Stephen King Echoes C.S. Lewis

csl and kingAuthor Stephen King surprised quite a few fans during a recent PBS interview when he expressed his belief in the universe’s intelligent design. In nature and the cosmos, like theist C.S. Lewis before him, he views a creation so complex and wondrous that he thinks it makes more sense to believe in a divine power than to dismiss faith.

During the interview, King said,

I choose to believe it, yeah. I think that . . . there’s no downside to that, and the downside—if you say, well, OK, I don’t believe in God, there’s no evidence of God—then you’re missing the stars in the sky, and you’re missing the sunrises and sunsets, and you’re missing the fact that bees pollinate all these crops and keep us alive and the way that everything seems to work together at the same time.

In an essay, “Christianity and Culture,” C.S. Lewis alludes to the “Theist” phase of his own life. He points out how limiting a faith that recognizes God only abstractly, in his handiwork, can be.

There is an easy transition from Theism to Pantheism; but there is also a blessed transition in the other direction. For some souls I believe, for my own I remember, Wordsworthian contemplation can be the first and lowest form of recognition that there is something outside ourselves which demands reverence.

To return to Pantheistic errors about the nature of this something would, for a Christian, be very bad. But once again, for “the man coming up from below” the Wordsworthian experience is an advance. Even if he goes no further he has escaped the worst arrogance of materialism: if he goes on he will be converted.

King is, of course, far from what one would properly call a “person of faith.”** Still, it may be that he is presently moving in a positive direction. The following words reveal his yearning for hope, criticism of institutional religion, and his as yet unanswered questions about why God allows suffering in our world.

It’s certainly a subject that’s interested me, and I think it interests me more the older that I get. And I think we’d all like to believe that after we shuffle off this mortal coil, that there’s going to be something on the other side because for most of us, I know for me, life is so rich, so colorful and sensual and full of good things, things to read, things to eat, things to watch, places to go, new experiences, that I don’t want to think that you just go to darkness. . . .

But as far as God and church and religion and . . . that sort of thing, I kind of always felt that organized religion was just basically a theological insurance scam where they’re saying if you spend time with us, guess what, you’re going to live forever, you’re going to go to some other plain where you’re going to be so happy, you’ll just be happy all the time, which is also kind of a scary idea to me. . . .

Everything is sort of built in a way that to me suggests intelligent design. But at the same time there’s a lot of things in life where you say to yourself, well, if this is God’s plan, it’s very peculiar. And you have to wonder about that guy’s personality, the big guy’s personality. . . . What I’m saying now is I choose to believe in God, but I have serious doubts.

For many intelligent people, like C.S. Lewis and Stephen King, coming to faith cannot be severed from their reason. They desire to make sense of the world. Some, sadly, determine that human beings perish forever with their final breath. With that worldview, using King’s words, “you just go to darkness.”

Fortunately many others—brilliant and simple people alike, for God shows no partiality—possess true wisdom and heed the words of Jesus, that he is the way, the truth and the life. Both of these writers experienced an ineffective exposure to the church when they were young. Unfortunately, it served as more of an inoculation than a foundation.

Eventually C.S. Lewis followed that path from theism to Christianity. It’s not impossible that Stephen King may, as well.

_____

* A full transcript of the PBS interview is available here.

** In the interview, King “commends” the entertainment value of enthusiastic, emotionally-charged preaching, while disparaging his own mainline upbringing.

I went to a Methodist church for years as a kid, and Methodist youth fellowship on Thursday nights, and it was all pretty – you know, think of a bottle of soda with the cap off for 24 hours. There weren’t very many bubbles left in that stuff by then. It was pretty – it was Yankee religion, Terry, and there’s really not much in the world that’s any more boring than that. They tell you that you’re going to go to hell, and you’re half-asleep.

Lengthening Good Stories

bayeuxWe’re all familiar with the saying “too much of a good thing.” Because it’s a cliché, most reviewers wisely avoid the phrase, but in reading a fair number of reviews of The Hobbit, I’ve heard this very thought expressed in a number of ways.

Everyone is familiar with Director Peter Jackson’s Oscar-winning trilogy of The Lord of the Rings. Most fans were thrilled when it was announced he would also film J.R.R. Tolkien’s much “smaller” tale of The Hobbit. Some were surprised when they learned he would divide it into two parts. Still, the general sentiment was “the more the better” (another tired phrase). However, when it was ultimately announced that Jackson intended to stretch the modest novel into a trilogy of its own, many fans were incredulous.

There is a tad of irony in transforming Tolkien’s beloved adventure of a hobbit assisting dwarves in a regional quest into an epic to rival the high fantasy of The Lord of the Rings with its conflict enmeshing every corner of Middle Earth.

As I write this column, The Hobbit: An Unexpected Journey is doing well. It is ranked sixth at the box office, and held the number one position for three full weeks, against tough competition.

In order to discover sufficient content to expand the story, Jackson has incorporated a number of Middle Earth tales Tolkien had written about its history in other sources. The primary sourcebook was The Silmarillion, a collection published posthumously by Tolkien’s son Christopher in 1977. Some regard the importing of these elements as a sort of corruption of the simpler story of the single volume. Others welcome the elaboration on the essential story, since the additions are certainly “genuine Tolkien,” and they provide a more elaborate portrayal of Middle Earth.

The reactions to the expansion have been mixed. I don’t have strong feelings either way, but I treasure my time in Middle Earth so highly, that I would likely pitch my tent in the camp of those who approve of the increase. (Not to the point, of course, where I would behead those who objected, as we see on the fragment from the Bayeux Tapestry above.)

In the energetic conversation about the expansion of the saga, people frequently interject the name of the author, and offer suppositions about how he would have reacted. I find this interesting, but somewhat futile. Frankly, there is far too much that we simply don’t know about Middle Earth to authoritatively render Tolkien’s judgment on these things. Yes, we know that he was reluctant to see his work on the screen, but he did sell those rights to his creations. Of course we are aware of his lack of confidence in material originating in the colonies.

In a 1937 letter he writes about a possible publisher in the United States: “As for the illustrations: I am divided between knowledge of my own inability and fear of what American artists (doubtless of admirable skill) might produce.” It is in this same letter that he offers his criticism about a Disneyesque presentation: “It might be advisable, rather than lose the American interest, to let the Americans do as seems good to them—as long as it was possible (I should like to add) to veto anything from or influenced by the Disney studios (for all whose works I have a heartful loathing).”

In an essay entitled “On Criticism,” C.S. Lewis described the limitations of outsiders attempting to discern the intent of authors.

Nearly all reviewers assume that your books were written in the same order in which they were published and all shortly before publication. There was a very good instance of this lately in the reviews of Tolkien’s Lord of the Rings. Most critics assumed (this illustrates a different vice) that it must be a political allegory and a good many thought that the master Ring must “be” the atomic bomb.

Anyone who knew the real history of the composition knew that this was not only erroneous, but impossible; chronologically impossible. Others assumed that the mythology of his romance had grown out of his children’s story The Hobbit. This, again, he and his friends knew to be mainly false. Now of course nobody blames the critics for not knowing these things: how should they? The trouble is that they don’t know they don’t know. A guess leaps into their minds and they write it down without even noticing that it is a guess.

Learning from Lewis, I won’t hazard a guess about Tolkien’s ultimate attitude towards the cinematic portrayals of his works—which will now, I assume, come to carry greater weight in the public psyche than the novels themselves. Well, at least until the current mode of motion pictures becomes obsolete. Then, once again, the words as Tolkien wrote them will reign supreme.

For those who are interested, I created the faux Bayeux Tapestry scrap at the top of the column using a program that allows manipulation of a variety of the hand-stitched images. Then I simply added the text in a simple graphics program. The Historic Tale Construction Kit is available here.

There is also a more sophisticated software interface that I haven’t tried called the “interactive” Bayeux Tapestry.

It’s Still Christmas

nativity iconMerry Christmas!

One of the sad things about living in a secular nation is that people understand very little about the real meaning of Christmas. For example, many people take their trees down on 26 December, mistakenly thinking Christmas is “over.” In reality, the Christian celebration of the Nativity of Jesus only begins on Christmas Day!

The commercial world celebrates the season of Advent and deceptively calls it “Christmas.” These weeks, which should mark a spiritual preparation akin to Lent, are instead transformed into a frantic race to accumulate the perfect gifts to show others just how much we value each of them. And, since we love our family and close friends, there is a constant temptation to be far more extravagant in our gift giving than we can afford.

Returning to the season of Christmas, in which we find ourselves this day . . . we discover a brief occasion to focus our spiritual reflections on the singular Christmas miracle, the Incarnation. God becoming a human being. The Word through whom all things were created, becoming a mortal like the sons of Adam and daughters of Eve fashioned in his own likeness.

Christmas is, indeed, a glorious season.

C.S. Lewis had many insights into the Incarnation miracle. It is most certainly worthy of our serious attention. If it did not actually happen, Jesus should be dismissed altogether, for he claimed to be one with our heavenly Father. However, as Lewis declared in Miracles, “If the thing happened, it was the central event in the history of the Earth.”

One of the great literary treasures of the world is a precious book written before the year Anno Domini 318. Athanasius of Alexandria wrote a treatise called “On the Incarnation,” which makes great reading and is readily available online. A fairly modern translation was written by Sister Penelope Lawson, an Anglican nun.

Sister Penelope prevailed upon C.S. Lewis to write an introduction to her translation, in which he said, “This is a good translation of a very great book.” The full volume, complete with Lewis’ outstanding preface, is available. Here is just one of his gems:

Every age has its own outlook. It is specially good at seeing certain truths and specially liable to make certain mistakes. We all, therefore, need the books that will correct the characteristic mistakes of our own period. And that means the old books. All contemporary writers share to some extent the contemporary outlook—even those, like myself, who seem most opposed to it. Nothing strikes me more when I read the controversies of past ages than the fact that both sides were usually assuming without question a good deal which we should now absolutely deny. They thought that they were as completely opposed as two sides could be, but in fact they were all the time secretly united—united with each other and against earlier and later ages—by a great mass of common assumptions.

Still, as wonderful as Lewis’ introductory comments are, the greatest treasures here are the bishop’s teachings about Jesus. To whet your appetite, taste the following wisdom from Athanasius’ own introduction to his work:

You must understand why it is that the Word of the Father, so great and so high, has been made manifest in bodily form. He has not assumed a body as proper to His own nature, far from it, for as the Word He is without body. He has been manifested in a human body for this reason only, out of the love and goodness of His Father, for the salvation of us men. We will begin, then, with the creation of the world and with God its Maker, for the first fact that you must grasp is this: the renewal of creation has been wrought by the Self-same Word Who made it in the beginning. There is thus no inconsistency between creation and salvation for the One Father has employed the same Agent for both works, effecting the salvation of the world through the same Word Who made it in the beginning.

You can read the entire work at this site. Have a blessed Christmas season!

Our Personal Libraries

printing lettersWhat a blessing it is to live in an age when even the most modest home can treasure its personal library. Public libraries are a community boon, but because of the printing press, books are no longer restricted to the homes of the wealthy.

Books—or, more properly the reading of books—has a direct correlation to human intelligence, knowledge and (occasionally) even to wisdom itself.

In 1905, at the age of seven, C.S. Lewis moved with his family into a large home in the countryside. It was so spacious, in fact that in his autobiography Surprised by Joy, Lewis says, “to a child it seemed less like a house than a city.”

Lewis proceeds to describe the “mansion,” and its most notable feature . . . the profusion of books.

The New House is almost a major character in my story. I am a product of long corridors, empty sunlit rooms, upstairs indoor silences, attics explored in solitude, distant noises of gurgling cisterns and pipes, and the noise of wind under the tiles.

I am a product . . . of endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic, books of all kinds reflecting every transient stage of my parents’ interest, books readable and unreadable, books suitable for a child and books most emphatically not. Nothing was forbidden me. In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.

I’m privileged to own a large library. It’s not a matter of pride. It’s a matter of joy. Like Lewis, and most readers of Mere Inkling, I love books. And, like most bibliophiles, I am fascinated by numerous things related to books.

While attending college I worked for a small publisher. I was able to do a bit of writing, but most of the job involved using an enormous Linotype Phototypesetting machine and pasting up the projects. It was an interesting process, which is now long obsolete.

letterpress

Nevertheless, due to my love for books, reinforced by my own experience as a “printer’s devil,”* I have an affection for items related to publishing. I recently purchased several items from a family business called Type-tiques.

They offer a wide range of reasonably priced letterpress printer’s blocks which look wonderful on bookshelves and literary desktops.**

I also recently accepted an offer for ten free letterpress bookmarks from Peach Farm Studio. You can read about their promotion here. (Since my comment there is still awaiting “moderation,” I’m unsure of the status of the project, but I’ll keep you posted.)

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* Just a note that, should you be unfamiliar with the term “printer’s devil,” it’s simply trade parlance for the shop’s apprentice or flunkey.

** When my wife proofread this, she asked if I literally meant “literary desktops.” Then she motioned towards my own book-laden desk and queried, “and where will you put them?” Fortunately, I have lots of shelves!

A Multiplicity of Polls

Here in the United States, our presidential election season is nearing its end. This is something people on both sides of the political spectrum are anticipating with joy. It’s been a grim process, grimmer than usual. The nation’s financial woes appear to have ramped up the vitriol. Christian values, especially, are maligned by many candidates and the partisan press that ingenuously professes objectivity. Yes, it will be a relief when it ends.

One of the features of modern elections that continues to grow in importance is polling. Scores of different pollsters—with widely varying results—compete for the public’s attention. Some of it is quite interesting, but the dizzying whirlwind of contradictory results creates confusion about their accuracy.

That, however, doesn’t slow their multiplication. Polling as we know it today is a fairly recent invention. It was 1958, when George Gallup gathered all of his nascent polling operations into a single organization. Gallup founded the American Institute of Public Opinion, the precursor of The Gallup Organization, in 1935. Gallup has maintained its reputation for integrity by refusing to accept any funding from political parties or candidates. Today, the company conducts opinion polls in more than 140 countries around the world.

As I was pondering the surplus of polls, I grew curious as to whether or not C.S. Lewis had ever commented on their like. I’m no expert on British politics, but I imagine they had occasional surveys, projections or prognostications. C.S. Lewis and his works have been the subject of innumerable contemporary polls . . . but did the Oxford don ever discuss such matters?

Desiring to avoid superficial attachments that might prove distracting to his literary goals, Lewis maintained a distance from political issues. It was for this reason he declined the well-deserved honor of becoming a “Commander of the British Empire.”

Lewis’ thoughts about politics reflect those of all who have grown tired of empty promises and venomous threats related to the election of “the opposition.” He would have longed, like many of us, for a reasonable and respectful conversation about charting the best course for his country.

Lewis longed for peace, in the spirit of Paul’s exhortation in his epistle to the young pastor, Timothy: “I urge that supplications, prayers, intercessions, and thanksgivings be made for all people, for kings and all who are in high positions, that we may lead a peaceful and quiet life, godly and dignified in every way.” (I Timothy 2:1-2, ESV).

In that spirit he wrote to his brother Warnie in 1940 about the tragedy of living in an epic era, wracked by not one, but two global conflicts.

Lord! How I loathe great issues! ‘Dynamic’ I think is one of the words invented by this age which sums up what it likes and I abominate. Could one start a Stagnation Party—which at General Elections would boast that during its term of office no event of the least importance had taken place? (Maundy Thursday, 21 March 1940).

Lewis’ collected Poems include the following delightful reflection on political campaigning.

Lines During a General Election

Their threats are terrible enough, but we could bear

All that; it is their promises that bring despair.

If beauty, that anomaly, is left us still,

The cause lies in their poverty, not in their will.

If they had power (‘amenities are bunk’), conceive

How their insatiate gadgetry by this would leave

No green, nor growth, nor quietude, no sap at all

In England from The Land’s-End to the Roman Wall.

Think of their roads—broad as the road to Hell—by now

Murdering a million acres that demand the plough,

. . .

And all our coasts one Camp till not the tiniest wave

Stole from the beach unburdened with its festal scum

Of cigarette-ends, orange-peel, and chewing-gum.

Nor would one island’s rape suffice. Their visions are

Global; they mean the desecration of a Star;

Their happiest fancies dwell upon a time when Earth,

Flickering with sky-signs, gibbering with mechanic mirth,

One huge celestial charabanc [tour bus], will stink and roll

Through patient heaven, subtopianized from pole to pole.

As I mentioned above, there are an abundance of polls about Lewis and his writings. It’s fitting to close this post with a related discussion from the introduction to The Quotable C.S. Lewis.

A quick survey of the Encyclopedia Britannica’s great books of the Western world reveals that an average of approximately three authors per century have been included in that august collection. This being so, what authors from this century will be read in the next? Of course, we can no more than guess; only time will tell. If votes are going to be cast, however, the name C. S. Lewis ought at least to be on the ballot.

The influence of his pen can hardly be overestimated. One observer noted that Lewis “is read with enormous affection and loyalty by a wide and diversified audience today. . . . In fact, more of his books are sold today than those of any other Christian writer in history.” Indeed, with over sixty of his books in print, Lewis has for many in this century become the dominant exponent and champion of thoughtful Christianity. Lewis wrote on a wide variety of subjects in many literary forms.

These words were written during the twentieth century. A decade into the new century they ring just as true. Lewis’ contributions to literature and faith are passing the test of time. And I suspect that will remain true at the close of this century, whether polls anticipate it or not.

Those of you with extra time on your hands may wish to participate in Mere Inkling’s nonscientific poll, below.

Your Writing Style

Each of us writes in a unique manner.

You can study writing patterns in various ways, by considering vocabulary, changes in sentence lengths, repeated phrases, and various other measurable elements.

Then there are more subjective aspects of our writing, but these too are recognizable. They would include tone and more abstract things like pacing.

When you add them all together, you arrive at an amorphous quality called the writer’s “voice.” And, as I said above, each of our “voices” are different.

It may be that we dabble in a variety of forms and genres. For example, in addition to these casual blog posts, I also write about theology and military ministry from a much more “professional” perspective. And, shockingly (to my own writing identity) I’ve recently received encouragement related to poetry with which I’ve been experimenting.

Even when we write in various literary forms, and they clearly differ from one another in their voice, the truth is that for each of these documents we develop a personal, inimitable voice.

Now, after emphasizing our literary uniqueness, I want to switch perspectives and consider that our various styles and voice resemble those of others. Occasionally, when reading someone’s work it strikes you as familiar. You may even recall the author that the work reminds you of. (I’m not referring to plagiarism, of course, although the internet has apparently made that particular plague even more common now than in the past.)

It would be vanity to claim that our own writing voice resembles that of no one else. Yes, some voices are so peculiar that they are clearly “rarities,” but others have shared even those odd personalities in the past. I suspect that’s even true for the senseless ramblings with which some self-styled “artists” assail the public. (Even insanities can resemble one another.)

In any case, if you ponder this subject it’s natural to wonder: who do I write like?

Today, through the amazing processing abilities of the computer, you may be able to get an answer to that very question. It’s not a definitive answer, because as I said above, our writing voice possesses both material (words and syntax) and spiritual (ephemeral and aesthetic) dimensions. And, while a computer may be without peer in comparing the former, I believe it to be quite deficient in discerning the latter.

Nevertheless, a rudimentary program is available online to compare your writing with that of a number of writers of varying reputation. The program has a number of limitations, but I think there may be something to it. It requires an extensive section of your writing (several paragraphs, at least). I assume more would be better, in terms of promoting accuracy.

As I just mentioned, it includes a limited number of authors currently entered into the database, and I suspect that the gifted C.S. Lewis is not among them. (I say this not because I expected to be aligned with him, but because of some of the included authors I am aware of. In addition, the program’s creator is actually Russian, so I would be curious to learn how the represented English authors were selected.)

It would limit the program’s value, for example, if I only input data on three writers and you were matched with the one you resembled most closely. Would you prefer, for example, to be told you write like Edward Bulwer-Lytton, Georgette Heyer, or Fabius Planciades Fulgentius?

Even with a significant number of writers included, the program’s accuracy will be affected by the quantity (and specific choice) of what is included to represent each. For example, the programmer properly included Stephen King. How valuable would that be, however, if he had only used King’s poetry and excluded his prose works? (Yes, the horror master has also penned poetry—now, that’s a scary thought!)

Well, despite the limitations of the “I Write Like” program, it is fun to try out. And it sounds impressive, in that it relies upon a naive Bayesian classifier. (Well, the “naive” part doesn’t sound especially remarkable, but the formula looks pretty imposing to someone who never took calculus.

You can use take the “test” at this site.

Make sure you include lengthy selections from your work. Also, testing the program with different genres (assuming you write in different styles) will actually give you new matches. (That is, of course, as it should be.)

If you do decide to experiment with it, a comment below about your results would be interesting for others. And now, for the moment that you have been awaiting . . . with whose writing did the program match mine?

I tried a number of times (no—not fishing for results I wanted, but using a variety of types of my writing) and here were the repeated results:

For my blog posts: H.P. Lovecraft or J.R.R. Tolkien

For my more formal essays: J.R.R. Tolkien or Jonathan Swift

(It’s Swift’s picture, you’ll note, that begins this post.) Actually, the majority of the results linked to Swift, whose work I don’t recall ever reading in full, not even Gulliver’s Travels. However, our shared emphasis on wit, advocacy and satire account for what I deem a genuinely accurate assessment. And it does not hurt that Swift was Anglo-Irish, like my favorite author!

So, until Dmitry Chestnykh adds C.S. Lewis to the writers included in the “classifier,” I’m quite content to rest on my matches. Because even if I don’t share Lovecraft’s worldview, I can still respect his literary skill. And being identified with the other gentlemen, is a grand compliment.

[Special thanks to Julie Catherine who introduced me to the site via her post on the subject.]

Charting Our Life Course

In our last conversation we considered the fact that life is a journey. And during this journey which encompasses our very existence, we follow a variety of paths.

Not all of the paths lead to “happy endings.” I almost wrote “fairy tale endings,” but then I recalled that some old folk tales conclude in a rather grim fashion.

Signposts stand as sentinels at the junctions. “Take this path to self-fulfillment.” “Follow this lane to explore forbidden pleasures.” “This way leads to power.” They offer promises aplenty, but their veracity is not guaranteed. In fact, the more outlandish the claims, the more suspect they become to the wise.

Speaking of wisdom, some of the most powerful words in the Book of Proverbs relate to this notion of choosing paths cautiously. Wisdom and Folly are personified as two women. One offers life-enriching knowledge and insight. The other proffers more carnal and transitory wares.

My son, keep my words


    and treasure up my commandments with you . . .

Say to wisdom, “You are my sister,”


    and call insight your intimate friend,

to keep you from the forbidden woman,


    from the adulteress with her smooth words.

. . . and I have seen among the simple,


    I have perceived among the youths,


    a young man lacking sense,

passing along the street near her corner,


    taking the road to her house . . .

And behold, the woman meets him,


     dressed as a prostitute, wily of heart.

She is loud and wayward;


     her feet do not stay at home;

now in the street, now in the market,


    and at every corner she lies in wait. . . .

I have spread my couch with coverings,


    colored linens from Egyptian linen;

I have perfumed my bed with myrrh,


    aloes, and cinnamon.

Come, let us take our fill of love till morning;


    let us delight ourselves with love.

For my husband is not at home;


    he has gone on a long journey . . .

With much seductive speech she persuades him;


    with her smooth talk she compels him.

All at once he follows her,


    as an ox goes to the slaughter,

or as a stag is caught fast

    till an arrow pierces its liver;

as a bird rushes into a snare;


    he does not know that it will cost him his life.

And now, O sons, listen to me,


    and be attentive to the words of my mouth.

Let not your heart turn aside to her ways;


    do not stray into her paths,

for many a victim has she laid low,


    and all her slain are a mighty throng.

Her house is the way to Sheol,


    going down to the chambers of death.

The power of this proverb is in its truth. I have actually known the seductresses (and seducers) described in these verses. Well, I’ve been acquainted with emanations of both female and male versions of Folly, since they are legion.

Despite the Lies, There is Still Hope

The key to journeying through life with the fewest deadly detours is to rely on a trustworthy guide. A compass, so to speak. A map or handbook that soundly advises which paths to take, and what precipices to avoid.

Of course, if we would rather take the risk, we can rely on human ignorance (is West to my right or my left?) . . . or worldly counsel (let us take our fill . . .).

The Bible lays out the safe and proven path. What’s more, our Savior—who calls himself “The Way,”—promises to accompany us on the journey itself.

One of C.S. Lewis’ least read books is entitled The Pilgrim’s Regress. It is modeled on the classic Pilgrim’s Progress, written by John Bunyan in 1678. The Pilgrim’s Regress was Lewis’ first published work of prose fiction. His protagonist goes through a period of disbelief, mirroring Lewis’ own. It is well worth the read, although, perhaps, it is best preceded by a reading of Bunyan’s original work.

Toward the end of his allegory, Lewis brilliantly describes the course of travel for many who sojourn for a season in foreign (unbelieving) realms. The traveler learns that all who earnestly seek the Truth ultimately find it in a single Source. I offer the following passage not as a “spoiler,” but to illustrate the importance of following the right path—and to entice you to consider reading The Pilgrim’s Regress.

“What do you see?” said the Guide.

“They are the very same shape as that summit of the Eastern Mountain which we called the Landlord’s castle when we saw it from Puritania.”

“They are not only the same shape. They are the same.”

“How can that be?” said John with a sinking heart, “for those mountains were in the extreme East, and we have been travelling West ever since we left home.”

“But the world is round,” said the Guide, “and you have come nearly round it. The Island is the Mountains: or, if you will, the Island is the other side of the Mountains, and not, in truth, an Island at all.”

“And how do we go on from here?”

The Guide looked at him as a merciful man looks on an animal he must hurt.

“The way to go on,” he said at last, “is to go back. There are no ships. The only way is to go East again and cross the brook.”

“What must be must be,” said John. “I deserve no better. You meant that I have been wasting my labour all my life, and I have gone half-round the world to reach what Uncle George reached in a mile or so.”

“Who knows what your uncle has reached, except the Landlord? Who knows what you would have reached if you had crossed the brook without ever leaving home? You may be sure the Landlord has brought you the shortest way: though I confess it would look an odd journey on a map.”

Our Eagle Allies

Eagles are majestic creatures. Living in the midst of a large bald eagle nesting area is something my wife and I don’t take for granted. Each year we see scores of the graceful raptors courting and then raising their young right here on Hood Canal.

Hood Canal is actually an 80 kilometer long fjord, which lies just to the east of the Olympic National Forest. It features deep blue waters at the foot of an impressive mountain range.

Eagles make a significant impression on nearly everyone fortunate enough to see them. Even though they are birds of prey, they look extremely noble. In light of that fact, it’s no accident many nations include an eagle as part of their coat of arms or national seal. These include: Albania, Armenia, Austria, Germany, Ghana, Iceland, Indonesia, Iraq, Mexico, Moldova, Montenegro, Nigeria, Panama, Russia, the United States and at least ten additional countries.

Eagles have also figured prominently in literature. For example, both of the preeminent Inklings, J.R.R. Tolkien and C.S. Lewis, featured eagles as heroes in their fictional classics.

Eagles in the Work of C.S. Lewis

Eagles are among those granted speech by Aslan at the dawn of Narnia’s creation. They reward their Creator’s gift by serving faithfully throughout the entire history of the land. Eagles play a role in virtually every battle that occurs in Narnia. They are always on the side of good.

In addition to fighting in the campaign against the White Witch, eagles are responsible for the rescue of Edmund from her camp. When Aslan calls his army to rush toward the climactic battle in The Lion, the Witch and the Wardrobe, he says:

And now! Those who can’t keep up—that is, children, dwarfs, and small animals—must ride on the backs of those who can—that is, lions, centaurs, unicorns, horses, giants and eagles. Those who are good with their noses must come in the front with us lions to smell out where the battle is.

The most noteworthy passages relate to Farsight, who is a prominent eagle during the final days of Narnia. He it is who brings to King Tirian the sad news that Narnia’s capital has fallen.

“Sire,” said the Eagle, “when you have heard my news you will be sorrier of my coming than of the greatest woe that ever befell you.” Tirian’s heart seemed to stop beating at these words, but he set his teeth and said, “Tell on.” “Two sights have I seen,” said Farsight. “One was Cair Paravel filled with dead Narnians and living Calormenes . . . And the other sight, five leagues nearer than Cair Paravel, was Roonwit the Centaur lying dead with a Calormene arrow in his side. I was with him in his last hour and he gave me this message to your Majesty: to remember that all worlds draw to an end and that noble death is a treasure which no one is too poor to buy.” “So,” said the King, after a long silence, “Narnia is no more.” (The Last Battle)

After this sad entrance, and following the “Last Battle,” Farsight is one of the leaders as the victor’s army enters into the foothills of heaven.

. . . the dogs barked, “Faster, faster!” So they ran faster and faster till it was more like flying than running, and even the Eagle overhead was going no faster than they. And they went through winding valley after winding valley and up the steep sides of hills and, faster than ever, down the other side, following the river and sometimes crossing it and skimming across mountain lakes as if they were living speedboats . . . “Further up and further in!” roared the Unicorn, and no one
held back. . . .

Only when they had reached the very top did they slow up; that was because they found themselves facing great golden gates. And for a moment none of them was bold enough to try if the gates would open. . . . “Dare we? Is it right? Can it be meant for us?” But while they were standing thus a great horn, wonderfully loud and sweet, blew from somewhere inside that walled garden and the gates swung open. (The Last Battle)

Eagles in the Work of J.R.R. Tolkien

Similar to Lewis’ distinction between dumb and speaking eagles, Tolkien distinguishes between “common” and Great Eagles. In The Hobbit he writes, “Eagles are not kindly birds. Some are cowardly and cruel. But the ancient race of the northern mountains were the greatest of all birds; they were proud and strong and noble-hearted.”

It is these noble mountain eagles who populate the six books (three volumes) of the Lord of the Rings and Tolkien’s other fiction.

At the end of the First Age, eagles fight alongside the Valar, Elves and Men in the War of Wrath. They especially contend against the dragons of Morgoth as recounted in The Silmarillion. The eagles emerge victorious, destroying most of their enemy during an aerial battle.

Near the end of the Third Age, the eagles from the Misty Mountains rescue Thorin’s troop from goblins and wargs, as related in The Hobbit. Without their aid, the Dwarves, Elves and Humans would likely have met defeat at the Battle of Five Armies.

In The Lord of the Rings (including the cinematic version) the eagles feature prominently. They are even capable of clashing head-to-head with the fearsome Nazgûl-mounted dragons.

And, of course, several of them rescued Frodo Baggins and Samwise Gamgee following the destruction of the One Ring.

Two named eagles should be mentioned. Thorondor was the initial Lord of Eagles and according to The Silmarillion was the “mightiest of all birds that have ever been.”

His descendant Gwaihir is the leader of those who aid Gandalf throughout the events of The Lord of the Rings. Not only does he rescue the wizard from the tower, but he returns him after his “resurrection” which followed the battle with the Balrog.

“Naked I was sent back—for a brief time, until my task is done. And naked I lay upon the mountain-top. . . . I was alone, forgotten, without escape upon the hard horn of the world. . . . And so at the last Gwaihir the Windlord found me again, and he took me up and bore me away. ‘Ever am I fated to be your burden, friend at need,’ I said.”

“A burden you have been,” the Eagle answered, “but not so now. Light as a swan’s feather in my claw you are. The Sun shines through you. Indeed I do not think you need me any more: were I to let you fall, you would float upon the wind.” (The Two Towers)

It may be that for this life we must remain content with seeing only the common and mute eagles that populate this mortal world. But even they, are glorious to behold.

Lessons Taught by Onions

This column has been written backwards. Not sdrawkcab literally, but in the opposite direction of its natural order. Usually I find something illuminating (most commonly in C.S. Lewis’ work), and then I offer some reflections on that insight. Occasionally, the post’s subject arises from a different source, and in my subsequent thoughts, I consciously consider what Lewis might have thought about the matter.

This is the first time when something utterly bizarre struck me as a valid starting point. And, only later did I find a suitable “proof text” or two from Lewis to validate discussing the odiferous subject at hand.

There’s a show I’ve been enjoying called “Parks and Recreation.” While I can’t recommend it to others, due to the casual portrayal of promiscuity which is endemic to American “entertainment.” Nevertheless, they often have quite witty writing that satirizes the crazy nature of life in our world today. This episode features a political debate between candidates for mayor of a small town.

One of the candidates responds to a question with, “No, I’m not a Vegan. I’m an Onionarian. I only eat onions and onion-based juices.”

I wonder how many other cultures can garb their dietary preferences in the robes of religious faith and devotion? Now, I love an onion more than the average person, but the notion of narrowing our diet down from God’s vast table to a single item just strikes me as a bit humorous (see Acts 10:9f).

As I enjoyed a chuckle, the thought flashed that I might relate this dialog for others who share my peculiar sense of humor . . . and I immediately wondered whether or not a Lewisian connection would be possible. Oh me of little faith. Lewis was so prolific that it doesn’t even require me to stretch.

You see, onions can teach us many lessons.

For example, look at this demonic advice offered by Screwtape to his protégé Wormword. He says Tempters should persuade human beings to care overly about what others think of them. The entire advertising world seems to be established on this principle. And how terribly vulnerable we are to this whisper. But, by the grace of God, it appears some are immune.

The man who truly and disinterestedly enjoys any one thing in the world, for its own sake, and without caring two pence what other people say about it, is by that very fact forearmed against some of our subtlest modes of attack. You should always try to make the patient abandon the people or food or books he really likes in favor of the “best” people, the “right” food, the “important” books. I have known a human defended from strong temptations to social ambition by a still stronger taste for tripe and onions. (C.S. Lewis, Screwtape Letters)

Thus we see that onions can, in some contexts, possess salvific influences. (Well, that might be pushing the lesson just a wee bit . . . but there is an important truth to be found in this epistle.)

Lewis’ arguably most famous discussion of onions is found in his discussion of concentric rings of secrecy, power, intimacy and knowledge described in his 1944 address entitled “The Inner Ring.” Rather than paraphrase his fine argument, I shall allow the following portions of his talk to speak eloquently for themselves.

Badly as I may have described it, I hope you will all have recognized the thing I am describing. Not, of course, that you have been in the Russian Army or perhaps in any army. But you have met the phenomenon of an Inner Ring. You discovered one in your house at school before the end of the first term. And when you had climbed up to somewhere near it by the end of your second year, perhaps you discovered that within the Ring there was a Ring yet more inner, which in its turn was the fringe of the great school Ring to which the house Rings were only satellites. It is even possible that the School Ring was almost in touch with a Masters’ Ring. You were beginning, in fact, to pierce through the skins of the onion. And here, too, at your university-shall I be wrong in assuming that at this very moment, invisible to me, there are several rings-independent systems or concentric rings-present in this room? And I can assure you that in whatever hospital, inn of court, diocese, school, business, or college you arrive after going down, you will find the Rings—what Tolstoy calls the second or unwritten systems. . . .

Of all the passions the passion for the Inner Ring is most skilful in making a man who is not yet a very bad man do very bad things. My second reason is this. The torture allotted to the Danaids in the classical underworld, that of attempting to fill sieves with water, is the symbol not of one vice but of all vices. It is the very mark of a perverse desire that it seeks what is not to be had. The desire to be inside the invisible line illustrates this rule. As long as you are governed by that desire you will never get what you want. You are trying to peel an onion: if you succeed there will be nothing left. Until you conquer the fear of being an outsider, an outsider you will remain. . . .

I must now make a distinction. I am not going to say that the existence of Inner Rings is an evil. It is certainly unavoidable. There must be confidential discussions: and it is not only not a bad thing, it is (in itself) a good thing, that personal friendship should grow up between those who work together. And it is perhaps impossible that the official hierarchy of any organization should quite coincide with its actual workings. If the wisest and most energetic people invariably held the highest posts, it might coincide; since they often do not, there must be people in high positions who are really deadweights and people in lower positions who are more important than their rank and seniority would lead you to suppose. In that way the second, unwritten system is bound to grow up. It is necessary; and perhaps it is not a necessary evil. But the desire which draws us into Inner Rings is another matter. A thing may be morally neutral and yet the desire for that thing may be dangerous.

While I have no doubt a number of other worthwhile onion-lessons are waiting to be found in the Inklings corpus, I would like to close now with my personal favorite. In the following passage, Lewis reverses the analogy, with each peeling away of a layer revealing ever more of reality.

In the closing paragraphs of the final Narnia Chronicle, The Last Battle, Lewis transforms the savory bulb into a metaphor for never ending epiphany.

[Lucy said:] “I see now. This garden is like the stable. It is far bigger inside than it was outside.”

“Of course, Daughter of Eve,” said the Faun. “The further up and the further in you go, the bigger everything gets. The inside is larger than the outside.”

Lucy looked hard at the garden and saw that it was not really a garden but a whole world, with its own rivers and woods and sea and mountains. But they were not strange: she knew them all.

“I see,” she said. “This is still Narnia, and more real and more beautiful than the Narnia down below, just as it was more real and more beautiful than the Narnia outside the stable door! I see . . . world within world, Narnia within Narnia. . . .”

“Yes,” said Mr. Tumnus, “like an onion: except that as you continue to go in and in, each circle is larger than the last.”

What a glorious description. And, like our Lord who elevated the humble mustard seed to literary immortality, Lewis has lifted the modest genus Allium, and secured for it a lasting place in English literature.

Literary Words

I must confess that I like words. In fact, it’s not excessive to say that I delight in brilliantly witty “turns of phrase” and elegantly painted landscapes that allow me to clearly see what the author is painting with his or her words.

I’ve grown convinced that loving words is a handicap to becoming an excellent writer. Yes, scribblers like me can become adequate or even appreciated writers . . . but to stand in the highest ranks a writer must be willing to ruthlessly slash and slay excess words that impede their perfect vision.

Self-editing is a discipline. It’s something that can be learned and refined through practice. That it forever remains a bit painful for some of us is clear evidence we are overly attached to the words we have put to paper.

C.S. Lewis addressed this general subject in a 1932 letter to his good friend Arthur Greeves. While he was not a slave to the number of words required, he aimed for simplicity and clarity. Lewis wrote:

I think I see, from your criticisms, that you like a much more correct, classical, and elaborate manner than I. I aim chiefly at being idiomatic and racy, basing myself on Malory, Bunyan, and Morris, tho’ without archaisms: and would usually prefer to use ten words, provided they are honest native words and idiomatically ordered, than one “literary word.” To put the thing in a nutshell you want “The man of whom I told you,” and I want “The man I told you of.”

I smiled as I typed Lewis’ remark about “ten words.” He used that to illustrate his willingness to use excessive verbiage to communicate clearly. Brevity was, however, an admirable goal. And brevity is a virtue I’ve seldom been accused of possessing.

In the military, comrades and associates are frequently presenting plaques and remembrances to those who are “rotating” to new assignments. Having served in a dozen different “permanent” assignments, I have boxes full of such memorabilia.

Two of the few I display are genuinely precious. The first is an icon of Saint Athanasius, presented to me by the best “boss” I ever had, an Orthodox priest by the name of John Stefero. The reasons for the personal gift were theological and I accepted it with genuine appreciation and humility.

The second prized gift is a gracefully curved etched glass keepsake featuring the seal of the United States Air Force Chaplain School where I served for three wonderful years. The commandant was speechless as he presented the plaque to me, reading for the first time the inscription that my closest companions had composed for me.

He says in a book what others say in a sentence.

The commandant (later our Chief of Chaplains) was stunned. I was delighted. I led the gathering’s laughter and bellowed, “Yes, and it’s a book well worth reading!”

Jack Lewis may have chided me a bit for the underlying reason for the accolade, but I am confident he would have delighted in the affectionate friendship and esprit de corps with which it was presented.

So much for my shortcomings. For all other writers (including, perhaps, you?) . . . I would recommend following the master’s example, rather than my own.