Archives For Chronicles of Narnia

C.S. Lewis & Roald Dahl

August 17, 2022 — 6 Comments

Do C.S. Lewis (1898-1963) and Roald Dahl (1916-1990) have anything in common, besides authoring books enjoyed by children?

Looking back, I must have been deprived of opportunities to read common children’s books. I recall my mom having many of Dr. Seuss’ classics, but don’t remember more advanced works such as those of Beatrix Potter or E.B. White.

I suppose that is why Roald Dahl’s name means little to me. By the time I was aware of his popular works, I was too old to appreciate them. Added to that was my intense dislike for the cinematic presentation of his Chocolate Factory, which has permanently (and probably unfairly) soured my impression of the poor man.

In Matilda, published in 1988, Dahl offers a rather curious homage to the Inklings. The young protagonist offers to her teacher the following observations.

“I like The Lion, the Witch and the Wardrobe,” Matilda said. “I think Mr. C.S. Lewis is a very good writer. But he has one failing. There are no funny bits in his books.”

“You are right there,” Miss Honey said.

“There aren’t many funny bits in Mr. Tolkien either,” Matilda said.

If you are intrigued by this brief interchange, you would probably enjoy reading “Disagreeing with Matilda on Lewis and Tolkien.”

Curiously, a number of people have offered their evaluations of Lewis and Dahl, vis-à-vis one another. Author Grudge Match: Roald Dahl vs. C.S. Lewis invited diverse contributions to the debate eight years ago on LibraryThing.

A Christian blogger offers a faith-based appraisal on an entertaining website called “Like but better.” It’s entitled “How C.S Lewis is like Roald Dahl, but better (and Aslan is like Willy Wonka, but better).”

C.S Lewis is serious about what Dahl jokes about; even as both want us to pursue a childlike wonder and joy. For Lewis these enchanted stories and our sense of wonder are small stories reflecting on the big story — the ‘myth that became history’ — the death and resurrection of Jesus.

A BBC Culture article is quite critical of Dahl, despite his popularity. The introduction to “The Dark Side of Roald Dahl” aptly describes the essay.

Roald Dahl was an unpleasant man who wrote macabre books – and yet children around the world adore them. Perhaps this shouldn’t surprise us, writes Hephzibah Anderson.

An article by a Jewish journalist refers to both of the authors discussed here. It describes his bitter introduction to the major flaws of an author whose work he enjoyed as a child. “Why I Hope My Kids Never Read Roald Dahl” is, for me, most valuable for the way in which the journalist regards the faith which underlies the tales of Narnia.

As a nerdy Jewish kid in Indiana and Tennessee in the late 1970s and 1980s, I had far better relationships with books than I did with other kids. If I liked a book, I read it again, and again and again.

And so it was with Roald Dahls “Charlie and the Chocolate Factory.” Dahl’s protagonists Charlie and later James (of the “Giant Peach”) both provided early models for how to find a better way through a hostile world where I always felt like an outsider.

Given that personal history, the announcement that Netflix has acquired Dahl’s entire catalog and plans a robust lineup of multimedia adaptations ought to feel like good news. . . .

Seeing his work still celebrated fills me with sadness, leaving me caught between attachment to something that mattered to me as a boy and commitment to the principles that, I hope, make me the man I am today.

Because I know that Roald Dahl hated Jewish people like me.

There are cases where it’s complicated to ascribe modern values to figures from the past and as a reader, my feelings, my emotions, are just not going to be consistent. I don’t share C.S. Lewis’ religious views . . . J.R.R. Tolkien’s “Lord of the Rings” trilogy is, I’m sad to say, bound up in long histories of racism.But my childhood copies of their books still occupy my shelves, some missing covers and pages, and I bought new copies for my kids and tried – with mixed success – to share my love of those stories with them. It’s hardly new for readers of one generation to struggle with the views of authors from another.But Dahl is different. He passed away in 1990, only 31 years ago. And we know he was an anti-Semite because he said so.

While I would challenge Perry’s modest critiques of the Inklings, I am delighted he is able to look beyond his adult disappointment with their imperfections to commend them to his own children. As for Dahl . . . this article reinforces my lack of regret in being unfamiliar with his work.

Enough, now, of their differences. I promised readers a surprising similarity between the two British authors.

And What Is Their Unusual Commonality?

In 1951, C.S. Lewis was approached by Prime Minister Churchill’s office to accept an honor occasionally bestowed upon renowned literary figures. He was invited to become a Commander of the Most Excellent Order of the British Empire. Lewis declined, because he felt the political implications might overshadow the nonpartisan spirit of his writings. He was, however, honored to have been offered the honour.

This decision brings us to the peculiar similarity between the two writers. It turns out that Roald Dahl also passed up the invitation to join this chivalric order.

And the two were not alone. In 2012 a list of deceased individuals who had declined related honors between 1951 and 1999 was published.

Literary names were prominent amongst those to have said no to CBEs, OBEs and knighthoods in the annual New Year or Birthday Honours list, with Dahl, Lewis, and Huxley . . . joined by fellow naysayers Eleanor Farjeon, the children’s author, the poets Philip Larkin and Robert Graves, who said no to both a CBE and a CH (Order of the Companions honour), literary critic F.R. Leavis, Booker [Prize] winner Stanley Middleton and the authors J.B. Priestley and Evelyn Waugh.

An aspiring literary historian might do well to research whether and why successful writers might be more inclined to dismiss such an honor than other British citizens. I wonder if that inclination would carry over to other nationalities or cultures.

Ultimately, I assume most writers care less about receiving honors, than having their work read. And, perchance, having their literary efforts improve the lives of one or two others along the way. [This statement inspired vigorous debate when I shared this draft with members of my critique group.]

That desire – to enrich lives – is what motivates me. I believe it is also what inspired C.S. Lewis. And I know we are not alone.

Not Wholly Contemptible

April 13, 2016 — 6 Comments

cornwallisEveryone loves a compliment. Allow me to rephrase that. Most people appreciate a sincere compliment when it is genuinely flattering.

Actually, “flattering” isn’t a good word choice here. Flattery has a bad rep. The way it’s currently used, it hints of exaggeration and manipulation.

So let’s return to the concept of “compliments” in general. Most, we know, are welcome. It’s nice to have someone tell us we did a commendable job or had a good idea.

Then there are those less sincere “compliments” that require a bit of intelligence or wit to offer. The go by different names, but are commonly referred to as “left-handed compliments” or “backhanded compliments.”

This type of statement might sound on its surface like a compliment, but includes an element that undermines the praise. The Urban Dictionary offers the following example:

“Boy, you’re pretty hot . . . for a fat (or skinny) chick!”

Now, that is nothing but an insult. And it’s an insult of the crassest variety. One that demands no wit at all.

The British, on the other hand, are often capable of offering highly refined backhanded compliments.

I just came across a delightful one, delivered by the commander of the King’s forces during America’s War of Independence. What makes this exquisite is that it was offered in the wake of the general’s defeat at the close of the war.

When finally brought to heel at Yorktown, Lord Cornwallis reported, “I will not say much in praise of the Militia of the Southern Colonies, but the list of British officers and Soldiers killed or wounded by them since last June, proves but too fatally that they are not wholly contemptible.”

You can read more about the context for that statement in an excellent article about the American legacy of “citizen soldiers” published in Hallowed Ground magazine. This excellent journal is published by the Civil War Trust, which works diligently to preserve battlefields from the Civil War. They have recently expanded those efforts to include the Revolutionary War.

C.S. Lewis & Compliments

Lewis included backhanded compliments in his fictional works. Two simple examples follow. The first is found in The Screwtape Letters, where the tempter frequently commends the skill of God (“the Enemy”) in redeeming the lost.

Never forget that when we are dealing with any pleasure in its healthy and normal and satisfying form, we are, in a sense, on the Enemy’s ground. I know we have won many a soul through pleasure. All the same, it is His invention, not ours.

Here is an offhanded compliment that Lewis places on the lips of Prince Corin in The Chronicles of Narnia. He is asked where Queen Susan is, on the eve of a battle and he responds like a typical young boy (which he still is at the time). He praises the martial spirit of her sister, Queen Lucy, who is a young adult at this point in the series.

At Cair Paravel. She’s not like Lucy [her sister who is in the ranks of the archers], you know, who’s as good as a man, or at any rate as good as a boy. Queen Susan is more like an ordinary grown-up lady. She doesn’t ride to wars, though she is an excellent archer. (The Horse and His Boy).

The late Bruce Edwards described how C.S. Lewis offered H.G. Wells a backhanded compliment. He did so by following the structure of Wells’ works, but devoting them to a vastly different philosophical purpose.

In Out of the Silent Planet (1938), Lewis adapted the general plot outline from H.G. Wells’s First Men in the Moon in order to tell an essentially anti-Wellsian tale. In Perelandra, Lewis pays a similar backhanded compliment to the man he admired as a speculative writer, but not as a philosopher.

The broad narrative structure of Perelandra resembles another novel by H.G. Wells, The Time Machine (1895). . . . In Wells’s novel, this narrative outline provides the basis of a quasi-Marxist fable about effete bourgeoisie and surly proletariat. In Lewis’s hands, a similar story structure tells a very different tale, one in which the ultimate battles are not economic and political, but rather cosmic and spiritual. (C.S. Lewis: Fantasist, Mythmaker, and Poet).

Compliments: the Good & the Bad

Lewis’ use of Wells’ science fiction template was not meant to slight him. It was actually a tribute. Likewise, in the examples from his fiction, Lewis is simply representing (effectively) the attitudes of the speakers.

Returning for a moment to the abject General Cornwall, we recognize as well the grudging nature of his praise of the enemy. They were certainly rabble—possessing no great military skill, in his estimation. Yet, in terms of bringing the army of the greatest power in the world at that time to its surrender, “they are not wholly contemptible.”

And that, when it came to winning the war, apparently proved quite sufficient.

The Road Taken

June 19, 2012 — 4 Comments

They are both important. Where we are going, and how we get there.

It’s quite common for analogies about our lives to assume the form of journeys. The journey, in fact, is a fitting metaphor for all human life.

Aging is a journey. Maturing is a journey that should run parallel to aging (though it seldom seems to do so). Learning is a journey. And the image of the “lifelong learner” is something that appeals to most readers and to all who hunger for daily intellectual growth.

Our spiritual lives are journeys of a sort. They follow “paths,” with branches that invite us to travel in myriad directions. Yet all roads are not “equal.” David, the anointed Psalmist prayed, “Make me to know your ways, O Lord;
 teach me your paths” (Psalm 25:4, ESV).

Even secular poets have recognized the power of this concept. One of the most memorable lines ever penned in English is: “Two roads diverged in a wood and I . . . I took the one less traveled by, and that has made all the difference” (“The Road Not Taken,” Robert Frost).

The Inklings expertly used the metaphor of journey to frame their works. Tolkien’s The Hobbit and Lord of the Rings are both propelled, in fact, by vivid journeys. Likewise, Narnia’s Chronicles contain a number of momentous journeys, which ultimately culminate in the final journey which just begins with the close of The Last Battle.

These journeys are, of course, literal trips. Physical traveling from one place to another. Of course, these physical passages occur simultaneously with far more meaningful changes.

The typical contemporary journey of life may take us to varying locales—but it’s possible to savor a rich life journey without ever traveling far from the home of our youth. Indeed, one could be bedridden from birth, and travel the world in terms of experiencing Life. Thanks to God’s gifts of imagination, dream, wonder and faith.

C.S. Lewis also employs this journeying metaphor in his nonfiction works. In The Problem of Pain, he paints a fascinating panorama of our life in this world. He reveals that suffering is actually a blessing, in that it prevents us from growing too attached to this world. Although God graces us with pleasing moments in this life, they are interrupted by moments of insecurity . . . lest we mistakenly believe this finite world is our true home.

Christian doctrine of suffering explains, I believe, a very curious fact about the world we live in. The settled happiness and security which we all desire, God withholds from us by the very nature of the world: but joy, pleasure, and merriment, He has scattered broadcast. We are never safe, but we have plenty of fun, and some ecstasy. It is not hard to see why. The security we crave would teach us to rest our hearts in this world and pose an obstacle to our return to God: a few moments of happy love, a landscape, a symphony, a merry meeting with our friends, a bathe or a football match, have no such tendency. Our Father refreshes us on the journey with some pleasant inns, but will not encourage us to mistake them for home.

May the roads we choose to follow bring us safely to the wonderful home our heavenly Father has prepared for each of us.

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The beautiful, copyrighted photograph above appears compliments of Craig Sterken Photography at craigsterken.com. Check out his exceptional gallery!