Category: J.R.R. Tolkien

Tolkien, Lewis & Barth on Myth

On By robstroudIn C.S. Lewis, C.S. Lewis & the Inklings, Christianity, J.R.R. Tolkien, Mythology, The Bible, The Modern Church, Theological Matters8 Comments

barthOne wonders what sort of fireworks might have erupted if J.R.R. Tolkien and C.S. Lewis had spent an evening with theologian Karl Barth. Although their lives overlapped, and all three were Christian academics, it is questionable how much they would have agreed upon.

And yet, there were several subjects where I think they would have enjoyed firm consensus.

Tolkien (1892-1973) was a devout Roman Catholic. Lewis (1898-1963) was a committed “low church” Anglican. Barth (1886-1968) was a Reformed theologian who rejected the liberalism that had become dominant in European academies. All three thus believed in the reality of the Christian gospel of salvation through Jesus Christ.

All three men hated war, and the two Brits had served in the trenches of WWI. All opposed Nazism and Barth was the primary author of the Barmen Declaration which challenged the Christian faith of all who supported the Nazi government.

And we’ll consider another shared attribute in just a moment.

First, though, we need to acknowledge that presumably the Inklings never met the Swiss clergyman. Their circles did not overlap. I have not been able to uncover any evidence of Tolkien referring to Barth, or of Barth mentioning either of the Inklings.

Lewis did, however mention Barth in his prolific correspondence. From his exposure to Barth it’s clear he did not share the opinion of Pope Pius XII that he was “the greatest theologian since Thomas Aquinas.” Heady praise . . . especially coming from a Roman Catholic.

In a 1940 letter to his brother Warren, Lewis reacted against what he perceived as legalism in some quarters of Protestantism that was alien to his understanding of the liberty of the Christian.

I am afraid the truth is . . . that the world, as it is now becoming and has partly become, is simply too much for people of the old square-rigged type like you and me. I don’t understand its economics, or its politics, or . . . Even its theology—for that is a most distressing discovery I have been making these last two terms as I have been getting to know more and more of the Christian element in Oxford.

Did you fondly believe—as I did—that where you got among Christians, there, at least, you would escape (as behind a wall from a keen wind) from the horrible ferocity and grimness of modern thought.

Not a bit of it. I blundered into it all, imagining that I was the upholder of the old, stern doctrines against modern quasi-Christian slush: only to find that my ‘sternness’ was their ‘slush.’ They’ve all been reading a dreadful man called Karl Barth, who seems the right opposite number to Karl Marx. ‘Under judgment’ is their great expression.

They all talk like Covenanters or Old Testament prophets. They don’t think human reason or human conscience of any value at all: they maintain, as stoutly as Calvin, that there’s no reason why God’s dealings should appear just (let alone, merciful) to us: and they maintain the doctrine that all our righteousness is filthy rags with a fierceness and sincerity which is like a blow in the face.

Sometimes the results are refreshing: as when Canon Raven (whom you and Dyson and I sat under at Ely) is sharply told in a review in Theology that ‘it is high time persons of this sort learned that the enjoyment of a chair of theology at Cambridge does not carry with it a right to criticise the Word of God’—that’s the kind of rap on the knuckles which has not been delivered for a hundred years!

Comparing Their Thoughts on the Nature of Myth

Many readers of Mere Inkling will know Tolkien and Lewis were deeply influenced by the significance of myth. They were also, in the creation of Middle Earth and Narnia, active in the act of mythopoeia, creating imaginary lands whose stories convey profound meaning.

But, despite the fact their literary products are fictional, that does not mean that all myth is “untrue,” in the sense of being unhistorical. Myth, for these great thinkers, is something far more complex and wonderful.

Without going into depth on this involved subject, I offer here the familiar story of how Lewis’ epiphany about true myth was key to his conversion.

I was by now too experienced in literary criticism to regard the Gospels as myths. They had not the mythical taste. And yet the very matter which they set down in their artless, historical fashion . . . was precisely the matter of the great myths. If ever a myth had become fact, had been incarnated, it would be just like this. And nothing else in all literature was just like this.

Myths were like it in one way. Histories were like it in another. But nothing was simply like it.

And no person was like the Person it depicted; as real, as recognizable, through all that depth of time, as Plato’s Socrates . . . yet also numinous, lit by a light from beyond the world, a god.

But if a god—we are no longer polytheists—then not a god, but God. Here and here only in all time the myth must have become fact; the Word, flesh; God, Man. This is not “a religion,” nor “a philosophy.” It is the summing up and actuality of them all. (Surprised by Joy)

This epiphany took place in 1931, during an all-night discussion (it lasted until 4:00 am) with Tolkien, and other Inkling, Hugo Dyson. Here’s how Lewis related the moment to his lifelong friend, Arthur Greeves.

It was really a memorable talk. We began (in Addison’s walk just after dinner) on metaphor and myth–interrupted by a rush of wind which came so suddenly on the still, warm evening and sent so many leaves pattering down that we thought it was raining.

We all held our breath, the other two appreciating the ecstasy of such a thing almost as you would. We continued (in my room) on Christianity: a good long satisfying talk in which I learned a lot . . .

A month later he elaborated on how the insights gained that evening were gestating in his mind and heart.

Now what Dyson and Tolkien showed me was this: that if I met the idea of sacrifice in a Pagan story I didn’t mind it at all: again, that if I met the idea of a god sacrificing himself to himself (cf. the quotation opposite the title page of Dymer) I liked it very much and was mysteriously moved by it: again, that the idea of the dying and reviving god (Balder, Adonis, Bacchus) similarly moved me provided I met it anywhere except in the Gospels.

The reason was that in Pagan stories I was prepared to feel the myth as profound and suggestive of meanings beyond my grasp even tho’ I could not say in cold prose ‘what it meant.’

Now the story of Christ is simply a true myth: a myth working on us in the same way as the others, but with this tremendous difference that it really happened: and one must be content to accept it in the same way, remembering that it is God’s myth where the others are men’s myths: i.e. the Pagan stories are God expressing Himself through the minds of poets, using such images as He found there, while Christianity is God expressing Himself through what we call ‘real things.’

Therefore it is true, not in the sense of being a ‘description’ of God (that no finite mind could take in) but in the sense of being the way in which God chooses to (or can) appear to our faculties. The ‘doctrines’ we get out of the true myth are of course less true: they are translations into our concepts and ideas of that which God has already expressed in a language more adequate, namely the actual incarnation, crucifixion, and resurrection.

Does this amount to a belief in Christianity? At any rate I am now certain (a) That this Christian story is to be approached, in a sense, as I approach the other myths. (b) That it is the most important and full of meaning. I am also nearly certain that it really happened.

In a different setting, Barth argued for the very same truth. His context was a theological environment greatly influenced by the liberal doctrines of Rudolf Bultmann, who dismissively regarded anything miraculous in the Scriptures as primitive and ignorant thinking.

The Christian Church confesses that [what the world calls] “myth” is history itself. She recognizes herself by this myth, she recognizes her life, her true reality. She is the witness of witnesses, she recognizes through the Holy Spirit that this is the one really interesting story.

Then she turns back the historians’ weapon: She says to them: What you call “myth,” that is history! She will also add: What you call history, that is a myth! A myth, a made-up history, that fancies the fate of man as depending on his earthly vicissitudes, a myth, a made-up history, that confuses the immediate success of a cause with its truth, and so on.

The only true history is the history of Christ, in which the Church participates, and which is already the secret reality of all history, since it is history itself. (The Faith of the Church)

Now, there’s an argument the Inklings could truly have appreciated.

A Bonus, for Fans of Dietrich Bonhoeffer

Barth was not the only Christian seminary professor who rejected the heresies of Bultmann, who sought to “demythologize” the Scriptures. Dietrich Bonhoeffer, a fellow German, repudiated Bultmann’s rejection of the supernatural in God’s Word. In a recent book, Taking Hold of the Real, Barry Harvey writes:

In a prison letter [Bonhoeffer] criticizes Rudolf Bultmann for excising the “mythological” elements in an attempt to reduce Christianity to its “essence.” “My view,” he writes, “is that the full content, including the ‘mythological’ concepts, must remain—the New Testament is not a mythological dressing up of a universal truth, but this mythology (resurrection and so forth) is the thing itself.”

Bonhoeffer thus acknowledges that describing a way of seeing the world as mythic thus does not summarily dismiss it either as deceptive or as an archaic and feeble attempt at doing “science.” Indeed, a truthful description of the world and especially of human existence ultimately requires mythic form.

The tales that women and men have fashioned and passed down through the centuries to discern the overall sense and significance of their existence are “never just ‘lies,’” says Tolkien, as “there is always something of the truth in them.”

Tolkien, C.S. Lewis and Music

On By robstroudIn C.S. Lewis, Christian Life, Christianity, Films, J.R.R. Tolkien, Martin Luther, Ministry, Music16 Comments

albumHave you ever written something that inspired a musician to compose new music? J.R.R. Tolkien hoped to do so one day, and had he lived to hear the scores of the Lord of the Rings trilogy created by Howard Shore, he would have been in awe.

I was reading Tolkien’s correspondence last week and came across a fascinating letter he wrote to a musician who was requesting permission to write a serious composition based on The Hobbit.

This would have been quite different than the quaint “Ballad of Bilbo Baggins,” made famous by Leonard Nimoy. (I wish their choreographer had read the book, so we could have been spared the tiny T-Rex arms sported during the chorus by the dancers.)

Anyway, returning to more serious musical ventures, in 1964 Tolkien received a request for permission to write a “Hobbit Overture.” It came from British composer Carey Blyton (1932-2002) who would become best known for his song “Bananas in Pyjamas.”

Tolkien’s response to the composer’s query is fascinating, on several levels. First, he is gracious in extending his permission, without any restrictions. And, in 1967 Blyton did compose “The Hobbit” Overture, opus 52a. It appears on the CD, British Light Overtures 3.

Secondly, he shares his unspoken desire that his work might someday inspire music. Then he makes a curious comment about the illustrations of Pauline Baynes, which would similarly grace the work of C.S. Lewis.

After that, Tolkien describes his own, musically impoverished, upbringing. Finally he expresses his deep appreciation for good music, despite his lack of knowledge on the subject.

And Tolkien accomplishes all of this in just a handful of sentences!

You certainly have my permission to compose any work that you wished based on The Hobbit. . . . . As an author I am honoured to hear that I have inspired a composer. I have long hoped to do so, and hoped also that I might perhaps find the result intelligible to me, or feel that it was akin to my own inspiration—as much as are, say, some (but not all) of Pauline Baynes’ illustrations. . . . .

I have little musical knowledge. Though I come of a musical family, owing to defects of education and opportunity as an orphan, such music as was in me was submerged (until I married a musician), or transformed into linguistic terms. Music gives me great pleasure and sometimes inspiration, but I remain in the position in reverse of one who likes to read or hear poetry but knows little of its technique or tradition, or of linguistic structure.

It is common for people of sincere Christian devotion, such as Tolkien and Lewis, to express an appreciation for the divine capacity of music to touch the human spirit.

luteMartin Luther, for example, wrote much about music. “Music is God’s greatest gift,” he proclaimed. He was not only a composer of hymns, but also an acceptable player of the lute, which he used to accompany his children during their family devotions.

Music is deeply intertwined with the heart of Christian worship.

C.S. Lewis on the Subject of Music

One of the modest challenges in contrasting fellow Inklings J.R.R. Tolkien and C.S. Lewis results from the significantly different natures of their literary corpora. While they both wrote fantasy, though of a vastly different magnitude, Lewis’ vocation as one of Christianity’s chief modern apologists necessitated that he defend the faith in diverse contexts. Thus, he wrote numerous essays and a number of texts addressing a wide range of considerations that his friend Tolkien never discussed in print.

Because of this distinction, it is relatively simple to discover what Lewis thought about the nature and powers of music. Typical of the man’s practical orientation, Lewis appears little interested in the abstract attributes of music. What interests him is its confluence with human existence. The following profound insight comes from his essay “On Church Music.”

There are two musical situations on which I think we can be confident that a blessing rests. One is where a priest or an organist, himself a man of trained and delicate taste, humbly and charitably sacrifices his own (aesthetically right) desires and gives the people humbler and coarser fare than he would wish, in a belief (even, as it may be, the erroneous belief) that he can thus bring them to God. The other is where the stupid and unmusical layman humbly and patiently, and above all silently, listens to music which he cannot, or cannot fully, appreciate, in the belief that it somehow glorifies God, and that if it does not edify him this must be his own defect.

Neither such a High Brow nor such a Low Brow can be far out of the way. To both, Church Music will have been a means of grace; not the music they have liked, but the music they have disliked. They have both offered, sacrificed, their taste in the fullest sense.

But where the opposite situation arises, where the musician is filled with the pride of skill or the virus of emulation and looks with contempt on the unappreciative congregation, or where the unmusical, complacently entrenched in their own ignorance and conservatism, look with the restless and resentful hostility of an inferiority complex on all who would try to improve their taste—there, we may be sure, all that both offer is unblessed and the spirit that moves them is not the Holy Ghost.

This discussion about church music is particularly interesting due to Lewis’ personal dislike for much of the music used in worship, which I’ve written about before.

Lewis described his own church music pilgrimage in “Answers to Questions on Christianity.”

My own experience is that when I first became a Christian, about fourteen years ago, I thought that I could do it on my own, by retiring to my rooms and reading theology, and I wouldn’t go to the churches . . .

If there is anything in the teaching of the New Testament which is in the nature of a command, it is that you are obliged to take the Sacrament [holy communion], and you can’t do it without going to Church. I disliked very much their hymns, which I considered to be fifth-rate poems set to sixth-rate music. But as I went on I saw the great merit of it.

I came up against different people of quite different outlooks and different education, and then gradually my conceit just began peeling off. I realized that the hymns (which were just sixth-rate music) were, nevertheless, being sung with devotion and benefit by an old saint in elastic-side boots in the opposite pew, and then you realize that you aren’t fit to clean those boots. It gets you out of your solitary conceit.

In “The Weight of Glory,” Lewis addresses this notion that we must look beyond the music itself, to assess its influence on our humanity.

The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers.

For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.

Lewis recognized the deep influence and mystery with which music communicates and inspires. It is no accident that Narnia’s creation itself comes through Aslan’s song.

The Lion was pacing to and fro about that empty land and singing his new song. It was softer and more lilting than the song by which he had called up the stars and the sun; a gentle, rippling music. And as he walked and sang the valley grew green with grass. It spread out from the Lion like a pool.

It ran up the sides of the little hills like a wave. In a few minutes it was creeping up the lower slopes of the distant mountains, making that young world every moment softer.

Returning to “On Church Music,” Lewis expands on the importance of our intentions as we approach music.

It seems to me that we must define rather carefully the way, or ways, in which music can glorify God. There is . . . a sense in which all natural agents, even inanimate ones, glorify God continually by revealing the powers He has given them. . . . An excellently performed piece of music, as natural operation which reveals in a very high degree the peculiar powers given to man, will thus always glorify God whatever the intention of the performers may be. But that is a kind of glorifying which we share with the ‘dragons and great deeps,’ with the ‘frost and snows.’

What is looked for in us, as men, is another kind of glorifying, which depends on intention. How easy or how hard it may be for a whole choir to preserve that intention through all the discussions and decisions, all the corrections and the disappointments, all the temptations to pride, rivalry and ambition, which precede the performance of a great work, I (naturally) do not know. But it is on the intention that all depends.

When it succeeds, I think the performers are the most enviable of men; privileged while mortals to honor God like angels and, for a few golden moments, to see spirit and flesh, delight and labour, skill and worship, the natural and the supernatural, all fused into that unity they would have had before the Fall. . . .

We must beware of the naïve idea that our music can ‘please’ God as it would please a cultivated human hearer. That is like thinking, under the old Law, that He really needed the blood of bulls and goats. To which an answer came, ‘mine are the cattle upon a thousand hills,’ and ‘if I am hungry, I will not tell thee.’ If God (in that sense) wanted music, He would not tell us. For all our offerings, whether of music or martyrdom, are like the intrinsically worthless present of a child, which a father values indeed, but values only for the intention.

At the outset of this column I declared Tolkien would have been “in awe” of the musical score written to accompany the Lord of the Rings movies. Lewis too, I believe, would have been impressed by the scores composed for the three Chronicles of Narnia films made thus far. We owe a debt of gratitude to three composers: Howard Shore,* Harry Gregson-Williams,** and David Arnold***.

An Historical Postscript

In the spirit of Lewis and Tolkien, who appreciated the importance of music, we’ll close now with another engaging quotation from the wry pen of Doctor Martin Luther.

I wish all lovers of the unshackled art of music grace and peace from God the Father and from our Lord Jesus Christ! I truly desire that all Christians would love and regard as worthy the lovely gift of music, which is a precious, worthy, and costly treasure given to mankind by God.

The riches of music are so excellent and so precious that words fail me whenever I attempt to discuss and describe them…. In summa, next to the Word of God, the noble art of music is the greatest treasure in the world.

A person who gives this some thought and yet does not regard music as a marvelous creation of God, must be a clodhopper indeed and does not deserve to be called a human being; he should be permitted to hear nothing but the braying of asses and the grunting of hogs.

_____

* Howard Shore has nearly a hundred credits as a composer, conductor and orchestrator on the Internet Movie Database (IMDb). In addition to the Tolkien cinema projects, he has also worked on a number of other very successful films and ninety-six episodes of Saturday Night Live. Shore won three Oscars for his work on Lord of the Rings.

** Harry Gregson-Williams has nearly a hundred credits on the IMDb, including a number of box office successes, a variety of popular video games, and several productions in the Shrek series. He won awards for his work on the Chronicles of Narnia series and another of my favorite films, Kingdom of Heaven.

*** David Arnold, wrote the score for the third Narnia film, The Chronicles of Narnia: The Voyage of the Dawn Treader. He has seventy-three credits listed on IMDb, ranging from this year’s Independence Day: Resurgence, all the way back to a BBC made for tv picture entitled Mr. Stink.

Desiring Silence

On By robstroudIn C.S. Lewis, C.S. Lewis & the Inklings, Christian Life, J.R.R. Tolkien, Ministry, Writing13 Comments

coptic quietDo you enjoy noise, or do your mind and soul long for moments of silence? If you appreciate escaping the cacophony of sounds that weigh against you, you’re in good company. The Inklings were men who respected the value of silence.

I attended a funeral for a former parishioner today. The fact that I did not conduct the service allowed me to sit beside my wife who shared my sincere fondness for the saint we were bidding farewell.

The service was comforting, being resurrection-focused as such matters ought to be. Despite our singing three hymns during its course, it was also quiet. Quiet in the sense of calm and peaceful like a deep brook that rushes along in relative silence, compared to its chattering companions that dance across the rocks in a shallow creek.

Joe was a humble man, though he was one of the rare breed who truly deserve the accolade of being part of the “greatest generation.” Though he never bragged about it, he served throughout the Second World War, and survived D-Day while landing in just the second wave at Omaha Beach.

It was a service that befitted a humble ninety-two-year-old man who faithfully ushered at his church up until his death. A man who had spent most of his life in activities serving others, and who kept his marital vows to his now widowed bride for seventy years.

Reflecting on that quality this afternoon, I recalled how silence was appreciated by the Inklings. C.S. Lewis expressed this thought on many occasions. One of the best known comes from The Weight of Glory.

We live, in fact, in a world starved for solitude, silence, and private: and therefore starved for meditation and true friendship.

Lewis’ opinion of noise went beyond disdain. He even included a description in The Screwtape Letters of how noise itself could serve malevolent purposes.

My dear Wormwood: Music and silence—how I detest them both! How thankful we should be that ever since our Father [Lucifer] entered Hell . . . no square inch of infernal space and no moment of infernal time has been surrendered to either of those abominable forces, but all has been occupied by Noise–Noise, the grand dynamism, the audible expression of all that is exultant, ruthless, and virile—Noise which alone defends us from silly qualms, despairing scruples, and impossible desires.

We will make the whole universe a noise in the end. We have already made great strides in this direction as regards the Earth. The melodies and silences of Heaven will be shouted down in the end. But I admit we are not yet loud enough, or anything like it. Research is in progress.

The world has only gotten noisier since Lewis wrote those words. And silence is in ever-shorter supply. That’s one of the reasons, I suppose, why I appreciate living in the forest, where even the tentacles of cable television do not reach. Their absence contributes to an involuntary amplification of the silence that resides around our home.

Tolkien Shared Lewis’ Opinion

Since I’ve been reading some of J.R.R. Tolkien’s correspondence recently, the following excerpt came to my mind.

Like many thinkers, and nearly all writers, Tolkien found noise distracting. In a 1964 letter, he wrote the following description of the sounds that assaulted him in his neighborhood. (The last sentence is particularly delightful.)

Headington is no paradise of peace. Sandfield Road was a cul-de-sac when I came here, but was soon opened at the bottom end, and became for a time an unofficial lorry by-pass, before Headley Way was completed. Now it is a car-park for the field of ‘Oxford United’ at the top end. While the actual inhabitants do all that radio, tele, dogs, scooters, buzzbikes, and cars of all sizes but the smallest, can do to produce noise from early morn to about 2 a.m.

In addition in a house three doors away dwells a member of a group of young men who are evidently aiming to turn themselves into a Beatle Group.

What a vivid description. But one would expect nothing less from the creator of Middle Earth.

The same year as the Allied attack on Normandy, Tolkien wrote to his son Christopher who was in South Africa earning his wings with the Royal Air Force. A veteran of the First World War, the concerned father knew all too well what might lie ahead. In 1944 he wrote the following:

I have the autumn wanderlust upon me, and would fain be off with a knapsack on my back and no particular destination, other than a series of quiet inns. One of the too long delayed delights we must promise ourselves, when it pleases God to release us and reunite us, is just such a perambulation, together, preferably in mountainous country, not too far from the sea, where the scars of war, felled woods and bulldozed fields, are not too plain to see.

Like Tolkien, C.S. Lewis was also a veteran of the “war to end all wars.” The Inklings, like all Europeans of their generation, were acutely acquainted with warfare and its costs. Still, because of their wisdom and faith, Tolkien and Lewis were confident the Allies would prevail. They trusted that the blessed silence of peace would ultimately triumph over war’s cries.

In that light, we continue reading from Tolkien’s letter to Christopher. Immediately after his suggestion to Christopher that the two of them take a walking tour, Tolkien describes the plans the Inklings had already established to celebrate the eventual end of the war.

The Inklings have already agreed that their victory celebration, if they are spared to have one, will be to take a whole inn in the country for at least a week, and spend it entirely in beer and talk, without reference to any clock!

I don’t recall reading about their intentions before, but it has made me curious as to whether or not these dreams were ever realized. If they were, I am certain that the absence of other guests, and the removal of all clocks, would have made for a calm, quiet and renewing week indeed.

_____

The image above comes from an eighth century Coptic fresco.

A more modern image of silence, although originating all the way back in 1965, would be the “cone of silence,” which will be familiar to fans of the series Get Smart. For reflections on that theme, you might want to check out the this article.

If you aren’t familiar with the aforementioned cone, take two minutes to rectify that shortcoming by watching this video.

C.S. Lewis & Brexit

On By robstroudIn C.S. Lewis, History, J.R.R. Tolkien, Modern Life, The Future, The Modern Church8 Comments

brexitThe United Kingdom’s vote to leave the European Union has shocked the world . . . and it caused me to wonder just what C.S. Lewis would think of the narrow decision to reaffirm their national identity.

It turns out, I’m not the first to ponder the question.

A quick internet search led me to an interesting post by a British academic who addresses this very point. The political philosophy of the Inklings is not the focus of his essay, but in response to a question posed by Arthurian writer David Llewellyn Dodds, he writes the following:

Dodds: I don’t have a sense of what, if anything, the major post-1945 Inklings said about things like the Council of Europe, the ECSC, the EEC,and Euratom (all within Lewis’s lifetime), the Merger Treaty, the UK joining the European Communities (within which Tolkien lived his last nine months), and all the further developments through and within which Barfield lived. Has anyone surveyed this?

. . . I hope and pray the re-emergence of the UK from the EU will indeed be taken up to its own good, the true good of Europe, the Commonwealth, and the world, and in that the resistance to the ongoing strivings (conscious or usefully idiotic) for ‘the Abolition of Man.’*

Bruce Charlton: I think I have probably read all the relevant material about Tolkien and Lewis. Tolkien would certainly and Lewis very probably have been against Britain or England subordinating itself to Europe. About Barfield and Williams, I am not sure.

This matches my own sense of what Lewis and Tolkien would say about the decision to reassert the United Kingdom’s historical identity. They would applaud it.

While neither man was a supporter of the many excesses to which nationalism is prone, they would recognize the listless European experiment as the bloated and doomed effort it has become.

In The Screwtape Letters we witness how the Tempter skillfully recognizes that the abuse of any principle can twist it into something destructive. Since Lewis was writing during a global war (a reality in our modern world as well) he used the powerful dichotomy between patriotic supporter of the nation’s war and pacifist.

I had not forgotten my promise to consider whether we should make the patient an extreme patriot or an extreme pacifist. All extremes, except extreme devotion to the Enemy, are to be encouraged. Not always, of course, but at this period. Some ages are lukewarm and complacent, and then it is our business to soothe them yet faster asleep. Other ages, of which the present is one, are unbalanced and prone to faction, and it is our business to inflame them. . . .

Whichever he adopts, your main task will be the same. Let him begin by treating the Patriotism or the Pacifism as a part of his religion. Then let him, under the influence of partisan spirit, come to regard it as the most important part. Then quietly and gradually nurse him on to the stage at which the religion becomes merely part of the ‘cause,’ in which Christianity is valued chiefly because of the excellent arguments it can produce in favour of the British war-effort or of Pacifism.

The attitude which you want to guard against is that in which temporal affairs are treated primarily as material for obedience. Once you have made the World an end, and faith a means, you have almost won your man, and it makes very little difference what kind of worldly end he is pursuing. Provided that meetings, pamphlets, policies, movements, causes, and crusades, matter more to him than prayers and sacraments and charity, he is ours—and the more ‘religious’ (on those terms) the more securely ours. I could show you a pretty cageful down here . . .

Returning to the Brexit column, which I encourage you to read in full, the author is Bruce Charlton. He teaches Psychology at Newcastle University and is a Visiting Professor of Theoretical Medicine at the University of Buckingham.

Here are a couple of quotations to whet your appetite for his astute analysis of the political and religious climate in the United Kingdom.

Unsurprisingly, the situation seems to be that the majority of those with highest status, power, education and wealth (i.e. the Secular Left, Politically Correct Social Justice Warriors) want to remain in the EU—everybody else, not.

The referendum campaign in the mass media was overwhelmingly-dominated by Remain—but the effects of decades of corruption and self-destruction in this class was very evident—in that the Remain campaign held all the cards, but was ineffectual to the point of counter-productive in its tactics. . . .

One scenario is that pretty soon, the fickle, mass media-addicted majority will soon forget this vote, just like they have forgotten many other (should-have-been) highly significant events over the past decades. (The mass media, after all, are overwhelmingly in favour of Remain.)

. . . What will happen now depends on whether the majority vote is evidence of a positive and strategic resolve towards a new future for England: this would have to be some kind of ‘spiritual’ movement, a new destiny for the nation; because that is the only kind of thing which motivates large populations over long periods of time. I have said, many times, that net-positive change entails some kind of religious (and specifically Christian) revival—because I believe that ‘nationalism’ is a spent-force in the history of The West.

After further exploring the alternatives ahead, Charlton closes with a pertinent Lewis reference.

Either way, things have now ‘come to a point’ as CS Lewis put it (in That Hideous Strength)—the issues are becoming very clear, the sides are very distinct. The next few days, weeks and months will be crucial.

Indeed, they shall.

_____

* You can read The Abolition of Man here.

Tolkien’s Inspiration

On By robstroudIn Great Authors, J.R.R. Tolkien, Middle Earth, Military History, Poetry10 Comments

night patrolThe poetry of a dead veteran spoke to me today. He was a close friend of J.R.R. Tolkien, and in a sense his life lives on in the descriptions of Middle Earth.

In a recent column my Canadian friend Brenton Dickieson, introduced me to one of the many poets whose lives tragically ended on the battlefields of WWI.

Professor Dickieson describes the context of a new film about the impact of the war on J.R.R. Tolkien. It is called Tolkien’s Great War. It is based on the book Tolkien and the Great War: The Threshold of Middle-earth.

You will find a link to the half hour documentary below, and I strongly—yes, strongly—encourage you to watch it. It is quite moving.

Like most members of their generation, Tolkien and C.S. Lewis were deeply moved by the horrors of the First World War. Both served on the front lines, in the grim trenches, during the bloody conflict. And they lost friends. I’ve written in the past about their military service, including posts here, here, and here.

The Deceased Poet

The documentary describes the untimely deaths of two of Tolkien’s closest friends during the war. One of them, Geoffrey Bache Smith, was a poet.

Following his death, Tolkien gathered together his writings and published them as a tribute to his friend. It was one of the earliest contributions to a wealth of soldier’s poetry that would deluge grieving Europeans by the close of the conflict.

Due to the brevity of his life, the collection, published as A Spring Harvest, is short. Tolkien also penned an introduction to the work which is equally Spartan. The literary austerity is fitting, given the sad reason for the volume’s brevity. The introduction, in full, reads:

The poems of this book were written at very various times, one (“Wind over the Sea”) I believe even as early as 1910, but the order in which they are here given is not chronological beyond the fact that the third part contains only poems written after the outbreak of the war. Of these some were written in England (at Oxford in particular), some in Wales and very many during a year in France from November 1915 to December 1916, which was broken by one leave in the middle of May.

“The Burial of Sophocles,” which is here placed at the end, was begun before the war and continued at odd times and in various circumstances afterwards; the final version was sent me from the trenches.

Beyond these few facts no prelude and no envoi is needed other than those here printed as their author left them.

J.R.R.T., 1918.

The poems themselves run the gamut of emotions. This is unsurprising, given that some were born during the idyll dreams of youth, while others were forged by the anvil of war.

The limited press run of the book has made it difficult to find. Fortunately, it is now available for free via Project Gutenberg.

While the poems include the familiar references to the “old gods” so common to the period, there are also some moving references to a more Christian ethos.

Creator Spiritus

The wind that scatters dying leaves

And whirls them from the autumn tree

Is grateful to the ship that cleaves

With stately prow the scurrying sea.

Heedless about the world we play

Like children in a garden close:

A postern bars the outward way

And what’s beyond it no man knows:

For careless days, a life at will,

A little laughter, and some tears,

These are sufficiency to fill

The early, vain, untroubled years,

Till at the last the wind upheaves

His unimagined strength, and we

Are scattered far, like autumn leaves,

Or proudly sail, like ships at sea.

Tolkien and Smith formed half of the T.C.B.S., a communion knit together during the school years. The war would cut that number in half, as poignantly described in Tolkien and the Great War. The first of the companions had already died, and five months later Smith was spending the final moments of his own life encouraging his friend to press on, whatever might befall him.

Before reading Smith’s “So We Lay Down the Pen,” consider his final letter to Tolkien. He wrote it as he prepared to lead a night scout through dead man’s land at the front. It was dangerous duty which did indeed, that very evening, cost him his life.

My chief consolation is that if I am scuppered [ambushed and killed] tonight—I am off on duty in a few minutes—there will still be left a member of the great T.C.B.S. to voice what I dreamed and what we all agreed upon. For the death of one of its members cannot, I am determined, dissolve the T.C.B.S.

Death can make us loathsome and helpless as individuals, but it cannot put an end to the immortal four! A discovery I am going to communicate to Rob before I go off tonight. And do you write it also to Christopher. May God bless you my dear John Ronald and may you say things I have tried to say long after I am not there to say them if such be my lot.

Yours ever,

G.B.S.

Tolkien compiled Smith’s poems as a tribute. And, when he wrote his masterpieces, there is a profound sense in which he truly did say things his friends had tried to say, long after they were not there to say them.

So We Lay Down the Pen

So we lay down the pen,

So we forbear the building of the rime,

And bid our hearts be steel for times and a time

Till ends the strife, and then,

When the New Age is verily begun,

God grant that we may do the things undone.

 

C.S. Lewis’ Personality

On By robstroudIn Animals, C.S. Lewis, Christianity, Great Authors, J.R.R. Tolkien, Literature, Middle Earth, Ordained Ministry, Poetry16 Comments

csl introvertLearning about ourselves is a lifelong quest. And the more actively we pursue self-knowledge, the wiser we become.

A well known sixteenth century Christian mystic wrote:

“Self-knowledge is so important that even if you were raised right up to the heavens, I should like you never to relax your cultivation of it.” (Saint Teresa of Ávila, Interior Castle).

This self-knowledge leads to a greater recognition of our dependence on God. She continues, “so long as we are on this earth, nothing matters more to us than humility. . . . As I see it, we shall never succeed in knowing ourselves unless we seek to know God: let us think of His greatness and then come back to our own baseness; by looking at His purity we shall see our foulness; by meditating on His humility, we shall see how far we are from being humble.”

C.S. Lewis echoes this sentiment.

If anyone would like to acquire humility, I can, I think, tell him the first step. The first step is to realise that one is proud. And a biggish step, too. At least, nothing whatever can be done before it. If you think you are not conceited, it means you are very conceited indeed. (Mere Christianity).

As part of my self-examination, I have recently revisited my “personality type” as assessed by the well known Myers Briggs Personality Indicator (MBTI).

Without over-explaining the MBTI, it measures an individual’s preference related to four ways by which we experience and make sense of the world. (News Flash: Not everyone perceives reality the same way!)

These dichotomies are:

Extraversion (E) or Introversion (I)

Whether your preferred focus is outward or inward.

Sensing (S) or Intuition (N)

How you focus on information and process it.

Thinking (T) or Feeling (F)

Primary preference in your decision-making.

Judging (J) or Perceiving (P)

Your orientation towards making sense of existence.

You can get some additional authoritative information here. There are also numerous “unofficial” websites related to the subject.

Sixteen combinations are possible, and each has its respective strengths. (None are “better” than others, of course, since we’re all created in the image of God.)

Speaking of which, I’ve also been studying the different combinations that are more common to Christian ministers than they are within the general population.

For example, the following types (with their shorthand title) range from two to six times more common for male clergy than the general male American population:

ENFJ (The Teacher)

ENFP (The Provider)

INFP (The Healer)

INFJ (The Counselor)

ENTJ (The Field Marshal)

Which type of pastor do you prefer?

Online Surveys to Visit …after you finish this post

There are a number of free MBTI-type tests online. Naturally, they are not as reliable as the official inventory given through a certified provider. Nevertheless, the following sites did render accurate assessments for me, based on my formal scoring.

I have mentioned in the past that I am an *NTJ… with the asterisk representing that my I/E preference is too close to call. A previous post shows how that makes me a blend of Middle Earth’s Elrond and Théoden.

Humanmetrics Jung Typology Test

CelebrityTypes Personality Type Test

So, What Is C.S. Lewis’ Personality Type?

This is a subjective question. The MBTI is a self-reported assessment, so guessing the type of another person is by nature dicey.

In Lewis’ case, however, there is a fair degree of consensus. This is due to his openness about his personal life and his extensive writings. The general agreement does not mean though that there are not minority opinions.

The most common argument is that C.S. Lewis was INTJ. I find the reasons persuasive, and not just because it matches my own type!

One student of the subject says “Check out this quote—how INTJ is this?!”

Five senses; an incurably abstract intellect; a haphazardly selective memory; a set of preconceptions and assumptions so numerous that I can never examine more than a minority of them—never become even conscious of them all. How much of total reality can such an apparatus let through? (A Grief Observed)

One blogger writes, “There is no doubt in my mind that Lewis was an INTJ. It seeps off all his writing and is blatant in his behavior in all of his biographies.” She continues:

Highly imaginative child who lived in a dream world? Check.

Someone highly emotional/sensitive but that never showed it on the surface? Check.

A prolific writer who blazed through finishing projects at an astounding rate, who was so successful at everything he did, despite never having done it before, that he quickly rose to the top? Check.

Another site considers both C.S. Lewis and his fellow inkling J.R.R. Tolkien to be INFPs. The aptly titled CelebrityTypes.com offers a brief selection of quotations to illustrate the reasons for their identification.

If the site’s identifications are accurate, the two are in good company. Other writers include John Milton, Augustine of Hippo, Hans Christian Andersen, William Shakespeare, Søren Kierkegaard, George Orwell, A.A. Milne, Edgar Allan Poe, William Blake, J.K. Rowling and George R.R. Martin.

A Warning from Lewis Himself

Understanding ourselves better than we already do, is a good thing.

Being overly curious about the personality of someone who is deceased is another matter. Lewis’ point in the passage that follows is that such concerns must never supersede our regard for others, in the spirit of Matthew 8:22.*

There is a reaction at present going on against the excessive love of pet animals. We have been taught to despise the rich, barren woman who loves her lap dog too much and her neighbor too little. It may be that when once the true impulse is inhibited, a dead poet is a nobler substitute than a live Peke, but this is by no means obvious.

You can do something for the Peke, and it can make some response to you. It is at least sentient; but most poetolaters [worshippers of poets] hold that a dead man has no consciousness, and few indeed suppose that he has any which we are likely to modify. Unless you hold beliefs which enable you to obey the colophons of the old books by praying for the authors’ souls, there is nothing that you can do for a dead poet: and certainly he will do nothing for you. He did all he could for you while he lived: nothing more will ever come.

I do not say that a personal emotion towards the author will not sometimes arise spontaneously while we read; but if it does we should let it pass swiftly over the mind like a ripple that leaves no trace. If we retain it we are cosseting with substitutes an emotion whose true object is our neighbour.

Hence it is not surprising that those who most amuse themselves with personality after this ghostly fashion often show little respect for it in their parents, their servants, or their wives. (The Personal Heresy: A Controversy).

Reflecting on our own nature, and pondering the personalities of those we respect, are worthwhile activities. However, it’s best to remember that all we can see are mere glimpses into the depths of who we truly are.**

_____

* Matthew 8:22 quotes Jesus’ response to a disciple who demurred that he could not follow the Lord until after he attended to his father’s burial. “And Jesus said to him, ‘Follow me, and leave the dead to bury their own dead.’”

** As Paul words in Romans 8:27 are paraphrased in The Message Bible: God “knows us far better than we know ourselves . . .”

From Ear to Quill

On By robstroudIn C.S. Lewis, Classics Worth Revisiting, History, J.R.R. Tolkien, Middle Earth, Poetry, The Ancient Church, Writing11 Comments

anglo saxonConsider how one humble Anglo-Saxon poet can teach us about the ancient transition from the oral to written delivery of poetry.

In recent study about the transition from aural to literary communication I came upon the following fascinating fact.

In an essay entitled “Oral to Written,” J.B. Bessinger writes:

As literate authors learned to assimilate oral materials to pen-and-parchment composition, and since cultural life and centres of writing were controlled so largely by the Church, it was inevitable that the oral transmission of pagan verse would die out, or at best leave few records of an increasingly precarious existence. Meanwhile the invasion of bookish culture into an oral tradition proceeded.

Amid the overwhelming anonymity of the period, Cynewulf was the only poet who troubled to record his name, not from motives of a new literary vanity, but against the Day of Judgement:* “I beg every man of human kind who recites this poem to remember my name and pray . . .”

I’ve read elsewhere that the names of a dozen Anglo-Saxon poets were recorded, although only four have any work that has survived. I understand, however, why Cynewulf is so well recognized—several thousand lines of his poetry are extant. You can access copies of his work for free at Project Gutenberg and Internet Archive.

Curiously, we know no details about Cynewulf other than his name. This he included in his manuscripts, spelled in runic characters.

Cynewulf’s poetry was familiar to the Inklings.

In his diary during the 1920s, C.S. Lewis describes reading Cynewulf and Cyneheard while he bemoaned that Old English Riddles continued to represent an obstacle to him.

I set to on my O.E. Riddles: did not progress very quickly but solved a problem which has been holding me up. [Henry] Sweet is certainly an infuriating author . . .

[Following afternoon tea, Lewis] retired to the drawing room and had a go at the Riddles. I learned a good deal, but found them too hard for me at present.

J.R.R. Tolkien paid an unimaginable tribute to Cynewulf. He attributed to the ancient poet no less than the original inspiration for his mythopoeic conscience.

In the summer of 1913 Tolkien . . . switched course to the English School after getting an “alpha” in comparative philology. At this time he read the great eighth-century alliterative poem Christ, by Cynewulf and others.

Many years later from the poem he cited Eala Earendel engla beorhtost (“Behold Earendel brightest of angels”) from Christ as “rapturous words from which ultimately sprang the whole of my mythology.”**

Cynewulf was an inspired poet. And, it is possible to discern some Anglo-Saxon words which have made it into contemporary English when passages are lined up, side by side.

We’ll close now with a passage from his poem, Christ. These words come from the beginning of Part II (Ascension) and comprise the beginning of chapter four. For those who would like to compare the texts, a parallel version follows.*** (Just click on the image to enlarge it.)

Enjoy Cynewulf’s celebration of God’s abundant gifts, extended to poets, musicians, and all others.

Then He who shaped the world, God’s Spirit-Son,

ennobled us, and granted gifts to us,

eternal homes ’mid angels upon high;

and wisdom, too, of soul, full manifold

He sowed and set within the minds of men.

To one He sendeth, unto memory’s seat,

through spirit of the mouth, wise eloquence,

and noble understanding; he can sing

and say full many a thing, within whose soul

is hidden wisdom’s power. With fingers deft

’fore warrior-bands one can awake the harp,

the minstrel’s joy. One can interpret well

the law divine, and one the planets’ course

and wide creation. One cunningly can write

the spoken word. To one He granteth skill,

when in the fight the archers swiftly send

the storm of darts, the wingéd javelin,

over the shields defence. Fearlessly another

can o’er the salt sea urge the ocean-bark

and stir the surging depth. One can ascend

the lofty tree and steep. One can fashion well

steeled sword and weapon. One knoweth the plains’ direction,

the wide ways. Thus the Ruler, Child divine,

dispenseth unto us His gifts on earth;

He will not give to any one man all

the spirit’s wisdom, lest pride injure him,

raised far above the rest by his sole might.

cynewulf

_____

* Please don’t correct me regarding the misspelling of “judgment;” this quotation comes from a British text. ;)

** From Tolkien and C.S. Lewis: The Gift of Friendship by Colin Duriez.

*** This image is derived from the 1892 translation of Cynewulf’s Christ by Israel Gollancz.

The lovely Anglo Saxon cross at the top of this page was discovered several years ago in the grave of a young teenage girl who had been buried near Cambridge.

I have blogged about Anglo Saxon legacy in the past . . . here and here.

Africa Comes to America

On By robstroudIn C.S. Lewis, J.R.R. Tolkien, Military History, Modern Life, My Writing Projects, Narnia, Nature14 Comments

saharaYes, you read the title correctly; it’s no typo. Africa itself arrived in America this summer—and it’s an event that apparently takes place every year!

In a recent post by one of Mere Inkling’s earliest subscribers, I learned about the annual Saharan Air Layer. It is an enormous dust cloud that transits the entire Atlantic Ocean and is vital to the western hemisphere, especially the Amazonian rain forests. More about the SAL below.

I find this phenomenon fascinating. It reveals how intricately balanced and interconnected God has created this amazing ecosystem we call earth.

I appreciate this fact, even though I don’t consider myself an environmentalist. That doesn’t mean, of course, that I don’t recycle. What’s more, I would actually like to see brazen polluters incarcerated and tasked with personally cleaning toxic waste dumps . . . but that’s not the theme of this reflection.

It seems to me that part of being truly human, is possessing an appreciation—or even a love—for the world in which our Creator has allowed us to dwell. By love, I mean a deep affection for the flora and fauna, and even the mountains and valleys themselves.

I am not proposing idolatry.

I am in good company in valuing nature. C.S. Lewis found time spent walking in the countryside to be invigorating. It was renewing, for body, mind and soul.

Several years back a book was published with the peculiar subtitle, The Environmental Vision of C.S. Lewis.

The authors of Narnia and the Fields of Arbol explores the way Lewis displays his “ecological” concerns, particularly in his fiction. They also consider J.R.R. Tolkien’s similar attitude.

It is no coincidence that these two men, as soldiers during the Great War, had seen the worst violence humanity could do to nature. The ravages wrought by the orcs surrounding Isengard were echoes of the lifeless terrain of shell-shattered Western Front.

Writing this now, I recall a poem I wrote for Curtana: Sword of Mercy.

“A Foreshadowing of Epics” begins:

Filthy trenches greeted the novice soldiers’ eyes,

their two imaginations envisioned greener lands.

Crimson combat splashed red their vision,

and colored portraits one day painted with their words.

The frontlines were barren,

scarred earth stripped of all life.

Fallen trees mimicked casualties,

not even the smallest of creatures escaped death.

It may seem ironic to some that those very fields now are green, and teeming with life. It is the mercy of God that restores the scarred and heals the broken. And, as impressive as those miracles are evident in nature, they are far more wondrous when it is human lives that are transformed and resurrected.

So it is that I find the wonder of the barren and seemingly lifeless Saharan dust bringing nutrients to hungry forests on the other side of the earth amazing. No mere accident that.

If Jesus delays his return and this globe continues to spin for more centuries still, I would not be surprised to see the Americas returning to Africa a similar gift of life.

_____

Weather.com has a short video about the Saharan Air Layer here.

Life in Middle Earth

On By robstroudIn Books, C.S. Lewis, C.S. Lewis & the Inklings, J.R.R. Tolkien, Middle Earth, Modern Life, Potentially Useful Trivia29 Comments

theodenIf you resided in Middle Earth during the Third Age,* which of the major characters might you have been? Boromir,** Pippin, or perhaps Gandalf himself?

And, we’re only talking about the “good guys and gals.” We’ll have no one identifying with villains like Saruman, the Nazgûl ringwraiths or Grima Wormtongue here at Mere Inkling!

In a moment, I’ll help you answer that question.

Unfortunately, the internet abounds with time-consuming black holes. Pouring minutes and hours of our lives into the abyss of mindless videos or addictive games is the sad result.

Some entertaining diversions, however, possess merit. Case in point, an analysis of the leaders of Lord of the Rings, arranged according to their personality types.

Visiting a website such as this is not only fun, it offers insight into human differences. And, for the unwary, it may even reveal some new insights into our own nature.

I believe in the general validity of the best known personality inventory, the Myers-Briggs Type Indicator. I have posted in the past about C.S. Lewis’ (likely) personality type being an INFP. That appropriately identifies him with none other than Frodo, “the idealist.”

elrondMy own type is ENTJ, which matches with King Théoden above. As I age, however, I am finding myself less extraverted and more desirous of solitude. That means I am progressively becoming an INTJ, and that aligns me with Elrond. Frankly, both of the characterizations suit me quite well.

A person’s type is determined by which of four polarities is dominant.

Extraversion/Introversion

Sensing/Intuition

Thinking/Feeling

Judging/Perceiving

If you don’t know your type, and have the time to take an online assessment now, you can do so for free here.

You don’t need to do it to enjoy the Lord of the Rings chart though. So, which are Middle Earth leader are you? Find out here.

A Note of Caution

While instructive, tools such as this should never be used to put people into boxes (which is ironic, since the MBTI is graphically presented in that fashion).

The last thing we need is someone thinking they are defined by a psychological instrument such as this. After all, today’s Gimli may just well be tomorrow’s Bilbo.

_____

* The complete timeline of Middle Earth is available here.

** I have written in the past about the hero Boromir.

 

Choosing Trustworthy Fonts

On By robstroudIn Advice to Writers, C.S. Lewis, Fonts, J.R.R. Tolkien, Publishing, Reading, Writing26 Comments

font conversationDo you want readers to trust what you write? If so, beware of using common fonts like Arial and Helvetica.

It turns out that serif fonts (those with more traditional finishing strokes) are not simply more legible than their sans serif counterparts.

There is evidence that serif fonts also contribute to the confidence people feel they can place in what they read. You can read a brief account of the research in “Can a Font Make Us Believe Something is True?”

The brief article linked above refers to the results of a study conducted in the New York Times.

The experiment revealed dual effects of using serif fonts. They increased the intensity of agreement with statements, and they reduced the intensity of those who disagreed with the statements.

For many writers, fonts barely register as a consideration. For others, such as yours truly, they are an object of fascination. (Not obsession.) Mere Inkling has approached the subject from a number of angles.

A Font for Dyslexics

Monastic Fonts

Uninhibited Fonts

The Purpose of Punctuation

Even if the subject bores or confuses you, it is certainly worth taking note: if you want to enhance the perceived veracity of what you write, avoid the sterile sans serif fonts and stick with more traditional variants.

C.S. Lewis on Trust

It is ironic that a concept so vital as trust receives so little conscious reflection.

We rely on intuition, those proverbial “gut feelings,” to guide in awarding credence to different sources or individuals.

Well, intuition and prejudices.

Sometimes we distrust people because of their professions. Politicians, used car salesmen, and (in recent years) clergy, do not always rank high when it comes to trust. In Surprised by Joy, C.S. Lewis describes his introduction to J.R.R. Tolkien. Though they became close friends, Lewis was initially quite wary.

When I began teaching for the English Faculty, I made two other friends, both Christians [who would play roles in Lewis’ conversion from atheism]. They were H.V.V. Dyson and J.R.R. Tolkien. Friendship with the latter marked the breakdown of two old prejudices. At my first coming into the world I had been (implicitly) warned never to trust a Papist, and at my first coming into the English Faculty (explicitly) never to trust a philologist. Tolkien was both.

Prejudices are part of the human experience. Everyone has them. Wise are those who recognize their own.

Subconscious “prejudices” are more hazardous. Most, fortunately, are of little consequence. In this category I would file the subject of how fonts influence perceptions of truthfulness.

Nevertheless, despite the miniscule influence they may exert, it would be foolish to ignore the evidence that our selection of fonts does matter. It would be foolish to ignore that fact.

Creative writers and publishers have a multitude of fonts to choose from. Making those selections consciously—with an awareness of how they affect readers’ impressions of our truthfulness—is essential.

Postscript – While the content here at Mere Inkling may range across a wide spectrum, one thing you can be sure of. . . the odds of having to endure the Comic Sans* font is almost nil.

_____

*Comic Sans is one of my wife’s favorite fonts. I’m glad for that, because with all of her other amazing traits, I am sometimes tempted to forget she is merely human.