Tag: Cartoons

C.S. Lewis, the Brothers Grimm & Snow White

On By robstroudIn C.S. Lewis, C.S. Lewis & the Inklings, Cartoons with a Message, Classics Worth Revisiting, Films, G.K. Chesterton, History, J.R.R. Tolkien, Likely Useless Trivia, Literature, Modern Life, Narnia8 Comments

You may blame the recent cinematic debacle that is Snow White on a declining Film Studio or the Brothers Grimm, but C.S. Lewis is innocent.

That’s not to say the Grimms didn’t have an influence on the great Oxbridge professor, a subject we’ll explore momentarily. But it was the German folk tales published by academics Jacob and Wilhelm Grimm who published the classic fairy tales that Walt Disney mined so effectively. 

They also popularized Cinderella, Hansel and Gretel, Little Red Riding Hood, The Princess and the Frog, and Rapunzel. Disney began the transformation of these tales into visual treasures as early as 1921 when he founded Laugh-O-Gram Studio in Kansas City, Missouri.

In addition to films, over the years Walt gleaned memorable Grimm stories for a multitude of cartoon shorts, including The Brave Little Tailor and The Four Musicians of Bremen.

Obviously, Walt Disney himself respected the source material for the stories and wielded his editorial prerogative in an appropriate manner. Tragically, the same cannot be said for his corporate heirs. Likewise, the Brothers Grimm bear no culpability in this area.

C.S. Lewis, J.R.R. Tolkien & Snow White

The truth is, although Lewis and Tolkien appreciated literary fairy tales, neither of the preeminent Inklings were enamored with Disney’s animated treatment of the stories. Curiously, the two distinguished dons actually attended the theater together to view the trailblazing novelty that was Snow White.

They were particularly disappointed with the dwarves, seeing just how different they were from the genuine legends about them. Lewis even wrote “Dwarfs ought to be ugly of course, but not in that way.” Atlas Obscura has an entertaining article about their “movie date” and notes some of the elements they also enjoyed in the feature.

In his lectures published as A preface to Paradise lost, C.S. Lewis elaborates on his response to the Disney version of the tale.

That strange blend of genius and vulgarity, the film of Snow-White, will illustrate the point. There was good unorginality in the drawing of the Queen. She was the very archetype of all beautiful, cruel queens: the thing one expected to see, save that it was truer to type than one dared to hope for.

There was bad originality in the bloated, drunken, low-comedy faces of the dwarfs. Neither the earthiness, the avarice, nor the wisdom of true dwarfs was there, but an imbecility of arbitrary invention.

But in the scene where Snow-White wakes in the woods both the right originality and the right unoriginality were used together. The good unoriginality lay in the use of small, delicate animals as comforters, in the true Märchen [fairy tale] style. The good originality lay in letting us at first mistake their eyes for the eyes of monsters.

If you want to read more about the subject, you can do no better than read Joe Christopher’s article on the subject.

For an interesting argument that fellow Brit G.K. Chesterton would have loved Snow White for the very reason that moved the Inklings to criticize it, see “Tolkien and Lewis disliked Snow White. You know who wouldn’t have?”

C.S. Lewis & Grimm’s Fairy Tales

Like his friend, J.R.R. Tolkien, C.S. Lewis was a champion of classical fairy tales. Neither was apologetic for it, although Lewis admitted to being shy about it when he was young. In an essay titled “On Three Ways of Writing For Children,” he wrote,

When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.

In a great post called “Old Enough For Fairy Tales: C.S. Lewis’ “The Chronicles of Narnia” the writer describes this distinction to which Lewis alludes.

The Chronicles of Narnia are not children’s stories. They are fairy tales—but that is precisely why they are not children’s stories. If you can’t understand, you haven’t been listening. Go back and read the quote from Lewis’ essay again. Children are not the only audience for fairy tales.

In 1954, C.S. Lewis apologized to a German professor for being unable to understand the nuances of his volume on philosophy. In doing so, he referred to his youthful reading of the Brothers Grimm in their original German (available at Internet Archive).

I look forward to reading the book (when the translation arrives! My German is wretched, and what there is of it belongs chiefly to the libretto of the Ring and Grimm’s Märchen – works whose style and vocabulary you very possibly do not closely follow).

If you are in the mood for reading Grimm’s Fairy tales today, and your German is sadly lacking, Project Gutenberg has just the translation for you . . . as long as you can read English.

Addendum [added 10 April 2025]

The Brothers Grimm were far more than simply folklorists. They were respected professors at the University of Göttingen. They were devout Christians and worked with other prominent Germans. 

Goethe assisted them at a crucial moment in collecting their tales, and the philosopher Friedrich Schleiermacher provided copyediting assistance. Jacob’s work on German mythology had a pronounced influence on the composer Richard Wagner (World Magazine).

They also began compiling the Deutsches Wörterbuch (Germany dictionary) in 1838, with the first volumes published in 1854. It was the first dictionary to include historical usages of each word, preceding the Oxford English Dictionary, which was initiated in 1857 with its first edition published in 1884.

Bonus Trivia: The dwarves were unnamed until their debut on Broadway in 1912. And on that day they were christened Blick, Flick, Glick, Plick, Snick, Whick and Quee.

Mickey Mouse Is Now Ours

On By robstroudIn Advice to Writers, Animals, C.S. Lewis, C.S. Lewis & the Inklings, Films, J.R.R. Tolkien, Narnia, Writing13 Comments

He’s no Reepicheep, but the earliest iteration of Mickey Mouse just became public property!

One of the little-heralded New Year’s Day events was the entry of the Steamboat Willie version of Mickey into public domain. Now anyone who desires can use the image without infringing on Disney’s copyrights.

Actually, my headline is not 100% accurate. As I just noted, it’s the earliest version of the most famous mouse in the world. However, the rodent’s name, and his subsequent graphic version remains protected. That’s because while copyrights eventually expire, trademarks don’t.

Therefore, as reported in Fortune magazine, “current artists and creators will be able to make use of Mickey, but with major limits. It is only the more mischievous, rat-like, non-speaking boat captain in ‘Steamboat Willie’ that has become public.”

The 1928 poster advertising Mickey’s cinematic debut comes from a great article at Animation Scoop. Without comparing measurements of Mickey’s initial and contemporary snouts, it doesn’t appear to me the public domain version is that much more “rat-like.”

As for differences between the two . . . well, I’m not an attorney, but it appears Mickey’s onscreen persona in 1928 wasn’t wearing his standard white gloves. The poster, nevertheless, shows a Mickey closely resembling the cartoon mouse who was part of many of our childhoods. As noted in the Fortune piece:

Not every feature or personality trait a character displays is necessarily copyrightable, however, and courts could be busy in the coming years determining what’s inside and outside Disney’s ownership.

My question, and perhaps one of you intelligent readers can answer this, is about the image’s “name.” His full name, with his surname “Mouse,” is undebatably trademarked. Can a person legally use the name “Mickey” with the 1928 likeness? My guess is that the first name is not restricted, no matter how much Disney protests.

Speaking of Disney, a company which has become a disappointment in recent years, the Inklings were not big fans. If you are interested in learning more about the Inklings’ opinion about Disney Studios, check out author Jim Denney’s “What C.S. Lewis and J.R.R. Tolkien Thought of Walt Disney.”

After identifying a number of parallels in their lives, he explores the irony that “you might think that, with all that C.S. Lewis and Walt Disney had in common, they might have been mutual admirers—but that was not the case.”

And, there is always another option. As Britannica reminds us, Mickey wasn’t even his original name. Walt’s first choice (vetoed by his wife) was “Mortimer.”

That’s it for today. Now I’m off to write a book about Mickey’s alliance with Reepicheep. Oh wait, Reepicheep won’t be in the public domain until after I’m enjoying heaven with my Lord, and with the Christian members of the Inklings.

And, even if one could pair the two up for an adventure, they wouldn’t prove compatible. The reason should be obvious, but for an enjoyable exploration of that subject, I commend to you, “Reepicheep and Mickey.” 

Pacifism as an Enemy of Peace 

On By robstroudIn C.S. Lewis, Great Authors, History, Just War, Military Musings, Modern Life, The Future9 Comments

blimp 01The literary careers of C.S. Lewis and George Orwell overlapped in some interesting ways.* Today we will consider a rather odd British personality mentioned by each of them in wartime essays, Colonel Blimp.

Colonel Blimp was a cartoon figure, inspired by a conversation between two military officers who were arguing that “cavalry” officers should continue to wear spurs even when they migrated into tanks.**

At one time the cartoon was so popular that Lewis wrote:

It may well be that the future historian, asked to point to the most characteristic expression of the English temper in the period between the two wars, will reply without hesitation, “Colonel Blimp.” (“Blimpophobia”).

The good colonel echoes similar foolish notions as he blusters about in a caricature of pompous military commanders. Blimp is retired, but harangues all within earshot about the wisest course for the nation.

Orwell wrote derisively of the military and imperialistic middle class, that he called “the Blimps.” He drew the label from the “colonel with his bull neck and diminutive brain, like a dinosaur.” (“The Lion and the Unicorn”).***

blimp 02The cartoon above illustrates how Colonel Blimp is certain he has the solution to winning the arms race. The frame to the right shows that he believes his wisdom extends beyond the military to politics in general.

Timely Advice from C.S. Lewis

In “Blimpophobia,” Lewis offers advice which proves apropos for our modern age. Today, as fanatical barbarians seek to destroy civilization, enlightened nations and individuals must be vigilant.

One dimension of that vigilance involves walking the fine line between unbridled nationalism and self-absorbed pacifism. When he wrote, Lewis was worried about the anti-war sentiment that threatened to undermine Britain’s response to the Nazis.

Lewis, a wounded combat veteran of the Great War, recognized the truth of the Colonel Blimp caricature. He said something veterans recognize even more clearly than civilians. There is an overabundance of preening and stupidity in the military.

The infection of a whole people with Blimpophobia would have been impossible but for one fact—the fact that seven out of every ten men who served in the last war, emerged from it hating the regular army much more than they hated the Germans. How mild and intermittent was our dislike of “Jerry” compared with our settled detestation of the Brass Hat, the Adjutant, the Sergeant-Major, the regular Sister, and the hospital Matron!

Now that I know more (both about hatred and about the army) I look back with horror on my own state of mind at the moment when I was demobilized. I am afraid I regarded a Brass Hat and a Military Policeman as creatures quite outside the human family.

Still, he said we cannot allow that sad truth to cause us to deny the requirement to maintain a strong defense. “A nation convulsed with Blimpophobia will refuse to take necessary precautions and will therefore encourage her enemies to attack her.”

C.S. Lewis warned his countrymen of the dangers military-phobia during the Second World War. And—among the war-weary nations of the free world battling jihadism—we are wise to heed his wise words today.

The future of civilization depends on the answer to the question, “Can a democracy be persuaded to remain armed in peacetime?” If the answer to that question is No, then democracy will be destroyed in the end. But “to remain armed” here means “to remain effectively armed”. A strong navy, a strong air force, and a reasonable army are the essentials. If they cannot be had without conscription, then conscription must be endured. (C.S. Lewis, “Blimpophobia”).

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* In “A Literary Phobia,” I compared some advice they offered to writers. The counsel in question sounds similar on the surface, but actually differs. In “Orwellian Advice,” I contrast the two authors in much greater detail.

** Blimp’s creator, David Low, resided in London but was actually a New Zealander.

*** You can read Orwell’s 1941 essay, “The Lion and the Unicorn,” here.

One Person’s Joy, Another’s Curse

On By robstroudIn Advice to Writers, C.S. Lewis, Cartoons with a Message, Humor18 Comments

Dislike emoticonEmoticons. Some people love them. Others find them irritating. I’m in the latter camp. That’s why I enjoyed a comic in the paper this week.* A fifty-something husband and wife are talking as she’s typing on her desktop.

Jeannie: I wish I was a little more computer-literate.

Charlie: I don’t really care for that term.

Jeannie: Why not?

Charlie: I don’t like ascribing literacy to people who think emoticons are a part of speech.

I am forced to respond with a wholehearted “ditto!”

I find the evolution of alphabets fascinating. Primitive pictographs amaze me. Emoticons, not so much.

I have to admit that I occasionally use the primitive :) to indicate that something is intended to be humorous, rather than serious. It has served as useful shorthand for written speech, conveying what would be evident in the intonations of oral communication.

However, this nouveau-punctuation has mutated into an abomination. Today there are innumerable graphic variations of that once modest “smile.” And some of them are truly bizarre.

Emoticons run amuck are an evidence of humanity’s demand for novelty. In The Screwtape Letters, C.S. Lewis shows how an incessant demand for something new saps the joy out of the present moment. As the senior demonic tempter declares:

Now just as we pick out and exaggerate the pleasure of eating to produce gluttony, so we pick out this natural pleasantness of change and twist it into a demand for absolute novelty. This demand is entirely our workmanship. If we neglect our duty, men will be not only contented but transported by the mixed novelty and familiarity of snowdrops this January, sunrise this morning, plum pudding this Christmas. . . . Only by our incessant efforts is the demand for infinite, or unrhythmical, change kept up. This demand is valuable in various ways. In the first place it diminishes pleasure while increasing desire.

I realize it’s a bit of a stretch to apply this passage to the subject at hand, but the principle remains the same. When is enough enough? When it comes to emoticons, apparently, that level has yet to be reached. 

I am not seriously suggesting that there is a conspiracy going on here, but one never knows.

Please forgive me if I have offended any Mere Inkling readers who may suffer from emoticonaddiction or some other disorder. It is not my desire to upset you. Feel free to continue your unbridled (ab)use of these tiny monstrosities.

Simply include me (and C.S. Lewis) alongside Charlie in saying, “I don’t like ascribing literacy to people who think emoticons are a part of speech.”

Postscript: I must confess to finding one set of emoticons rather amusing. If you are familiar with Spock from Star Trek, you too may enjoy these Vulcan emoticons that exhibit the full range of Vulcan expression.

vulcan

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* You can see the strip I am referring to here.

 

Irradiated Once Again

On By robstroudIn C.S. Lewis, Modern Life, Potentially Useful Trivia2 Comments

alfredhitchcock_bw_bI had to make a whirlwind trip to San Diego this weekend. Yes, I know . . . San Diego in January—I don’t expect any sympathy.

I don’t expect any empathy related to my destination, but I do know others who share my concern about the “full-body scanners” used at many terminals, such as my own SeaTac Airport.

Naturally, as an older retired military officer, I’m always a prime candidate for being directed to pass through the scanner. And that’s the part that I don’t mind. I want the Transportation Security Administration to be thorough. I enjoy the prospect of landing safely at the end of an uneventful flight. And, because of my desire to be protected from terrorists, I don’t mind having to submit to an additional search.

What I am concerned about is my health. I’m not greatly comforted by claims that these “extremely high frequency radio waves” emitted by millimeter wave scanners are not harmful. And the sister technology, “backscatter x-ray” doesn’t sound any healthier. I’m no scientist, but I recall having heard that many types of radiation are cumulative, and when you add traveling to medical and dental x-rays, cell phones, law enforcement radar guns, and the radon that permeated the military housing my wife and I shared for two years in Illinois . . . well, I am slightly concerned.

Health matters aside, the concern which elicits most criticism relates to the scanners as a violation of “privacy.” Truth is, the images they produce leave little to the imagination. However, there’s no possible way for that “faceless” person to actually be associated with you. Regulations, in fact, do not allow for the images to be preserved at all. So, while inspectors in a shielded room may make some passing ribald remark about the “naked” image on their screen, they have no idea what the person’s face even looks like. Thus, I’m not bothered at all by the so-called privacy concern.

Not that privacy is unimportant. It is crucial to life in a free society. We experience precious little privacy in our lives. C.S. Lewis talked about how our lives are enmeshed in a world of crowds and clamor. The following comes from The Four Loves.

Our imitation of God in this life—that is, our willed imitation as distinct from any of the likenesses which He has impressed upon our natures or states—must be an imitation of God incarnate: our model is the Jesus, not only of Calvary, but of the workshop, the roads, the crowds, the clamorous demands and surly oppositions, the lack of all peace and privacy, the interruptions. For this, so strangely unlike anything we can attribute to the Divine life in itself, is apparently not only like, but is, the Divine life operating under human conditions.

The Irony about Privacy in the Modern Age

This fact makes our willingness to reveal ourselves so openly in social media rather ironic. We need privacy—and the less we experience, the more valuable it becomes. Yet, we also desire to be known by others—for in some twisted way this has become synonymous in the modern world with “important.” Yes, the more hits my Facebook page has, the more likes my post receives, the more followers my blog has, the more important I am. And, the more important I am, the less lonely and forgotten I feel.

Loneliness feels terrible. Human beings were created to be in relationships. First with our Father in heaven. And then with our family, friends and neighbors. There is nothing quite so comforting as having someone who knows our imperfections and shortcomings and still loves us. God loves us that way. And, if we are fortunate, we find others willing to overlook our failings and still love us. We can’t find that kind of deep affection in shallow channels like the internet. When we cast wide the net in social media, so to speak, if we are fortunate we’ll catch a rare treasure in the form of a genuine relationship that enriches our life.

Back to the Status of the Invasive Scanners

Apparently, the complaints of those who feel violated by scanners producing a naked image of the travelers passing through them, have been heard. Apparently the TSA intends to replace them with “less invasive” models. In fact, the generic images the new machines produce have been likened to stick figures or cartoons. Presumably they’ll still be able to detect the foreign objects secreted in or on a criminal’s body.

In the meantime, we don’t have to worry about having our naked likeness published on the internet. Instead we’ll all look like cartoons or, perhaps, famous personages. That’s what inspired me to use the Alfred Hitchcock image above. I can visualize my next visit to the airport and almost overhear the hidden inspectors saying, “nothing to ogle here, just another Hitchcock passing through the scanner.”