Archives For Modern Life

Some people become parents and others do not. This column isn’t about the complex considerations that determine which path each individual follow. We all know people in each situation who are happy—as well as those who are dissatisfied.

I want to consider here a single reason some people choose not to have children. There are, of course, many valid reasons for not bringing children into this world, but this one struck me as particularly odd.   

Before we look at the interview question, allow me to offer a thesis that I believe most writers would agree with. Not all would concur, but don’t you think there would be strong consensus with this statement:

Raising children makes being a productive writer more challenging.

It’s pretty logical that the time spent actively parenting children leaves an author with less time to pursue their writing. Especially if they are a good mother or father.

Sure, kids provide us with some great stories and inspiration that can occasionally be worked into an article or story. But unless we’re a Dave Barry, an Erma Bombeck or a Bil Keane, people won’t line up to read about our children’s hijinks. So, if you were to balance the scales, I think we’d be hard-pressed to make the case that the addition of children to our household will make our writing more prolific.

In a recent interview with Forbes columnist Amity Shlaes, the editor of World Magazine raised this subject in an unusual way. Here is the question: “I talked with a Harvard economist years ago who said he was deliberately not having any children because he felt each child would lose him a book. You and I each have four children, and yet we’ve written books. Did you ever do a calculation like this foolish Harvard economist?”

Shales’ response was thoughtful. “Well, I’m very lucky in the husband department. He wanted lots of children and didn’t mind the work. But the main thing is: Children enrich life, they don’t impoverish it. You’d often be richer in dollars if you’d had no children, but with kids you’re richer in social capital, in happiness . . .”

It will come as no surprise that I agree with Shales’ opinion (with the substitution of “wife” in the first sentence). But the idea that struck me as rather shocking in this interchange was the reason the economist gave for opting not to have children: “because he felt each child would lose him a book.”

Wow. That is a pretty honest, and rather crass calculation. I won’t argue with his domestic equation, but it makes me shake my head. I can’t help but wonder how he will feel at the end of his life when he looks at his bookshelf of soon-to-be-forgotten titles and contemplates whether his choice was wise.

Lewis’ Personal Experience

C.S. Lewis was one of the most prolific writers. And he wrote in an expansive range of genres. It could easily be argued that his bachelorhood provided him with the time to write. That, in addition to the creative fountain provided by the Inklings made for a productive environment.

When he became a father, he was extremely conscientious. The boys were sent to private (or, in British parlance, “public”) schools after their mother’s death. However, that was the norm for children in their comfortable economic circumstances.

Lewis loved his sons, and did the best he could to be a father to them, despite his lack of confidence. Lewis was still the man who many years earlier (in 1935) wrote to his closest friend: “I theoretically hold that one ought to like children, but am shy with them in practice.” A decade later, in one of his most powerful books, Lewis confessed “I myself do not enjoy the society of small children . . . I recognize this as a defect in myself” (The Abolition of Man).

Self-awareness is a mark of intelligence and honesty. I strongly believe Lewis put the lie to his self-criticism about lacking a rapport with children, with his wonderful letters written to children.*

It could be argued that parenthood was one of the factors that affected Lewis’ literary production. Brenton Dickieson has a chart showing his annual production of books, here. Another scholar, Joel Heck, has done the world a great service by providing the definitive chronology of C.S. Lewis’ life and work, available here.

Lewis did not marry earlier in his life because he considered himself a confirmed bachelor. Joy’s unexpected arrival transformed his life.

But, even before he became a (step-)father, he would never have uttered the sentiment of the Harvard professor.

A book or a child? Which shall it be? If that is a difficult question for someone, here’s my advice: “Please just write your books; you’d probably make a lousy parent anyway.”


* C.S. Lewis was able to speak clearly to children. And, unlike so many adults, he did not speak down to them. While toddlers may have remained a mystery to him—and he never parented any—he respected children’s questions, and offered wise advice.

On putting one’s life in its proper order: “You are quite right if you mean that giving up fun for no reason except that you think it’s “good” to give it up, is all nonsense.”

And, how is this for a thoughtful, practical comment: “All schools, both here [in England] and in America, ought to teach far fewer subjects and teach them far better.”

Wise counsel to a young person (or anyone): God knows quite well how hard we find it to love Him more than anyone or anything else, and He won’t be angry with us as long as we are trying. And He will help us.”

And, one particularly inspiring comment about faith: “Anyone in our world who devotes his whole life to seeking Heaven will be like Reepicheep” in The Voyage of the Dawn Treader.

Epitaphs & C.S. Lewis

June 10, 2020 — 15 Comments

Have you already decided on an epitaph for your headstone? Or are you trusting others to sum up your life in familiar, traditional words of relationship? C.S. Lewis was of the opinion that a unique sentiment was most appropriate for such occasions.

My own decision has been made by default. At the present time I’m leaning towards simply using a military marker. They look distinguished, and the money that is saved can benefit the living, or perhaps one of the charities we support.

Basically, they have name, rank (I just want “Chaplain” instead of “Lieutenant Colonel”), dates and sometimes a very short personalized element. I think I’ll opt for the simple “Christian cross” which is familiar to those who have visited military cemeteries. I am tempted though, to use the agnus dei, even though it is listed as the official emblem of the United Moravian Church.

Due to the religious diversity (and confusion) in the United States, the Veterans Administration offers a theological smorgasbord of options. You can see the seventy-five options currently available here.

They include established American faiths such as Zoroastrianism and the Tenrikyo Church as well as more contemporary favorites Wicca and Eckankar (which claimed not to be a religion when I encountered its missionaries during my college years). Not to be ignored, are Humanism and its sibling, Atheism. For those preferring ethnic options, we have the Medicine Wheel, ancestor worship (African Ancestral Traditionalist), and the Hammer of Thor.

How Much Should an Epitaph Say?

I’ve seen some headstones that record only a name. Leaves only questions. Some give a brief observation, such as Boot Hill’s marker for Dan Dowd who perished in 1884. It records single word, “Hanged.”*

There are a few longer epitaphs, such as this one, sounding almost like an apology. “Here lies George Johnson hanged by mistake 1882. He was right we was wrong. But we strung him up and now he’s gone.” Sadly, they learned too late the horse they assumed he had stolen, was purchased legally.

In New Hampshire, there is a headstone with a 150 word inscription. Apparently, the woman’s husband had quite an axe to grind with a local congregation.

Caroline H., Wife of Calvin Cutter, M.D. Murdered by the Baptist Ministry and Baptist Churches As follows: Sep’t. 28, 1838; aged 33 She was accused of lying in church meeting by the Rev. D. D. Pratt and Deacon Albert Adams. Was condemned by the church unheard. She was reduced to poverty by Deacon William Wallace. When an exparte council was asked of the Milford Baptist Church, by the advice of their committee, George Raymond, Calvin Averill, and Andrew Hutchinson They voted not to receive any communication on the subject. The Rev. Mark Carpenter said he thought as the good old Deacon said, “We’ve got Cutter down and it’s best to keep him down.” The intentional and malicious destruction of her character And happiness as above described destroyed her life. Her last words upon the subject were “Tell the Truth and The Iniquity will come out.”

C.S. Lewis’ Epitaph

Lewis wrote a moving epitaph for his wife, Joy Davidman. It was based upon one he had written for his good friend Charles Williams. The phrase “Lenten Lands” was used by his stepson David Gresham, as the title of his story of his parents’ marriage.

Here the whole world (stars, water, air,
And field, and forest, as they were
Reflected in a single mind)
Like cast off clothes was left behind
In ashes, yet with hopes that she,
Re-born from holy poverty,
In Lenten lands, hereafter may
Resume them on her Easter Day.

To adorn C.S. Lewis’ own grave, his brother Warnie opted for simpler verse. It was taken from a passage in Shakespeare’s King Lear.

“Men must endure their going hence.”

C.S. Lewis wrote another noteworthy epigraph. It was in a poem by that very name. It was originally published in 1949 in Time and Tide magazine. It has been included in the collection of Lewis Poems as a stanza in “Epigrams and Epitaphs.” He shared it with his fellow poet, Ruth Pitter when it was first written, writing “I append my latest Short, your most obliged C.S. Lewis.”

My grave my pillory, by this blabbing stone
Forbidden to rest unknown,
I feel like fire my neighbours’ eyes, because
All here know what I was.
Think, stranger, of that moment when I too
First, and forever, knew.

In 2013, C.S. Lewis received the great honor of having a memorial stone placed in Poet’s Corner of Westminster Abbey. The inscription was chosen from one of his talks.

I believe in Christianity as I believe that the Sun has risen,
not only because I see it but because by it I see everything else.

I began with the question of what each of us might hope is inscribed as the legacy of our life. In truth, I don’t care if my marker even bears my name, since the Lord knows me as a member of his flock. But what I would like to see gracing my passing, are the words, “Well done, good and faithful servant” (Matthew 25:23).


The photograph adorning this post comes from side-by-side monuments for two Yale chemists. You can read the curious story about them, and the reason for the “Etc.” that adorns the second. Apparently it was added by the family at a later date, since they regarded “Nobel Laureate” as insufficient.

* The most famous epitaph in Arizona’s Boot Hill Cemetery reads “Here lies Lester Moore. Four slugs from a 44. No Les. No More.”

Pubs & Pandemics

June 1, 2020 — 5 Comments

How would the Inklings have conducted their meetings during a pandemic? Would they have continued secret rendezvous at the Eagle and Child?

Of course not. They were a law-abiding group of thinkers, and would never have thought to visit a pub if the Queen or Prime Minister told them to remain at home. After all, even the University of Oxford is following government directives: “All non-essential staff members must work from home. . . . Students have been asked to leave the University unless they have a compelling reason to stay.”

My guess is that C.S. Lewis would have relished the opportunity to settle in at home to work on his correspondence and perhaps a new essay. He would, of course, still want to enjoy a good walk during the day—although Lewis would doubtless wear a mask and maintain safe distances.

Pubs are on my mind due to a recent article entitled “How the Black Death Gave Rise to British Pub Culture: For centuries-old bars, a pandemic is nothing new.”

The piece featured two ancient public houses that lay “claim to the contentious title of Britain’s oldest pub and [are] no stranger[s] to pandemics.” While we lived in the U.K., I don’t recall ever visiting Ye Olde Fighting Cocks in Saint Albans.* However, we did enjoy visiting Ye Olde Trip to Jerusalem in Nottingham.

In times of tribulation, such as war, pubs provide a warm respite for many. An alcoholic can drink happily in solitude at home.⁑ But one express purpose of a pub is to foster a casual and comfortable social environment.

C.S. Lewis and his fellow Inklings enjoyed pubs in Oxford. When Lewis moved to the environs of Cambridge, he naturally sought out a similar setting in which to relax and entertain. In 1954, he wrote the following to a friend.

There are excellent pubs at Cambridge; and I speak from first-hand knowledge, having just returned from a week of spying out the land there. I’m afraid one must admit that, architecturally, Cambridge beats Oxford; there is so much more variety in Cambridge.

Here in the United States, only “essential” functions have remained accessible during the various restrictions imposed by “stay-at-home orders.” It’s sobering to ponder what our culture values most important, weigh those deemed necessary (e.g. marijuana dispensaries) against those deemed nonessential (e.g. churches).

Gradually now they intend to transition toward a restoration of some of our Constitutional rights. The New York Times is updating the state-by-state status on a regular basis.

It will be interesting to see if this progresses forward gradually, or if unanticipated events cause any locales to reverse their course.

Hopefully, life will return to “normalcy” sooner rather than later. The scars will last though, whatever happens. Lives lost. Businesses closed, with hopes shattered and dreams dispelled. In the aftermath of this global tragedy, it may well be that cordial, familiar gathering places, will once again play a role in reestablishing balance.

The previously cited article about the Black Plague says, “For Brits, a pub has always been more than just a place that sells beer . . .” That sentiment is true in many other cultures, as well. We humans are, by our very nature, social beings. Being deprived of these social settings has caused some people to experience a sort of shell shock. It may well take some time—and perhaps even a pint or two—to begin the healing.   


* Our family did visit the spectacular Roman ruins of Verulamium. One of the Romans’ largest cities, it was destroyed by Boudicca during the rebellion she led. It was later renamed in honor of Alban, one of the first British martyrs.

⁑ Some alcoholics do prefer to get plastered in bars. Examples include Ernest Hemingway and Dylan Thomas. The latter had his final drink at New York City’s White Horse Tavern. “After downing 18 shots, Thomas collapsed outside the tavern and later died at St. Vincent’s Hospital.”

One of the earliest lessons children learn is how many senses the human being possesses. You know the answer off the top of your head, right? Five. But, apparently, that’s no longer correct. Oh, you may think I must be including that long-time poser, extrasensory perception (ESP), which purports to be a sense of sorts beyond the five we all experience. If you thought that . . . sorry, but you are wrong again.

We all agree on the basic five: the faculties of sight, hearing, taste, smell, and touch. To this list, science has recently added several other senses we experience. They’re not actually new; Adam and Eve knew them too (with the possible exception of nociception). They actually make sense (in the other use of the word), as well. Here they are:

Proprioception – perceiving where your body parts are relative to one another, and the strength of effort being employed in movement

Thermoception – sensing temperature

Equilibrioception – perception of balance

Chronoception – sensing the passage of time

Interoception – feeling internal needs such as hunger and thirst

Nociception – experiencing pain

More expansive lists exist as well. Some are discussed online at The United Kingdom’s Sensory Trust. The Trust is devoted to “sensory design . . . [using] nature and the outdoors to improve the health and wellbeing of people living with disability and health issues.” They describe how “neurological classification” can result in numbers up to fifty-three. (It makes one long for the simplicity of the past when we followed Aristotle’s citation of only five.)

C.S. Lewis’ Celebration of Life

You can pick up nearly any one of Lewis’ essays or fiction, open to any page of his autobiography, read almost any of his letters, and you will see his love for nature. And Lewis is often quite vivid in his description of his encounter with God’s creation. The sights, sounds and smells he describes make the depictions real. Consider his description of Tash, the “god” worshipped by the Calormenes, in The Last Battle.

[King Tirian said] “What foul smell is this?”

“Phew!” gasped Eustace. “It’s like something dead. Is there a dead bird somewhere about? And why didn’t we notice it before?”

With a great upheaval Jewel [the unicorn] scrambled to his feet and pointed with his horn. “Look!” he cried. “Look at it! Look, look!” Then all six of them saw; and over all their faces there came an expression of uttermost dismay.

In the shadow of the trees on the far side of the clearing something was moving. It was gliding very slowly Northward. At a first glance you might have mistaken it for smoke, for it was gray and you could see things through it. But the deathly smell was not the smell of smoke. Also, this thing kept its shape instead of billowing and curling as smoke would have done. It was roughly the shape of a man but it had the head of a bird; some bird of prey with a cruel, curved beak. . . . It floated on the grass instead of walking, and the grass seemed to wither beneath it. . . .

[They] watched it for perhaps a minute, until it streamed away into the thicker trees on their right and disappeared. Then the sun came out again, and the birds once more began to sing. Everyone started breathing properly again and moved. They had all been still as statues while it was in sight.

From a more philosophical, even metaphysical perspective, Lewis ponders the senses experienced by angels in his poem, “On Being Human.” He describes the differences between how angels and humanity experience God’s creation. Lewis suggests that in exchange for their unblurred perception of cosmic reality, they lack the more mundane (i.e. earthly) experience of physical perception of creation.*

Angelic minds, they say, by simple intelligence
Behold the Forms of nature. They discern
Unerringly the Archtypes, all the verities
Which mortals lack or indirectly learn.
Transparent in primordial truth, unvarying,
Pure Earthness and right Stonehood from their clear,
High eminence are seen; unveiled, the seminal
Huge Principles appear.

The Tree-ness of the tree they know—the meaning of
Arboreal life, how from earth’s salty lap
The solar beam uplifts it, all the holiness
Enacted by leaves’ fall and rising sap;
But never an angel knows the knife-edged severance
Of sun from shadow where the trees begin,
The blessed cool at every pore caressing us
—An angel has no skin.

They see the Form of Air; but mortals breathing it
Drink the whole summer down into the breast.
The lavish pinks, the field new-mown, the ravishing
Sea-smells, the wood-fire smoke that whispers Rest.
The tremor on the rippled pool of memory
That from each smell in widening circles goes,
The pleasure and the pang—can angels measure it?
An angel has no nose.

The nourishing of life, and how it flourishes
On death, and why, they utterly know; but not
The hill-born, earthy spring, the dark cold bilberries
The ripe peach from the southern wall still hot,
Full-bellied tankards foamy-topped, the delicate
Half-lyric lamb, a new loaf’s billowy curves,
Nor porridge, nor the tingling taste of oranges—
An angel has no nerves.

Far richer they! I know the senses’ witchery
Guards us, like air, from heavens too big to see;
Imminent death to man that barb’d sublimity
And dazzling edge of beauty unsheathed would be.
Yet here, within this tiny, charm’d interior,
This parlour of the brain, their Maker shares
With living men some secrets in a privacy
Forever ours, not theirs.

This notion that we comprehend things the angels cannot—for example, the indwelling of God’s Holy Spirit—is expressed in the spirit of the First Epistle of Peter. These wondrous miracles are “things into which angels long to look.”

As amazing as our human senses are, we should never delude ourselves into thinking they are infallible. Far from it. As precious as they are, due to our fallen nature, they possess two shortcomings. First, they may misperceive reality. Such is the case with allodynia, in which a person “feels pain from non-painful stimuli,” such as a light touch or a cool temperature.⁑

The second limitation comes in the obvious fact of our finite nature. We are simply incapable of perceiving, much less processing, all the information that washes over us. Perhaps you would join me in identifying with C.S. Lewis’ description of himself in A Grief Observed.

Five senses; an incurably abstract intellect; a haphazardly selective memory; a set of preconceptions and assumptions so numerous that I can never examine more than a minority of them-never become even conscious of them all. How much of total reality can such an apparatus let through?

The number of human senses is not important. Our recognition of their divine source is, however, of eternal import.


* Chris Armstrong, Senior Editor of the Christian History Institute, wrote an exceptional article on the importance of our senses. Citing C.S. Lewis’ “On Being Human,” he declares our senses are the only means by which we can “know God.”

Nor is sense-knowledge about God through his Creation, second-class knowledge. Lewis expresses this idea memorably in his poem “On Being Human,” which compares the angels’ incorporeal way of knowing with our way—to the advantage of the latter.

The Christian History Institute publishes the exceptional Christian History magazine, which is offered for a simple donation. They also provide free, downloadable copies of past issues. I strongly encourage your support of this superb ministry.

⁑ From Medical News Today. “Some people feel extreme pain from something minor, such as a paper cut. Feeling increased pain or being hypersensitive to mild pain is called hyperalgesia. Individuals with allodynia, however, feel pain when something is ordinarily painless.”

C.S. Lewis loved rabbits. His affection for the cuddly rodents went all the way back to his childhood. And it continued through the whole of his life. In fact, you can read about “C.S. Lewis as an Advocate for Animals” at a Humane Society link below.*

Despite this affection, rabbits do not feature prominently in The Chronicles of Narnia. They are among the “statues” turned to stone by the Witch. In the description of Aslan breathing life back into them, it says, “then [Aslan] pounced on a tall stone dryad which stood beyond the dwarf, turned rapidly aside to deal with a stone rabbit on his right, and rushed on to two centaurs” (The Lion, the Witch and the Wardrobe).

Rabbits helped spread the word about an impending attack on Archenland in The Horse and His Boy. Shasta urges the animals to spread the word.

“Oughtn’t your High King to be told?”

“Certain sure, something ought to be done about it,” said the Hedgehog. “But you see I’m just on my way to bed for a good day’s sleep. Hullo, neighbor!”

The last words were addressed to an immense biscuit-colored rabbit whose head had just popped up from somewhere beside the path. The Hedgehog immediately told the Rabbit what it had just learned from Shasta.

The Rabbit agreed that this was very remarkable news and that somebody ought to tell someone about it with a view to doing something. And so it went on. Every few minutes they were joined by other creatures, some from the branches overhead and some from little underground houses at their feet, till the party consisted of five rabbits, a squirrel, two magpies, a goat-foot faun, and a mouse, who all talked at the same time and all agreed with the Hedgehog.

For the truth was that in that golden age when the Witch and the Winter had gone and Peter the High King ruled at Cair Paravel, the smaller woodland people of Narnia were so safe and happy that they were getting a little careless.

In The Last Battle we see a clear contrast between the types of animals which populate Narnia. Tirian, the last king of Narnia, is leading the children toward their destiny.

First, he had given Jill some practice in archery and found that, though not up to Narnian standards, she was really not too bad.

Indeed she had succeeded in shooting a rabbit (not a Talking rabbit, of course: there are lots of the ordinary kind about in Western Narnia) and it was already skinned, cleaned, and hanging up.

Back to the Beginning

When he was a child, beginning at age eight, Lewis began writing stories about “Animal Land.” His brother Warnie, several years older, joined him in composing stories inspired in part by their reading of the words of Beatrix Potter.

Animal Land is clearly the product of young children—children with wonderful imaginations—but children nonetheless. These various works have been published by Lewis’ stepson in a collection called Boxen. As Douglas Gresham writes, “In developing the world of Boxen, Jack appropriated the ‘dressed animals’ of Beatrix Potter and that part of their fictional world they called ‘Animal-Land,’ while Warnie (whose interests were always a touch more prosaic than Jack’s) made his half ‘India.’”

The world was thoroughly thought out, complete with maps and a historic chronology.

Animal-land is divided into 13 provinces. Bear-land, Wolf-land, Squirrel-land, Mouse-land, Rabbit-land, Pig-land, Bird-land, Horse-land, Fox-land, Land of Typical Animals, Insect-land, Rat-land, With the island of Piscia, or Fishland. . . . Rabbit-land is the first provence in learning and art.

Rabbits feature prominently in Boxen. The very first element is a script, entitled “The King’s Ring (A Comedy).” The introduction is delightfully childlike: “Interesting carictars. Famous ones. For instance, Sir Big, a world-famed gentleman. A very good choreus and nice scenry. (Slight comic tints in and out threw it.)”

The two protagonists are King Bunny, whose ring is stolen, and Sir Peter Mouse, his “knight in waiting” who aids him in finding it. It is filled with silly dialog, despite the serious plot. For example:

KING BUNNY: Tell Sir Goose to tell Sir Big to tell Mr Gold Fish to tell Gollywog to tell Mr Icthus-oress to tell Dorimie to tell the sailors to take Hit [the villain] away.

In his autobiography, Lewis wrote of his childhood home. “Here my first stories were written, and illustrated, with enormous satisfaction. They were an attempt to combine my two chief literary pleasures—‘dressed animals’ and ‘knights-in-armour.’

Drawing Pleasure from Real Life Rabbits

Lewis’ correspondence includes passing references to rabbits, always expressed in an approving way. For instance, in 1947 he mentions enjoying a memorable event during a boring time. “I wonder how you are all getting on? Nothing much has happened to me except that I saw a rabbit yawn. I suppose people who keep tame ones have seen it often but this was a wild rabbit and I thought it a very curious sight. It was a very bored triangular yawn in the middle of a long hot afternoon.”

During WWII, he penned a curious comment about rabbits recently added to his home.

We are keeping rabbits at the Kilns now, in addition to the hens! But they are very much nicer. As I passed the enclosure in which all the young ones are the other evening, I saw they had all got into a box which happened to be lying there.

They were all standing (or sitting) up on their hind legs and all facing in the same direction: so that they looked exactly as if they were conducting some kind of evening service—the box looked just like a pew.

While the rabbits were almost certainly present to supplement food rations during the war, they were not treated as commodities. Lewis appreciated them in the way he respected other creatures designed by God’s hand. Thus, he had what my wife and I would consider to be a well-rounded family—including one or more members of the non-human variety.

Lewis described this diverse household in a 1943 letter to June Flewett,⁑ one of the children evacuated to his home during the war.

Bruce [Lewis’ dog] behaved with great lack of fortitude during the thunderstorm last night and two of the rabbits made it an excuse for absenting themselves without leave. Pushkin [his cat] behaved better, but not well. In fact there is a general lack of keenness and discipline among the four-footed members of the household which I deplore.

One more story about an actual rabbit with which the great author developed an ongoing relationship.

In a 1942 letter to Sister Penelope CSMV, he says, “I am establishing quite a friendship with one of the rabbits which we now keep along with the deer in Magdalen grove. It was done by the discovery that he relishes chestnut leaves which grow too high for his reach. He doesn’t yet allow me any familiarities but he comes and eats from my hand.”

Lewis continues to describe his new friend, and adds a keen theological observation. “But oh!, the great lollipop eyes and the twitching velvet nose! How does [God] come to create both this and the scorpion?”

Later that same year, Lewis updates the Anglican nun on the status of his animal-friend.

The Rabbit and I have quarrelled. I don’t know why, unless I gave him something that disagreed with him. At any rate, he has cut me dead several times lately—so fair and so fickle! Life is full of disappointments.”

At that time he shared his disappointment with his lifelong friend, Arthur Greeves. “Did I tell you in my last letter that I’d struck up quite an acquaintance (almost a friendship) with a rabbit in Magdalen Grove who used to come and eat leaves from my hand? Alas, I must have given something that disagreed with him, for he disappeared for about 10 days, and since his reappearance has refused to look at me.”

It may be that same rabbit, or one of its kin, renewed its relationship with Lewis, because he referred to a similar experience in two 1944 letters to other children.

I live in a College here: a college is something rather like a castle and also like a church. It stands just beside a bridge  over a river. At the back of the part I live in there is a nice grove of Trees. There are a lot of Rabbits there. One very old rabbit is so tame that it will run after me and take things out of my hand. I call her Baroness Bisket because she is a kind of biscuit colour.

It’s not easy, nor is it usually relevant, to determine a bunny’s gender. So, Lewis may be excused for writing the following to the second young correspondent, six months earlier.

I am getting to be quite friends with an old Rabbit who lives in the Wood at Magdalen. I pick leaves off the trees for him because he can’t reach up to the branches and he eats them out of my hand. One day he stood up on his hind legs and put his front paws against me, he was so greedy. I wrote this about it:

A funny old man had a habit
Of giving a leaf to a rabbit.
At first it was shy
But then, by and by,
It got rude and would stand up to grab it.

But it’s a very nice Rabbit all the same: I call him ‘Baron Biscuit.’

Like C.S. Lewis, I adore rabbits. Years ago we had an indoor bunny, appropriately named “Sweetheart.” In her youth she acted like the cartoon character Ricochet Rabbit, pinging from place to place. In her senior years she settled down and was contented to be a cuddly lap bunny. I add my own “thank you” to Lewis’ for these precious parts of God’s creation.


* The Humane Society pdf is available here.

⁑ June Flewett is regarded as the inspiration for Lucy Pevensie in the Chronicles, and grew up to become an actress and theater director. C.S. Lewis paid for her tuition at the Royal Academy of Dramatic Art. When she and her two sisters were sent from London to the Kilns, her favorite author was C.S. Lewis. Ironically, it was a while before she learned that he and their host were one and the same.

Dark days demand two seemingly contradictory things. Serious reflection and diversion (often in the form of entertainment).

Things are serious. The ultimate toll of the current pandemic remains unknown. Even if we regard ourselves as safe due to age, health and isolation, the simple fact is thousands are dying. Beyond our compassionate concern for those who are suffering, only a fool would fail to reflect on their own mortality during this plague.

Christians, who recently “celebrated” Good Friday are quite conscious of the fact that “we are dust and to dust we shall return” (Genesis 3:19).

Yet this awareness doesn’t leave us in despair, because Easter has come. Our Lord’s resurrection means that for those who trust in him, death does not have the final word.

I pray for those who are overcome by worry during these days. Because dwelling solely on the negative robs life of its present joys, and worsens the impact of the pandemic on individual lives.

Rather than feed your anxiety with troubling reports and thoughts, I urge you to take the opportunity to read, watch a classic program, or play a game. Distracting activities are healthy, as long as they do not displace serious awareness of our circumstances.

Seriously Assessing Our Predicament

Others have written eloquently about Lewis’ response to situations such as that in which we find ourselves today.

For example, the Gospel Coalition offers an excerpt from C.S. Lewis’ 72 year old essay about atomic weapons. They suggest we “just replace ‘atomic bomb’ with ‘coronavirus.’” Lewis’ advice holds up well in our turbulent era.

Annie Holmquist of Intellectual Takeout elaborates on Lewis’ essay. “How C.S. Lewis Would Tell Us to Handle Coronavirus” is well worth a read.

Several weeks ago, the Wade Center (which hosts the Western Hemisphere’s finest Inkling collection) struck the balance I am suggesting. They acknowledged the danger, and offered advice on spending our time well. Their blog included an excellent suggestion in “Those Who Lived to see Such Times: Suggested Readings from the Wade Authors during Times of Uncertainty.” The Wade Center provides links to a number of fine text and audio resources that will offer encouragement from authors who “witnessed both world wars, and . . . lived to see the unsettling days of nuclear weapons.”

Enjoying Life Despite the Danger

Those who are working during this time remain in need of our prayerful support. For the majority of us, however, the cancellation of most of our normal social activities has provided us with an abundance of leisure time. In addition to attacking postponed chores around the house, we should fill some of this interval by enjoying old pleasures and discovering new interests.

Take advantage of treasures such as those mentioned in the Wade Center post. Hundreds—even thousands—of free, public domain books are available online. For those whose preference is visual, there are plenty of free video options, including many vintage television shows you can view on YouTube.

If you’re craving a humorous treat, check out the great satire at The Babylon Bee and The Salty Cee.

A recent article on the former site reveals the sad tale of a boy whose childhood has been ruined by modern online games. It’s entitled, “Boy Discovers Wondrous Land Of Narnia, Leaves Negative Yelp Review.”

Lutherans (and self-confident Christians of other traditions) will enjoy the Lutheran Satire site. For people who don’t object to listening in on a demonic press conference, a fictional Easter interview on their main page is enlightening.

A bit lighter, is this rendition of Saint Patrick explaining the Trinity to the Irish pagans. It will help you sharpen your Christology.

There is a vast, unexplored world of literature out there. I recently read this illuminating post about one of George MacDonald’s fairy tales. MacDonald exerted a great influence on C.S. Lewis. With a curious twist on light and dark, the post also provides a link to a film based on MacDonald’s The Light Princess. I haven’t viewed it yet—but if you have a high tolerance for 1980s BBC productions combining animation and live action, you could be in for a treat.

Where to Begin?

Before exploring some of these links I’ve included, I encourage you to view “The Age of the Coronavirus.” The videographer has done what was suggested in one of the articles mentioned above. He has substituted the virus for the threat of nuclear war in C.S. Lewis’ abbreviated essay.

The video is good enough that you may well desire to share it with others. It can help to know the threats of our day are not unique to history. I suggest that you also include the amazing C.S. Lewis Doodle which offers an illustrated version of the entire essay.

C.S. Lewis had a deep fondness for horses. I imagine he would have enjoyed a recent report from the historic village of Kilmallock, Ireland. It appears that some stray horses have been attempting to upstage the local ducks.

According to the Independent, one of the horses even proudly trotted into a local gymnasium. The mare (or stallion) appears to be more brazen than last year’s crisis which caused one councillor to call “on gardaí [police] in the Co Limerick town to rein in children as young as six riding sulkies in the town which he claimed was turning into the ‘Wild West.’” Yes, you most certainly need to beware of those rowdy six year old cowboys and cowgirls!

Dog owners have begun raising questions about why they must clean after their animal companions while the horses treat the parks like, shall we say, regular pastures. The city’s senior executive engineer attributes the problem to the fact the equines are just so sneaky. “Any time it is reported we go down but the minute our back is turned they are put back. We can’t be there 24/7.”

The most humorous element of the effort to ban the horses, in my mind, is because they have interrupted the entertainment of local ducks.* Not one, but “two duck races on the river have been affected.”

Lewis’ Thoughts about Horses

One of Lewis’ Chronicles of Narnia presents a pair of horses as two of its major protagonists. The Horse and His Boy features Bree and Hwin, Talking Horses captured from Narnia by the Calormenes. A wonderful passage that illustrates the book’s ethos comes when the two horses and their respective riders decide to journey north together.

Aravis is a Calormene princess fleeing her land’s tyranny. Her mount, Hwin, is a young mare who was stolen as a colt and raised in the south. Bree was a stallion, also captured as a colt, and raised to be a warhorse.

“All right then,” said Aravis. “You’ve guessed it. Hwin and I are running away. We are trying to get to Narnia. And now, what about it?”

“Why, in that case, what is to prevent us all going together?” said Bree. “I trust, Madam Hwin, you will accept such assistance and protection as I may be able to give you on the journey?”

“Why do you keep talking to my horse instead of to me?” asked the girl.

“Excuse me, Tarkheena,” said Bree (with just the slightest backward tilt of his ears), “but that’s Calormene talk. We’re free Narnians, Hwin and I, and I suppose, if you’re running away to Narnia, you want to be one too. In that case Hwin isn’t your horse any longer. One might just as well say you’re her human.”

While technically their own genus, centaurs might be considered “part horse.” Thus the entertaining description from The Silver Chair. The children are surprised that the centaurs are still about their breakfasts, two hours after rising before dawn.

“Why, Son of Adam, don’t you understand? A Centaur has a man-stomach and a horse-stomach. And of course both want breakfast. So first of all he has porridge and pavenders [small fish] and kidneys and bacon and omelette and cold ham and toast and marmalade and coffee and beer.

And after that he attends to the horse part of himself by grazing for an hour or so and finishing up with a hot mash, some oats, and a bag of sugar. That’s why it’s such a serious thing to ask a Centaur to stay for the weekend. A very serious thing indeed.”

In Mere Christianity, Lewis uses the transformation of a horse to a new creation as an analogy for what happens to people when they surrender their lives to God’s mercy and seek to follow him.

“Niceness”—wholesome, integrated personality—is an excellent thing. We must try by every medical, educational, economic, and political means in our power, to produce a world where as many people as possible grow up “nice;” just as we must try to produce a world where all have plenty to eat.

But we must not suppose that even if we succeeded in making everyone nice we should have saved their souls. A world of nice people, content in their own niceness, looking no further, turned away from God, would be just as desperately in need of salvation as a miserable world—and might even be more difficult to save.

For mere improvement is not redemption, though redemption always improves people even here and now and will, in the end, improve them to a degree we cannot yet imagine. God became man to turn creatures into sons: not simply to produce better men of the old kind but to produce a new kind of man. It is not like teaching a horse to jump better and better but like turning a horse into a winged creature.

Of course, once it has got its wings, it will soar over fences which could never have been jumped and thus beat the natural horse at its own game. But there may be a period, while the wings are just beginning to grow, when it cannot do so: and at that stage the lumps on the shoulders—no one could tell by looking at them that they are going to be wings—may even give it an awkward appearance.

For a more in-depth discussion of this subject, I commend to you Leslie Baynes’ column, “The Heavenly Horses of C.S. Lewis,” which you can read at A Pilgrim in Narnia.

A final comment from Lewis’ youth worth noting. When writing to his friend Arthur Greeves in 1914, he refers to his scribblings and attempts (quite likely involving the Boxen era) when he attempted to sketch horses.

I sympathize with your difficulty in drawing a horse, as I have often made the attempt in the days when I fancied myself in that line. But of course that counts for nothing: as the easiest of your sketches would be impossible for me. But there are heaps of pictures in which you need not introduce the animal.

It was this passage that inspired the graphic created for the top of this post.


* I wish the Irish were cultured enough to allow actual ducks to enjoy the adrenaline rush of a race, rather than using those little rubber ducklings that belong in children’s baths. If it’s the latter, which I fear it could be, I vote to let the horses run free. After all, some of those rubber ducks wash out to sea and become part of the international litter problem. For example, the piece of rubbish pictured on this link presumably polluted the Irish Sea for a full decade before it washed up on a distant shore.

Historical Font Facts

February 27, 2020 — 13 Comments

Consider yourself blessed if you’re not a fontaholic. The affliction leads to clogged font directories on your computer, and an unavoidable prejudice toward either serif or sans serif fonts.

People who are intrigued by typography know exactly what I’m talking about. At least two or three times a year they will inextricably find themselves on some font website (there are scores of them) without consciously knowing how they got there or there or there.*

I’ve written about fontaholicism in the past. Unfortunately, despite my advocacy, the Diagnostic and Statistical Manual of Mental Disorders has yet to classify the malady as a recognized illness. That said, the American Psychiatric Association does sound a bit obsessive compulsive in terms of their font guidance for annual meeting posters.

If any or all of the work in this poster was prepared with commercial support, a statement “Supported by funding from [name of company]” must be noted in the lower left corner of the poster in Arial 72 point font, with no bold, italics, special colors, or other enhancement of the company name, product, or any other portions of the statement.

One wonders what sort of reaction a person would get from the APA if they used Times Roman or Comic Sans by mistake.

C.S. Lewis & Fonts

It should be acknowledged up front that C.S. Lewis was not obsessed with fonts. However, he was wise enough to recognize their significant role in communication. Good fonts could be transparent, while problematic fonts blurred the message. He highlighted one of the most significant aspects of a font’s usage—size—in a 1957 letter. He told a fellow Brit, “you’d be much wiser to get my books in the American edition as these now have larger print and better paper than our own.”

A year earlier he had discussed a related issue with his publisher. There was a problem with a Shakespeare quotation intended for the title page of Till We Have Faces.

The quotation would, I agree, look better on a page to itself, but (what is more important) I am very strongly opposed to the idea of dividing it. I agree that it ‘looks wrong as it is’ but I think it will look equally with any division whatever. I do not see why it need be printed ‘absurdly small’ to fit in as one line . . .

Now a line of that length on a page to itself would I believe, look ugly if it came anywhere near the middle of a page–because it would then seem to divide the page into two halves. But would it not look quite nice if put near the top? It would then have the properties of a frieze or dado with plain wall under it.

And we may perfectly well omit the word ‘Shakespeare’ if we think that makes a better design. But I’d prefer even a bad design to a division of the verse.

Free Books about Fonts

You can find a number of interesting books about fonts at some of the wonderful internet libraries such as Project Gutenberg. During recent historical research about Reformation-era artists, I discovered a book written by Albrecht Dürer (1471–1528). Since his fame is derived from his portraits of prominent people, I was surprised he had written a guide for properly shaping letters, based on geometric principles. The introduction provides a fascinating portrait of sixteenth century artistry in northern Europe.

In our Germany . . . are to be found at the present day many young men of a happy talent for the Art Pictorial, who without any artistic training whatever, but taught only by their daily exercise of it, have run riot like an unpruned tree, so that unhesitatingly and without compunction they turn out their works, purely according to their own judgment.

But when great and ingenious artists behold their so inept performances, not undeservedly do they ridicule the blindness of such men; since sane judgment abhors nothing so much as a picture perpetrated with no technical knowledge, although with plenty of care and diligence.

Now the sole reason why painters of this sort are not aware of their own error is that they have not learnt Geometry, without which no one can either be or become an absolute artist; but the blame for this should be laid upon their masters, who themselves are ignorant of this art.

Since this is in very truth the foundation of the whole graphic art, it seems to me a good thing to set down for studious beginners a few rudiments, in which I might, as it were, furnish them with a handle for using the compass and the rule, and thence, by seeing Truth itself before their eyes, they might become not only zealous of the arts, but even arrive at a great and true understanding of them.

Dürer’s book sparked my curiosity, and a very quick subsequent search hinted at the wealth of typographical information online. For example, you can read about The Typography of Advertisements, circa 1911. There you will be warned that bolder is not always better.

“But,” some one says, “the heavier and bolder type-faces furnish a greater contrast to the white of the paper, and therefore should be easier to read.”

It is true that a greater contrast of color is furnished in the use of the bolder type-faces, but to force these greater contrasts on the eye is to literally club it into reading the text, whether or no. Are the salesman’s statements of better selling value because they are shouted loudly in direct contrast to the quiet of the office?

There may be, and undoubtedly are, some on whom this force is necessary, but to those who are sufficiently educated and intelligent to be reached through the appeal of an advertisement, the quiet dignity of the salesman’s statements made in well-modulated tones will be more attractive.

Gaze back even farther, to what was considered Early Typography in 1872. There you will discover a medieval religious order devoted to worship and manuscripts.

Reference has more than once been made to the impulse given to learning at the end of the fourteenth and the beginning of the fifteenth centuries. This movement was helped forward by no one in Holland and Germany more than by Gerhard Groote, or Magnus, of Deventer, (b. 1326, d. 1370), who after studying theology at Paris, became a canon of Utrecht and Aix-la-Chapelle, and founded the Order of the Brethren and Clerks of the Common Life, generally known as the “Gemeiineslebens,” or “Frères de la Vie Commune . . .”

It was divided into the literary Brethren or Clerks, and the unlearned Brethren, who lived in different houses, but in bonds of the greatest friendship. The Clerks devoted themselves to transcribing books, the cultivation of polite learning, and the instruction of youth; and they erected schools wherever they went. The Brethren laboured with their hands, and pursued various mechanic trades. Neither were under the restraint of religious vows; but still they ate at a common table, and had a general community of goods.

There are many other curious titles available to those who choose to explore obscure typography in greater depth. A person might even wish to begin with 1891’s Specimens Of Book, Jobbing, And Ornamental Printing Type In Use In The Government Central Printing Office, Simla [India].

Fonts, fonts, fonts. As I said above, you are fortunate if they don’t draw you too deeply into their orbit. However, if you recognize you too are a fontaholic, take comfort in the knowledge that you are not alone.


* And here’s another font site I had never seen before writing this post. It has a delightful name, Font Squirrel. Once I finish writing this piece, you can guess where I will be spending some of my web surfing research time.

The Elefonts cartoon at the top of the page is a creation of talented Canadian John Atkinson, and is used with permission.

Who are you? If you were to fully answer that question, it would require serious introspection. However, if you were to answer it completely, it would also require an honesty that is extremely rare.

That’s because anyone who reveals everything about themself, comes to a point where the qualities and actions are no longer flattering. They ultimately arrive at the place where the exposé becomes a confession.

The truth is that no one actually knows everything about themself. But some of the things we are aware of . . . some of the secrets we desire to hide, even from ourselves . . . are seldom shared. That is one great value of the “confessional.” There, one can unburden themselves and face their demons, so to speak, in a setting where they know their confidence won’t be violated.

As a Protestant pastor, who has never used a physical confessional stall or screen, I note that I have nevertheless heard thousands of confessions. They are, as one would expect, a common element of counseling as people seek to experience healing and restoration. As a Lutheran, I belong to a tradition that guarantees the privacy of these confessions, or what is considered “privileged communication.” Moreover, as a military chaplain, I was grateful to serve a nation that enshrines the same promise in the Uniform Code of Military Justice.

As Lewis wrote, “if there is a particular sin on your conscience, repent and confess it” (Letters to an American Lady). Once that is done, the pastor (or any “confessor”) can assist the individual with working to make as right as possible in the future what was damaged or destroyed by their choices in the past.

From the Psychological Vantage Point

If you have never encountered it before, I commend to you the model called the Johari Window. I have written about it in the past in the context of honesty and dishonesty.

The model illustrates just how complex our personalities are. The arrows on the model below reveal how we can expand the “open” part of ourselves. Naturally, there are some “hidden” aspects that should only be disclosed in certain contexts.

When it comes to the darkness in our lives, that which we strive to keep veiled, psychologists describe it in a variety of ways. One chaplain with whom I worked was particularly enamored with the work of Carl Jung. He loved to toss around the word “shadow,” and suggest there was some dark psychological significance to even the most offhand comment or expression. In essence, the shadow is the part of our personality we don’t want to admit to having. In terms of the Johari Window, you might think of it as the sinister stuff in the Hidden quadrant.*

C.S. Lewis wrote about Jung in an essay entitled “Psycho-Analysis and Literary Criticism.” Lewis disparages the Freudian theory, saying “poetry is not a substitute for sexual satisfaction, nor sexual satisfaction for poetry.” Jung, he argues, presents “a much more civil and humane interpretation of myth and imagery.” Of course, Lewis is discussing these psychoanalysts from the perspective of a literary critic, not a psychologist. In that regard, we can appreciate his assessment of one of Jung’s major works.

Thanks to my training I can suspend my judgement about the scientific value of Jung’s essay on “Mind and the Earth:” but I perceive at once that even if it turns out to be bad science it is excellent poetry.

From the Christian Point of View

I have already described how confession can serve as a means of expanding our self-awareness in a constructive and healing way. That’s why confession and absolution are a formal part of many worship service, going back to the earliest times. If we want to read the finest primer on confession, we need look no further than the book of Psalms.

As King David, in recognition of this great sins, prays in the fifty-first psalm:

Have mercy on me, O God,
according to your steadfast love;
according to your abundant mercy
    blot out my transgressions.
Wash me thoroughly from my iniquity,
    and cleanse me from my sin!

One of the earliest Christian classics (outside the Bible itself) was aptly entitled Confessions. It was written by Augustine, the bishop of a North African city called Hippo. His description of our self-awareness is so deep and profound, it will likely require more than a single reading.

No one knows what he himself is made of, except his own spirit within him, yet there is still some part of him which remains hidden even from his own spirit; but you, Lord, know everything about a human being because you have made him . . .

Let me, then, confess what I know about myself, and confess too what I do not know, because what I know of myself I know only because you shed light on me, and what I do not know I shall remain ignorant about until my darkness becomes like bright noon before your face. (Augustine, The Confessions, translation by Maria Boulding)

One of C.S. Lewis’ many correspondents was a man who was acutely troubled by his own self-awareness, and in particular, the consciousness of his own selfishness and egotism. Lewis offered some comforting and sound spiritual direction to the man. Since I believe the letter has a message for us all, I choose to close with it.

You are of course perfectly right in defining your problem (which is also mine and everyone’s) as “excessive selfness.” But perhaps you don’t fully realise how far you have got by so defining it. All have this disease: fortunate are the minority who know they have it.

To know that one is dreaming is to be already nearly awake, even if, for the present, one can’t wake up fully. And you have actually got further than that. You have got beyond the illusion (very common) that to recognise a chasm is the same thing as building a bridge over it.

Your danger now is that of being hypnotized by the mere sight of the chasm, of constantly looking at this excessive selfness. The important thing now is to go steadily on acting, so far as you can—and you certainly can to some extent, however small—as if it wasn’t there. You can, and I expect you daily do—behave with some degree of unselfishness. You can and do make some attempt at prayer.

The continual voice which tells you that your best actions are secretly filled with subtle self-regard, and your best prayers still wholly egocentric—must for the most part be simply disregarded—as one disregards the impulse to keep on looking under the bandage to see whether the cut is healing. If you are always fidgeting with the bandage, it never will

A text you should keep much in mind is I John iii, 20: “If our heart condemns us God is greater than our heart.” I sometimes pray “Lord give me no more and no less self-knowledge than I can at this moment make a good use of.” Remember He is the artist and you are only the picture. You can’t see it. So quietly submit to be painted—i.e. keep on fulfilling all the obvious duties of your station (you really know quite well enough what they are!), asking forgiveness for each failure and then leaving it alone. You are in the right way. Walk—don’t keep on looking at it.


* In contrast to the insignificant or embarrassing things we are aware of that we may prefer to keep to ourselves. For example, although I sing decently, I am an exceptionally poor instrumentalist. This despite the fact I married a talented and patient music teacher. It’s not my lack of talent which motivates my secrecy, it is the sad fact that I am a total sluggard when it comes to practicing. And this reveals a major flaw in my personality—if something is not inherently fun or doesn’t come easily to me, I have a terribly difficult time applying myself to the task. (And this shortcoming has very real consequences, both in terms of professional success and interpersonal relationships.)

⁑ Several years ago, a member of our Mere Inkling described in her blog how everyone experiences seasons of restlessness.

In his Confessions, Augustine wrote, “Thou hast made us for thyself, O Lord, and our heart is restless until it finds its rest in thee.” Yet even those who have found Christ feel restless at certain times, and these times lead us to a salutary discovery.

Augustine’s Confessions is a Christian classic. You can download a free copy here.

C.S. Lewis & Tattoos

January 3, 2020 — 13 Comments

How is this for an odd New Year resolution? Getting a new tattoo—with a connection to the writings of C.S. Lewis.

I suppose I’m betraying my age here. Being a retired pastor, my body remains a totally uninked canvas. Not that I’ve never considered getting a tattoo. In fact, if I end up making a pilgrimage to Jerusalem before I journey to the New Jerusalem, I may still opt to get inked. In Jerusalem there is a tattooist whose family traces their art back for 700 years to when their Coptic family lived in Egypt.

Our ancestors  used tattoos to mark Christian Copts with a small cross on the inside of the wrist to grant them access to churches . . and from a very young age (sometimes even a few months old) Christians would tattoo their children with the cross identifying them as Copts. . . .

One of the most famous of Christian types of tattoos, however, is still in use today—that of the pilgrimage tattoo. At least as early as the 1500s, visitors to the Holy Land . . . often acquired a Christian tattoo symbol to commemorate their visit, particularly the Jerusalem Cross.

In Bethlehem, another Christian tattooist practices his art “near the Church of the Nativity, offering pilgrims ink to permanently mark their visit.” He offers designs featuring scriptural texts in Hebrew and Aramaic, the language spoken by Jesus.

Tattoos have a fascinating history, and it should be noted some people consider Torah prohibition to bar even religious tattoos. “You shall not make any cuts on your body for the dead or tattoo yourselves: I am the Lord” (Leviticus 19:28). However, most Christians* and increasing numbers of Jews do not agree that the passage forbids the current practice.

That doesn’t mean all tattoos are appropriate, of course. Most tattoos are innocuous. Some are humorous. A small number are actually witty. Yet some tattoos can be downright malevolent.

Like so many human activities, the significance of a tattoo depends in great part on the intention of the person asking for this permanent mark. For example, my wife and I approved of our son and his wife having their wedding rings tattooed in recognition of God’s desire⁑ that a marriage will last as long as both individuals live.

What has this to do with C.S. Lewis?

Precious few writers have penned more inspiring and enlightening words than Lewis, that great scholar of Oxford and Cambridge. Because of this, it should come as no surprise that there are many Lewis-inspired tattoos gracing bodies. There is even a website devoted to C.S. Lewis-inspired body ink.

I imagine that Lewis himself would regard this as quite peculiar. I don’t believe he had any tattoos of his own, but it’s quite possible his brother Warnie—a retired veteran of the Royal Army—may have sported one or more.

In 1932, Lewis wrote to Warnie about his recent walking trip. Warnie was his frequent companion, when he was not elsewhere deployed. In this fascinating piece of correspondence, Lewis described his most recent excursion. I include a lengthy excerpt (comprising the first half of the journey) not because of its single passing mention of tattoos. Rather, because of the portrait it paints of the young and vigorous scholar in the prime of life. If you would prefer to skip to the mention of inking, see the sixth paragraph.

Since last writing I have had my usual Easter walk. It was in every way an abnormal one. First of all, Harwood was to bring a new Anthroposophical Anthroposophical member (not very happily phrased!) and I was bringing a new Christian one to balance him, in the person of my ex-pupil Griffiths. Then Harwood and his satellite ratted, and the walk finally consisted of Beckett, Barfield, Griffiths, and me.

As Harwood never missed before, and Beckett seldom comes, and Griffiths was new, the atmosphere I usually look for on these jaunts was lacking. At least that is how I explain a sort of disappointment I have been feeling ever since. Then, owing to some affairs of Barfield’s, we had to alter at the last minute our idea of going to Wales, and start (of all places!) from Eastbourne instead.

All the same, I would not have you think it was a bad walk: it was rather like Hodge who, though nowhere in a competition of Johnsonian cats, was, you will remember, ‘a very fine cat, a very fine cat indeed.’

The first day we made Lewes, walking over the bare chalky South Downs all day. The country, except for an occasional gleam of the distant sea—we were avoiding the coast for fear of hikers—is almost exactly the same as the Berkshire downs or the higher parts of Salisbury Plain. The descent into Lewes offered a view of the kind I had hitherto seen only on posters—rounded hill with woods on the top, and one side quarried into a chalk cliff: sticking up dark and heavy against this a little town climbing up to a central Norman castle.

We had a very poor inn here, but I was fortunate in sharing a room with Griffiths who carried his asceticism so far as to fling off his eiderdown—greatly to my comfort. Next day we had a delicious morning—just such a day as downs are made for, with endless round green slopes in the sunshine, crossed by cloud shadows. The landscape was less like the Plain now. The sides of the hill—we were on a ridgeway—were steep and wooded, giving rather the same effect as the narrower parts of Malvern hills beyond the Wych.

We had a fine outlook over variegated blue country to the North Downs. After we had dropped into a village for lunch and climbed onto the ridge again for the afternoon, our troubles began. The sun disappeared: an icy wind took us in the flank: and soon there came a torrent of the sort of rain that feels as if one’s face were being tattooed and turns the mackintosh on the weather side into a sort of wet suit of tights.

At the same time Griffiths began to show his teeth (as I learned afterwards) having engaged Barfield in a metaphysico-religious conversation of such appalling severity and egotism that it included the speaker’s life history and a statement that most of us were infallibly damned. As Beckett and I, half a mile ahead, looked back over that rain beaten ridgeway we could always see the figures in close discussion. Griffiths very tall, thin, high-shouldered, stickless, with enormous pack: arrayed in perfectly cylindrical knickerbockers, very tight in the crutch. Barfield, as you know, with that peculiarly blowsy air, and an ever more expressive droop and shuffle.

For two mortal hours we walked nearly blind in the rain, our shoes full of water, and finally limped into the ill omened village of Bramber. Here, as we crowded to the fire in our inn, I tried to make room for us by shoving back a little miniature billiard table which stood in our way.

I was in that state of mind in which I discovered without the least surprise, a moment too late, that it was only a board supported on trestles. The trestles, of course, collapsed, and the board crashed to the ground. Slate broken right across. I haven’t had the bill yet, but I suppose it will equal the whole expences of the tour.

Wouldn’t it have been amazing to join C.S. Lewis on one of these walking trips? A Lewisian tattoo is no substitute, to be sure, but I imagine it does offer certain people a sense of connection to the great author. Perhaps, if I were a younger man . . .


* Two recent converts to Christianity, Kanye West and Justin Bieber have made public their recent religious additions to their vast tattoo collections.

⁑ As Jesus said, “So they are no longer two but one flesh. What therefore God has joined together, let not man separate.”

The motivational poster above was created by Mere Inkling, and represents only an infinitesimal number of the misspelled tattoos adorning human bodies. What a travesty . . . one that may have been prevented by remaining sober. The tattoo below, on the other hand, strikes me (being a writer) as quite clever.