The word was introduced by Richard Dawkins in 1976 and means an idea or social behavior that is transmitted by repetition “in a manner analogous to the biological transmission of genes.” Dawkins echoed the sound of “gene,” using the Greek word mimeisthai (to imitate).
Some memes are quite comical. Other quickly grow wearisome (remember the “dancing baby?”).
One I find particularly creative is a scene of Hitler in his bunker during the final days of the Third Reich. The dialog is in German, and the ingenuity is manifest in all of the hilarious subtitles that people create to coincide with the actions of the characters.
I’m sure there are many tasteless examples (to be avoided), but during the last few years I’ve viewed a couple of dozen and found most quite entertaining.
When I discovered a website that allows you to create your own version, I couldn’t resist. And, of course, I could think of no subject better suited to coinciding with Hitler’s demise than the heroic work of C.S. Lewis. In just a moment I’ll share a link to my film “adaptation.”
Lewis, of course, was a patriot who volunteered for the British army and served on the frontlines. He was seriously wounded. (He was not a Christian at the time.)
During the Second World War, Lewis supported the war effort from home. He provided tremendous encouragement to his countrymen via well-received talks broadcast on BBC. And this is the inspiration for my “take” on the Hitler Bunker meme.
His sequel to The Screwtape Letters, “Screwtape Proposes a Toast,” mentions the madman by name. Portraying the demons at the banquet as feasting on the souls of the damned, Screwtape complains:
. . . it would be vain to deny that the human souls on whose anguish we have been feasting tonight were of pretty poor quality. Not all the most skilful cookery of our tormentors could make them better than insipid.
Oh to get one’s teeth again into a Farinata, a Henry VIII, or even a Hitler! There was real crackling there; something to crunch; a rage, an egotism, a cruelty only just less robust than our own. It put up a delicious resistance to being devoured.
Curiously, in English Literature in the Sixteenth Century, Lewis mentioned how Hitler could be viewed in a humorous light.
The mixture of farce and terror would be incredible if we did not remember that boys joked most about flogging under Keate, and men joked most about gallows under the old penal code. It is apparently when terrors are over that they become too terrible to laugh at; while they are regnant they are too terrible to be taken with unrelieved gravity. There is nothing funny about Hitler now.
Lewis’ point, accurate I believe, is that in the terror of the experience itself, humor can provide some relief. Laughing in ridicule at the source of the horror can help to preserve our sanity. Only in the aftermath—once the threat has been dispatched—can we allow the true magnitude of the carnage to be comprehended. And, in that moment, there is nothing at all that is funny.
Of course, years later, when the sights and smells of Dachau are no longer recalled by the living, things shift once again. (Very few of those tragic victims or liberating heroes remain.) When the scarred battlefields have been covered with velvet grass, and it was no longer even “dad’s war,” but now “grandpa’s” or even “great-grandpa’s,” the bitterness has grown stale.
Today, it is natural to scorn and laugh at the tragic dictator who caused so much sorrow. He was a pitiful human being, and without minimizing his crimes, it is fitting that he be ridiculed once again.
History Proves Lewis True
The fact that at a certain point it becomes acceptable to ridicule a monster, is the premise behind the hilarious film “The Producers.” If you’ve never seen it, by all means take a moment to watch the theme song, “Springtime for Hitler.” For a cinematic example of Hitler-ridicule, there may be none finer than that “musical” (overlooking the tasteless burlesque costumes).
Of course, true to Lewis’ maxim, ridicule was also heaped upon the “Bohemian Corporal” during the war itself.
The classic example would be Charlie Chaplin’s celebrated “The Great Dictator.” (In addition to starring in the film, Chaplin wrote, directed and produced the movie. Oh, and he also co-composed the music.) The film was made in 1940, while war already raged, but prior to the entry of the United States.
Chaplin’s movie confirms Lewis’ contention that we should not joke about such matters while the wounds are raw. We learn from Chaplin’s My Autobiography, that in the post-war realization of the depth of Hitler’s evil, he regretted treating him with such levity. “Had I known of the actual horrors of the German concentration camps, I could not have made The Great Dictator, I could not have made fun of the homicidal insanity of the Nazis.”
[Best if viewed in the order presented, beginning with the external link to my parody.]
A Visit to the Cinema
Hitler Versus C.S. Lewis (by Mere Inkling)
Click this link: http://meemsy.com/v/12897
“Springtime for Hitler and Germany” from The Producers
The Three Stooges actually beat Chaplin to the screen with their short, “You Nazty Spy!” The sequel, “I’ll Never Heil Again” was released the following year.
A Scene from “Nazty Spy”
A Brief Clip from “I’ll Never Heil Again”
And finally, returning full circle to the original meme in which I participated, I was surprised to discover a version of it in which Hitler views the trailer for the 2012 Three Stooges movie. (Apparently, despite their rather disrespectful treatment of him, according to this meme der fuhrer was a fan!) And with that, today’s Hitler cinema will close.