Martian Tribute to C.S. Lewis

Malacandra CraterMere Inkling recently named a crater on Mars, in honor of C.S. Lewis. The crater’s name is Malacandra, which was the name for the red planet in the first volume of Lewis’ Space Trilogy, Out of the Silent Planet.

The naming of Malacandra Crater was done through an organization preparing the map which will be used by the Mars One Mission. Mars One is the optimistic international effort to establish a permanent human settlement on the red planet, beginning in 2024.

The über-adventurous (or foolhardy) are able to apply today for consideration to become an astronaut.

The crater naming project is not sponsored by the International Astronomical Union (IAU). Instead, it is coordinated by Uwingu, a for profit company that has a goal of raising $10,000,000 for grants to scientists and educators promoting space exploration.

Due to its limited* budget, Mere Inkling was only able to name a small crater. However, it’s not the expense, it’s the thought that counts.

In addition to Malacandra Crater, I named the impact mark directly to its south in honor of my grandchildren. The process allows one to include a dedication for each named crater. For theirs, I wrote:

Stroud Crater is named in honor of the brilliant grandchildren of Rob & Delores Stroud. Andrew, Ariana, Dominic, Arabelle, Rachel, Rebecca, Kaelyn & Asher. Whether they grow up to be astrophysicists, veterinarians or educators, we know they will all make this world a better place. Soli Deo Gloria.

The tiny basins named above lie in Aurorae Chaos. It’s a rugged neighborhood, but there are surprisingly few craters in the immediate vicinity. I’m always seeking opportunities to encourage my grandchildren to study science, and I hope this will pique their interests, both now and in the years to come.

C.S. Lewis is not primarily known today as a writer of science fiction, but his series (also known as the Cosmic Trilogy, or the Ransom Trilogy, after its protagonist) is quite good. In fact, it was the very first of Lewis’ works I ever read. I was introduced to them by a Christian friend during my college years.

Several influences converged to move Lewis to venture into science fiction. In 1938, he thanked a friend for his praise of Out of the Silent Planet, and wrote:

You are obviously much better informed than I about this type of literature and the only one I can add to your list is Voyage to Arcturus by David Lyndsay (Methuen) which is out of print but a good bookseller will probably get you a copy for about 5 to 6 shillings. It is entirely on the imaginative and not at all on the scientific wing.

What immediately spurred me to write was Olaf Stapledon’s Last and First Men and an essay in J. B. S. Haldane’s Possible Worlds both of which seemed to take the idea of such travel seriously and to have the desperately immoral outlook which I try to pillory in Weston.

I like the whole interplanetary idea as a mythology and simply wished to conquer for my own (Christian) point of view what has always hitherto been used by the opposite side. I think Wells’ 1st Men in the Moon the best of the sort I have read.**

Lewis then appends a comment referring to the other planets in our solar system, but intriguing in light of the recent discovery of numerous planets throughout the galaxy. “The more astronomy we know the less likely it seems that other planets are inhabited: even Mars has practically no oxygen.”

One of Lewis often overlooked science fiction short stories, “Ministering Angels,” is set on Mars. It begins in the following way.

The Monk, as they called him, settled himself on the camp chair beside his bunk and stared through the window at the harsh sand and black-blue sky of Mars. He did not mean to begin his ‘work’ for ten minutes yet. Not, of course, the work he had been brought there to do. He was the meteorologist of the party, and his work in that capacity was largely done; he had found out whatever could be found out.

There was nothing more, within the limited radius he could investigate, to be observed for at least twenty-five days. And meteorology had not been his real motive. He had chosen three years on Mars as the nearest modern equivalent to a hermitage in the desert.

He had come there to meditate: to continue the slow, perpetual rebuilding of that inner structure which, in his view, it was the main purpose of life to rebuild. And now his ten minutes’ rest was over. He began with his well-used formula. ‘Gentle and patient Master, teach me to need men less and to love thee more.’ Then to it. There was no time to waste.

There were barely six months of this lifeless, sinless, unsuffering wilderness ahead of him. Three years were short . . . but when the shout came he rose out of his chair with the practised alertness of a sailor.

The Botanist in the next cabin responded to the same shout with a curse. His eye had been at the microscope when it came. It was maddening. Constant interruption. A man might as well try to work in the middle of Piccadilly as in this infernal camp. And his work was already a race against time. Six months more . . . and he had hardly begun.

The flora of Mars, these tiny, miraculously hardy organisms, the ingenuity of their contrivances to live under all but impossible conditions—it was a feast for a lifetime. He would ignore the shout. But then came the bell. All hands to the main room.
(“Ministering Angels,” Of Other Worlds: Essays and Stories).

Malacandra Crater may be a small feature on a vast and curious planet, but it is a tribute to an author of immense and lasting talent.

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* i.e. nonexistent

** The following titles mentioned by Lewis are available for free digital download:

Voyage to Arcturus

Last and First Men

The First Men in the Moon

Introducing Anatole France

papeThere’s always a new author to meet. Some are more worth meeting than others.

I was introduced to Anatole France (1844-1924) when I saw him listed on the “must read” list of F. Scott Fitzgerald.

I’m not a big Fitzgerald fan, but as an amateur literary historian, I was curious about how this particular list was recovered. Apparently, he had dictated it to one of his nurses, several years before his death. However, the list only turned up last year, having lain unnoticed in the nurse’s effects.

The France title that Fitzgerald deemed essential was The Revolt of the Angels. Its importance to him is highlighted by the fact that this relatively short list only included twenty-two titles. And one of that mere score of selections was The Revolt of the Angels.

The angelic dimension of the work is what intrigued me. Angels, of course, are real beings. They’re distinct from people (contrary to the pervasive contemporary notion that when people die they “become” angels).

There actually was an angelic revolt, and there are several references to it in the Scriptures. “How you are fallen from heaven,
O Day Star, son of Dawn!” (Isaiah 14:12).

I was curious whether France was writing about this ancient event. I was also intrigued by Fitzgerald’s interest in the volume, given its subject.

I was disappointed.

It turns out that, like Mark Twain, France was sympathetic to the Devil. I’m sure he thought himself quite the wit when he wrote, in reference to the Bible, “We have never heard the devil’s side of the story, God wrote the whole book.”

I don’t have time to read texts like this—when there is more than enough good literature to keep me occupied for several lifetimes. However, it appears to be based on Gnostic concepts with God (the Creator of this world) viewed as an imperfect demiurge. His incompetence, it seems, justifies the heavenly revolt.

Suffice it to say, the book is commended for reading by the Freedom From Religion Foundation. That sort of endorsement speaks volumes.

Here, however, is a random paragraph. It may be illustrative of the tone of the work, even though pulled from its context. The speaker is, I believe, one of the positive characters in the book. While France himself was an atheist, his sympathetic character summarizes a pagan cosmology quite elegantly.

Young Maurice’s guardian angel [said] “I argue, like you, in the language of human beings. And what is human language but the cry of the beasts of the forests or the mountains, complicated and corrupted by arrogant anthropoids. How then . . . can one be expected to argue well with a collection of angry or plaintive sounds like that?

Angels do not reason at all; men, being superior to the angels, reason imperfectly. I will not mention the professors who think to define the absolute with the aid of cries that they have inherited from the pithecanthropoid monkeys, marsupials, and reptiles, their ancestors! It is a colossal joke! How it would amuse the demiurge, if he had any brains!”

That is actually a rather provocative quote, and I’m sure it may lead some to explore the text even further. I certainly don’t object to that, and would be curious to hear back from anyone familiar with the book. I would especially like to see the reaction of Christians to The Revolt of the Angels.

If you are interested in a more creative fictional treatment of fallen angels, be sure to read C.S. Lewis’ The Screwtape Letters. While the presentation is truly groundbreaking, Lewis’ take on the motives and nature of these defeated beings is actually based on reality. Cast from the heavens they are consumed with rage and hatred of God.

A positive note about Anatole France

Whatever I think about the writer’s theology, I did read several wise quotations attributed to him. I’d like to close with these, as they may be more edifying than our discussion of Gnostic cosmology.

“Nine tenths of education is encouragement.”

“Some succeed because they are destined to; most succeed because they are determined to.”

“If 50 million people say a foolish thing, it is still a foolish thing.”

“When a thing has been said and well said, have no scruple; take it and copy it.”

And my favorite:

“Until one has loved an animal, a part of one’s soul remains unawakened.”

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The illustration above is the work of Frank C. Papé (1874-1972) an English book illustrator. It comes from another of France’s “religious” works.