C.S. Lewis & Assassinations

The brilliant author C.S. Lewis died on the same day that an American president was assassinated. The violent death of John F. Kennedy in November of 1963 eclipsed Lewis’ own passing, so many people were unaware of it for some time. Yet on that autumn day, both Camelot and Narnia lost their inspirations.

Unfortunately, Kennedy’s shooting was not the only political assassination that was connected in a manner to C.S. Lewis’ life. Archduke Franz Ferdinand Carl Ludwig Joseph Maria of Austria was the heir apparent to the throne of Austria-Hungary. A nineteen year old political activist cold-bloodedly murdered the archduke and his wife, Sofie.

Franz and Sophie had married for love, despite her inadequate social rank, which resulted in a morganatic marriage. In recent years such unions have become more common, but at the time, it was a serious matter. The archduke was forced by his uncle, the emperor, to accept that their descendants would never have a right to the throne.

In a convoluted fashion, Ferdinand’s death nearly led to C.S. Lewis’ own. The 1914 assassination was the spark that set the globe on fire during the First World War. And, during that grim conflict, C.S. Lewis was severely wounded by an artillery shell that killed friends standing nearby.

The Causes and Impact of Political Assassinations” was published by the Combating Terrorism Center at West Point. It begins with the fact that “political assassinations have been part of social reality since the emergence of communal social frameworks . . .” And so, since social frameworks will forever exist, they continue.

Humanity’s Violent History

Assassination has been a relatively common practice throughout human history. This shouldn’t surprise anyone who knows the sad story of Abel and his angry brother, Cain. 

Philip II of Macedon, the father of Alexander the Great, was killed attending the wedding of his daughter Cleopatra (no, not that Cleopatra). Later Cleopatra, as a widow, would be assassinated herself by one of her unsuccessful suitors.

Three centuries later, Julius Caesar was murdered by the political elite of Rome, who feared his growing influence. And in 453, one of Rome’s greatest enemies, Attila the Hun, was arguably murdered on his wedding night by his new bride, Ildico.

Several assassinations are recorded in the Bible. Over such a lengthy and turbulent historical period, that is unsurprising. The two excerpts below have links to the fuller accounts.

[Canaanite general] Sisera fled away on foot to the tent of Jael, the wife of Heber the Kenite, for there was peace between Jabin the king of Hazor and the house of Heber the Kenite. And Jael came out to meet Sisera and said to him, “Turn aside, my lord; turn aside to me; do not be afraid.” So he [entered] the tent, and she covered him with a rug. . . . And he said to her, “Stand at the opening of the tent, and if any man comes and asks you, ‘Is anyone here?’ say, ‘No.’” But Jael the wife of Heber took a tent peg, and took a hammer in her hand. Then she went softly to him and drove the peg into his temple until it went down into the ground while he was lying fast asleep from weariness (Judges 4).

Joab took Amasa by the beard with his right hand to kiss him. But Amasa did not observe the sword that was in Joab’s hand. So Joab struck him with it in the stomach and spilled his entrails to the ground without striking a second blow, and he died (2 Samuel 20).

As a sort of counterbalance to these “positive” instances – elimination of Israel’s enemies – you may want to read about King David’s condemnation of the assassinations of his political rivals, men to whom he would have extended mercy. When two brothers sought a reward for murdering King Ish-bosheth, Saul’s son, David declared “when wicked men have killed a righteous man in his own house on his bed, shall I not now require his blood at your hand and destroy you from the earth?” (2 Samuel 4).

All told, however, there was much violence in the ancient world. As C.S. Lewis’ wife, Joy Davidman, wrote in Smoke on the Mountain: An Interpretation of the Ten Commandments in Terms of Today:

How the ancient Jews did slaughter! They killed in hot blood and in cold; they killed for loot, for God, and for fun. . . . The tribes killed . . . by political assassination as when Ehud stabbed King Eglon in his fat belly . . . [The graphic story of Eglon’s assassination is detailed in Judges 3.]

Another historically consequential assassination occurred in the year 661, when Muhammad’s son-in-law Ali ibn Abi Talib was slain with a poison-coated sword while praying in the Great Mosque of Kufa. This incident caused Islam to separate into two major denominations, and Sunni-Shia relations continue to be contentious.

In the modern era, political murders remain unabated. Vladimir Putin  may be the current master of the deadly art. Even discounting the growing number of “suicides” among his advisers and generals following his ill-advised invasion of Ukraine, we have the case of Alexei Navalny. Navalny was one of Putin’s critics who in 2020 survived poisoning with Novichok nerve agent. Nevertheless, imprisoned in the arctic, he later died under extremely suspicious circumstances. 

In the western hemisphere, the recent attempted assassination of former President Donald Trump invites a review of the danger of serving in that particular office. Despite the (obvious) risk of inviting non-Americans to mock the United States, consider a few facts.

  • Since 1789 (when the office was established) we have had 45 presidents
  • Four sitting presidents have been assassinated while in office
  • Three other presidents (one while in office) were wounded in assassination attempts

Assassination During the Protestant Reformation

In C.S. Lewis’ landmark tome English Literature in the Sixteenth Century, recalls a peculiar passage from the History of the Reformation of Religion within the Realm of Scotland. The author, John Knox refers to the murder of Scotland’s last pre-Reformation Roman Catholic cardinal. It would be more than four centuries before the Pope appointed another.

In the cast of [Knox’s] mind, too, there is something not unlike Tacitus’ sombre pungency, though Knox’s humour, as becomes a countryman of Dunbar, is more boisterous and ferocious.

Sometimes, indeed, it is so ferocious that we should not recognize it at all if we were not told; as when after describing the murder of Cardinal Beaton down to the last grim detail of packing the corpse in salt (‘the wether was hote’) he proceeds, ‘These things we wreat mearelie: but we wold that the reader should observe Goddis just judgementis.’

He was apparently afraid lest the fun of the thing might lead us to forget that even an assassination may have its serious side.

Quite true. An assassination, even of a despised ruler such as Adolf Hitler, remains a serious matter.

C.S. Lewis, Ghosts & Anthroposophy

C.S. Lewis begins his essay “Miracles” with a rather odd analogy. “I have known only one person in my life,” he writes, “who claimed to have seen a ghost.” As he tells the rest of the story, it works well to illustrate his point about the necessity of faith for recognizing miracles.

It was a woman; and the interesting thing is that she disbelieved in the immortality of the soul before seeing the ghost and still disbelieves after having seen it. She thinks it was a hallucination. In other words, seeing is not believing. This is the first thing to get clear in talking about miracles. Whatever experiences we may have, we shall not regard them as miraculous if we already hold a philosophy which excludes the supernatural.

In our previous post, we explored a number of references to ghosts in C.S. Lewis’ works and correspondence. Most of these notes relate to encountering these disembodied spirits in literature.

For example, as a young man, he commended a poem by Matthew Arnold (1822-1888) to his friend Arthur Greeves.

I was sure that you wd. like “Balder Dead . . .” it is a topping piece of work, especially the journey, as you say, and the description of the ghosts, and the ending with its impressive pause before the glorious line “At last he sighed & set forth back to Heaven.” Doesn’t it all make you think of the dear old days when we were writing our great opera on Loki & Odin & the rest?

It is easy to see how “Balder Dead” resonated with Lewis, given his affinity for “Northernness.”

And doleful are the ghosts, the troops of dead,
Whom Hela with austere control presides…
And all the nobler souls of mortal men
On battle-field have met their death, and now
Feast in Valhalla, in my father’s hall;
Only the inglorious sort are there below…

In 1952, C.S. Lewis was invited to comment on a volume written by Phyllis Elinor Sandeman. The sensitive Inkling displayed the virtues of every good member of a writing critique group. Lewis begins with praise, and offers a single, concrete constructive comment, to aid the author.

Dear Mrs. Sandeman, I have read Treasure on Earth and I don’t believe you have any notion how good it is. . . . The only page that I can’t enter into at all is p. 83. I can’t conceive not being afraid, as a child, of those unseen presences. I should have behaved like little Jane Eyre in the Red Room when she dried her tears for fear a ghostly voice should awake to comfort her. One would rather be scolded by a mortal than comforted by a ghost.

Lewis is referring to a passage in which a specific location in her childhood home presumably granted the author immunity from fears: “Stories of ghosts and witches so delightful in cheerful company returned to trouble her when alone in the dark. It was impossible ever to feel fear in the drawing-room—there could surely never be a room more conducive to peace of mind.”

Two months later, Lewis again wrote Sandeman, perhaps to address her disappointment at receiving his comment about ghosts.

You were perfectly right to put in the bit about the friendly ghosts. I think the absence of fear is, as far as it goes, probable evidence that the experience was not merely imaginary. Everyone fears lest he should meet a ghost, but there seems to be some ground for supposing that those who really meet them are often quite unafraid.

Notice that angels, on the other hand, seem in Scripture to be nearly always terrifying & have to begin by saying “Fear not.”

In Ireland I stayed at a lonely bungalow last summer which the peasants avoided not because a ghost had been seen near it (they didn’t mind ghosts) but because the Good People, the Faerie, frequented that bit of coast. So apparently ghosts are the least alarming kind of spirit.

In a letter to another correspondent, Lewis describes the same stay at the isolated Irish lodging. “I have been really in quiet and almost unearthly spots in my native Ireland. I stayed for a fortnight in a bungalow which none of the peasants will approach at night because the desolate coast on which it stands is haunted by ‘the Good People.’ There is also a ghost but (and this is interesting) they don’t seem to mind him: the faerie are a more serious danger.”

The Anthroposophist Connection

Anthroposophy is a religious philosophy created by Rudolf Steiner (1861-1925). It is diametrically opposed to Christian revelation, and was the cause of one of C.S. Lewis’ greatest disappointments. Tragically, his dear friend and fellow Inkling, Owen Barfield, subscribed to Steiner’s doctrines. C.S. Lewis’ “Great War” with Owen Barfield describes a five year period when the two young scholars argued about the religion. Unfortunately, this was prior to Lewis’ own conversion, so he did not bring a Christian faith to the battle.

Steiner’s religion is complex and confusing. There are, in his view, a plurality of gods. And the god to whom he refers as humanity’s Creator is not the God of Genesis. Steiner argues we have lost sight of the true knowledge or gnosis.

During this [contemporary] era, people no longer see Christ as the being who came down from the stars, because they do not understand the stars themselves as an expression of the spirit as it weaves in the cosmos. For humanity today, there is no God or Christ in the cosmos. (The Three Eras of Human Religious Education)

Naturally, since Barfield was such a good friend of Lewis, there is much that is commendable in him . . . despite his esoteric beliefs. Lewis, after all, entrusted Barfield to be the executor of his estate. Despite their differing theologies, Lewis wrote nakedly about his deep sorrow in the wake of the death of their fellow Inkling, Charles Williams.  

My dear Barfield Thanks for writing. It has been a very odd experience. This, the first really severe loss I have suffered, has (a) Given corroboration to my belief in immortality such as I never dreamed of. It is almost tangible now. (b) Swept away all my old feelings of mere horror and disgust at funerals, coffins, graves etc.

If need had been I think I could have handled that corpse with hardly any unpleasant sensations. (c) Greatly reduced my feeling about ghosts. I think (but who knows?) that I should be, tho afraid, more pleased than afraid, if his turned up. In fact, all very curious. Great pain but no mere depression.

In this letter C.S. Lewis is speaking wistfully about the ghost of a friend. He is well aware of the fact that—despite the British fascination with spiritualism—that is not how the afterlife works. Those who die “in Christ” join him in Paradise, just as he promised the believing thief who perished beside him.

Ghosts do not wander around the earth. Those are different types of spirits, to be discussed another day. By contrast here are some Steinerian thoughts on the subject.

When human beings cling too strongly to earthly things it may be difficult for them to find their bearings in the sphere of the Moon Beings [which] may cause human beings who have to pass after death into the Moon sphere—the soul-world—but are unable to understand the Moon Beings, to be trapped . . . and they can actually be seen . . . wandering about as ghosts, as spectral shades. (Steiner, Karmic Relationships)

The accumulation in the etheric body caused through these [wicked] experiences of the soul . . . brings about detachments from the beings working in the spiritual worlds and these likewise are now to be found in our environment—they are the “specters” or “ghosts.” (Steiner, Nature Spirits)

Ghosts, as they are generally called, are spirits which have acquired a sensory-physical character (or have become tangible) through the human organisation, whereas impulses, instincts, desires and passions are modern spectres pointing towards the future, spectres which have not yet been raised to spirituality. (The Contrasting World-Conceptions of East and West)

But enough of quotations that foster more confusion than understanding. Let’s look at a letter C.S. Lewis wrote to his friend Arthur Greeves in 1920. In it Lewis describes a visit with Leo Kingsley Baker (1898-1986). Like Lewis, Baker was a young veteran of the First World War. Both served in France, Lewis in the trenches and Baker as a pilot in the RAF. Baker also happened to be an Anthroposophist, and it was in fact Baker who introduced C.S. Lewis and Owen Barfield.

I was in [Leo] Baker’s rooms with [Rodney] Pasley last night: Pasley departed early and the conversation between us two fell on shadowy subjects–ghosts and spirits and Gods. You may or may not disbelieve what followed.

Baker began to tell me about himself: how he had seen things ever since he was a child, and had played about with hypnotism and automatic writing: how he had finally given it all up, till now “things” were coming back of their own accord. “At one time” he said “I was afraid to look round the room for fear of what I might see.”

He also stated confidently that anyone could compel a ghost to appear, that there were definite ways of doing it: though of course the thing you “fished up” might not be what you wanted—indeed quite the contrary.

The greater part of his views I will reserve for our next meeting: what I wanted to tell you was the effect on me. I got, as it were, dazed and drunk in all he said: then I noticed his eyes: presently I could hardly see anything else: and everything he said was real—incredibly real.

When I came away, I moved my eyes off his, with a jerk, so to speak, and suddenly found that I had a splitting headache and was tired and nervous and pulled to pieces. I fancy I was a bit hypnotised. At any rate I had such a fit of superstitious terror as I have never known since childhood and have consequently conceived, for the present, a violent distaste for mysteries and all that kind of business. Perhaps he is a bit mad.

It comes as little surprise that an encounter such as this would leave one with a serious headache. Likewise, further consideration of these arcane matters here at Mere Inkling would likely promote similar cranial vexation. Suffice it to say, as we close, that we who trust in Christ need not fear any spirit or demon we might encounter, because “greater is he who is in [us] than he who is in the world” (1 John 4:4).

Tolkien’s Inspiration

night patrolThe poetry of a dead veteran spoke to me today. He was a close friend of J.R.R. Tolkien, and in a sense his life lives on in the descriptions of Middle Earth.

In a recent column my Canadian friend Brenton Dickieson, introduced me to one of the many poets whose lives tragically ended on the battlefields of WWI.

Professor Dickieson describes the context of a new film about the impact of the war on J.R.R. Tolkien. It is called Tolkien’s Great War. It is based on the book Tolkien and the Great War: The Threshold of Middle-earth.

You will find a link to the half hour documentary below, and I strongly—yes, strongly—encourage you to watch it. It is quite moving.

Like most members of their generation, Tolkien and C.S. Lewis were deeply moved by the horrors of the First World War. Both served on the front lines, in the grim trenches, during the bloody conflict. And they lost friends. I’ve written in the past about their military service, including posts herehere, and here.

The Deceased Poet

The documentary describes the untimely deaths of two of Tolkien’s closest friends during the war. One of them, Geoffrey Bache Smith, was a poet.

Following his death, Tolkien gathered together his writings and published them as a tribute to his friend. It was one of the earliest contributions to a wealth of soldier’s poetry that would deluge grieving Europeans by the close of the conflict.

Due to the brevity of his life, the collection, published as A Spring Harvest, is short. Tolkien also penned an introduction to the work which is equally Spartan. The literary austerity is fitting, given the sad reason for the volume’s brevity. The introduction, in full, reads:

The poems of this book were written at very various times, one (“Wind over the Sea”) I believe even as early as 1910, but the order in which they are here given is not chronological beyond the fact that the third part contains only poems written after the outbreak of the war. Of these some were written in England (at Oxford in particular), some in Wales and very many during a year in France from November 1915 to December 1916, which was broken by one leave in the middle of May.

“The Burial of Sophocles,” which is here placed at the end, was begun before the war and continued at odd times and in various circumstances afterwards; the final version was sent me from the trenches.

Beyond these few facts no prelude and no envoi is needed other than those here printed as their author left them.

J.R.R.T., 1918.

The poems themselves run the gamut of emotions. This is unsurprising, given that some were born during the idyll dreams of youth, while others were forged by the anvil of war.

The limited press run of the book has made it difficult to find. Fortunately, it is now available for free via Project Gutenberg.

While the poems include the familiar references to the “old gods” so common to the period, there are also some moving references to a more Christian ethos.

Creator Spiritus

The wind that scatters dying leaves

And whirls them from the autumn tree

Is grateful to the ship that cleaves

With stately prow the scurrying sea.

Heedless about the world we play

Like children in a garden close:

A postern bars the outward way

And what’s beyond it no man knows:

For careless days, a life at will,

A little laughter, and some tears,

These are sufficiency to fill

The early, vain, untroubled years,

Till at the last the wind upheaves

His unimagined strength, and we

Are scattered far, like autumn leaves,

Or proudly sail, like ships at sea.

Tolkien and Smith formed half of the T.C.B.S., a communion knit together during the school years. The war would cut that number in half, as poignantly described in Tolkien and the Great War. The first of the companions had already died, and five months later Smith was spending the final moments of his own life encouraging his friend to press on, whatever might befall him.

Before reading Smith’s “So We Lay Down the Pen,” consider his final letter to Tolkien. He wrote it as he prepared to lead a night scout through dead man’s land at the front. It was dangerous duty which did indeed, that very evening, cost him his life.

My chief consolation is that if I am scuppered [ambushed and killed] tonight—I am off on duty in a few minutes—there will still be left a member of the great T.C.B.S. to voice what I dreamed and what we all agreed upon. For the death of one of its members cannot, I am determined, dissolve the T.C.B.S.

Death can make us loathsome and helpless as individuals, but it cannot put an end to the immortal four! A discovery I am going to communicate to Rob before I go off tonight. And do you write it also to Christopher. May God bless you my dear John Ronald and may you say things I have tried to say long after I am not there to say them if such be my lot.

Yours ever,

G.B.S.

Tolkien compiled Smith’s poems as a tribute. And, when he wrote his masterpieces, there is a profound sense in which he truly did say things his friends had tried to say, long after they were not there to say them.

So We Lay Down the Pen

So we lay down the pen,

So we forbear the building of the rime,

And bid our hearts be steel for times and a time

Till ends the strife, and then,

When the New Age is verily begun,

God grant that we may do the things undone.