Archives For Animals

arctic hares

Does it bother you to encounter an unfamiliar word when you are reading? How about in conversation?

I’m one of those people who enjoy using uncommon words. I savor conversations where people naturally incorporate words one rarely hears. I rejoice when I encounter a new word that precisely describes some elusive essence that formerly required a paragraph to explain.

I can illustrate that final comment—welcoming words that define hard to describe nuances—with a couple of examples. Angst and ephemeral were the first two such words that came to my mind just now, and momentarily I will offer passages in which C.S. Lewis uses each of them.

One is “angst.” It’s more than worry. It’s darker than anxiety. It conveys in many cases an air of foreboding. We can thank the Germans for angst (the word, not the dread itself).

Another too seldom used word would be “ephemeral.” In essence it means temporary or transitory. But it often conveys a sense of loss, of the passing of something before its due time. It suggests the dissolution of something we would wish to examine in greater detail. Ephemeral suggests something far more emotionally weighty than its original Greek, which translates into “lasting only a day.”

Narrowly defined or focused words, are like a sort of communication shorthand. They are useful for getting messages across more rapidly, and with greater accuracy. For example, it would be of little value for one Inuit to describe a location to another by saying it was covered with “snow.” If they intend to travel there, it would be beneficial to know in advance what kind of snow to anticipate.

Due to this unforgiving environment, the Inuktitut (the dialect spoken in the eastern part of the Canadian arctic) have a score of different words referring to snow and ice. This fascinating article addresses the subject and illustrates how this word group is supplemented by additional words which, when used in a winter context, mean a particular type of snow.

In Nunavik, for instance, it is possible to call maujaq the snow in which one sinks. This is a general term that refers to any type of soft ground (mud, wetland, quicksand) but which, in winter, can only apply to a soft snow cover where the foot sinks.

In the same way, the word illusaq (“what can become a house”) refers to any construction material (wood, stone, brick, etc.), but when an igloo is built, it applies precisely to snow that is rigid and maneuverable enough for erecting a semi-spherical house made of snow blocks.

While the native peoples of the Arctic possess many words for atmospheric water vapor that has been frozen into ice crystals, there are not quite one hundred, as some have parodied.

On the other end of the geographic spectrum, there are many human beings who will never in their entire lives see snow. Think non-mountainous equatorial settings that escaped even the Ice Age. For them, a single word is probably sufficient for the theoretically existent snow, and only one word required for the precious commodity ice, which is most frequently encountered in the shape of a cube.

I am not a skier, so I claim no philological expertise on snow slang where I live in Washington State. The snow we enjoy near Hood Canal comes and goes in a couple of days, several times each winter. Perfect for sledding or building snowpeople with the grandkids. Yet even here we readily recognize several types of snow. Wet snow makes deadly spheres for snowball wars. Powder is less suitable as a construction material, but it offers a slippery track for racing downhill sledding. Packed snow transforms into ice, and makes driving hazardous. Slush is, well . . . slushy.

Not All Words are Worthy of Inclusion

One simple way to expand our vocabulary is by subscribing to a “Word of the Day” service. More often than not, I already know the day’s offering, but occasionally it’s pleasant to be reminded of such things.

Then there are those words that are so peculiar or restrictive that we can’t consciously conceive of using them. Such was a word I received this week: “appurtenance.” I applaud you if you know it. I commiserate with your friends if you employ it.

One of appurtenance’s synonyms is “paraphernalia.” That was a fine word in and of itself, until it because too strongly associated with illegal narcotics. I guess if I elect not to use “appurtenance,” and regard “paraphernalia” as contaminated, I’ll simply need to retreat to the fallback word of my youth, “stuff.”

Today’s word was even less useful. “Sternutation” is the involuntary expulsion of air through the nose. Might be good for a bunch of junior high school boys, but I don’t think I’ll file it away for my next novel.

C.S. Lewis’ Use of Precise Prose

The best, and most gratifying way to expand our vocabularies is by reading. I never resent reading a great book or stimulating essay that sends me to my dictionary.

As I promised, I am including examples of Lewis’ use of the words I had randomly selected to illustrate my point above. As a bonus, I’m including two examples of ephemeral, reflecting both senses of the word’s meaning.

From C.S. Lewis’ essay “Sir Walter Scott” which appears in Selected Literary Essays:

For the whole of that Gurnal, indeed, we might borrow a title from an author whom Scott himself fully appreciated, and call it ‘Sense and Sensibility’. The sense, I presume, is obvious enough. We see it, first and foremost, in his cool and moderate estimate of his own literary powers; a modesty almost (one would have thought) impossible in one whose reputation had filled Europe and been blown up until he was put above Goethe and almost equalled with Shakespeare. Yet it is not mere self-depreciation.

Though never deceived about his weaknesses, he knows his real strength too; the “hurried frankness of composition which pleases soldiers, sailors, and young people of bold and active disposition.” He recognizes, in his own way, the quality of what a more pretentious writer would call “inspiration:”—“I shall get warm as I work”— the morning, fresh from the labours of subconscious artistry, is musis amica. We see it also in his unchanging, cheerfully unemphatic, contempt for ‘the imaginary consequence of literary triflers’ and the ‘affectations of literature . . .”

But we should do Scott little service with some modern critics by insisting exclusively on his sense; for there is a widespread opinion that genius is never free from neurosis, and unless we can find Angst in an author’s soul he will hardly be taken seriously. Well, if we demand Angst, Scott can supply that, too. He confesses to “idle fears, gloomy thoughts” (1826); to “A thick throbbing at my heart . . . fancies thronging on me . . . a disposition . . . to think on things melancholy and horrible.” (1827).

Ephemeral as brief, in a 1959 letter where Lewis rejects the proposed title for one of his volumes:

Dear Mac, Thanks for your letter of the 18th. I don’t care for Dangers of Belief. I would like The World’s Last Night and other Essays. The and other essays would appear on the title page only—not on spine, back, or jacket. For No. IV I should prefer Good Work and Good Works. As soon as I can get it typed I shall send you a long correction for Lilies that Fester. . . .

It will replace the bit which in the Twentieth Century article begins ‘About Culture as’ (para 3, p 332) and ends ‘to extraneous ends,’ (para 2, l. 3, p. 334). This is necessary because E. M. Forster has said in print that he really meant the alternative ‘b’ which I offered him in a footnote to p 333.113.

Most of the passage I want to alter is therefore now irrelevant. And anyway I think that what I want to substitute for it is better and of less ephemeral interest. O.K.?

In the final volume of his space (cosmic) trilogy, That Hideous Strength, Lewis refers to celestial spiritual forces. Some of them are associated with stars and planets. The Oyéresu (unfallen angelic rulers) who serve God, their Creator. If you are unfamiliar with the book, don’t try to understand the meaning of what follows. Simply allow the power of Lewis’ narrative to paint an imposing scene.

[The freezing temperature evoked a progression of thoughts]: of stiff grass, hen roosts, dark places in the middle of woods, graves. Then of the sun’s dying, the Earth gripped, suffocated, in airless cold, the black sky lit only with stars. And then, not even stars: the heat death of the universe, utter and final blackness of nonentity from which Nature knows no return. . . .

Saturn, whose name in the heavens is Lurga, stood in the Blue Room. His spirit lay upon the house, or even on the whole Earth, with a cold pressure such as might flatten the very orb of Tellus to a wafer. Matched against the lead-like burden of his antiquity the other gods themselves perhaps felt young and ephemeral.

It was a mountain of centuries sloping up from the highest antiquity we can conceive, up and up like a mountain whose summit never comes into sight, not to eternity where the thought can rest, but into more and still more time, into freezing wastes and silence of unnameable numbers.

It was also strong like a mountain; its age was no mere morass of time where imagination can sink in reverie, but a living, self-remembering duration which repelled lighter intelligences from its structure as granite flings back waves, itself unwithered and undecayed but able to wither any who approach it unadvised.

Reading Lewis is an education in many things. Many years after his death he continues to teach receptive minds about writing, creativity, communication, rational thinking, Christian living, and so very much more.

If you are curious about an author who actually contributed to C.S. Lewis’ own vocabulary, check out this column.

cheep

Few authors are so gifted that even in their casual, never-intended-to-be-published moments they continuously offer brilliant insights into life.

Of course, here at Mere Inkling we know that C.S. Lewis is one of those few.

I decided to attempt an experiment with this post. It’s motivated by the fact that I’m spending the week watching over three of my grandkids (the youngest of whom is two, and wailing right now . . . be back in a moment. That’s resolved for now, although he wants his sisters to play UNO now, according to his shifting infantile rules.)

For my experiment, I am selecting random pages in Lewis’ three volumes of correspondence. The letters were not written for publication, but I hypothesize that each page will contain some insight or wisdom that merits deeper reflection. I won’t provide the discussion here, I’ll simply select a quotation I believe meets the requirement. (Pagination is from my Kindle copies, so it may be off a bit from the print edition.)

Volume I Page 111

In 1915, Lewis describes to his father a veteran who has recuperated quickly and is in very good spirits. This foreshadows Lewis’ own wounds he will receive in the same military theater.

That Gerald Smythe of whom I told you, who lost an arm in the war, was staying with us last week. He is really wonderful: he has only been out of bed about a month and is going back to the front again next week. It does one good to see a person thoroughly cheerful under circumstances like his, and actually eager to be there again. Even in so short a time he has learnt to be quite independant, and can cut his food, light his pipe, and dress–tho’ how a man can tie a tie with one arm, I don’t know.

Page 333

In 1917 he describes to his friend Arthur Greeves the difference between prose and poetry.

You have started the question of prose style in your letter and ask whether it is anything more than the ‘literal meaning of the words’. On the contrary it means less–it means the words themselves. For every thought can be expressed in a number of different ways: and style is the art of expressing a given thought in the most beautiful words and rythms of words. For instance a man might say ‘When the constellations which appear at early morning joined in musical exercises and the angelic spirits loudly testified to their satisfaction’. Expressing exactly the same thought, the Authorised Version says ‘When the morning stars sang together and all the sons of God shouted for joy.’

Volume II Page 111

In a 1933 letter to Greeves, Lewis shares how he has set his expectations low for the reception of his second literary undertaking, based on his first effort.

I had an extremely kind letter from Reid about the book. I think it is going to be at least as big a failure as Dymer, and am consequently trying to take to heart all the things I wrote you when you were bowled over by Reid’s decision on your first novel–not entirely without success. How goes the detective story? [Note: the Reid here is Greeve’s friend, the novelist Forrest Reid (1875–1947).]

Page 333

In a 1940 letter to his brother Warnie during the latter’s convalescence, Lewis recalls how relaxing how recuperating under medical care comprised some of his fondest memories related to his military service!

I trust it has proved a time worthy to be added to your rich store of blessed periods in sick rooms, ‘san’s,46 and hospitals-pleasant backwaters whence one drowsily hears the roar of the main stream going past. They are certainly among the nicest recollections I have of school and army. One such I spent at Le Tréport with the now probably abolished complaint of ‘Trench Fever’ very early in 1918;47 of specially blessed memory since it was there I first began to conceive that beer was not an utterly unpleasant drink. As my experiments were being made with bottled Bass, it is a little odd that such a result was reached. I remember too nice solitary walks on the ‘front’ of that empty watering place: which, mixed with recollections of the Olderfleet48 in winter and the not disagreeable feebleness of a convalescent’s first walks, increase the general ‘backwater’ feeling.

Volume III Page 111

In a 1951 letter to Dom Bede Griffiths, he relates that only by appreciating things in their proper order (i.e. subordinate to their Creator) can they be truly enjoyed. A keen insight into the nature of idolatry.

it seems to me, the subordination of Nature is demanded if only in the interests of Nature herself. All the beauty of nature withers when we try to make it absolute. Put first things first and we get second things thrown in: put second things first & we lose both first and second things. We never get, say, even the sensual pleasure of food at its best when we are being greedy.

Page 333

In a 1953 letter to a young girl who had sent him drawings of some of Narnia’s characters, Lewis’ extends his appreciation and relates a quaint personal peculiarity.

Reepicheep in your coloured picture has just the right perky, cheeky expression. I love real mice. There are lots in my rooms in College but I have never set a trap. When I sit up late working they poke their heads out from behind the curtains just as if they were saying, ‘Hi! Time for you to go to bed. We want to come out and play.’

That review of letters was fun, and hopefully you enjoyed portions of it as well. It was certainly a good choice for me with no fewer than eight or nine interruptions during its course. Well, the dinosaur shaped chicken nuggets are about ready to come out of the oven, so it’s time to conclude.

procrastination beast

Procrastination is rearing its head around here, and it’s as ugly as ever.

At times like this, I often remind myself of the wisdom of J.R.R. Tolkien placed on the lips of Samwise Gamgee: “It’s the job that’s never started that takes the longest to finish.”

Sadly, that shrewd insight seldom solves my problem. You see, the breed of procrastibeast that typically plagues me isn’t the one that prevents a person from beginning.

The species that lurks in the shadows of my office is the variety that derails “jobs” that are already well begun.

My problem—and you may share it—is that I’m juggling too many projects simultaneously. A detailed book proposal, a literary contest entry, Mere Inkling, a half dozen articles in various stages, and a technical PTSD article I just agreed to review for a professional journal . . . all of these beckon to me and continue to grow more and more urgent in their pleas.

Sometimes I envy the people who tell me they find it challenging to come up with ideas. That’s never been my difficulty. I normally have a surfeit of topics that juice my creativity.

It has only recently dawned on me that this too easily transforms into procrastination.

Unable or unwilling to see works through to conclusion, I constantly initiate new projects. I often struggle with the need to push my writing through to conclusion.

In my own case it seems to boils down to discipline. I have to focus and consciously strive to revisit manuscripts near their deadlines, even when I’m “inspired” to be working on one of the other projects. Too often, I’m resigned to believe, my Muse is simply out of synch with reality.

C.S. Lewis was highly disciplined. An excellent example of this is found in his devotion to responding to the mountains of correspondence he received. In this burdensome activity he was assisted by his brother Warnie, who absence during his drinking binges created an extreme hardship. At the end of his life, Lewis was appreciative to have gained the assistance of Walter Hooper

Fixing the Problem

We who struggle with procrastination do not need to despair. According to psychologists, “This is a learned behavior and therefore can be unlearned.”

Procrastinators are made and not born. That’s both the good news and the bad news. Good because it’s a learned response, and what’s learned can be unlearned. The bad news is that while it’s possible to change, it takes a lot of psychic energy and you don’t necessarily feel transformed internally.

You should know that some people who think of themselves as procrastinators really aren’t. In a world of unending deadlines, they just put too many things on their “To Do” list. They’re not avoiding tasks, the mark of a bona fide procrastinator; they’re getting things done, just not as many as they would like.

In my own case, I would alter that final sentence to: “they’re getting things done, just not in the order that they would like.”

The article quoted here includes some suggestions for defeating procrastination. The one I like best is “Promise yourself a reward.”

Unfortunately, my most effective rewards seem to be food-based, with items of the chocolate tier in the hierarchy pyramid being the most effective.

I have, however, come upon a tentative substitute. I thought of it while writing this very column.

I have accumulated some writings by and about C.S. Lewis during the past few years that I have yet to read. Too busy. Well, I’ve decided that when I finished some of the most pressing projects that are strangling me, I will treat myself to simply reading some Lewis.

I doubt it will be as effective as chocolate . . . but it is best substitute I can imagine.

_____

The medieval illumination above may represent one version of the procrastination beast which afflicts Christians… since it did manage to deter at least one monk from carrying on with his proper duties.

oz-lionFew people know this peculiar fact about The Wizard of Oz. And this oddity shares an interesting link to one of C.S. Lewis’ most familiar novels.

Filmmaking has changed greatly since 1939 when Dorothy first tapped together her ruby slippers. One of those modifications involves the treatment of animals.

Some of us are old enough to remember the initial appearance of the disclaimers: “No animals were injured in the making of this film.” Those announcements disappeared long ago, as people have long supposed the humane treatment of animals required.

As far as I know, no one has alleged the mistreatment of animals in The Wizard of Oz. But the odd fact mentioned above refers to one of the costumes worn by a major character in the film.

Bert Lahr played the Cowardly Lion, who continued acting until he died during the filming of The Night They Raided Minsky’s in 1968. Fortunately, he was in his prime while traipsing across Oz, because his costume weighed at least sixty pounds.

Apparently the costume designer was going for accuracy—in the case of the Cowardly Lion, if not for the citizens of Munchkinland. He opted for using an actual lion pelt. At least two, in fact, since there was a least one backup.

Cinema memorabilia often provides unbelievable dividends. MGM sold the primary costume in 1970 for a mere $2,400. In 2005, after some restoration by a taxidermist, the costume sold for $826,000. Nine years later, in 2014, it became the highest valued male performer’s costume, selling for $3,100,000.

It is quite fitting that Leo the Lion is the mascot for Metro-Goldwyn-Mayer film studio. While there have been seven “Leos” since 1916, it is doubtful that any of them contributed their hide to costuming the Cowardly Lion.

What Has Oz to do with Narnia?

Oz and Narnia resemble one another in the obvious sense that both are fantasy lands. I’m ill-equipped to compare the two beyond that, having no desire to read about the former. Here you’ll find an interesting article that offers some insights into the realm of the Wizard. The literary critics of The Telegraph offer the following contrast.

Even so, [Oz is] a strangely amorphous creation, originally reached by cyclone but in later books by shipwreck (twice), by earthquake and by simply getting lost. As a fantasy land, it has none of the depth or authority of Tolkien’s Middle Earth nor even the physicality of CS Lewis’s Narnia.

Reaching back to the turn of the millennia, you might enjoy reading “Oz vs. Narnia.” Comparing the promotion of the two realms on their respective hundredth and fiftieth anniversaries, the author finds Narnia’s treatment by HarperCollins wanting.

But however much the tribute to Oz exceeds the tribute to Narnia in sumptuousness, it can’t disguise the superiority of Lewis’ book. As a child, I loved Oz’s endless cavalcade of strange creatures and, especially, John R. Neil’s trippy art nouveau illustrations and extravagant marginalia; I still like the books today. But the first time I read “The Lion, the Witch and the Wardrobe” in second grade, I knew that I’d stumbled into a whole new league.

A Tale of Two Lions

The odd overlap in the two stories is not due to the prominent presence of lions in each world. The Cowardly Lion and Aslan have nothing in common, save perhaps, compassion for others.

But the real life costume of Oz’s lion does relate directly to one of Lewis’ most amazing fictional creations.

In the final Chronicle, The Last Battle, we find many people are led astray by a false prophet. There is a liar masquerading as the true king. The horror that he is able to mislead so many vulnerable souls is magnified by the fact that he too wears an obvious costume—the pelt of a lion.

Lewis’ account of the deception is skillful. One of the most brilliant aspects is that the “king” himself (a donkey) is actually tricked into playing the role by the true deceiver (an ape).

“All the same, Shift,” said Puzzle [the donkey], “even if the skin only belonged to a dumb, wild lion, oughtn’t we to give it a decent burial? I mean, aren’t all lions rather— well, rather solemn? Because of you know Who. Don’t you see?”

“Don’t you start getting ideas into your head, Puzzle,” said Shift. “Because, you know, thinking isn’t your strong point. We’ll make this skin into a fine warm winter coat for you.”

“Oh, I don’t think I’d like that,” said the Donkey. “It would look—I mean, the other Beasts might think—that is to say, I shouldn’t feel—”

“What are you talking about?” said Shift, scratching himself the wrong way up as Apes do.

“I don’t think it would be respectful to the Great Lion, to Aslan himself, if an ass like me went about dressed up in a lion-skin,” said Puzzle. “Now don’t stand arguing, please,” said Shift.

“What does an ass like you know about things of that sort? You know you’re no good at thinking, Puzzle, so why don’t you let me do your thinking for you?”

Obviously, a comparison between real and fictional characters wearing lion skins can only go so far. Still, I assume some readers will find the use of a lion’s pelt to camouflage a completely different species, to be a rather peculiar parallel between Oz and Narnia.

Beavers Beware

January 2, 2017 — 9 Comments

russian-typoA mere 375,000 rubles buys a fair amount of publicity in Russia; just be sure to proofread the product.

This Christmas season one Russian charity hoped to encourage readers to live good lives, but instead they published a brochure that encouraged beaver genocide.

Beavers are particularly vulnerable rodents. They are quite gentle, and even Talking Beavers are poorly equipped to defend themselves.

The lovely scene on the leaflet featured an innocent girl gazing into a snow globe. Emblazoned above it was supposed to read “Do Good.” Instead, the Russian words spelled out “Exterminate Beavers!”

It just bears out the maxim, “proofread before you publish.” In this case, one could easily add: “if the work is translated, make sure the proofreader understands both languages.”

Some errors are especially heinous.

C.S. Lewis recognized the importance of proofreading.

He was sometimes the victim of inadequate editorial review. So it comes as no surprise that he preferred to see galleys (the uncorrected typeset proofs) of his work before actual publication.

The following reference from a letter in which Lewis attributes the need for such as due to his own poor penmanship, rather than the carelessness of others. This is typical of his generosity, since part of the duties of editors (and pharmacists, for that matter) is to be able to decipher the scribblings of authors (and physicians). Mark Twain did not share Lewis’ grace in this matter.

When his friend Dorothy Sayers died in 1958, Lewis was unable to attend the funeral in London. He was, however, honored to write a panegyric for the service, which was read by one of the bishops in attendance. Following the event, Sayer’s son, Anthony Fleming thanked Lewis and asked if he might include the eulogy in possible collection.

Dear Mr. Fleming

Thank you for your most kind letter. I am relieved to find that the little speech has pleased those whose approval at such a time matters most—it is so easy to go wrong in a thing of that kind and so to give offence.

I am perfectly willing that it should be printed, but please ask whoever sees to it to be sure and let me see a proof. Even if printers made no mistakes, my villainous writing nearly always leads to some.

Lewis, of course, was referring to a literal manuscript, a document written by hand. One assumes that the Russian publisher was given a typescript, so they could not use “villainous writing” as an excuse for their error.

Still, I suspect they were given the text in one language, English perhaps, and asked to translate it for publication. In that case, who actually is responsible for the mistake?

I choose not to worry about attributing liability in this matter. I’m content to use this winter mistake to remind me of the importance of proofreading.

Oh, and on behalf of all of the beavers in Russia, I am relieved to know they will not be distributing these murderous words.

Those Lazy Males

October 12, 2016 — 3 Comments

squirrelIn some places a debate rages over the question of who works the hardest, men or women. In our family, there is no such disagreement. We all recognize that the typical woman works far more than her male counterpart.

Take my case. I’m a Type A workaholic who lost (unused) leave every year of my military career. I still keep extremely busy, but when it comes to work ethic and effort, I don’t even pretend to hold a candle to my wife.

Now another example from the animal kingdom has confirmed what most people have suspected—females do far more than their share of the work.

Men have been embarrassed for generations by the example of lazy lions who rely on the lionesses to do nearly all of the hunting. Not to mention taking care of the family’s domestic responsibilities.

And now men have been betrayed by a more modest mammal—the squirrel.

I happen to like squirrels. I always have, even when they try to hijack the birdseed we always have available at our home. I hate hearing people refer to them as “tree rats,” and considered it good fortune that the street where we built our home is named “Squirrel Place.”

C.S. Lewis loved small animals. Reepicheep, a mouse, is one of the great heroes of Narnia. But it was a squirrel who played a role in one of his earliest “mystical” experiences. Fittingly, it also relates to Autumn, the season those of us in the Northern Hemisphere currently enjoy.

The following passage comes from Lewis’ autobiography, Surprised by Joy: The Shape of My Early Life. It describes the impression left on him after reading one of Beatrix Potter’s children’s books.

It will be clear that at this time—at the age of six, seven, and eight—I was living almost entirely in my imagination; or at least that the imaginative experience of those years now seems to me more important than anything else. . . .

But imagination is a vague word and I must make some distinctions. It may mean the world of reverie, daydream, wish-fulfilling fantasy. . . .

The . . . glimpse came through Squirrel Nutkin; through it only, though I loved all the Beatrix Potter books. But the rest of them were merely entertaining; it administered the shock, it was a trouble. It troubled me with what I can only describe as the Idea of Autumn.

It sounds fantastic to say that one can be enamored of a season, but that is something like what happened; and, as before, the experience was one of intense desire. And one went back to the book, not to gratify the desire (that was impossible— how can one possess Autumn?) but to reawake it.

And in this experience also there was the same surprise and the same sense of incalculable importance. It was something quite different from ordinary life and even from ordinary pleasure; something, as they would now say, “in another dimension.”

Squirrely Dads

Returning to the recent research that proved beyond any shadow of doubt that even among industrious, nut-gathering rodents, the males cop out. Don’t be put off by the study’s title—“The secret life of ground squirrels: accelerometry reveals sex-dependent plasticity in above-ground activity”—this is serious.

Apparently, while mom is down in a dark burrow nursing the kids, dad’s out lounging in the sunshine. It’s inexcusable.

And don’t try to use some lame excuse or misogynist argument that these findings are only true for Urocitellus parryii, semi-fossorial arctic ground squirrels, but they’re only fooling themselves. We all know that women work harder than men, especially when it comes to raising kids.

The female squirrels are literally so drained by the demands put upon them that they have to begin their hibernations before the males and end them after the males emerge from their hibernacula!

Following the termination of heterothermy in spring, male arctic ground squirrels remain below ground for a three to five week interval during which they consume a food cache to regain body mass lost during hibernation . . . Males intercept and mate-guard newly emergent females that become pregnant within a few days of emergence; gestation lasts for approximately 25 days, and lactation is another approximately 28–35 days.

Unlike males, females do not cache food and, with the exception of early gestation when they continue to lose body fat, they appear to fuel their reproduction using energy gained concurrently through foraging. [Note: it doesn’t appear the males share. Another strike against them.]

In addition, females are delivering energy to pups as milk during lactation . . . Once their young have been weaned, females undergo a moult and fatten; autumn immergence occurs in August [while] males that fatten and cache food later in the autumn immerge in early- to mid-October.

And there is no doubt that the people who conducted this research are right, after all, they used “collar-mounted light loggers and triaxial accelerometers!”

 

The Artistry of Nature

September 1, 2016 — 5 Comments

flamingoes
This picture of flamingos is delightful. That they “randomly” arranged themselves into a silhouette of themselves is amazing. Or, perhaps a divine hand painted this glorious portrait?

“What a fanciful thought,” poets muse.

“How absurd!” atheists groan.

“Is he serious?” realists wonder.

“Now that’s something to ponder…” people of faith think.

“Of course God has fashioned nature’s beauties with his hands,” the eremite smiles.

I happen to believe God was speaking literally when he said through the Psalmist:

For every beast of the forest is mine, the cattle on a thousand hills. I know all the birds of the hills, and all that moves in the field is mine (Psalm 50).

It was on the fifth day of creation that the Lord spoke into existence for the first time “every winged bird according to its kind.”

And God blessed them, saying, “Be fruitful and multiply and fill the waters in the seas, and let birds multiply on the earth” (Genesis 1:22).

And, to reveal God’s concern for the creatures he has made did not end with their genesis, allow me one more biblical citation . . . a familiar one. In reminding us of how precious we are to our Father, Jesus describes that God’s concern extends even to the least of his creation.

Are not two sparrows sold for a penny? And not one of them will fall to the ground apart from your Father (Matthew 10:29).

C.S. Lewis touches on the preciousness of creation in a 1956 letter to one of his regular correspondents.

I think God wants us to love Him more, not to love creatures (even animals) less. We love everything in one way too much (i.e. at the expense of our love for Him) but in another way we love everything too little. No person, animal, flower, or even pebble, has ever been loved too much—i.e. more than every one of God’s works deserves (Letters to an American Lady).

Now, does God’s concern for his creatures, in this case flamingoes, mean that he takes the time to direct their flight, their nesting, and the shape of their earthly “congregations?” Of course not. But even in saying that, it is wise to note that if he chose to do so, he could. And there are, of course, some scriptural examples of his using animals in specific ways.

It’s possible, and even likely, that this was a mere coincidence. Like the clouds whose shapes sometimes mirror actual things, even in minute detail. While there are rather odd people who believe cloud shapes can foretell the future, I don’t believe there are any Christians who would base their decisions upon the physical arrangements of a flock, colony, gaggle, or flamboyance (with is fancy name for a group of flamingos).

That said, I still believe that the divine Artist is not above occasionally enjoying some playfulness with the tapestry he has fashioned here on earth, and in the heavens.

Lewis & Flamingos

On 12 July 1956, C.S. Lewis attended a garden party at Buckingham Palace hosted by Queen Elizabeth II. Below you will find excerpts from two letters mentioning the subject. They were written to Ruth Pitter (1897-1992), a well-regarded poet with whom Lewis enjoyed a strong friendship.

Lewis wondered if she might be attending the same event, and suggested they might accompany one another, if so. Less than a week later, following the event, he shares with her his delightful observations of the teeming gathering.

Dear Ruth

Do you play croquet with the Queen on Thursday? (Croquet is not mentioned in the invitation but I am well-read enough to know that a royal garden party will involve hedgehogs, flamingos, soldiers, Heads-man, and the grin of a Cheshire cat). If so are you coming via Oxford? I was thinking of going up by 1.58 and returning by the 6.45 or 7.35 on either of which we could dine. You are an experienced courtier and it would give me great moral support to arrive in your company!

Apparently Pitter was not in attendance at this particular outing, also she had been the first woman to receive the Queen’s Gold Medal for Poetry the previous year. Two decades later the Queen would appoint her a Commander of the Order of the British Empire (CBE) for her contributions to English literature. Two days after the extravaganza, Lewis wrote again.

Dear Ruth

You were well out of it. I learn from the papers that I was one of 8000 guests and also that the Queen was present, a fact of which I had no evidence from my own experience. One could not even get a cup of tea for the crowd round the refreshment tables was reminiscent of Liverpool Street station on an August bank holiday. Most people didn’t know one another. One saw many married couples pathetically keeping up between themselves a dialogue which was obviously wearing very thin. If I hadn’t run across Archbishop Matthew I’d have been in a vast solitude.

There are flamingoes: metal silhouettes of them round the lake—a tasteful device which we perhaps owe to Prince Albert. In a word, it was simply ghastly. Two pints at the little pub on Praed St. were necessary afterwards.

A Postscript on Pitter

Ruth Pitter was a talented poet, but because she was a traditionalist—something quite agreeable to Lewis—she has not been accorded the respect she merits. One scholar who published her letters in 2014 writes:

Pitter, in contrast to T.S. Eliot, Ezra Pound, and W.H. Auden, is a traditional poet in the line of George Herbert, Thomas Treharne, Thomas Hardy, A.E. Housman, W.B. Yeats, and Philip Larkin. Unlike the modernists, she rarely experiments with meter or verse form, nor does she explore modernist themes or offer critiques of modern English society.

Instead, she works with familiar meters and verse forms, and her reluctance to alter her voice to follow in the modernist line explains in part why critics have overlooked her poetry. She is not trendy, avant-garde, nor, thankfully, impenetrable.

As mentioned above, their friendship was deep. Lewis’ friend George Sayer says Lewis once volunteered that if he had not been a confirmed bachelor, Pitter was just the sort of woman to whom he could be happily married.

They influenced one another professionally, sharing poetic advice and critique. Pitter also attributed her spiritual reawakening, her conversion to Christianity, to Lewis’ influence. In 1948 she wrote to a friend:

Did I tell you I’d taken to Christianity? Yes, I went & got confirmed a year ago or more. I was driven to it by the pull of C. S. Lewis and the push of misery. Straight prayer book Anglican, nothing fancy . . . I realize what a tremendous thing it is to take on, but I can’t imagine turning back. It cancels a great many of one’s miseries at once, of course: but it brings great liabilities, too.

In 1985 she wrote to a correspondent about the same subject.

As to my faith, I owe it to C. S. Lewis. For much of my life I lived more or less as a Bohemian, but when the second war broke out, Lewis broadcast several times, and also published some little books (notably The Screwtape Letters), and I was fairly hooked. I came to know him personally, and he came here several times. Lewis’s stories, so very entertaining but always about the war between good and evil, became a permanent part of my mental and spiritual equipment.

Since we have been introduced to this unique woman now, it’s fitting to close with one of her poems. A poem inspired by another of the avian wonders created by our artistic God.

stormcock

Stormcock in Elder

In my dark hermitage, aloof

From the world’s sight and the world’s sound,

By the small door where the old roof

Hangs but five feet above the ground,

I groped along the shelf for bread

But found celestial food instead:

For suddenly close at my ear,

Loud, loud and wild, with wintry glee,

The old unfailing chorister

Burst out in pride of poetry;

And through the broken roof I spied

Him by his singing glorified.

Scarcely an arm’s-length from the eye,

Myself unseen, I saw him there;

The throbbing throat that made the cry,

The breast dewed from the misty air,

The polished bill that opened wide

And showed the pointed tongue inside;

The large eye, ringed with many a ray

Of minion feathers, finely laid,

The feet that grasped the elder-spray;

How strongly used, how subtly made

The scale, the sinew, and the claw,

Plain through the broken roof I saw;

The flight-feathers in tail and wing,

The shorter coverts, and the white

Merged into russet, marrying

The bright breast to the pinions bright,

Gold sequins, spots of chestnut, shower

Of silver, like a brindled flower.

Soldier of fortune, northwest Jack,

Old hard-times’ braggart, there you blow

But tell me ere your bagpipes crack

How you can make so brave a show,

Full-fed in February, and dressed

Like a rich merchant at a feast.

One-half the world, or so they say,

Knows not how half the world may live;

So sing your song and go your way,

And still in February contrive

As bright as Gabriel to smile

On elder-spray by broken tile.

_____

The Bible verses quotes above are taken from the ESV, the English Standard Version.

The “stormcock” in whose humble honor Pitter dedicates this poem is also called the Mistle Thrush. Its informal nickname arises from its eagerness to sing its songs in every sort of weather.