects of culture (for there are assuredly many shortcomings), he writes:

Culture is a storehouse of the best (sub-Christian) values. These values are in themselves of the soul, not the spirit. But God created the soul. Its values may be expected, therefore, to contain some reflection or antepast of the spiritual values. They will save no man. They resemble the regenerate life only as affection resembles charity, or honour resembles virtue, or the moon the sun.

But though “like is not the same,” it is better than unlike. Imitation may pass into initiation. For some it is a good beginning. For others it is not; culture is not everyone’s road into Jerusalem, and for some it is a road out.

This final observation—that immersion in culture can lead one on a path away from Life—is profound. I have witnessed this in the action of some who make cultural sophistication an end in itself.

In a far different essay, “Learning in War-Time,” C.S. Lewis elucidates how culture is a given. Even the most earnest prayers of the eremites can dispel it. No cloister has walls so impenetrable that they make culture irrelevant.

In the context, then, of education, Lewis describes the necessity of Christians engaging deeply with culture.

If all the world were Christian, it might not matter if all the world were uneducated. But, as it is, a cultural life will exist outside the Church whether it exists inside or not. To be ignorant and simple now—not to be able to meet enemies on their own ground—would be to throw down our weapons, and to betray our uneducated brethren who have, under God, no defence but us against the intellectual attacks of the heathen.

Good philosophy must exist, if for no other reason, because bad philosophy needs to be answered. The cool intellect must work not only against cool intellect on the other side, but against the muddy heathen mysticisms which deny intellect altogether.

Most of all, perhaps, we need intimate knowledge of the past. Not that the past has any magic about it, but because we cannot study the future, and yet need something to set against the present, to remind us that the basic assumptions have been quite different in different periods and that much which seems certain to the uneducated is merely temporary fashion.

A man who has lived in many places is not likely to be deceived by the local errors of his native village: the scholar has lived in many times and is therefore in some degree immune from the great cataract of nonsense that pours from the press and the microphone of his own age. The learned life then is, for some, a duty.

And so, just as the “learned life” is a duty for some, so too is an “artistic life.” It is a good thing, perhaps even an excellent thing, when Christians excel at the arts and talents esteemed by one’s local culture.

What might change if Christians decided to forego their identity as mere cultural critics and strove to become cultural leaders? Now that’s a question worth pondering.


* T.S. Eliot wrote a book with the same title. Published seventy years ago, he assessed a cultural conflict that has only grown more acute.

The problem of leading a Christian life in a non-Christian society is now very present to us, and it is a very different problem from that of the accommodation between an Established Church and dissenters. It is not merely the problem of a minority in a society of individuals holding an alien belief.

It is the problem constituted by our implication in a network of institutions from which we cannot dissociate ourselves: institutions the operation of which appears no longer neutral, but non-Christian. And as for the Christian who is not conscious of his dilemma—and he is in the majority—he is becoming more and more de-Christianized by all sorts of unconscious pressure: paganism holds all the most valuable advertising space.