Category: Writing

Books Enjoyed by C.S. Lewis

On By robstroudIn Books, C.S. Lewis, C.S. Lewis & the Inklings, Classics Worth Revisiting, Great Authors, Great Authors, J.R.R. Tolkien, Literature, Reading, Writing17 Comments

Reading is not only one of life’s pleasures, the content and ethos of what we read, subtly influences the shape of our very lives.

C.S. Lewis loved books with genuine passion. While many people only perceive books as compilations of information or as sources of fleeting entertainment, he knew them as far more. Only someone sharing Lewis’ affection and wisdom will identify with the following passage from his essay “An Experiment in Criticism.”

The man who is contented to be only himself, and therefore less a self, is in prison. My own eyes are not enough for me, I will see through those of others. Reality, even seen through the eyes of many, is not enough. I will see what others have invented. . . .

Literary experience heals the wound, without undermining the privilege, of individuality. There are mass emotions which heal the wound; but they destroy the privilege. In them our separate selves are pooled and we sink back into sub-individuality.

But in reading great literature I become a thousand men and yet remain myself. Like the night sky in the Greek poem, I see with a myriad eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself; and am never more myself than when I do.

Lewis scholar and emeritus professor of English, Dale J. Nelson, has been providing a wonderful service in recent years as he explores the books which found a place in C.S. Lewis’ personal library. “Jack and the Bookshelf” is a continuing series which appears in CSL, journal of the New York C.S. Lewis Society. Founded in 1969, the organization “is the oldest society for the ​appreciation and discussion of C.S. Lewis in the world.”

Nelson’s task of editorially archiving C.S. Lewis’ library is complemented by the work of our mutual friend, Dr. Brenton Dickieson. In a “comment” praising Dickieson’s compilation of “C.S. Lewis’ Teenage Bookshelf,” Nelson offers a commendation with which I fully concur.

Thank you for assembling that list of books . . . I’d encourage Lewis’s admirers to take their appreciation of CSL to the next step and delve into the things he liked to read throughout his life.

Nelson’s contribution to the December 2023 issue is the fifty-ninth in his series, and discusses a fantasy work titled The Worm Ouroboros by E.R. Eddison. Eddison (1882-1945) was a Norse scholar, and his fascination with mountains combined with that, to resonate with Lewis’ passion for northernness.

Dr. Nelson, who has added an array of science fiction to his own academic work, possesses superb credentials for exploring the connection between Lewis and Eddison. 

Nelson relates that, at C.S. Lewis’ invitation, Eddison attended two gatherings of the Inklings. At the second, Eddison – who relished critiques of his works in progress, as do many serious writers – read from a project which would not be published due to his death the following year.

Eddison’s themes more closely resembled J.R.R. Tolkien’s than Lewis’ own. In Nelson’s words, both “Tolkien and Eddison wrote masterpieces of heroic fantasy whose values differed markedly.” 

Another distinction is that while Tolkien’s Lord of the Rings has maintained its mythic rigor, Eddison’s oeuvre feels rather anchored to the formative years of the genre, prior to the so-called Golden Age of science fiction (and fantasy).

If you would like to read this book, which was enjoyed by both Lewis and Tolkien, you can download a copy of it at Internet Archive. If you enjoy dwarves, goblins, manticores and hippogriffs, you are unlikely to be disappointed.

C.S. Lewis as a Weaver of Words

On By robstroudIn C.S. Lewis, Education, J.R.R. Tolkien, Literature, Words, Writing14 Comments

If you like to expand your vocabulary while opening up your mind with profound insights, search no farther than C.S. Lewis.

The celebrated Oxbridge professor possessed a great respect for words. Like his friend J.R.R. Tolkien, he believed they should never be summarily detached from the history which imbues them with meaning. In “Studies in Words,” he describes the poverty of such an approach.

I am sometimes told that there are people who want a study of literature wholly free from philology; that is, from the love and knowledge of words. Perhaps no such people exist. If they do, they are either crying for the moon or else resolving on a lifetime of persistent and carefully guarded delusion.

If we read an old poem with insufficient regard for change in the overtones, and even the dictionary meanings, of words since its date – if, in fact, we are content with whatever effect the words accidentally produce in our modern minds – then of course we do not read the poem the old writer intended. What we get may still be, in our opinion, a poem; but it will be our poem, not his. If we call this tout court [too short or shallow] “reading” the old poet, we are deceiving ourselves. If we reject as “mere philology” every attempt to restore for us his real poem, we are safeguarding the deceit.

Of course any man is entitled to say he prefers the poems he makes for himself out of his mistranslations to the poems the writers intended. I have no quarrel with him. He need have none with me. Each to his taste.

If you too are a logophile, a lover of words, there’s no need to hide it. Well, with a single exception. Like everyone else, I find it off-putting when I run into people who learn complex new words simply with the goal of using them in order to “impress” others.

It amazes me how some individuals who consider themselves quite intelligent, and wish to advertise their brilliance, fail to comprehend that ostentatious speech elicits the opposite impression. [Don’t mistake my writing style where I intentionally use the fullest range of our shared vocabulary – which I believe enriches our reading and minds – with the vanity I’m describing. The latter insults readers when self-important posers attempt to intimidate others with words that are unlikely to be known by their audience.]

If you would like to read a satirical piece I wrote ridiculing this tactic, you can download “Mastering Inkling Erudition” at academia.edu. It appeared in CSL, published by the New York C.S. Lewis Society and is subtitled “Sounding Like an Expert Without Accumulating Multiple Ph.D.s.”

C.S. Lewis, of course, possessed no such pretentions. At least none I am aware of after his conversion to Christianity. His use of language is rich and satisfying. It is also instructive. I’ve lost count of the number of words to which Lewis introduced me. 

One of my favorites, though I have never dared to use it, is “bathetic.” Upon reading this note from Merriam-Webster, I suspect you too may find it applicable to much that passes for contemporary literature.

When English speakers turned apathy into apathetic in the late 17th century, using the suffix -etic to turn the noun into the adjective, they were inspired by pathetic, the adjectival form of pathos, from Greek pathētikos.

People also applied that bit of linguistic transformation to coin bathetic. English speakers added the suffix -etic to bathos, the Greek word for “depth,” which in English has come to mean “triteness” or “excessive sentimentalism.” The result: the ideal adjective for the incredibly commonplace or the overly sentimental.

The word appears in The Abolition of Man, in which C.S. Lewis critiques the poor practices of some current authors of educational resources. I will italicize the specific text, but provide the full context because of its own merits.

[They] quote a silly advertisement of a pleasure cruise and proceed to inoculate their pupils against the sort of writing it exhibits. The advertisement tells us that those who buy tickets for this cruise will go ‘across the Western Ocean where Drake of Devon sailed,’ ‘adventuring after the treasures of the Indies,’ and bringing home themselves also a ‘treasure’ of ‘golden hours’ and ‘glowing colours.’

It is a bad bit of writing, of course: a venal and bathetic exploitation of those emotions of awe and pleasure which men feel in visiting places that have striking associations with history or legend. If [they] were to stick to their last and teach their readers (as they promised to do) the art of English composition, it was their business to put this advertisement side by side with passages from great writers in which the very emotion is well expressed, and then show where the difference lies.

They might have used Johnson’s famous passage from the Western Islands, which concludes: ‘That man is little to be envied, whose patriotism would not gain force upon the plain of Marathon, or whose piety would not grow warmer among the ruins of Iona.’ They might have taken that place in The Prelude where Wordsworth describes how the antiquity of London first descended on his mind with ‘Weight and power, Power growing under weight.’

A lesson which had laid such literature beside the advertisement and really discriminated the good from the bad would have been a lesson worth teaching. There would have been some blood and sap in it – the trees of knowledge and of life growing together. It would also have had the merit of being a lesson in literature . . .

And a Double Bonus: A New Word & a Psychological Disorder

A newly forged word is referred to as a neologism, and they can be fascinating. Modern technology has caused their number to explode. Some –  think “crowdsourcing” or “app” – are now ubiquitous.

Word lovers sometimes invent words. These, of course, rarely if ever find their way into public discourse. Take this example from a letter a young C.S. Lewis penned to his friend Arthur Greeves in 1916.

I know quite well that feeling of something strange and wonderful that ought to happen, and wish I could think like you that this hope will someday be fulfilled. . . . Perhaps indeed the chance of a change into some world of Terreauty (a word I’ve coined to mean terror and beauty) is in reality in some allegorical way daily offered to us if we had the courage to take it.

One final caution. If you do decide to become a neologist, run your ideas by people you trust. I just discovered the American Psychological Association has linked one expression of the practice to serious mental disorders!

neologism (updated on 04/19/2018)
n. a newly coined word or expression. In a neurological or psychopathological context, neologisms, whose origins and meanings are usually nonsensical and unrecognizable (e.g., klipno for watch), are typically associated with aphasia or schizophrenia. – neologistic adj.

Improve Your Writing with a Brevity Exercise

On By robstroudIn Advice to Writers, C.S. Lewis, Great Authors, History, J.R.R. Tolkien, Literature, My Writing Projects, Narnia, Roman History, The Bible, Writing21 Comments

While we are unlikely to become another J.R.R. Tolkien or C.S. Lewis, it is quite possible to improve our literary skills.

There are numerous ways to strengthen our writing. One of my favorites is to “stretch” my abilities by engaging in exercises that push me far beyond my nonfiction comfort zone. More on the details in a moment.

C.S. Lewis prized brevity and clarity. Most readers do. I’ve written about this in “C.S. Lewis on brevity.” Before that, I had discussed brevity as a factor of “clear communication,” while focusing on the value of common semantics to avoid confusion.

I encourage you to read “In Defense of the Fairy Tale: C.S. Lewis’s Argument for the Value and Importance of the Fairy Tale.” The author cites Lewis’ reason for choosing the fairy tale as his genre for Narnia.

[Lewis] describes the invention process for the Chronicles of Narnia as first coming in mental images, “a faun carrying an umbrella, a queen on a sledge, a magnificent lion.” Next came the selection of a form in which to tell the story, one absent of a love interest or close psychology.

The form excluding these was the fairy tale. Lewis tells us that he fell in love with the form itself, “its brevity, its severe restraints on description, its flexible traditionalism, its inflexible hostility to all analysis, digression, reflections and ‘gas’” and the very limitations of the vocabulary.

He concludes, “I wrote fairy tales because the Fairy Tale seemed the ideal Form for the stuff I had to say,” not unlike the stone selected by the sculptor or the sonnet by the poet.

While I share the passage above at some length, my focus here is on Lewis’ observation that fairy tales are inherently “brief.” The fairy tale was, indeed, the “ideal Form” for C.S. Lewis’ classic stories from Narnia.

Even Briefer Genres

As a brevity-challenged individual (common for pastors), I like writing exercises able to make a dent in my innate verbosity. And what shorter option might one explore than a genre limited to a half dozen words?

Before embarking on my current challenge, let me give you a bit of background on the Six Word Story.

As Mark Twain famously wrote, “I didn’t have time to write a short letter, so I wrote a longer one instead.” Intense Minimalism provides similar inspiration from other earlier writers.

“Not that the story need be long, but it will take a long while to make it short.”
Henry David Thoreau,
“It is my ambition to say in ten sentences what others say in a whole book.”
Friedrich Nietzsche
“If I had more time, I would have written a shorter letter.”
Marcus Tullius Cicero (a predecessor of Samuel Clemens)
And back again to Mark Twain:
“If you want me to give you a two-hour presentation, I am ready today.  If you want only a five-minute speech, it will take me two weeks to prepare.”

C.S. Lewis was capable of writing long personal tomes to family and intimate friends. His correspondence with casual friends – such as Americans who sometimes sent food gifts during Britain’s post-WWII rationing – tended to be warm, but short. This was particularly true when his brother Warnie was not available to assist with his correspondence, as the following letters attest.

20th. January 1948
Dear Mr. Howard, This is really very handsome of you, and you could hardly have sent a more welcome gift. I have only to call your attention to the so-called ‘Superfine’ paper on which I am replying to give you some idea of the luxury of writing on a decent paper at last. But I’m afraid there is something which even American generosity cannot supply me with: an article called TIME, which was the cause of my previous letter! (its brevity I mean)

25th August 1949
Dear Dr. Allen Yet once again hearty thanks for a fine parcel which has arrived in excellent condition to-day. I don’t know how we should get on without you. My brother who drives the typewriter is away and my hand is nearly dropping off from letter writing, so you’ll forgive brevity – and the horrible scrawl! I’m none the less grateful inside!

Six Word Stories were popularized in the United States through association with Ernest Hemingway. However, it is an urban legend to credit him with this poignant example: “For sale, Baby shoes, Never worn.”

MasterClass offers a helpful lesson at “How to Write an Unforgettable Six-Word Story.” They actually suggest that you can drop a few of these into your writing day to renew your energy.  

Like other forms of short stories or flash fiction, a six-word story allows a reader to consume an entire narrative in just a moment’s time. If you’re trying to get in some short, but challenging, bursts of writing practice throughout your day, try writing six-word stories. These bite-sized narratives are fast and fun.

As for telling any sort of satisfying “story” in six words, it’s a bit of an hyperbole. However, that hasn’t stopped a number of people from making a literal career of promoting the genre. At the forefront of the movement is Six Word Memoirs.

Christians have likewise joined the club. For example, Six-Word Lessons to Discover Missional Living: 100 Lessons to Align Every Believer with the Mission of Jesus is volume  forty-three in “The Six-Word Lessons Series.”

Prior to learning about these companies, I thought it be fun to suggest that one you compose Six Words about the Christian Life. Still, since an idea can’t be copyrighted, you’re still free to market your own works in this genre.

Some of My Modest “Attempts”

One subgenre of Six Word Stories is Six Word Biographies. One website applies this to biblical personages. Among them:

Mary
“Behold the handmaid of the Lord.”
Esther
“For such a time as this.”

To which I dare to add: 

Jephthah (Judges 11-12)
“Rash vows bring about terrible tragedies.”
Jehosheba (Exodus 1-2)
“Moses’ mother, eclipsed by her daughter.”
Abednego (Daniel 1-3)
“I survived the fiery furnace too.”

Now, allow me to apply the technique to several other people. 

Jeanne d’Arc
“Heroic innocent, visionary warrior, martyred saint.”

Walt Disney
“Gifted Kingdom maker, buried, rolling over”

Grigori Rasputin
“Poisoned, shot, drowned, and ultimately, damned.”

George Washington
“Soldier, statesman, who shunned the throne.”

Bozo
“Dated humor, creepy antics, Krusty cosmetics.”

And, I close now with my personal favorite.

Larry Norman
“He was only visiting this planet.”

A half century hasn’t diminished the power of Norman’s message. (The titular lyrics are in the “Reader’s Digest” track on the record linked here.)

Fonts that Can Make Your Literary Dreams Come True

On By robstroudIn Advice to Writers, C.S. Lewis, Education, Fonts, Humor, J.R.R. Tolkien, Middle Earth, Modern Life, Reading, Writing16 Comments

Would you be interested in owning a copy of an attractive new font called Middle Earth? If so, read on and you’ll find a link to download this typeface created by Swedish designer Måns Grebäck.

When it comes to fonts, there are basically two types of people – those who pay no attention to them as they read, and others who notice the nuances between similar fonts and are fascinated by extraordinary examples.

Longtime readers of Mere Inkling know I am in the latter category. Every year or two I actually write on the subject. I’ve discussed monastic fonts, legal fonts, trustworthy fonts, uninhibited fonts, a dyslexia font, a memory-enhancing font, fonts based on the handwriting of historical figures, and being a fontaholic.

The reason for my current interest in fonts is due to Microsoft’s decision to jettison Calibri as their default font for Office products. They needed to make room for its replacement, Aptos. Seriously, when you view the two sans serif* fonts, side-by-side, you may be surprised at how little they differ.

To make matters even more confusing, CNBC describes a curious aspect of Aptos saga.

Aptos will remain available in the font list under the old Bierstadt name for people who are accustomed to it. Users can also choose to set any other font as the default.

Apple’s mac computers also allow users to choose their own defaults. One typography community discusses this selection opportunity, even as they bemoan the fact that in many programs, the standard installations include suboptimal fonts.

Unfortunately, many of us work on computers where we have no control over what fonts are loaded onto the machine, so we have created a list of the top 10 most common system fonts everyone should know and how to handle them.

This website offers a brief description and history of ten of the most common fonts we typically encounter. For example:

Times New Roman is a serif typeface designed by Stanley Morison and Victor Lardent in 1931. It was commissioned by the British newspaper The Times, which wanted a new typeface to replace its existing font, Times Old Roman.

And I love their estimation of Comic Sans, one of my wife’s favorite fonts, which I avoid like the proverbial plague. (Delores is a young at heart special education teacher, and I’m more of a Lewisian dinosaur.) 

Do use: if you are designing a comic for 6-year-olds.
Don’t use: if you want to be taken seriously by work colleagues.

Another pastor, who learned this lesson the hard way, shared his advice with the warning: “pastors don’t let your bulletins print out in Comic Sans!”

Apparently, his astute wife preserved his professional reputation by telling him to (1) avoid using a “smorgasbord of fonts” in a single document, and (2) “resist the temptation to print serious things in less than serious fonts.”

Advice for Writers

While authors have little control over the fonts in which their work is published by commercial publishers, they do have freedom to choose the typeface they use for the actual composition. “How To Choose the Best Font for Your Writing” addresses that latitude in the following way.

Do you have a favorite font? Are you dedicated to Times New Roman, or are you more of an “anything-but-Wingdings” kind of writer? Maybe you haven’t given your choice of font much thought.

Quite simply, as research shows, texts that look good make you feel good while interacting with them. This is why it’s so important to choose a font that not only is easy to read, optimizes line length, and has the right mood, but also is one that you like!

MasterClass describes the various aspects of each font that will contribute to your overall impression of each font. In “Typography for Writers: How to Pick the Best Type for Writing,” they explain the significance of bowls, ascenders, spines, counters, and more.

Typographers and type designers have their own universe of special terms, each of which refers to a specific part of a given letter. Understanding these basic elements of typography can help you decide precisely what typographic style you want to employ to grab your reader’s attention.

InDesignSkills goes so far as to match a number of typefaces to specific genres, saying “we judged the legibility, beauty, simplicity and variety of weights available of a huge range of fonts, and whittled them down to these faithful five.” They even offer an ironclad promise, proclaiming their selection will “never let your typesetting down, guaranteed.”

Obviously, personal tastes play a large role in appreciating or disapproving of various fonts. One author describes how the quest for the perfect font is integral to writers’ creativity.

Let’s talk about one of our favourite writing avoidance devices: picking the right font for your manuscript.

“The Best and Worst Fonts (and why they’re good or bad),” describes the bond a writer can develop with their typographic fancies.

Fonts are one of the most important design choices to make when developing your brand identity. The best fonts leave you feeling like you’ve made an instant friend while the worst fonts are like a stranger who won’t leave you alone.

The writer offers her personal preferences (and prejudices). I don’t agree with all of her judgments, but I am forced to concur with her inclusion of Jokerman and Bleeding Cowboys on the list of “worst fonts.” And I am pretty sure that C.S. Lewis would agree.

Write in the Spirit of Middle Earth

If you have read this far, your reward is to receive the download link for Middle Earth. 

As noted aboved, Måns Grebäck is a prolific Swedish typographer. He makes many of his creations freely available to individuals for non-commercial use. (Commercial licenses are available as well.) The independent FontSpace describes it thusly:

With the historic charm of ancient manuscripts and the ethereal beauty of elven realms, Middle Earth typeface weaves tales of valor and legends. Its calligraphic allure is accentuated by rounded contours, reminiscent of Tolkien’s enchanted worlds.

Middle Earth truly is ethereally elegant. Enjoy.

* Sans serif fonts are those without serifs, which are the tiny lines or marks that appear at the end of a character’s stroke. Arial would be a common sans serif font, while Times New Roman is a familiar serif font.

Suffering Caused by Labeling Children

On By robstroudIn C.S. Lewis, Christian Life, Christianity, Counseling, Family, Good Music, Great Authors, Modern Life, Music, Words19 Comments

Kids are often cruel, dishing out insults and rude nicknames to those they deem “different.” Sadly, not everyone outgrows this ugly behavior. As C.S. Lewis wrote in The Four Loves,

We hear a great deal about the rudeness of the rising generation. I am an oldster myself and might be expected to take the oldsters’ side, but in fact I have been far more impressed by the bad manners of parents to children than by those of children to parents.

I recently discovered an artist whose music reveals the pain caused by this cruelty. In “Not My Name,” Matt Sassano describes how we can move beyond the wounds of our past. For we all understand these hurtful words possess power.

These are the scars
     that I’m forced to live with,
These are the scars
     that mark me as a misfit . . .

Who among us does not bear scars from past struggles? Who among us has never been ridiculed by others?

Despite having a loving mother who sheltered me from much of life’s traumas, I bear my own scars. That’s one reason this song powerfully resonated with me. 

But there is a stronger reason I am touched by “Not My Name.” It’s because, as a pastor I have seen far, far too many women and men who remain buried beneath their pain.

I found healing in God’s grace. The scars now cause me little discomfort, though the memories remain. And I have found healing often begins when people who have endured life’s onslaughts learn they are not alone. 

This man shares a heart just like their own.

These are the scars
     that I am forced to live with
So pick me apart
I won’t fit the mold that you fit
But thеre’s a warrior inside me
That you playеd a part in building
Because you made me understand.

About staying strong when you’ve fought so long
In a world that tells you you don’t belong
Living in the shadow of all your flaws
Where it’s hard to be seen for who you are.

And, the emotionally and spiritually wounded can see how someone suffering like them can proclaim this liberating truth:

So label me
Call me by my pain
That’s not my name
That’s not my name.

I’m so much more
     than your throw away
That’s not my name
That’s not my name. . . .

You won’t sentence me
Your words are dead to me
I know my suffering
     is not my identity.

As impressed as I was with this song, it means all the more now that I learned something about Sassano’s life.

The Sins of the Father

A short biography reveals some of the reason for Sassano’s plaintive spirit. 

He was the son of an unfit pastor, whose anger and abuse crushed his childhood faith. His search for meaning “was intensified by the experience of living with two disabilities: Cerebral Palsy and dyscalculia (which impairs brain functions like navigation and mathematics).

“I spent much of my early life in and out of doctor’s offices and disability meetings, which led me to struggle with my self-perception and self-esteem.”

It is this tragic youth which directly inspires his video “Dear God.” Released in 2022, it reminds me of the lamentations we find in the Scriptures, particularly the Psalms and Jeremiah. In Madeleine L’Engle’s forward to C.S. Lewis’  lamentations in A Grief Observed, she expresses gratitude for his honest treatment of grief’s violence. 

I am grateful to Lewis for the honesty of his journal of grief, because it makes quite clear that the human being is allowed to grieve, that it is normal, it is right to grieve, and the Christian is not denied this natural response to loss.

I am grateful, too, to Lewis for having the courage to yell, to doubt, to kick at God . . . This is a part of healthy grief not often encouraged. It is helpful indeed that C.S. Lewis, who has been such a successful apologist for Christianity, should have the courage to admit doubt about what he has so superbly proclaimed. It gives us permission to admit our own doubts, our own angers and anguishes, and to know that they are part of the soul’s growth.

The video amplifies the power of the lyrics of “Dear God.” So, do watch it.

I’ve got questions, confessions
I just want peace of mind
Time’s fading and I’m waiting
For something I can’t find
I am overwhelmed
Can I endure this hell?
No way to break the spell
I’ll spill my heart again

Dear God
I’ve lost the will to fight
Please give me a sign
I’m empty inside
Got no strength to carry on
The plague has multiplied
It’s eating me alive
How can I survive?
Dear God

Much like C.S. Lewis’ book describing the loss of his wife, Sassano’s songs can help bring healing to those in similar pain. Even if you don’t need to listen to these songs . . . trust me, there is someone you know and care about, who does!

“Not My Name” Lyric Video

“Dear God” Music Video

Choosing a Career

On By robstroudIn Advice to Writers, C.S. Lewis, Cartoons with a Message, Christian Life, Education, Grandparenting, Modern Life, The Future9 Comments

Do you remember when you were making decisions about your future career? C.S. Lewis’ comment on the subject of careers remains quite valuable in today’s rapidly changing world.

Toward the end of high school, I recall filling out some educational assessments that projected how successful I might be in a number of different pursuits. Employability appeared to be the primary focus for the assessments. 

Not taken into much account at that time (a half century ago), was what sort of job satisfaction one might anticipate following those various pursuits. 

This “graduation” life milestone is on my mind, since several of my grandchildren are presently finishing their own high school years. None have yet “chosen” a career – they are approaching their futures with open minds. However, we have chatted about the major options before them: college, vocational training, directly entering the workplace, the military, or burying themselves in social media and living off of their parents for the next decade or two.

Most lean towards college, without specific programs in mind. Still, I have encouraged them to consider the marketability of various studies. As most are aware, AI is a growing threat. In “ChatGPT May be Coming for Our Jobs,” you can see ten particularly vulnerable fields.

Goldman Sachs estimates “300 million full-time jobs globally” could well be automated.

A Pair of Options

I’ve been thinking about two career fields at opposite ends of the spectrum, in regard to the viability of their futures: Newspaper Reporters (that’s not the positive example) and Security (and not just cyber-security).

The United States Department of Labor enthusiastically declares “the cybersecurity field is booming.”

As of August 2022, there were over 700,000 open roles in cybersecurity in the United States and, according to Bureau of Labor Statistics projections, jobs for information security analysts are expected to grow 32% from 2022 to 2032. It’s clear that cyber talent is in demand.

Compare that to opportunities for newspaper reporters. Just last week the Los Angeles Times (established in 1881) and the Baltimore Sun (1837) announced (additional) major job cuts for their editorial staffs. Whether these two “venerable” publications will exist in print form a decade or two from now is a valid question. And they are simply part of an unrelenting media transformation.

My undergrad degree in editorial journalism has served me well, but would I recommend a similar path to my grandkids? Hardly. I believe the Georgetown University Center on Education and the Workforce is overly optimistic in stating “journalism employment is projected to decrease about 3 percent from 2022 to 2031.” But even with that minor drop, “it will have decreased by 35 percent since 2002.”

Now, many people may say, “of course cyber-security is expanding, but I am not computer literate enough to pursue that.” Well, that is not the only type of security opportunity that’s exploding.

It turns out that the U.S. is not the only place where criminals often roam the streets with little fear of a defanged judicial system. Here, the ill-advised “defund the police” movement has given rise to the need for many more private security firms. Private security is an established norm in many countries. Their expansion in Western nations is more recent.

In one American city, at least, the police welcome the addition of security guards to the safety mix.

Detroit Police’s top brass do not view the growth in private security as any sort of affront or threat to officers’ jobs. In fact, Chief James Craig has encouraged officers to work off-duty security as a way to earn extra cash.

Your Job is not You

Fortunately, as C.S. Lewis reminds us, our job does not define who we are. Nor does it affect the attitudes of those who regard us as friends. In The Four Loves, Lewis reveals how little such considerations mean among “true friends” (and who needs any more of the other, pretend, variety?).

In a circle of true Friends each man is simply what he is: stands for nothing but himself. No one cares twopence about any one else’s family, profession, class, income, race, or previous history. . . .

That is the kingliness of Friendship. We meet like sovereign princes of independent states, abroad, on neutral ground, freed from our contexts. This love (essentially) ignores not only our physical bodies but that whole embodiment which consists of our family, job, past and connections.

In Perelandra, a work of fiction, C.S. Lewis includes a sobering insight for those of us who may be tempted to think that our profession or job makes us “better” than someone else. If you ever begin to feel like your position marks you as someone who is uniquely special, remember these words:

One never can see, or not till long afterwards, why any one was selected for any job. And when one does, it is usually some reason that leaves no room for vanity.

I am sympathetic to young people today as they seek the right path for their life. The future appears more uncertain and convoluted than ever before. One piece of advice that I can confidently offer to those who are Christian, is to pray and seek God’s leading in your quest. And know that whatever vocation the Lord leads you to, will be the ideal one for you. 

Education and the Human Mind

On By robstroudIn C.S. Lewis, Education, Modern Life, My Writing Projects, Roman History17 Comments

Learning is fun. Education can be enjoyable too. But obviously, they are not the same. 

C.S. Lewis wrote a great deal about learning. A master of metaphors, he brilliantly described two distinct challenges faced by educators. In The Abolition of Man, he stated “the task of the modern educator is not to cut down jungles but to irrigate deserts.” 

Wheaton professor, Robert McKenzie, offers a concise explanation of Lewis’ keen observation.

‘Cutting down jungles,’ as I understand that phrase, means helping students with passionate convictions to evaluate critically their world views, to examine what lies beneath the personal beliefs they profess.

‘Irrigating deserts,’ conversely, involves nurturing in apathetic or cynical students the hope that there is meaning and purpose in human existence.

Quite true, and I believe Lewis’ insight is more timely today than it was during the past century.

Classical Versus Modern Education

Today I read a passage that reminded me just how dramatically contemporary curricula deviate from the traditional educational materials used before the modern era. 

While conducting research for a book about imperial Rome, which I hope to complete this year, I came upon the following passage. 

It would have been easy to swell this little volume to a very considerable bulk, by appending notes filled with quotations; but to a learned reader such notes are not necessary; for an unlearned reader they would have little interest; and the judgment passed both by the learned and by the unlearned on a work of the imagination will always depend much more on the general character and spirit of such a work than on minute details.

It appears in Lays of Ancient Rome by Thomas Babington Macaulay, which is available for free download at Internet Archive.

Macaulay (1834-59) was a prominent British historian and politician. His histories were thoroughly researched and widely respected, especially by those on the (liberal) Whig* end of the political spectrum.

A contemporary of Macaulay described his preparation for writing in poetic fashion. According to novelist William Makepeace Thackeray (1811-63), “he reads twenty books to write a sentence; he travels one hundred miles to make a line of description.”

It appears that, like C.S. Lewis, Macaulay possessed a lasting recollection of all he read. 

Returning to our beginning dichotomy – jungles versus deserts – both writers were a product of wide and critical literary study. Their minds were, in a sense, like a “rain forest.” Albeit, with C.S. Lewis it was certainly an orderly, well-tended forest. For some less stably grounded and more scatterbrained, the result is a jungle which requires radical clearing.

Alas, today’s more common problem, the unceasing pursuit of entertainment and distraction, leaves many with barren mental landscapes. In consequence, our calling as parents, educators, and friends, becomes one of irrigating the sparse flora and planting healthy new seeds in the hope that they will one day bloom.

* There is an interesting Mythlore article about C.S. Lewis’ view of history you can read here. In it, the author notes that “Lewis rejected a Whig history of unidirectional progress…” For a succinct article on the dangers of Whiggishness, I recommend “Evangelicals and Whig History” at First Things.

⁑ The brain truly can resemble a jungle, as a “digital reconstruction” reproduced on BrainFacts illustrates.

Immediately recognizable by its intricate folds and grooves, the cerebral cortex is the wrinkly, outer layer of the brain responsible for awareness, perception, and thought. Its interconnected neurons are arranged in six layers, a bit like the layers of tropical rainforests. . . . The findings may bring scientists closer to understanding how the complex jungle of cortical neurons interpret sensory information.

Mickey Mouse Is Now Ours

On By robstroudIn Advice to Writers, Animals, C.S. Lewis, C.S. Lewis & the Inklings, Films, J.R.R. Tolkien, Narnia, Writing13 Comments

He’s no Reepicheep, but the earliest iteration of Mickey Mouse just became public property!

One of the little-heralded New Year’s Day events was the entry of the Steamboat Willie version of Mickey into public domain. Now anyone who desires can use the image without infringing on Disney’s copyrights.

Actually, my headline is not 100% accurate. As I just noted, it’s the earliest version of the most famous mouse in the world. However, the rodent’s name, and his subsequent graphic version remains protected. That’s because while copyrights eventually expire, trademarks don’t.

Therefore, as reported in Fortune magazine, “current artists and creators will be able to make use of Mickey, but with major limits. It is only the more mischievous, rat-like, non-speaking boat captain in ‘Steamboat Willie’ that has become public.”

The 1928 poster advertising Mickey’s cinematic debut comes from a great article at Animation Scoop. Without comparing measurements of Mickey’s initial and contemporary snouts, it doesn’t appear to me the public domain version is that much more “rat-like.”

As for differences between the two . . . well, I’m not an attorney, but it appears Mickey’s onscreen persona in 1928 wasn’t wearing his standard white gloves. The poster, nevertheless, shows a Mickey closely resembling the cartoon mouse who was part of many of our childhoods. As noted in the Fortune piece:

Not every feature or personality trait a character displays is necessarily copyrightable, however, and courts could be busy in the coming years determining what’s inside and outside Disney’s ownership.

My question, and perhaps one of you intelligent readers can answer this, is about the image’s “name.” His full name, with his surname “Mouse,” is undebatably trademarked. Can a person legally use the name “Mickey” with the 1928 likeness? My guess is that the first name is not restricted, no matter how much Disney protests.

Speaking of Disney, a company which has become a disappointment in recent years, the Inklings were not big fans. If you are interested in learning more about the Inklings’ opinion about Disney Studios, check out author Jim Denney’s “What C.S. Lewis and J.R.R. Tolkien Thought of Walt Disney.”

After identifying a number of parallels in their lives, he explores the irony that “you might think that, with all that C.S. Lewis and Walt Disney had in common, they might have been mutual admirers—but that was not the case.”

And, there is always another option. As Britannica reminds us, Mickey wasn’t even his original name. Walt’s first choice (vetoed by his wife) was “Mortimer.”

That’s it for today. Now I’m off to write a book about Mickey’s alliance with Reepicheep. Oh wait, Reepicheep won’t be in the public domain until after I’m enjoying heaven with my Lord, and with the Christian members of the Inklings.

And, even if one could pair the two up for an adventure, they wouldn’t prove compatible. The reason should be obvious, but for an enjoyable exploration of that subject, I commend to you, “Reepicheep and Mickey.” 

Elven Inspiration from Space

On By robstroudIn C.S. Lewis, History, J.R.R. Tolkien, Literature, Middle Earth, Nature, Writing10 Comments

A newly captured image of a supernova remnant in our Milky Way galaxy has me curious about where J.R.R. Tolkien may have gained inspiration for the elegant style of his Elvish scripts.*

America’s NASA has gifted all of Earth’s citizens with an array of stunning, and enlightening images. Recently, the James Webb Space Telescope directed its focus to Cassiopeia A, created thousands of years ago when a star 11,000 light years away went supernova. 

It may be my imagination, or perhaps its an elevated mental talent for “core object recognition,” but for some inscrutable reason, I have recognized in the aftermath of the explosion faint echoes of Elvish script.

The light from Cassiopeia A (or Cas A, as we pseudo-astronomers refer to it) “first reached us around 340 years ago. As that was approximately 272 years before The Lord of the Rings was published, Tolkien had ample time to analyze the spectacular light source. Even factoring in the fact that the stories were composed between 1937 and 1949, the supernova’s existence had been known for a millennia and a half before LOR was written. 

I will leave it to other researchers to determine just how Tolkien was able to gain a detailed view of the explosion’s aftermath. My purpose here is to simply alert the public to the unexplainable parallel between the cosmic residue and Tolkien’s own renditions of Elvish writing as he perceived it. 

In a moment, I will allow the self-evident facts to speak for themselves.

Like his friend C.S. Lewis, Tolkien was a student of astronomy. As Professor Kristine Larsen says, “J.R.R. Tolkien based the stars and constellations of his created world of Middle-earth on ‘real world’ astronomy.” Dr. Larsen, a preeminent “Tolkienian Astronomer,” has published widely on the subject. 

Of particular interest to readers of Mere Inkling will be “Medieval Cosmology and Middle-earth: A Lewisian Walk Under Tolkienian Skies,” which can be downloaded here. In the essay, Larsen points out,

. . . as is well known in Tolkien scholarship, during and after writing The Lord of the Rings Tolkien made various attempts to more closely align his cosmology with 20th century astronomical knowledge.

Fortunately for those of us who are drawn to the mythological textures of his legendarium, Tolkien never completed this “radical transformation of the astronomical myth” (as son Christopher termed it), but it is important to understand that this tension existed within Tolkien’s mind.

Having narrowly escaped the snare of surrendering to twentieth century astronomical theories, Tolkien preserved the mythical spirit of his cosmology. Larsen’s essay considers “whether or not Tolkien’s subcreation would, in reality, pass muster as a medieval cosmology, as defined by Lewis.” Thesis established, she takes readers on a pleasing journey. “So let us take a stroll under Middle-earth skies, and observe just how well the Dome of Varda matches with Lewis’s challenge.”

Returning to Cas A

As the images below will clearly illustrate, the preservation of the medieval nature of Middle Earth’s heavens does not mean that Tolkien ignored the realities of interstellar space. As I said a moment ago, the visual proof is definitive.

The fluid strokes of Tolkien’s Elven scripts are clearly foreshadowed in the plumes of this cosmic canvas. 

This image speaks fluently for itself.

This pair of images from NASA contrasts the Near-Infrared and Mid-Infrared observations. It is quite possible the second influenced J.R.R. Tolkien’s perceptualization of Sauron’s eye. (Admit it, you see the dramatic similarities.)

We may never learn how Tolkien was able vividly see the details of Cassiopeia A with the earthbound telescopes accessible eighty years ago. Nevertheless, the evidence provided herein is irrefutable.

It seems fitting, when pondering the majesty of the stars as echoed in a masterpiece of literary subcreation, to close with an observation by Tolkien’s friend, C.S. Lewis. In an early letter to a close friend, Lewis described the wonder he experienced in reading Dante’s Paradise.

Here Lewis lyrically shares an experience of spiritual ecstasy which, this writer humbly suggests, can be shared by many, as we stand in awe of the majestic intricacy of the universe our Creator has fashioned.

[I read] Aristotle’s Ethics all morning, walk after lunch, and then Dante’s Paradiso for the rest of the day. The latter has really opened a new world to me. I don’t know whether it is really very different from the Inferno [Owen Barfield] says it’s as different as chalk from cheese – heaven from hell, would be more appropriate!) or whether I was specially receptive, but it certainly seemed to me that I had never seen at all what Dante was like before.

Unfortunately the impression is one so unlike anything else that I can hardly describe it for your benefit – a sort of mixture of intense, even crabbed, complexity in language and thought with (what seems impossible) at the very same time a feeling of spacious gliding movement, like a slow dance, or like flying. It is like the stars – endless mathematical subtility of orb, cycle, epicycle and ecliptic, unthinkable & unpicturable, & yet at the same time the freedom and liquidity of empty space and the triumphant certainty of movement.

I should describe it as feeling more important than any poetry I have ever read. . . . Its blend of complexity and beauty is very like Catholic theology – wheel within wheel, but wheels of glory, and the One radiated through the Many (The Letters of C.S. Lewis to Arthur Greeves).

Perhaps it was one of these very wheels – or rings – that Tolkien observed so many years ago in the heavens?

* For those who are interested in fonts for your computers, you can download Tolkien-inspired typefaces here.

On the Anniversary of C.S. Lewis’ Death

On By robstroudIn C.S. Lewis, C.S. Lewis & the Inklings, Christian Life, Great Authors, Literature, Writing3 Comments

Today, on the sixtieth anniversary of C.S. Lewis’ passing, I offer you a special gift. Well, not a modest gift from my own pen, but a link to an insightful obituary, written by one of Lewis’ students.

The author of the obituary, John Wain, one of Britain’s “angry young men,” is critical of some aspects of Lewis’ work that are most appreciated by others. Yet his unique perspective is valuable. 

The Inklings included in their number Charles Williams, a man C.S. Lewis deeply respected. They compiled for him a Festschrift, but since he passed before it was presented, it was published as a memorial collection. Lewis wrote the preface, in which he included this amazing passage.

So, at any rate, many of us felt it to be. No event has so corroborated my faith in the next world as Williams did simply by dying. When the idea of death and the idea of Williams thus met in my mind, it was the idea of death that was changed. (Essays presented to Charles Williams).

The legacy of C.S. Lewis himself, exerts a similar influence on many.

I’ll not say more, other than to extend a sincere “thank you” to Dr. Brenton Dickieson, who transcribed it from a twentieth century literary magazine. Dickieson consistently provides solid, and accessible, Inkling scholarship at A Pilgrim in Narnia. 

An Obituary of C.S. Lewis by John Barrington Wain CBE

Happy Thanksgiving to citizens of the United States, and a belated Thanksgiving to Canadians such as Dickieson.