Archives For Animals

How many languages can you translate into English? If the answer is >0, I envy you. I’ve studied four,* and passed all the tests, but have an actual aptitude in none.

If I were thus gifted, I would be transferring some of the world’s literary wealth into my native tongue—and vice versa.

One of my granddaughters is currently fascinated by language. She wants to speak a dozen or more, and has begun some study in Spanish and Japanese. However, I attribute most of her dream to a young teenager’s excitement at having the entire world before them. In time, we all learn that finite concerns, such as time, finances and obligations, erode our options.

I’ve written about translation before, most extensively in “C.S. Lewis’ School of Translation.”⁑

This week, while writing an article about a Lutheran approach to ministry with the newly bereaved, I came across an entertaining reference to translation, in the letters of Martin Luther. Luther, of course, was the Reformation leader who, among other things, strongly believed the Bible should be accessible to lay people in their own language.

Translating the Holy Scriptures

Martin Luther was a scholar. Yet, even scholars lack expertise in all subjects. Thus, when translating the Bible into German, he welcomed the cooperation of others. This was particularly wise, since the so-called “Luther Bible” was the first German translation from the original languages rather than the Latin Vulgate. Unsurprisingly, the New Testament was published first. The longer Jewish Scriptures required more time.

The following letter was written in 1524 to Luther’s friend George Spalatin, another German theologian. Luther playfully explains how faithfulness to the original Hebrew text has delayed the publication of the final portion of the Bible.  

All is well with us. We have so much trouble in translating Job, on account of the grandeur of his sublime style, that he seems to be much more impatient of our efforts to turn him into German than he was of the consolation of his friends.

Either he always wishes to sit on his dunghill, or else he is jealous of the translator who would share with him the credit of writing his book. This keeps the third part of the Bible from being printed.

This casual identification with Job, one of God’s most faithful followers, appeals to me. The older I become, the greater is my sense of connection with the “cloud of witnesses,” the saints who have gone before us. In fact, I am also growing progressively more eager to fellowship with the angels. Though different from humanity in countless ways, we share the wonder of being beloved creatures of God.

In The Four Loves, Lewis writes that “friendship . . . This love, free from instinct, free from all duties but those which love has freely assumed, almost wholly free from jealousy, and free without qualification from the need to be needed, is eminently spiritual. It is the sort of love one can imagine between angels.” In my mind, phileo is also the sort of love we will one day experience between angels and humans.

C.S. Lewis’ Work with the Hebrew Language

Lewis did not read Hebrew. That shortcoming is certainly quite forgivable, given the numerous arenas in which his talents excelled. In his Reflections on the Psalms, he acknowledges his limitation. At the same time, he notes that we have many accessible resources by those acquainted with the ancient language.

I have worked in the main from the translation which Anglicans find in their Prayer Book; that of Coverdale. Even of the old translators he is by no means the most accurate; and of course a sound modern scholar has more Hebrew in his little finger than poor Coverdale had in his whole body. But in beauty, in poetry, he, and St. Jerome, the great Latin translator, are beyond all whom I know. I have usually checked, and sometimes corrected, his version from that of Dr. Moffatt.

In his explanation, Lewis notes the value in referring to several authoritative sources. This is especially wise when words are rare or unclear in their usage. Even people fluent in various languages would be negligent to ignore such resources where there is a question regarding significant interpretations.

In the meantime, Luther’s reminder of Job’s “grandeur of his sublime style,” along with the book’s remarkable message, has me preparing to read that book once again. In translation, of course.


* Spanish in junior high, Latin in high school, classical Greek in college, and Hebrew in seminary. As the Austrian-British philosopher, Ludwig Wittgenstein, said: “the limits of my language mean the limits of my world.” I am quite impressed by the fact that many of Mere Inkling’s readers from outside the States are at least bilingual.

⁑ If you’re interested in the subject, you might want to also (re)visit “C.S. Lewis as a Translator.”

This is the most amazing post you will ever read about hyperbole. Well, until you write one yourself and use even more exaggerated adjectives.

Hyperbole is a curious rhetorical device, a frequent element of satire. Unfortunately, hyperbole is too often employed in a sloppy way (e.g. “he was the worst politician ever”). Yet, in skillful hands it can be quite effective. For example, in English Literature in the Sixteenth Century, when Lewis discusses poet Michael Drayton,* he writes:

When he speaks simply as any lover he can sometimes outsoar all the sonneteers except Shakespeare. . . . Yet again, and in quite a different vein, that of towering hyperbole, Drayton (this time with no rival at all, neither Shakespeare nor any other) sets up the seamark beyond which poetry in that kind has never gone nor could go:

And Queens hereafter shall be glad to live
Upon the almes of thy superfluous prayse.

If he had never written another verse, these two would secure him that praise which is due to men who have done some one thing to perfection.

I was thinking about hyperbole after coming across a wonderful quote by Erasmus of Rotterdam⁑  about his contemporary, the reformer Martin Luther. Though they shared many concerns, they parted company on how best to reform the Roman Catholic Church. Erasmus objected to Luther’s tendency to take every disagreement to extremes, and he named the Wittenberg professor “Doctor Hyperbolicus.”

It reminded me of one of our sons. As a youngster, he suffered from that common childhood disease, excessive summa hyperbolism. Everything was either the best thing ever, or the worst thing he’d ever encountered. Sometimes I referred to him as the “King of Hyperbole,” which was hyperbole on my own part. He was more like a Duke of Hyperbole.

John Colet⁂ was another English scholar discussed in Lewis’ longest work. Colet was a theologian, and a strong advocate of biblically-grounded morality. As we frequently find, Lewis’ assessment is informative, and entertaining.

Colet is, in fact, a declamatory moralist. By calling him declamatory I do not at all mean that he is insincere, but that his methods are those of the declamation; repetition, hyperbole, and a liberal use of emotional adjectives. The morality he wishes to enforce is harsh and ascetic. . . .

The truth is that Colet is a Platonist at heart and has really little interest in the temporal and mutable world below the moon. . . . A cloistered perfectionist, who happens to be also a rhetorician, often says, not exactly more than he means, but more than he understands. He leaves out the reservations: he has really no idea of the crudely literal applications which will be made. (English Literature in the Sixteenth Century)

Hyperbole in Lewis’ Personal Life

The First World War began in 1914. It was a conflict which would cost ten million military lives. C.S. Lewis himself would be counted among a greater number, who suffered terrible wounds during combat. At the beginning of the conflict, Lewis gently chided his father for embracing a growing British fear.

My dear Papy, You have surpassed yourself. The popular press . . . remarks on the possibility of an invasion: the idea, after being turned over in your mind, appears in your next letter, clothed as “it is absolutely certain that he is going to invade England” Surely . . . this is rather hyperbole?

The one thing that Britain can depend upon is her fleet: and in any case Germany has her hands full enough. You will perhaps say that I am living in a fool’s paradise. “Maybe thon.” But, providing it only be a paradise is that not preferable to a wise and calculating inferno? Let us have wisdom by all means, so long as it makes us happy: but as soon as it runs against our peace of mind, let us throw it away and “carpe diem.” I often wonder how you came to have such a profound and genuine philosopher for your son, don’t you?

In a 1949 letter he explains to a correspondent that the Gospel claims to Christ’s divinity were not hyperbolic appellations.

The Jews may have had their own use of hyperbole but the last direction in wh. they would have used it was to deify a man. The absolute chasm which they put between Jahveh and His creatures was just the thing that cut them off from Pagans.

No other race could have told the stories they told about Moses & Elijah and yet left these persons absolutely, sheerly human. What was Jesus condemned for by the Sanhedrin? Surely His declaration “I am etc.” must have been recorded right?

And, finally, a quotation C.S. Lewis selected for inclusion in his anthology of George MacDonald’s writings.

“But how,” says a man, who is willing to recognize the universal neighborhood, but finds himself unable to fulfill the bare law toward the woman even whom he loves best—“How am I then to rise into that higher region, that empyrean of love?” And, beginning straightaway to try to love his neighbor, he finds that the empyrean of which he spoke is no more to be reached in itself than the law was to be reached in itself. . . .

The man who will love his neighbor can do so by no immediately operative exercise of the will. It is the man fulfilled of God from whom he came and by whom he is, who alone can as himself love his neighbor who came from God too and is by God too. The mystery of individuality and consequent relation is deep as the beginnings of humanity, and the questions thence arising can be solved only by him who has, practically at least, solved the holy necessities resulting from his origin. In God alone can man meet man. . . .

It is possible to love our neighbor as ourselves. Our Lord never spoke hyperbolically. (Unspoken Sermons, First Series, “Love Thy Neighbor”)

I am absolutely convinced C.S. Lewis is one of the most outstanding Christian writers in history. That’s not hyperbole. If anything, it is a vast understatement.


* A selection of the poetry of Michael Drayton (1563-1631) is available at Internet Archive. The introduction to the collection begins, “no poet is more thoroughly English than Michael Drayton.”

⁑ Desiderius Erasmus Roterodamus (1466-1536) was a Dutch humanist who shared many concerns about the state of the Roman Catholic Church with Luther. However, he disliked Luther’s roughshod response and chose to attempt to accomplish some amount of reform from within. His early epistles are available in this free volume.

⁂ For more about John Colet (1467-1519), you might download this biography.

C.S. Lewis loved rabbits. His affection for the cuddly rodents went all the way back to his childhood. And it continued through the whole of his life. In fact, you can read about “C.S. Lewis as an Advocate for Animals” at a Humane Society link below.*

Despite this affection, rabbits do not feature prominently in The Chronicles of Narnia. They are among the “statues” turned to stone by the Witch. In the description of Aslan breathing life back into them, it says, “then [Aslan] pounced on a tall stone dryad which stood beyond the dwarf, turned rapidly aside to deal with a stone rabbit on his right, and rushed on to two centaurs” (The Lion, the Witch and the Wardrobe).

Rabbits helped spread the word about an impending attack on Archenland in The Horse and His Boy. Shasta urges the animals to spread the word.

“Oughtn’t your High King to be told?”

“Certain sure, something ought to be done about it,” said the Hedgehog. “But you see I’m just on my way to bed for a good day’s sleep. Hullo, neighbor!”

The last words were addressed to an immense biscuit-colored rabbit whose head had just popped up from somewhere beside the path. The Hedgehog immediately told the Rabbit what it had just learned from Shasta.

The Rabbit agreed that this was very remarkable news and that somebody ought to tell someone about it with a view to doing something. And so it went on. Every few minutes they were joined by other creatures, some from the branches overhead and some from little underground houses at their feet, till the party consisted of five rabbits, a squirrel, two magpies, a goat-foot faun, and a mouse, who all talked at the same time and all agreed with the Hedgehog.

For the truth was that in that golden age when the Witch and the Winter had gone and Peter the High King ruled at Cair Paravel, the smaller woodland people of Narnia were so safe and happy that they were getting a little careless.

In The Last Battle we see a clear contrast between the types of animals which populate Narnia. Tirian, the last king of Narnia, is leading the children toward their destiny.

First, he had given Jill some practice in archery and found that, though not up to Narnian standards, she was really not too bad.

Indeed she had succeeded in shooting a rabbit (not a Talking rabbit, of course: there are lots of the ordinary kind about in Western Narnia) and it was already skinned, cleaned, and hanging up.

Back to the Beginning

When he was a child, beginning at age eight, Lewis began writing stories about “Animal Land.” His brother Warnie, several years older, joined him in composing stories inspired in part by their reading of the words of Beatrix Potter.

Animal Land is clearly the product of young children—children with wonderful imaginations—but children nonetheless. These various works have been published by Lewis’ stepson in a collection called Boxen. As Douglas Gresham writes, “In developing the world of Boxen, Jack appropriated the ‘dressed animals’ of Beatrix Potter and that part of their fictional world they called ‘Animal-Land,’ while Warnie (whose interests were always a touch more prosaic than Jack’s) made his half ‘India.’”

The world was thoroughly thought out, complete with maps and a historic chronology.

Animal-land is divided into 13 provinces. Bear-land, Wolf-land, Squirrel-land, Mouse-land, Rabbit-land, Pig-land, Bird-land, Horse-land, Fox-land, Land of Typical Animals, Insect-land, Rat-land, With the island of Piscia, or Fishland. . . . Rabbit-land is the first provence in learning and art.

Rabbits feature prominently in Boxen. The very first element is a script, entitled “The King’s Ring (A Comedy).” The introduction is delightfully childlike: “Interesting carictars. Famous ones. For instance, Sir Big, a world-famed gentleman. A very good choreus and nice scenry. (Slight comic tints in and out threw it.)”

The two protagonists are King Bunny, whose ring is stolen, and Sir Peter Mouse, his “knight in waiting” who aids him in finding it. It is filled with silly dialog, despite the serious plot. For example:

KING BUNNY: Tell Sir Goose to tell Sir Big to tell Mr Gold Fish to tell Gollywog to tell Mr Icthus-oress to tell Dorimie to tell the sailors to take Hit [the villain] away.

In his autobiography, Lewis wrote of his childhood home. “Here my first stories were written, and illustrated, with enormous satisfaction. They were an attempt to combine my two chief literary pleasures—‘dressed animals’ and ‘knights-in-armour.’

Drawing Pleasure from Real Life Rabbits

Lewis’ correspondence includes passing references to rabbits, always expressed in an approving way. For instance, in 1947 he mentions enjoying a memorable event during a boring time. “I wonder how you are all getting on? Nothing much has happened to me except that I saw a rabbit yawn. I suppose people who keep tame ones have seen it often but this was a wild rabbit and I thought it a very curious sight. It was a very bored triangular yawn in the middle of a long hot afternoon.”

During WWII, he penned a curious comment about rabbits recently added to his home.

We are keeping rabbits at the Kilns now, in addition to the hens! But they are very much nicer. As I passed the enclosure in which all the young ones are the other evening, I saw they had all got into a box which happened to be lying there.

They were all standing (or sitting) up on their hind legs and all facing in the same direction: so that they looked exactly as if they were conducting some kind of evening service—the box looked just like a pew.

While the rabbits were almost certainly present to supplement food rations during the war, they were not treated as commodities. Lewis appreciated them in the way he respected other creatures designed by God’s hand. Thus, he had what my wife and I would consider to be a well-rounded family—including one or more members of the non-human variety.

Lewis described this diverse household in a 1943 letter to June Flewett,⁑ one of the children evacuated to his home during the war.

Bruce [Lewis’ dog] behaved with great lack of fortitude during the thunderstorm last night and two of the rabbits made it an excuse for absenting themselves without leave. Pushkin [his cat] behaved better, but not well. In fact there is a general lack of keenness and discipline among the four-footed members of the household which I deplore.

One more story about an actual rabbit with which the great author developed an ongoing relationship.

In a 1942 letter to Sister Penelope CSMV, he says, “I am establishing quite a friendship with one of the rabbits which we now keep along with the deer in Magdalen grove. It was done by the discovery that he relishes chestnut leaves which grow too high for his reach. He doesn’t yet allow me any familiarities but he comes and eats from my hand.”

Lewis continues to describe his new friend, and adds a keen theological observation. “But oh!, the great lollipop eyes and the twitching velvet nose! How does [God] come to create both this and the scorpion?”

Later that same year, Lewis updates the Anglican nun on the status of his animal-friend.

The Rabbit and I have quarrelled. I don’t know why, unless I gave him something that disagreed with him. At any rate, he has cut me dead several times lately—so fair and so fickle! Life is full of disappointments.”

At that time he shared his disappointment with his lifelong friend, Arthur Greeves. “Did I tell you in my last letter that I’d struck up quite an acquaintance (almost a friendship) with a rabbit in Magdalen Grove who used to come and eat leaves from my hand? Alas, I must have given something that disagreed with him, for he disappeared for about 10 days, and since his reappearance has refused to look at me.”

It may be that same rabbit, or one of its kin, renewed its relationship with Lewis, because he referred to a similar experience in two 1944 letters to other children.

I live in a College here: a college is something rather like a castle and also like a church. It stands just beside a bridge  over a river. At the back of the part I live in there is a nice grove of Trees. There are a lot of Rabbits there. One very old rabbit is so tame that it will run after me and take things out of my hand. I call her Baroness Bisket because she is a kind of biscuit colour.

It’s not easy, nor is it usually relevant, to determine a bunny’s gender. So, Lewis may be excused for writing the following to the second young correspondent, six months earlier.

I am getting to be quite friends with an old Rabbit who lives in the Wood at Magdalen. I pick leaves off the trees for him because he can’t reach up to the branches and he eats them out of my hand. One day he stood up on his hind legs and put his front paws against me, he was so greedy. I wrote this about it:

A funny old man had a habit
Of giving a leaf to a rabbit.
At first it was shy
But then, by and by,
It got rude and would stand up to grab it.

But it’s a very nice Rabbit all the same: I call him ‘Baron Biscuit.’

Like C.S. Lewis, I adore rabbits. Years ago we had an indoor bunny, appropriately named “Sweetheart.” In her youth she acted like the cartoon character Ricochet Rabbit, pinging from place to place. In her senior years she settled down and was contented to be a cuddly lap bunny. I add my own “thank you” to Lewis’ for these precious parts of God’s creation.


* The Humane Society pdf is available here.

⁑ June Flewett is regarded as the inspiration for Lucy Pevensie in the Chronicles, and grew up to become an actress and theater director. C.S. Lewis paid for her tuition at the Royal Academy of Dramatic Art. When she and her two sisters were sent from London to the Kilns, her favorite author was C.S. Lewis. Ironically, it was a while before she learned that he and their host were one and the same.

C.S. Lewis had a deep fondness for horses. I imagine he would have enjoyed a recent report from the historic village of Kilmallock, Ireland. It appears that some stray horses have been attempting to upstage the local ducks.

According to the Independent, one of the horses even proudly trotted into a local gymnasium. The mare (or stallion) appears to be more brazen than last year’s crisis which caused one councillor to call “on gardaí [police] in the Co Limerick town to rein in children as young as six riding sulkies in the town which he claimed was turning into the ‘Wild West.’” Yes, you most certainly need to beware of those rowdy six year old cowboys and cowgirls!

Dog owners have begun raising questions about why they must clean after their animal companions while the horses treat the parks like, shall we say, regular pastures. The city’s senior executive engineer attributes the problem to the fact the equines are just so sneaky. “Any time it is reported we go down but the minute our back is turned they are put back. We can’t be there 24/7.”

The most humorous element of the effort to ban the horses, in my mind, is because they have interrupted the entertainment of local ducks.* Not one, but “two duck races on the river have been affected.”

Lewis’ Thoughts about Horses

One of Lewis’ Chronicles of Narnia presents a pair of horses as two of its major protagonists. The Horse and His Boy features Bree and Hwin, Talking Horses captured from Narnia by the Calormenes. A wonderful passage that illustrates the book’s ethos comes when the two horses and their respective riders decide to journey north together.

Aravis is a Calormene princess fleeing her land’s tyranny. Her mount, Hwin, is a young mare who was stolen as a colt and raised in the south. Bree was a stallion, also captured as a colt, and raised to be a warhorse.

“All right then,” said Aravis. “You’ve guessed it. Hwin and I are running away. We are trying to get to Narnia. And now, what about it?”

“Why, in that case, what is to prevent us all going together?” said Bree. “I trust, Madam Hwin, you will accept such assistance and protection as I may be able to give you on the journey?”

“Why do you keep talking to my horse instead of to me?” asked the girl.

“Excuse me, Tarkheena,” said Bree (with just the slightest backward tilt of his ears), “but that’s Calormene talk. We’re free Narnians, Hwin and I, and I suppose, if you’re running away to Narnia, you want to be one too. In that case Hwin isn’t your horse any longer. One might just as well say you’re her human.”

While technically their own genus, centaurs might be considered “part horse.” Thus the entertaining description from The Silver Chair. The children are surprised that the centaurs are still about their breakfasts, two hours after rising before dawn.

“Why, Son of Adam, don’t you understand? A Centaur has a man-stomach and a horse-stomach. And of course both want breakfast. So first of all he has porridge and pavenders [small fish] and kidneys and bacon and omelette and cold ham and toast and marmalade and coffee and beer.

And after that he attends to the horse part of himself by grazing for an hour or so and finishing up with a hot mash, some oats, and a bag of sugar. That’s why it’s such a serious thing to ask a Centaur to stay for the weekend. A very serious thing indeed.”

In Mere Christianity, Lewis uses the transformation of a horse to a new creation as an analogy for what happens to people when they surrender their lives to God’s mercy and seek to follow him.

“Niceness”—wholesome, integrated personality—is an excellent thing. We must try by every medical, educational, economic, and political means in our power, to produce a world where as many people as possible grow up “nice;” just as we must try to produce a world where all have plenty to eat.

But we must not suppose that even if we succeeded in making everyone nice we should have saved their souls. A world of nice people, content in their own niceness, looking no further, turned away from God, would be just as desperately in need of salvation as a miserable world—and might even be more difficult to save.

For mere improvement is not redemption, though redemption always improves people even here and now and will, in the end, improve them to a degree we cannot yet imagine. God became man to turn creatures into sons: not simply to produce better men of the old kind but to produce a new kind of man. It is not like teaching a horse to jump better and better but like turning a horse into a winged creature.

Of course, once it has got its wings, it will soar over fences which could never have been jumped and thus beat the natural horse at its own game. But there may be a period, while the wings are just beginning to grow, when it cannot do so: and at that stage the lumps on the shoulders—no one could tell by looking at them that they are going to be wings—may even give it an awkward appearance.

For a more in-depth discussion of this subject, I commend to you Leslie Baynes’ column, “The Heavenly Horses of C.S. Lewis,” which you can read at A Pilgrim in Narnia.

A final comment from Lewis’ youth worth noting. When writing to his friend Arthur Greeves in 1914, he refers to his scribblings and attempts (quite likely involving the Boxen era) when he attempted to sketch horses.

I sympathize with your difficulty in drawing a horse, as I have often made the attempt in the days when I fancied myself in that line. But of course that counts for nothing: as the easiest of your sketches would be impossible for me. But there are heaps of pictures in which you need not introduce the animal.

It was this passage that inspired the graphic created for the top of this post.


* I wish the Irish were cultured enough to allow actual ducks to enjoy the adrenaline rush of a race, rather than using those little rubber ducklings that belong in children’s baths. If it’s the latter, which I fear it could be, I vote to let the horses run free. After all, some of those rubber ducks wash out to sea and become part of the international litter problem. For example, the piece of rubbish pictured on this link presumably polluted the Irish Sea for a full decade before it washed up on a distant shore.

Historical Font Facts

February 27, 2020 — 13 Comments

Consider yourself blessed if you’re not a fontaholic. The affliction leads to clogged font directories on your computer, and an unavoidable prejudice toward either serif or sans serif fonts.

People who are intrigued by typography know exactly what I’m talking about. At least two or three times a year they will inextricably find themselves on some font website (there are scores of them) without consciously knowing how they got there or there or there.*

I’ve written about fontaholicism in the past. Unfortunately, despite my advocacy, the Diagnostic and Statistical Manual of Mental Disorders has yet to classify the malady as a recognized illness. That said, the American Psychiatric Association does sound a bit obsessive compulsive in terms of their font guidance for annual meeting posters.

If any or all of the work in this poster was prepared with commercial support, a statement “Supported by funding from [name of company]” must be noted in the lower left corner of the poster in Arial 72 point font, with no bold, italics, special colors, or other enhancement of the company name, product, or any other portions of the statement.

One wonders what sort of reaction a person would get from the APA if they used Times Roman or Comic Sans by mistake.

C.S. Lewis & Fonts

It should be acknowledged up front that C.S. Lewis was not obsessed with fonts. However, he was wise enough to recognize their significant role in communication. Good fonts could be transparent, while problematic fonts blurred the message. He highlighted one of the most significant aspects of a font’s usage—size—in a 1957 letter. He told a fellow Brit, “you’d be much wiser to get my books in the American edition as these now have larger print and better paper than our own.”

A year earlier he had discussed a related issue with his publisher. There was a problem with a Shakespeare quotation intended for the title page of Till We Have Faces.

The quotation would, I agree, look better on a page to itself, but (what is more important) I am very strongly opposed to the idea of dividing it. I agree that it ‘looks wrong as it is’ but I think it will look equally with any division whatever. I do not see why it need be printed ‘absurdly small’ to fit in as one line . . .

Now a line of that length on a page to itself would I believe, look ugly if it came anywhere near the middle of a page–because it would then seem to divide the page into two halves. But would it not look quite nice if put near the top? It would then have the properties of a frieze or dado with plain wall under it.

And we may perfectly well omit the word ‘Shakespeare’ if we think that makes a better design. But I’d prefer even a bad design to a division of the verse.

Free Books about Fonts

You can find a number of interesting books about fonts at some of the wonderful internet libraries such as Project Gutenberg. During recent historical research about Reformation-era artists, I discovered a book written by Albrecht Dürer (1471–1528). Since his fame is derived from his portraits of prominent people, I was surprised he had written a guide for properly shaping letters, based on geometric principles. The introduction provides a fascinating portrait of sixteenth century artistry in northern Europe.

In our Germany . . . are to be found at the present day many young men of a happy talent for the Art Pictorial, who without any artistic training whatever, but taught only by their daily exercise of it, have run riot like an unpruned tree, so that unhesitatingly and without compunction they turn out their works, purely according to their own judgment.

But when great and ingenious artists behold their so inept performances, not undeservedly do they ridicule the blindness of such men; since sane judgment abhors nothing so much as a picture perpetrated with no technical knowledge, although with plenty of care and diligence.

Now the sole reason why painters of this sort are not aware of their own error is that they have not learnt Geometry, without which no one can either be or become an absolute artist; but the blame for this should be laid upon their masters, who themselves are ignorant of this art.

Since this is in very truth the foundation of the whole graphic art, it seems to me a good thing to set down for studious beginners a few rudiments, in which I might, as it were, furnish them with a handle for using the compass and the rule, and thence, by seeing Truth itself before their eyes, they might become not only zealous of the arts, but even arrive at a great and true understanding of them.

Dürer’s book sparked my curiosity, and a very quick subsequent search hinted at the wealth of typographical information online. For example, you can read about The Typography of Advertisements, circa 1911. There you will be warned that bolder is not always better.

“But,” some one says, “the heavier and bolder type-faces furnish a greater contrast to the white of the paper, and therefore should be easier to read.”

It is true that a greater contrast of color is furnished in the use of the bolder type-faces, but to force these greater contrasts on the eye is to literally club it into reading the text, whether or no. Are the salesman’s statements of better selling value because they are shouted loudly in direct contrast to the quiet of the office?

There may be, and undoubtedly are, some on whom this force is necessary, but to those who are sufficiently educated and intelligent to be reached through the appeal of an advertisement, the quiet dignity of the salesman’s statements made in well-modulated tones will be more attractive.

Gaze back even farther, to what was considered Early Typography in 1872. There you will discover a medieval religious order devoted to worship and manuscripts.

Reference has more than once been made to the impulse given to learning at the end of the fourteenth and the beginning of the fifteenth centuries. This movement was helped forward by no one in Holland and Germany more than by Gerhard Groote, or Magnus, of Deventer, (b. 1326, d. 1370), who after studying theology at Paris, became a canon of Utrecht and Aix-la-Chapelle, and founded the Order of the Brethren and Clerks of the Common Life, generally known as the “Gemeiineslebens,” or “Frères de la Vie Commune . . .”

It was divided into the literary Brethren or Clerks, and the unlearned Brethren, who lived in different houses, but in bonds of the greatest friendship. The Clerks devoted themselves to transcribing books, the cultivation of polite learning, and the instruction of youth; and they erected schools wherever they went. The Brethren laboured with their hands, and pursued various mechanic trades. Neither were under the restraint of religious vows; but still they ate at a common table, and had a general community of goods.

There are many other curious titles available to those who choose to explore obscure typography in greater depth. A person might even wish to begin with 1891’s Specimens Of Book, Jobbing, And Ornamental Printing Type In Use In The Government Central Printing Office, Simla [India].

Fonts, fonts, fonts. As I said above, you are fortunate if they don’t draw you too deeply into their orbit. However, if you recognize you too are a fontaholic, take comfort in the knowledge that you are not alone.


* And here’s another font site I had never seen before writing this post. It has a delightful name, Font Squirrel. Once I finish writing this piece, you can guess where I will be spending some of my web surfing research time.

The Elefonts cartoon at the top of the page is a creation of talented Canadian John Atkinson, and is used with permission.

C.S. Lewis & Tattoos

January 3, 2020 — 13 Comments

How is this for an odd New Year resolution? Getting a new tattoo—with a connection to the writings of C.S. Lewis.

I suppose I’m betraying my age here. Being a retired pastor, my body remains a totally uninked canvas. Not that I’ve never considered getting a tattoo. In fact, if I end up making a pilgrimage to Jerusalem before I journey to the New Jerusalem, I may still opt to get inked. In Jerusalem there is a tattooist whose family traces their art back for 700 years to when their Coptic family lived in Egypt.

Our ancestors  used tattoos to mark Christian Copts with a small cross on the inside of the wrist to grant them access to churches . . and from a very young age (sometimes even a few months old) Christians would tattoo their children with the cross identifying them as Copts. . . .

One of the most famous of Christian types of tattoos, however, is still in use today—that of the pilgrimage tattoo. At least as early as the 1500s, visitors to the Holy Land . . . often acquired a Christian tattoo symbol to commemorate their visit, particularly the Jerusalem Cross.

In Bethlehem, another Christian tattooist practices his art “near the Church of the Nativity, offering pilgrims ink to permanently mark their visit.” He offers designs featuring scriptural texts in Hebrew and Aramaic, the language spoken by Jesus.

Tattoos have a fascinating history, and it should be noted some people consider Torah prohibition to bar even religious tattoos. “You shall not make any cuts on your body for the dead or tattoo yourselves: I am the Lord” (Leviticus 19:28). However, most Christians* and increasing numbers of Jews do not agree that the passage forbids the current practice.

That doesn’t mean all tattoos are appropriate, of course. Most tattoos are innocuous. Some are humorous. A small number are actually witty. Yet some tattoos can be downright malevolent.

Like so many human activities, the significance of a tattoo depends in great part on the intention of the person asking for this permanent mark. For example, my wife and I approved of our son and his wife having their wedding rings tattooed in recognition of God’s desire⁑ that a marriage will last as long as both individuals live.

What has this to do with C.S. Lewis?

Precious few writers have penned more inspiring and enlightening words than Lewis, that great scholar of Oxford and Cambridge. Because of this, it should come as no surprise that there are many Lewis-inspired tattoos gracing bodies. There is even a website devoted to C.S. Lewis-inspired body ink.

I imagine that Lewis himself would regard this as quite peculiar. I don’t believe he had any tattoos of his own, but it’s quite possible his brother Warnie—a retired veteran of the Royal Army—may have sported one or more.

In 1932, Lewis wrote to Warnie about his recent walking trip. Warnie was his frequent companion, when he was not elsewhere deployed. In this fascinating piece of correspondence, Lewis described his most recent excursion. I include a lengthy excerpt (comprising the first half of the journey) not because of its single passing mention of tattoos. Rather, because of the portrait it paints of the young and vigorous scholar in the prime of life. If you would prefer to skip to the mention of inking, see the sixth paragraph.

Since last writing I have had my usual Easter walk. It was in every way an abnormal one. First of all, Harwood was to bring a new Anthroposophical Anthroposophical member (not very happily phrased!) and I was bringing a new Christian one to balance him, in the person of my ex-pupil Griffiths. Then Harwood and his satellite ratted, and the walk finally consisted of Beckett, Barfield, Griffiths, and me.

As Harwood never missed before, and Beckett seldom comes, and Griffiths was new, the atmosphere I usually look for on these jaunts was lacking. At least that is how I explain a sort of disappointment I have been feeling ever since. Then, owing to some affairs of Barfield’s, we had to alter at the last minute our idea of going to Wales, and start (of all places!) from Eastbourne instead.

All the same, I would not have you think it was a bad walk: it was rather like Hodge who, though nowhere in a competition of Johnsonian cats, was, you will remember, ‘a very fine cat, a very fine cat indeed.’

The first day we made Lewes, walking over the bare chalky South Downs all day. The country, except for an occasional gleam of the distant sea—we were avoiding the coast for fear of hikers—is almost exactly the same as the Berkshire downs or the higher parts of Salisbury Plain. The descent into Lewes offered a view of the kind I had hitherto seen only on posters—rounded hill with woods on the top, and one side quarried into a chalk cliff: sticking up dark and heavy against this a little town climbing up to a central Norman castle.

We had a very poor inn here, but I was fortunate in sharing a room with Griffiths who carried his asceticism so far as to fling off his eiderdown—greatly to my comfort. Next day we had a delicious morning—just such a day as downs are made for, with endless round green slopes in the sunshine, crossed by cloud shadows. The landscape was less like the Plain now. The sides of the hill—we were on a ridgeway—were steep and wooded, giving rather the same effect as the narrower parts of Malvern hills beyond the Wych.

We had a fine outlook over variegated blue country to the North Downs. After we had dropped into a village for lunch and climbed onto the ridge again for the afternoon, our troubles began. The sun disappeared: an icy wind took us in the flank: and soon there came a torrent of the sort of rain that feels as if one’s face were being tattooed and turns the mackintosh on the weather side into a sort of wet suit of tights.

At the same time Griffiths began to show his teeth (as I learned afterwards) having engaged Barfield in a metaphysico-religious conversation of such appalling severity and egotism that it included the speaker’s life history and a statement that most of us were infallibly damned. As Beckett and I, half a mile ahead, looked back over that rain beaten ridgeway we could always see the figures in close discussion. Griffiths very tall, thin, high-shouldered, stickless, with enormous pack: arrayed in perfectly cylindrical knickerbockers, very tight in the crutch. Barfield, as you know, with that peculiarly blowsy air, and an ever more expressive droop and shuffle.

For two mortal hours we walked nearly blind in the rain, our shoes full of water, and finally limped into the ill omened village of Bramber. Here, as we crowded to the fire in our inn, I tried to make room for us by shoving back a little miniature billiard table which stood in our way.

I was in that state of mind in which I discovered without the least surprise, a moment too late, that it was only a board supported on trestles. The trestles, of course, collapsed, and the board crashed to the ground. Slate broken right across. I haven’t had the bill yet, but I suppose it will equal the whole expences of the tour.

Wouldn’t it have been amazing to join C.S. Lewis on one of these walking trips? A Lewisian tattoo is no substitute, to be sure, but I imagine it does offer certain people a sense of connection to the great author. Perhaps, if I were a younger man . . .


* Two recent converts to Christianity, Kanye West and Justin Bieber have made public their recent religious additions to their vast tattoo collections.

⁑ As Jesus said, “So they are no longer two but one flesh. What therefore God has joined together, let not man separate.”

The motivational poster above was created by Mere Inkling, and represents only an infinitesimal number of the misspelled tattoos adorning human bodies. What a travesty . . . one that may have been prevented by remaining sober. The tattoo below, on the other hand, strikes me (being a writer) as quite clever.

Before human beings ventured into space, the possibility of surviving in this alien realm was tested by sending animals as their surrogates. Fruit flies blazed the trail, as passengers on a V-2 launch in 1947.

In our previous cosmic conversation, we considered space debris cemeteries. Today we will consider space exploration’s cost in lives, as it was driven by the space race.

Two years after the fruit flies passed beyond Earth’s atmosphere, Albert II, a rhesus monkey became the first primate to survive space, only to have his parachute fail upon reentry. His predecessor, Albert I, had failed to reach space when his rocket failed before reaching the 50-mile boundary which marks the space threshold.* Monkeys were probably not great fans of the early space race, since about two-thirds of their space veterans failed to survive the experience.

Presumably for emotional distance, animals were frequently given impersonal names. For example, the first monkeys to survive a spaceflight (in 1959) were Able and Baker.** Out of deference to their gender, their full names were Miss Able and Miss Baker. They were accompanied on their flight by onions, yeast, and sea urchin eggs.

Miss Baker was an exception to the rule of increased mortality for astronauts. She lived until 1984 and her tombstone at the United States Space and Rocket Center is often adorned with memorial bananas.

Human astronauts and cosmonauts competed among their peers for space flights. The animals who journeyed there, did not. Animals in Space: From Research Rockets to the Space Shuttle journals their stories. The volume does not shy away from the costs of the experiments, but it focuses on the rewards. The story of Ham, the first chimpanzee to return from space is told in a detailed and entertaining manner.

A little wobbly in the legs and slightly dehydrated, Ham was otherwise in excellent physical condition . . . The next day he was flown back to Cape Canaveral where hordes of reporters and photographers were eagerly waiting . . . for a glimpse of America’s newest space hero. Ham was quick to show his displeasure at this noisy, unwanted intrusion . . .

The handlers tried to get the reluctant chimp to pose next to a Mercury training capsule but he rebelled; he didn’t want to go anywhere near the darned thing. . . .

Ham later trained for a second mission, but it seems he’d had his taste of glory and showed very little enthusiasm for another ride on a rocket. Another chimp would make the flight.

Ham retired and died in 1983, in the company of two female chimps half his age. But other animals, including monkeys perished in accidents in the United States and the Soviet Union. Some were euthanized prior to takeoff. It is a complex story, and painful for a lover of animals to hear.

The Sad Story of Laika (Лайка)

One of the first animals to fly in space was a small dog who perished on Sputnik 2, in 1957. Laika is celebrated as a hero and a memorial with her likeness was erected near the research facility in which she was trained. In Moscow, the Monument to the Conquerors of Space also bears her image.

Sadly, Laika carried a one way ticket aboard Sputnik. There was no provision made for her survival. It is unfortunate enough that her body incinerated along with the spacecraft upon reentry, but her actual death was perhaps even more horrific. The Soviet government falsely reported that she was euthanized prior to the depletion of the oxygen. In fact, the temperature aboard the spacecraft rose to unsurvivable rates and little Laika was . . . well, it was certainly terrifying for the trusting dog strapped into tight restraints.

Laika had been a stray roaming Moscow. The Soviets felt that homeless dogs possessed stronger constitutions than those cared for by families. This website describes “10 Tragic Facts about Laika.”

The day before the launch, Dr. Vladimir Yazdovsky brought Laika home. For the last four weeks, he had been closer to her than anyone. He had led the team that picked Laika. After [life on]the streets, he’d trained her, and he’d personally chosen her to go into space.

Dr. Yazdovsky brought her home so that his children could play with her. For one last moment before her last day on Earth, he let her experience life as a domesticated dog with a loving family. “I wanted to do something nice for her,” Dr. Yazdovsky said. “She had so little time left to live.”

As if Laika’s final hours were not poignant enough, the pitiable canine was restrained in her space coffin for three days before Sputnik 2 was able to launch. For seventy-two relentless hours she was trapped in the spacecraft as they made repairs to conclude the launch protocols. One can only imagine what fear and confusion she suffered as she waited for her human friends to remove her from the duress.

Although it would be years before the full details of Laika’s pain would be revealed, there were many animal lovers who recognized the barbarity of the event from day one. C.S. Lewis was a man who loved dogs. And not only dogs, Lewis was opposed to all cruelty to animals.

Several months after Laika’s death, Lewis referred to her passing in a letter to a friend. His comment is offered sardonically, but it reveals his genuine compassion for the innocent victim of humanity’s actions.

I shall be glad when people begin talking about other things than Sputniks, won’t you? One gets quite sick of the whole subject. The pity is that some cosmic rays didn’t produce a mutation in the dog which would have made it super-rational: then it might have found its way back alive and started taking revenge on the humans!⁂

When I witness tragedy in terms of the suffering of people and sentient animals, I grieve. At those times I seek comfort in God’s promise of the redemption not only of humanity, but also of nature.

For I consider that the sufferings of this present time are not worth comparing with the glory that is to be revealed to us. For the creation waits with eager longing for the revealing of the sons of God. For the creation was subjected to futility, not willingly, but because of him who subjected it, in hope that the creation itself will be set free from its bondage to corruption and obtain the freedom of the glory of the children of God.

For we know that the whole creation has been groaning together in the pains of childbirth until now. And not only the creation, but we ourselves, who have the first fruits of the Spirit, groan inwardly as we wait eagerly for adoption as sons, the redemption of our bodies. (Romans 8:18-25)

I’ve discussed in the past whether animals will be welcomed into heaven. I am not alone in pondering this subject. Likewise, I suspect I am not alone in hoping that innocent Laika will join us where the tears are wiped away from all of our eyes.


* The United States boundary for space is 50 miles, while the international threshold is the Kármán Line, established at 100 kilometers.

** Able was a resus macaque and Baker was a squirrel monkey. Able did not survive the postflight medical procedures.

⁂ This revenge of the animal kingdom against humankind is the premise of a television series entitled “Zoo,” which aired 2015-17. For those who find the notion provocative, be forewarned. The series does not live up to its potential.

C.S. Lewis and Squirrels

October 31, 2019 — 15 Comments

One unchanging constant through the whole of C.S. Lewis’ life, was his love of nature. His affection for a creature frequently regarded as a pest, illustrates this perfectly.

In 1954, Lewis wrote playfully to the eight Kilmer siblings in the, the family to whom he dedicated The Magician’s Nephew. (Coincidentally, the thirty letters he wrote to these children recently sold for over $100,000.)

There is no snow here yet and it is so warm that the foolish snowdrops and celandines (little yellow flowers; I don’t know if you have them or not) are coming up as if it was spring. And squirrels (we have hundreds and thousands about this college) have never gone to bed for their winter sleep at all.

I keep on warning them that they really ought to and that they’ll be dreadfully sleepy (yawning their heads off) by June if they don’t, but they take no notice.

One can imagine the awe Lewis would have expressed at learning about the almost supernatural hibernations undergone by Arctic ground squirrels. Believe it or not, as they say, it is a fact that during their lengthy hibernations, curled up beneath the solidly frozen ground, the core body temperature of these small mammals actually hover around 3 degrees below freezing!

In 1941 he responded to a comment from one of his correspondents about unbridled nature.

I do know what you mean by the sudden ravishing glimpse of animal life in itself, its wildness—to meet a squirrel in a wood or even a hedgehog in the garden makes me happy. But that is because it is, being partly exempt from the Fall, a symbol and reminder of the unfallen world we long for.

That wildness would not be lost by the kind of dominion Adam had. It would be nicer, not less nice, if that squirrel would come and make friends with me at my whistle—still more if he would obey me when I told him not to kill the red squirrel in the next tree.

In the early 1930s, Lewis mentioned squirrels in several of his letters to his good friend Arthur Greeves. For example, he described a simple pleasure experienced during one of his daily walks.

I also had the experience lately of walking under an avenue of trees after a shower, and saw that tho all the rest was still, a kind of wave-motion was passing over the branches on one side, followed by a patter of drops. Coming nearer I found it was a squirrel leaping from branch to branch and sending a wake of tiny showers to earth as they bent under him.

Similar happiness echoes in a 1939 letter to another friend.

[During] my annual January walking tour with my brother . . . We had one glorious day crossing Wenlock Edge . . . with new snow on the ground and cloudless sunshine from end to end of the skies–beautiful shadows. And out in the country snow is a great betrayer. Rabbits and squirrels became as easy to see as bushes.

The tracks are rather exciting, too, aren’t they? To climb up some unearthly lane to a hill crest far from any house, still early in the morning, and find from the innumerable paw-prints how long ago the animals’ day has begun.

Squirrels in Narnia

Squirrels play prominently in at least two episodes in the enchanted land of Narnia. In The Lion, the Witch, and the Wardrobe, we witness a terrible scene when the White Witch comes upon a group of Narnians who are celebrating a visit by Father Christmas.

A little way off at the foot of a tree sat a merry party, a squirrel and his wife with their children and two satyrs and a dwarf and an old dog-fox, all on stools round a table. . . . But when the whole party saw the sledge stopping and who was in it, all the gaiety went out of their faces.

The father squirrel stopped eating with his fork halfway to his mouth and one of the satyrs stopped with its fork actually in its mouth, and the baby squirrels squeaked with terror. “What is the meaning of this?” asked the Witch Queen. Nobody answered. “Speak, vermin!” she said again. . . . Who gave [these things] to you?” said the Witch.

“F-F-F-Father Christmas,” stammered the Fox. “What?” roared the Witch, springing from the sledge and taking a few strides nearer to the terrified animals. “He has not been here!” At that moment one of the young squirrels lost its head completely. “He has—he has—he has!” it squeaked, beating its little spoon on the table.

Edmund saw the Witch bite her lips so that a drop of blood appeared on her white cheek. Then she raised her wand. “Oh, don’t, don’t, please don’t,” shouted Edmund, but even while he was shouting she had waved her wand and instantly where the merry party had been there were only statues of creatures . . .

On a happier note, in Prince Caspian we see how even the Talking Animals remain true to their species’ nature.

After that they went on till they came among tall beech trees, and Trufflehunter [the badger] called out, “Pattertwig! Pattertwig! Pattertwig!” and almost at once, bounding down from branch to branch till he was just above their heads, came the most magnificent red squirrel that Caspian had ever seen. He was far bigger than the ordinary dumb squirrels which he had sometimes seen in the castle gardens; indeed he was nearly the size of a terrier and the moment you looked in his face you saw that he could talk.

Indeed the difficulty was to get him to stop talking, for, like all squirrels, he was a chatterer. He welcomed Caspian at once and asked if he would like a nut and Caspian said thanks, he would. But as Pattertwig went bounding away to fetch it, Trufflehunter whispered in Caspian’s ear, “Don’t look. Look the other way. It’s very bad manners among squirrels to watch anyone going to his store or to look as if you wanted to know where it was.”

Squirrels certainly know how to chatter. In 1955, C.S. Lewis shared with a regular correspondent, his idea of a perfect world. “I’m all for a planet without aches or pains or financial worries but I doubt if I’d care for one of pure intelligence. No senses (no relish of smells & tastes?), no affection, no Nonsense! I must have a little fooling. I want to tickle a cat’s ears and sometimes have a slanging match with an impertinent squirrel.”

The Most Significant Squirrel in C.S. Lewis’ Life

In his autobiography, Surprised by Joy: The Shape of My Early Life, Lewis describes an early encounter that exerted a profound influence in the shaping of his identity. It came not from a living specimen but, as I have written about in a different context, from a fictional member of the Family Sciuridae. Lewis describes the opening of his mind to the pursuit of true Joy.

Then came the Beatrix Potter books, and here at last beauty. It will be clear that at this time—at the age of six, seven, and eight—I was living almost entirely in my imagination; or at least that the imaginative experience of those years now seems to me more important than anything else. . . . in mapping and chronicling Animal-Land I was training myself to be a novelist.

Note well, a novelist; not a poet. My invented world [Boxen] was full (for me) of interest, bustle, humor, and character; but there was no poetry, even no romance, in it. It was almost astonishingly prosaic. Thus if we use the word imagination in a third sense, and the highest sense of all, this invented world was not imaginative. But certain other experiences were, and I will now try to record them.

The second glimpse came through Squirrel Nutkin; through it only, though I loved all the Beatrix Potter books. But the rest of them were merely entertaining; it administered the shock, it was a trouble. It troubled me with what I can only describe as the Idea of Autumn. It sounds fantastic to say that one can be enamored of a season, but that is something like what happened; and, as before, the experience was one of intense desire.

And one went back to the book, not to gratify the desire (that was impossible—how can one possess Autumn?) but to reawake it. And in this experience also there was the same surprise and the same sense of incalculable importance. It was something quite different from ordinary life and even from ordinary pleasure; something, as they would now say, “in another dimension.”

Rereading some of Lewis’ words about these entertaining creatures has taken me on an enjoyable journey, and not only because I share a similar rodent legacy or because our forest home is located on Squirrel Place. Lewis’ vision of the place of animals in this world and the next resonates with my sense of God’s relationship with this portion of his creation.

After all, it was our parents, not theirs, who brought about the fall. Thus Lewis’ sentimental thought that they are, “being partly exempt from the Fall, a symbol and reminder of the unfallen world we long for.”

dog author

Wouldn’t it be amazing to read about the adventures, struggles, triumphs, thoughts, and dreams of real animals? C.S. Lewis thought so.

Admittedly, referring to the thoughts and dreams of a squirrel or a hummingbird is a bit fanciful. But isn’t it feasible to imagine that a pregnant doe is hoping to find a lush meadow, or that a beaver who’s just finished a fine meal is gratefully contented as he snuggles down for the night in his lodge?

In one of his thought-provoking books—which I enthusiastically recommend to everyone who likes to read—Lewis describes exactly how reading is vital to expanding our world. “Those of us who have been true readers all our life seldom fully realise the enormous extension of our being which we owe to authors” (An Experiment in Criticism).

In this volume, Lewis argues that books are better measured by how they are read,  than by how they are written. In other words, Lewis is making the case that the true value of a book is not determined by the skill the author applied to its creation. Instead, Lewis writes, “so far as I can see . . . the specific value or good of literature [is that] it admits us to experiences other than our own.”

Lewis continues, with a fascinating discussion of his “experiment,” which flips traditional literary criticism on its head. Don’t rush through the following excerpt from the argument. It’s well worth taking your time to ponder his words and see if you agree.

[The experiences of others] are not, any more than our personal experiences, all equally worth having. Some, as we say, ‘interest’ us more than others. The causes of this interest are naturally extremely various and differ from one man to another; it may be the typical (and we say ‘How true!’) or the abnormal (and we say ‘How strange !’); it may be the beautiful, the terrible, the awe-inspiring, the exhilarating, the pathetic , the comic, or the merely piquant. Literature gives the entrée to them all.

Those of us who have been true readers all our life seldom fully realise the enormous extension of our being which we owe to authors. We realise it best when we talk with an unliterary friend. He may be full of goodness and good sense but he inhabits a tiny world. In it, we should be suffocated. The man who is contented to be only himself, and therefore less a self, is in prison.

My own eyes are not enough for me, I will see through those of others. Reality, even seen through the eyes of many, is not enough. I will see what others have invented. Even the eyes of all humanity are not enough.

At this point we arrive at the utterly Lewisian notion that even animals (e.g. uncivilized “brutes”) would be capable of broadening the horizons of our own thinking.

I regret that the brutes cannot write books. Very gladly would I learn what face things present to a mouse or a bee; more gladly still would I perceive the olfactory world charged with all the information and emotion it carries for a dog.

Literary experience heals the wound, without undermining the privilege, of individuality. There are mass emotions which heal the wound; but they destroy the privilege. In them our separate selves are pooled and we sink back into sub-individuality.

But in reading great literature I become a thousand men and yet remain myself. Like the night sky in the Greek poem, I see with a myriad eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself; and am never more myself than when I do” (An Experiment in Criticism).

On the Subject of Reading & Rereading

If you need any more encouragement to seek out a copy of this wonderful book, allow me to share with you two profound points Lewis makes in support of his distinction between “literary” and “unliterary” people. (Lewis, of course, does not demean the latter. On the contrary, he grieves for the “tiny world” they choose to inhabit.)

The majority [of unliterary people], though they are sometimes frequent readers, do not set much store by reading. They turn to it as a last resource. They abandon it with alacrity as soon as any alternative pastime turns up. It is kept for railway journeys, illnesses, odd moments of enforced solitude, or for the process called ‘reading oneself to sleep.’

They sometimes combine it with desultory conversation; often, with listening to the radio. But literary people are always looking for leisure and silence in which to read and do so with their whole attention (An Experiment in Criticism).

In terms of rereading, Lewis was a fervent advocate of reading good books more than once. Most of us would say lack of time is the greatest deterrent to rereading classics, but most of us do have some favorites that we have returned to more than once.

The majority never read anything twice. The sure mark of an unliterary man is that he considers ‘I’ve read it already’ to be a conclusive argument against reading a work. We have all known women who remembered a novel so dimly that they had to stand for half an hour in the library skimming through it before they were certain they had once read it.

But the moment they became certain, they rejected it immediately. It was for them dead, like a burnt-out match, an old railway ticket, or yesterday’s paper; they had already used it (An Experiment in Criticism).

In contrast, Lewis describes how “those who read great works, on the other hand, will read the same work ten, twenty or thirty times during the course of their life.” Many of us would initially think our rereading frequency falls short of those specific tallies, perhaps we should reconsider. After all, most readers of Mere Inkling reread with great frequency portions of a particular library of sixty-six books,* gathered together in a book called the Bible.


* More books in the Roman Catholic and Eastern Orthodox collection of the Scriptures, which include seven Deuterocanonical books. Fewer, of course, for our Jewish friends who follow the teachings of twenty-four books, which are also included in the Christian Bible.

treebeard & groot

Not only do trees cleanse the air we breathe, there’s more evidence they contribute to our mental health as well.

An article entitled “Greener Childhood Associated with Happier Adulthood,” describes research from Denmark’s Aarhus University discovering that “growing up near vegetations is associated with an up to 55 percent lower risk of mental health disorders in adulthood.” An American researcher commented on the findings.

“The scale of this study is quite something,” says Kelly Lambert, a neuroscientist at the University of Richmond who studies the psychological effects of natural spaces. Smaller studies have hinted that lack of green space increases the risk of mood disorders and schizophrenia and can even affect cognitive development.

In a rapidly urbanizing world, this data is particularly troubling. Most of us must live “where the work is,” and our children sometimes grow up in places where trees are few and far between (and I wouldn’t really count Joshua “trees” which are Monocotyledons, and not true trees).*

This research confirms my own, personal experience. I have always found lush greenery energizing. I used to attribute this association with family—while growing up in a USMC family, we would try to make an annual trip “home” to Puget Sound. The nearer we got to my grandparents, the greener the Puget Sound terrain grew.

In my affection for trees, I am akin to the Inklings. Much has been written about J.R.R. Tolkien’s description of the forests of Middle Earth. The terrible damage to the Fangorn forest done by the army of Saruman is one of the tragedies of The Lord of the Rings.

C.S. Lewis and his friends enjoyed walking trips. Much of the countryside they covered in these treks was adorned by healthy copses, but they do not appear to have ventured into any deep forests.

In a 1953 letter to a correspondent who was attempting to lure Lewis to visit America, he paints a clear picture of what he finds alluring.

How wrong you are when you think that streamlined planes and trains would attract me to America. What I want to see there is yourself and 3 or 4 other good friends, after New England, the Rip Van Winkle Mts., Nantucket, the Huckleberry Finn country, the Rockies, Yellowstone Park, and a sub-Arctic winter.

And I should never come if I couldn’t manage to come by sea instead of air: preferably on a cargo boat that took weeks on the voyage.

I’m a rustic animal and a maritime animal: no good at great cities, big hotels, or all that. But this is becoming egotistical. And here comes my first pupil of the morning.

All blessings, and love to all. Yours, C.S. Lewis

I’d love to see a bear, a snow-shoe, and a real forest.

Lewis wrote a fascinating poem about the spiritual price of deforestation.

The Future of Forestry

How will the legend of the age of trees
Feel, when the last tree falls in England?

When the concrete spreads and the town conquers
The country’s heart; when contraceptive
Tarmac’s laid where farm has faded,
Tramline flows where slept a hamlet,
And shop-fronts, blazing without a stop from
Dover to [Cape] Wrath, have glazed us over?

Simplest tales will then bewilder
The questioning children, “What was a chestnut?
Say what it means to climb a Beanstalk,
Tell me, grandfather, what an elm is.
What was Autumn? They never taught us.”

Then, told by teachers how once from mould
Came growing creatures of lower nature
Able to live and die, though neither
Beast nor man, and around them wreathing
Excellent clothing, breathing sunlight –
Half understanding, their ill-acquainted
Fancy will tint their wonder-paintings
Trees as men walking, wood-romances
Of goblins stalking in silky green,
Of milk-sheen froth upon the lace of hawthorn’s
Collar, pallor in the face of birchgirl.

So shall a homeless time, though dimly
Catch from afar (for soul is watchfull)
A sight of tree-delighted Eden.

Plant a Tree

In “The Arbor of God,” the physician who founded Blessed Earth poses a thoughtful question: “Trees are everywhere in Scripture. Why have they gone missing from Christian theology?”

I’ve always loved trees. I love their look, their shade, the sound of wind in their leaves, and the taste of every fruit they produce. As a grade-schooler, I first planted trees with my father and grandfather. I’ve been planning them ever since. . . .

But a dozen years ago, when I offered to plant trees at our church, one of the pastors told me I had the theology of a tree-hugger.

This was not meant as a compliment.

There is a possibly apocryphal statement credited to Martin Luther during the Reformation. In a spirit of faith and commendable actions for Christians, Luther said, “If I knew the world was to end tomorrow, I would still plant an apple tree today.”

As I gaze out the window now, at the four blossoming apple trees we planted just three years ago, I’m inspired to plant some more trees. This year, I think, it will be some bushes and plants that provide year-round nectar for the hummingbirds that grace our woodlands. Even the anticipation of planting them brings me joy.


* Joshua trees, such as those which surrounded our home at Edwards AFB, are actually “flowering plants.” As such, they do have green growth and even fruit. So, in a generous spirit, I’ll credit them with 50% of the positive effect on mental health that a maple or fir might offer.